TERRELL'S SOUND WORLD PLAYLIST

Sunday, February 25, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
NEW: email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres

Oscars Set
Tinsel Town Rebellion by Frank Zappa
No Business Like Show Business by Ethel Merman
Martin Scorsese by King Missile
Celluloid Heroes by The Kinks
Beloved Movie Star by Stan Ridgway
New Age by The Velvet Underground

She's Going Bald by The Beach Boys
Oops I Did it Again by Richard Thompson
People Who Died by The Jim Carrol Band
Neighborhood 1 - Tunnels by The Arcade Fire
Perfectly Good Guitar by John Hiatt
Windsurfing Nation by Broken Social Scene
Snake by P.J. Harvey
My Bai Taiga by Tyva Kyzy

Something in Your Back Pocket by Otis Taylor
Love Machine by The Time
Staring at the Sun by TV on the Radio
The Girl Can't Dance by Bunker Hill with Link Wray
Princess Lala by Irma Thomas
Mr. Big Stuff by Jean Knight
River of Dreams by Jerry Lawson & Talk of the Town
I Want You to Want Me by The Holmes Brothers

In Shock by Kristin Hersh
The Lonely End of the Rink by The Tragically Hip
Cousin Chris by The Fiery Furnaces
Live With Me by The Twilight Singers with Mark Lannegan
Love For Sale by Julie London
Little Drop of Poison by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

INSIGHT NEW MEXICO

I'll be appearing on Eric Griego's talk show Insight New Mexico between 3 pm and 4 pm this afternoon.

It's on Albuqueruqe's 1350 AM Talk Radio station -- which unfortunately doesn't come in very well in Santa Fe. But the show is podcasted HERE.

THE SANTA FE OPRY PLAYLIST

Friday, February 23, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Guacamole by The Texas Tornados
Are You Sure Hank Done it This Way by Uncle Tupelo with Joe Ely
Rich Man's Town by Country Dick Montana
Closing Time by The Pleasure Barons
I Just Want to Meet the Man by Robbie Fulks
Don't Be Ashamed of Your Age by Jerry Lee Lewis with George Jones
Tobacco Road by Southern Culture on the Skids
Do You Call That a Buddy? by Martin, Bogan & Armstrong

Pinball Machine by Splitlip Rayfield
Why Don't You Haul Off and Love Me by Scroatbelly
One Voice by The Gear Daddies
Boil the Strings by The Gourds
Lookout Mountain by Drive By Truckers
Old Dan Tucker by Bruce Springsteen
Okie Boogie by Maddox Brothers & Rose

Heartaches by the Number by Willie Nelson, Merle Haggard & Ray Price
I'm Barely Hangin' On to Me by Miss Leslie & Her Juke Jointers
Gonna Be Flyin' Tonight by Wayne Hancock
Thrown Out of the Bar by Hank Williams III
Just the Other Side of Nowhere by John Prine & Mac Wiseman
Sam Stone by Swamp Dogg
If I Had a Boat by The Holmes Brothers
Lorraine by John Egenes
Rye Whiskey by Sen. Robert Byrd

Seven Time Hotter Than Hell by T-Bone Burnett
Rio by Mike Nesmith
Remain by Jon Dee Graham
Barbara Allen by The Handsome Family
Dear Friend by Eleni Mandell
The Great Speckled Bird by Rob McNurlin
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

eMUSIC FEBRUARY

Here's my allotted 90 downloads from eMusic this month:



*Some Kinda Nut - Missing Links Volume 3 by Link Wray. This is a collection of rare Link Wray tracks both as a solo artist and sideman. "Little Red Riding Hood & The Wolf" by Bunker Hill. The greatest, the craziest rock 'n' soul hit you never heard.




*Quicksand/Cradlesnakes by Califone. If Wilco is The Beatles of roots-based experimental rock, then Califone is ... I dunno, The Who?




*Bee Hives by Broken Social Scene. I downloaded this because a friend recently turned me on to BSS' self-titled album. I like that one better than Bee Hives, which seems slower and more meandering.




*Young Liars and New Health Rock by TV on the Radio . I just got into this band (See my recent Tuneup on Return to Cookie Mountain) Better late than never! This band's like a crazy mix of Fishbone and the Fall held hostage in a magic Radio Shack. These are a couple of EPs from TV's early years (2003-2004). Not quite as developed as Cookie Mountain, but they definitely were on their way.



*The Singles by Spacemen 3. This is a band whose name I've seen under influences of an awful lot of pyscho/garage/guitar-fuzz/noise bands I like. However, I'd never really been into the Spacemen that much, so I thought I'd give 'em a try. Cool and spacey. Some of it rocks, some like "Ecstacy Symphony" are lengthy drones. That one and others are around 10 minutes long. Warning: This album barely fits on one disc. Burning it on iTunes I had to set it on 0 seconds between songs to make it all fit.



*Why I Remix Women by Pere Ubu. I would have titled this "Why I Hate Remix Albums." I couldn't not to get this because I liked Why I Hate Women so much. But my advise is to stick with the original.

Plus

* The first seven cuts from Vol. 2 America's Most Colorful Hillbilly Band by The Maddox Brothers and Rose. I had seven tracks left over, so I decided to get a start on the second column. This family band had more fun than hillbillies out to be allowed to have. (I've just downloaded th remaining 23 tracks for my march selections.)

and

* Bloodshot Records Honky-Tonk Compilation What a deal! This currently is free to eMusic members. I already had most of these 11 tracks on the original albums by artists like Wayne "The Train" Hancock, Robbie Fulks, the Old 97s, former Santa Fe resident Rex Hobart, Paul Burch, etc. but it makes for a dandy sampler.

