Tuesday, May 31, 2011

In Honor of Philadelphia Beer Week

I'm not from Philadelphia. And the band that sent me this, Jesus H. Christ & The Four Hornsmen of the Apocalypse, is from New York, not Philadelphia. And the video was shot in Massachusetts, not Philadelphia.

But what the Hell. It's Philadelphia somewhere.




Here's some info Risa from JHC sent me. I normally hate press release stuff, but I liked this.


"Alcoholics In My Town" is Jesus H Christ and The Four Hornsmen of The Apocalypse’s take on an ode to small town life, crossed with a great American drinking song that actually calls out the alcoholism looming under both genres.

“Let’s party like we’ll never get old,” the message seems to be, “And then let’s run our van into a guardrail on the way home and become paralyzed from the waist down and not have health insurance.”

The band wanted to write a song that celebrated small town life, in the vein of John Cougar Mellencamp and Bruce Springsteen: songs about the people they grew up with: the good times and the good buddies.

But, growing up in small towns, they knew, from personal experience, that most of these Good-Time-Charlies-and-Charlenes were usually alcoholics. The band doesn’t condemn, or exclude themselves, from this state of affairs- they just wanted to be medically accurate.

Mose Allison Plays This Year's SF Bandstand

It's true. The great Mose Allison will play on the Plaza for free Tuesday July 19 as part of the Santa Fe Bandstand program.

Zimbabwe music giant Thomas Mapfumo also is part of the program this summer, as is Cracker, who I saw do a fantastic show in Albuquerque a couple of years ago.

And for you fans of Treme,  New Orleans voodoo blues badass Coco Robicheaux is scheduled for Tuesday August 9. (Will he sacrifice a rooster on stage? You'll just have to wait and see.)

Also on board are loads of my favorite local groups. there's zydeco, Cuban music, western swing, jazz, blues, mariachi, reggae, native American music and more.

The schedule is below.

Sf Bandstand 2011

Sunday, May 29, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 28, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Little Girl by The Syndicate of Sound
Willie Mehan by Barrence Whitfield & The Savages
Harm's Way The Ugly Beats
Second Coming by Alice Cooper
Dont Mess With My Mind by The Stomachmouths
Haunted by God by Lonesome Ghost
New Twist by Numbskull Action
Final Solution by Rocket From the Crypt
Turkeys by The Bonzo Dog Doo Dah Band
More Messages by Neil Innes

Gil Scott-Heron Tribute

(all songs by GSH)
New York Was Killing Me
Winter in America
H20 Gate Blues
The Bottle
Me And The Devil
The Revolution Will Not Be Televised



Dengue Fever/Cambodian Rock Set
SAX SOLOCannibal Corpse by Dengue Fever
Give Me One Kiss by Dara Chom Chan
I'm 16 by Dengue Fever
Snaeha by Pan Ron
Tiger Phone Card by Dengue Fever
Family Business by Dengue Fever
Eyes Like Diamonds by Sinn Sissamouth

You're Breaking My Heart by Nillson
Ways Of A Man by Guitar Shorty
Waves of Fear Lou Reed
It's All Over Now, Baby Blue by 13th Floor Elevators
You Don't Love Me Yet by Bongwater
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, May 27, 2011

THE SANTA FE OPRY PLAYLIST

Friday, May 27, 2011
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrel(at)ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Rag Mama Rag by Levon Helm
Monkey Business by Eddie Bond
You Win Again by Mike Ness
White Lightning by The Waco Brothers
Turn the Lights Down Low by Moonshine Willie
Everything I Ever Wanted To Do by Legendary Shack Shakers
Lay Me Down by The Perreze Farm
Fortune Teller by Coco Robicheaux

One of Those People by Neil Innis
The Beasts on the Backs of our Children by The Imperial Rooster
The Iliad by Ed Sanders & The Hemptones
Baby He's A Wolf by Werly Fairburn
Fan it by The Great Recession Orchestra
Honey, You Had Me Fooled by The Defibulators
Joy by Nilsson

The Ballad of the Minimum Wage by Peter Case
Honky Tonk Nighttime Man by Merle Haggard
Don't Think Twice by Gal Holiday
Subterranean Homesick Blues by Dan Hicks & The Hot Licks
Buckshot by The Riptones
Meanest Man In Town by The Maddox Brothers and Rose
Beauty Meets Beast by Angry Johnny
Wolverton Mountain by Claude King
Moonshine Man by Alford's Band of Bullwinkles

Zoot by Tery Diers
I'm Walking the Dog by Webb Pierce
Heavy Breathin' by Cornell Hurd
Parallel Bars by Robbie Fulks (with Kelly Willis)
Beatin' My Head by Jayke Orvis
Wasp's Nest by Ray Wylie Hubbard
That'll Never Happen No More by Howard Armstrong
24 Hour Store by The Handsome Family

CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

R.I.P. GSH

I just learned of the death of Gil Scott Heron.