TERRELL'S TUNEUP: OTIS ROARS

A version of this was published in The Santa Fe New Mexican
February 23, 2007

Since his rise in the ’90s, Otis Taylor’s main goal seems to have been to stretch the boundaries of the blues in subtle yet exciting ways. Sometimes Taylor, or at least his PR folks, calls his music “trance blues,” though that tag hardly does his sound justice.

His latest album, Definition of a Circle (to be released Tuesday, Feb. 27), stretches those boundaries even further.

But it’s still very much the blues. And it’s still very much an Otis Taylor album. In fact, this is among his best. Like his best work, there are lots of socially conscious songs dealing with downtrodden and forgotten people. But on at least a couple of numbers here, Taylor sounds as if he wants to have a little fun.

Circle has to be the most richly textured album he’s ever done. There’s a wide variety of instruments — trumpets, mandolin, banjo, keyboards, cello, and, on some songs, even drums. (Until his last album, Below the Fold, Taylor never used drums in his recordings. He doesn’t always need a drummer, but I’m glad he hasn’t taken some purist attitude about the issue.)

And this could be the first time Taylor has actually had guest stars. British bluesman Guitarist Gary Moore plays guitar on some tracks. And Charlie Musselwhite blows his harp on “Looking Over Your Fence.”

Every song here is worthwhile. But here are some standouts:
“They Wore Blue” is about Hurricane Katrina and its aftermath. It starts out slow and mournful, with Taylor moaning “Oh Katrina” as his daughter Cassie, sounding like a ghostly spirit, sings in the background. The chord structure reminds me of Hendrix’s version of “Hey Joe.” The last three minutes or so is a tasty little Allmanesque jam featuring Otis’ guitar, Nick Amodeo’s mandolin and Brian Juan’s organ. It’s an unexpected upbeat coda to a what started out as a dirge.

“Something in Your Back Pocket” is raging psychedelia, with Moore on lead guitar, Jack Hadley on steel guitar, and Taylor on slide. The vocals are all spoken word; Taylor plays a bouncer trying to keep a troublemaker out of a nightclub.

“Long Long Life” is a free jazz excursion with Ron Miles on cornet playing against the pianos of Hiromi Uehara and Taylor as well as Juan’s organ.

But Taylor might have saved his best for the album’s first track. “Little Betty” starts out on fire, with a fidgety guitar bouncing off the organ, Moore’s lead guitar answering Taylor’s vocals.

Once again, Taylor has shown that he’s the most innovative force in the blues. Despite all the periodic hand-wringing about the blues being a dying art form, as long as Otis is around, this music’s still a long way from extinction.

Also Recommended

State of Grace by The Holmes Brothers. I have to admit I was worried when I saw the song list for this new one by The Holmes Brothers (Sherman Holmes and Wendell Holmes, plus Popsy Dixon.
Among a batch of original titles that looked promising were a bunch of rock and country covers — “Bad Moon Rising,” “(What’s So Funny ’Bout) Peace, Love and Understanding?” — and a couple of Lyle Lovett songs. And did the free world really need another version of Hank Williams’ “I Can’t Help It If I’m Still in Love With You”?

I should have known better than to be too concerned. After all, up until now my favorite Holmes Brothers song was a cover tune, Tom Waits’ “Train Song.” And they do a pretty good “Love Train” as well.

But the song that stopped me in my tracks on State of Grace was a cover of a Cheap Trick song.

I always kind of liked “I Want You to Want Me” as a jiffy little radio hit. The Holmes Brothers take it several steps beyond. In fact they take it right to church. They slow it down and turn it inside out. In the hands of The Holmes Brothers it is no longer a catchy ode to teenage lust but a stately appeal for love. The lyrics seem to be the same, but the song now has the aura of a prayer. It’s nothing short of gorgeous.

And the rest of the album is good too, even the covers I mention above. (Roseanne Cash helps out on the Hank Williams song.)

The trio skirts the borders of gospel, soul, blues, and country. Such distinctions don’t seem to make any difference to them. Whatever they’re singing turns out Holmesy.

One of my favorite songs here is a Wendell Holmes original called “Gasoline Drawers.” This is a funky tune with one of the funniest images I’ve heard about in a while. To win his woman’s love, Wendell Holmes “would run through Hell in gasoline drawers.”

One from the throat : Yes, this column is focused mainly on the blues, but if the late Paul Pena taught us anything, there’s a real link between the blues and Tuvan throat singing.

The best-known practitioners of this strange and alluring Central Asian style — Kongar-ool Ondar (who appeared with Pena in the documentary Genghis Blues) and the group Huun-Huur-Tu — are male. The deep voices (which to some sound like Popeye speaking in tongues) might make it appear to be a man’s game.

But that’s not true. Tyva Kyz is an all-female throat singing group from Tuva. These ladies not only sing, but play traditional Tuvan instruments like the homus (a Central Asian jaw harp), a bowed instrument called the byzaanchy, and the igil, a two-stringed fiddle.

Tyva Kyzy is scheduled to perform at Cloud Cliff Bakery (1805 Second St., 983-6254) at 7 p.m. Wednesday, Feb. 28. Tickets are $20. The group gives a throat-singing workshop at the Blue Dragon Coffee House in Albuquerque (1517 Girard Blvd. N.E., 505-268-5159) at 10:00 a.m. Wednesday, Feb. 28.