NPR, which first reported his death, says he died Friday afternoon in New York at the age of 62.

The influential poet and musician is often credited with being one of the progenitors of hip-hop, and is best known for the spoken-word piece "The Revolution Will Not Be Televised."
His 2010 album I'm New Here was one of my favorites of the year. I reviewed it HERE 

I'll do a special set for Gil Sunday night on Terrell's Sound World.

TERRELL'S TUNEUP: An Outbreak of Dengue Fever

A version of this was published in The Santa Fe New Mexican
May 27, 2011


Whenever a band is based on an unusual concept — say, re-creating and building upon a suppressed style of music from several decades ago from a faraway land — there are inherent dangers.

First of all, said band might become too stuffy and scholarly, drifting away from being a creator to being a curator. Or, such a band might get a whiff of success and yield to the temptation of distancing itself from its original mission. And, of course, with any musical act there’s always the danger that what sounded fresh and innovative a couple of years ago will eventually sound dated and stale.

I’m happy to report that my favorite psychedelic Californian/Cambodian band Dengue Fever has avoided all those pitfalls. Dengue’s latest album, Cannibal Courtship, is a glorious blast from start to finish.

Short primer for newcomers: Dengue Fever came about after a trip to Cambodia in the ’90s by keyboardist Ethan Holtzman, who became an enthusiast of the crazy, psychedelic music that flourished there in the pre-Pol Pot years. Returning to his native California with cassette tapes of this music, Holtzman and his guitarist brother Zac got a band together to play it. But the sound wasn’t complete until they found Cambodia-born singer Chhom Nimol, who had a gig at a joint called the Dragon House in the Little Phnom Penh area of Long Beach.

The title song, which kicks off the album, starts as a slow soul groove. But the music slowly builds up in volume and intensity and, by the time Nimol is shouting the refrain, “Be my sacrificial lamb!” listeners know this album is going to a wild ride.

The next tune, “Cement Slippers,” is a funny dialogue song between Nimol and Zac Holtzman that reminds me of “Tiger Phone Card” on Dengue’s previous studio effort, Venus on Earth. “My girlfriend loves everything at the beach/Except the water, the sand, and the sun,” Holtzman sings. Nimol responds, “My boyfriend loves everything about me except the endless hours of therapy.”

THAT'S A REAL FARFISA
Dengue in Santa Fe 2007
But the best part of this song is a maniacal, it, sax solo by horn man David Ralicke. Nimol reverts to her native tongue, Khmer, in the following song, the slow-moving, exotic “Uku.” Ethan Holtzman’s Farfisa organ shines on this one.


Actually, I wish the song “2012 (Bury Our Heads)” was sung in Khmer or some other language I don’t understand. I think the group is actually making fun of the New Age-y reading of ancient Maya prophecies that next year will bring the end of the world. After the recent “rapture” idiocy, I’m getting tired of this doomsday crap. But the song is a decent little rocker, so not all is lost.

A better topical tune is “Family Business,” which is about a girl caught up in some weapon-merchant business — it sounds like a Nicolas Cage movie in the making. The instrumental “Kiss of the Bufo Alvarius” reminds me of Henry Mancini’s score for the early ’60s John Wayne flick Hatari. I can’t listen to it without images of rhinos chasing jeeps haunting my brain.

Cannibal Courtship will probably induce lots of crazy visions for listeners.

Also recommended:


*Dengue Fever Presents Electric Cambodia. Had Mick, Keith, and the boys ever released a compilation called “The Rolling Stones Presents Chicago Blues Favorites,” it would have been to them what this collection is to Dengue Fever. The music here represents the basic DNA of the band.

Electric Cambodia, released last year, contains 14 Cambodian rockers from the late ’60s and early ’70s. The sound is lo-fi, because the original recordings — as well as the original artists — were destroyed by the genocidal Khmer Rouge regime that ruled that country in the mid-to-late ’70s. The only surviving recordings were on old cassette tapes kept and hidden by fans.

But you have to love the basic sound of the electric organ playing off the fuzzy guitars (sometimes straying off into the same cosmic territory Carlos Santana pioneered) and the singers who seamlessly bring together Cambodian folk melodies, Asian pop, and American rock ’n’ soul of the ’60s.

All but two of the selections here are by the three biggest stars of Cambodian rock — female singers Pan Ron and Ros Serey Sothea and a man named Sinn Sisamouth, who was such a super-stud, he recorded duets with both Ron and Sothea. “Jasmine Girl,” a Sisamouth/Ron duet, is a soft romantic tune that starts off sounding almost like an Asian bossa nova.

A couple of these songs were covered by Dengue Fever on its first album in 2003. There’s the slinky, sexy “Flowers in the Pond” by Sothea (Dengue did a slower version, just calling it “Flowers,” on its own album). And even better is “Shave Your Beard,” another Sothea song.

“Snaeha” has a melody you might recognize. Sung by Ron, it’s a Khmer version of the old Cher hit “Bang Bang (My Baby Shot Me Down).”

This album is available from the usual online places. And if you like these old songs, let me also recommend the Cambodian Rocks series, currently available on the Khmer Rocks label. At least three of the four volumes are available from Amazon at reasonable prices.

BLOG BONUS:

Enjoy "Cement Slippers"


Cement Slippers (official) from DENGUE FEVER on Vimeo.

Sunday, May 22, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 22, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell (at) ksfr.org

BOB DYLAN 70th BIRTHDAY PARTY!!!!!!
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Baby Let Me Follow You Down by Bob Dylan
Maggie's Farm by The Blue Giant Zeta Puppies
Highway 61 Revisited by Johnny Winter
Dear Landlord by Janis Joplin & The Kozmic Blues Band
A Simple Desultory Philippic by Simon & Garfunkel
Absolutely Sweet Marie by C.J. Chenier
Isis by Bob Dylan

Mixed Up Confusion by Bob Dylan
My Back Pages by The Magkoro Brothers
The Wicked Messenger by The Black Keys
Ballad Of Hollis Brown by Thee Headcoats
Million Miles by Alvin Youngblood Hart
Like A Rolling Pin by The Replacements
Wallflower by Doug Sahm with Bob Dylan

Every Grain Of Sand by Giant Sand
Blind Willie McTell by The Band
I Pity The Poor Immigrant by Richie Havens
Bob Dylan's 300 Game by Emily Kaitz
Señor (Tales Of Yankee Power) by Willie Nelson & Calexico
Billy 1 by Los Lobos

Shake Mama Shake by Bob Dylan
Saved by The Mighty Clouds of Joy
Gotta Serve Somebody by Mavis Staples
Royal Jelly by Dewy Cox
You're Going to Make Me Lonesome When You Go by Mary Lee's Corvette
Death Is Not the End by Nick Cave & The Bad Seeds

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Saturday, May 21, 2011

SADDLE UP FOR THE NEW BIG ENCHILADA! SWEATHOG OF THE RODEO!

THE BIG ENCHILADA



Alright you rodeo clowns! Come ride this wild bull of a podcast. Get in the saddle and enjoy some fine honky tonk, rockabilly and cowpunk melodies. Don't get bucked off!

DOWNLOAD | SUBSCRIBE| SUBSCRIBE TO ALL | FACEBOOK | ITUNES

Here's the playlist:

(Background Music: Back in the Saddle Again by Gene Autry)
Let's Rodeo by The Gibson Bros. & Workdogs
Tennessee by The Last Mile Ramblers
Anything Goes at a Rooster Show by The Imperial Rooster
Mean Kind of Blues by Rachel Brooke
Truck Driver by Scott H. Biram
Jug Town by Neil Hamburger
The Devil, My Conscience and I by Billy Barton

(Background Music: Number 111 by J.E. Mainer's Mountaineers)
Midnight Rodeo by Cordell Jackson
Rock 'n' Roll Granny by Nancy Apple
Get Lost You Wolf by Hylo Brown & The Timberliners
Rollergirl Gail by The Misery Jackals
The Ballad of Candy Barr by George McCoy & The Balladeers
I Miss My Boyfriend by Folk Uke with Shooter Jennings

(Background Music: Blue Steel Blues by Ted Daffan's Texans)
Big Dwarf Rodeo by Rev. Horton Heat
Yes Ma'am by Gal Holiday & The Honky Tonk Revue
Scrap Collecting Man by Crankshaft & The Geargrinders
One Foot in the Grave by Black Eyed Vermillion
You Turned Your Back by Toni Brown
EZ Ridin' Grumblers by Sanctified Grumblers

Play it here:



You like this hillbilly stuff? If so, then you'll probably like some of my previous episodes like:

Episode 31: Below Tobacco Road
Episode 26: Hillbilly Pigout
Episode 22: Honky in a Cheap Motel
Episode 16: Hillbilly Heaven
Episode 10: More Santa Fe Opry Favorites
Episode 8: Santa Fe Opry Favorites Vol. 2
Episode 2: Santa Fe Opry Favorites

Also, check out the country craziness at Give Me My XXX

Friday, May 20, 2011

THE SANTA FE OPRY PLAYLIST

Friday, May 20, 2011
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Fried Chicken and Gasoline by Southern Culture on the Skids
She'll Be My Baby by The Hormonauts
Don't Touch My Horse by Slackeye Slim
God Has Left the Building by The Imperial Rooster
Big Iron by Mike Ness
Code Of The Road by The Band of Blackie Ranchette
Sixteen Tons by Homer & Jethro

The Lonesome River by Bob Dylan & Ralph Stanley
Little Emperor by Steve Earle
Treat Me Right by Suzette Lawrence & The Neon Angels
Shake It and Break It by Rev. Peyton's Big Damn Band
Everybody's Girl by Eddie Spaghetti
Did You See the Devil, Uncle Joe by Wade Ward & Charlie Higgens
Dig Boy Dig by Freddie Hart
Move it On Over by George Thorogood & The Destroyers
Honky Tonk Queen by Whitey Morgan & Teh 78s
Empty Bottles on a Broken Shelf by Jayke Orvis

Tombstone Blues by Tim O'Brien
I'm Gonna Dig Up Howlin' Wolf by Mojo Nixon & Skid Roper
Romp Stompin' Boogie by Jaycee Hill
Black Crow Blues by Peter Case
Sally's Got a Wooden Leg by Sons Of The West
Let the Teardrops Fall by Gal Holiday
Chunky by Terry Diers
Like A Rolling Stone by Drive-By Truckers

Girl From The North Country by Bob Dylan & Johnny Cash
Don't Forget Me When I Die by Rachel Brooks
You've Never Been This Far Before by Conway Twitty
I Wish It Would Stop Raining by Exene Cervenka
Sad Milkman by Sally Timms & Jon Langford
The Pale Horse & His Rider by Hank Williams
CLOSING THEME: Comin' Down by The Meat Puppets

Subscribe to The Big Enchilada Podcast! CLICK HERE

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, May 19, 2011

TERRELL'S TUNEUP: Happy Birthday, Old Man Zimmerman!

A version of this was published in The Santa Fe New Mexican
May 20, 2011



Bob Dylan turns 70 years old on Tuesday, May 24.

Seventy years old.

I’m not going to gush here about what Old Man Zimmerman’s music has meant to me — how hearing the riddle-ridden, six-minute “Like a Rolling Stone” and The Byrds’ version of “Mr. Tambourine Man” on AM radio in Oklahoma in 1965 was like hearing the call of oracles; how hearing him sing “Girl From the North Country” with Johnny Cash in 1969 filled me with optimism for a divided nation; how the bartender used to always play “Baby Let Me Follow You Down” by Bob Dylan and The Band every Sunday at the end of my set when I used to play in a local bar called Faces in the late ’70s; how spooky it felt the time I walked into the old Lincoln County courthouse and someone was playing an instrumental song from Dylan’s Pat Garrett and Billy the Kid soundtrack; how I laughed when Dylan had to cut short a show in Albuquerque because dozens of teenagers, including my daughter, spontaneously joined him onstage to help him with the chorus, “Everybody must get stoned.”

Naw, I’m not going to get into all that.

I’m just going to say happy birthday, Bob, and share my list of a dozen of my favorite Dylan covers by a whole mess of artists who surely have their own Dylan stories to tell.

The Dylan dozen: my favorite Bob covers

1. “Blind Willie McTell” by The Band. This is one of Dylan’s greatest tunes. A wise critic once wrote that it’s “one of those weird Dylan tunes that, a listener might suspect, contains the entire mystery of America secretly encoded in its lyrics.” Originally recorded for his 1983 Infidels album (and left off, perhaps because it didn’t fit the level of mediocrity Dylan was shooting for with that record), it wasn’t released until his first Bootleg Series box set in 1991. Three years later it appeared on The Band’s first album without Robbie Robertson, Jericho. New Orleans blues great “Champion” Jack Dupree sat in on piano while Levon Helm and Rick Danko shared lead vocals.

2. “Every Grain of Sand” by Giant Sand. Dylan released a higher percentage of crap in the ’80s than he did in any other decade. But there were some jewels among the garbage, and this song, from his 1981 album Shot of Love, is one of them. Howe Gelb and his Arizona cohorts are known for getting goofy, but here, backed by the band Poi Dog Pondering, Howe played it straight with this near-8-minute gospel-tinged opus, and it’s nothing short of soulful.

3. “It’s All Over Now, Baby Blue” by The Byrds. Dylan covers made up a huge chunk of the early Byrds’ repertoire. Their first hit was an abbreviated version of “Mr. Tambourine Man.” And their version of “You Ain’t Goin’ Nowhere” is the definitive version. But their greatest Dylan song was “Baby Blue.” They did a jangly folk-rock version in the early days, but they got it right with the slow, mournful take on their unjustly overlooked Clarence White-era 1969 album The Ballad of Easy Rider. (Runners-up on this song: 13th Floor Elevators, Them.)

4. “Stepchild” by Solomon Burke. “Anything you ask, I’m willin’, I just can’t beat Bob Dylan,” Burke ad-libs in this song on the late soul giant’s 2002 masterpiece Don’t Give Up On Me. I bet Dylan disagrees. This Dylan blues rarity never appeared on any of his own releases.

BILLY'S HEADSTONE
5. “Billy 1” by Los Lobos. This song, originally on Pat Garrett and Billy the Kid, becomes a drunken cantina stomp in the hands of David Hidalgo and the boys. You can find it on another soundtrack album, the I’m Not There soundtrack, which is full of fine Dylan covers. This track is a good companion for “Señor (Tales of Yankee Power),” another Mexican-marinated song on that soundtrack, performed by Willie Nelson and Calexico.

6. “Absolutely Sweet Marie” by Jason and The Scorchers. This is country rock with an emphasis on the rock. A close runner-up is C.J. Chenier’s zydeco-flavored take on this song on Blues on Blonde on Blonde.

7. “I Pity the Poor Immigrant” by Richie Havens. Backed by a sweet steel guitar, Havens pours his guts into this song. Nobody, including Dylan, ever did it better. It’s on the long-out-of-print album Richard P. Havens, 1983 (which was actually released in 1969.)

8. “Saved” by The Mighty Clouds of Joy. I didn’t appreciate Dylan’s much-reviled late ’70s-early ’80s “born again” era until I heard the excellent 2003 compilation Gotta Serve Somebody: The Gospel Songs of Bob Dylan. The Clouds’ contribution is probably the most energetic track on the album.

9. “Like a Rolling Stone” by Johnny Thunders and Wayne Kramer. Ex-New York Dolls Thunders teamed up with former MC5 member Kramer (who was fresh out of prison on a drug rap) to form a punk-rock supergroup. They made this Dylan classic bleed. Runner-up: the version by Drive-By Truckers.

10. “Lily, Rosemary and The Jack of Hearts” by Mary Lee’s Corvette. Back in 2002, this New York roots-rock band performed all the songs from Dylan’s Blood on the Tracks from start to finish and released it as a CD. This 10-minute romp captures the spirit of the original. On the first verse singer Mary Lee Kortes let a drunken audience member do a bad Dylan impersonation. She wisely took back the mike.

11. “My Back Pages” by The Magokoro Brothers. Yes, Dylan is big in Japan. This tune, sung in Japanese, is from the Masked and Anonymous soundtrack.

12. “Wallflower” by Doug Sahm. This country waltz is a highlight from the 1973 country-rock classic Doug Sahm and Band. Sir Doug is joined by Dr. John on organ, David Bromberg on dobro, and Dylan himself on harmony vocals and lead guitar.

Oh, did I mention that this is a baker’s dozen?

13. “All Along the Watchtower” by Jimi Hendrix. This one’s so obvious I almost didn’t list it. Dylan liked Hendrix’s version better than his own. I do too.

* My own Dylan birthday tribute: Hear some of the music mentioned above and more. A whole lotta Bob! 10 p.m. Sunday night on Terrell’s Sound World, Santa Fe public radio, KSFR-FM 101.1 and streaming live at www.ksfr.org

UPDATE: My former colleague Jason, who's even more learned in Giant Sandlore than I am, pointed out that it's the group Poi Dog Pondering backing Howe Gelb on "Every Grain of sand." So I added that above.

BLOG BONUS!


Here's some Dylan covers that didn't make my list and which you won't hear on my radio show (unless I get in a twisted mood.)





And the undisputed King of the Golden Throats ...

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 14, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terre...