Saturday, October 08, 2011

eMUSIC OCTOBER

* Pachuco Cadaver by The Jack and Jim Show. So you didn't think it was possible to make Captain Beefheart sound even weirder?

Well take a bite out of this little tribute album by guitar mutant Eugene Chadbourne and Frank Zappa's late original Mothers drummer Jimmy Carl Black. Some tunes sound like a lost congregation of hillbilly snake handlers somehow got hold of Beefheart's songbook and turned them into insane hymns and, in some cases like "Dropout Boogie," surreal comedy routines.

Black's gruff voice is perfect for the bluesier tunes here like "Sure 'Nuff Yes I Do," and "Willie the Pimp," done here as a Delta blues with Chadbourne playing slide.

When Beefheart did "I'm Gonna Booglarize You Baby" it was a blues growler. But here it's a pilgrimage  into the Dark Dimension, featuring the insect hum of a didgeridoo,  a jazzy basson and other instruments played by guests. Chadbourne plays banjo on this, as he does on several other tunes here, most notable, the seven-minute version of "Clear Spot" and the stompin' "Steal Softly Through Sunshine Steal Softly Through Snow."

JIMMY GROWLS THE BLUESI was lucky enough to see The Jim & Jack Show live in Albuquerque about a year before Jimmy died.  He lived in Germany the last years of his life and his trips to the states weren't that frequent.

A bunch of Jimmy's children came up from El Paso and Anthony to see the show. Both he and Chadbourne seemed to be having a great time. And they even did a couple of Beefheart songs -- "Willie the Pimp" and "The Dust Blows Forward and the Dust Blows Back" .


And I never miss an opportunity to brag that when I did Picnic Time for Potatoheads in the early 80s, Jimmy Carl Black was the Indian of my group. Hear his magic drums on "The Green Weenie" HERE. (It's the second song down.)

* Rockabilly Frenzy by Various Artists. Here's 53 tracks for $5.99. You do the math. It's a great bargain, like other cool compilations on the Rock-a-Billy label available at eMusic. (I've previously picked up 50s Rockabilly Hellraisers and 1950s Rock N' Roll & Rockabilly Rare Masters. I just can't get enough.) Many of the selections seem more hardcore honky tonk than rockabilly, but who's gonna quibble?

Frenzy concentrates mostly on unknown performers, though "Corky Jones," the rockabilly alter ego of   Buck Owens, is here with his shoulda-been-a-hit "Rhythm & Booze."

Speaking of booze, this album is overflowing with songs about alcoholic beverages. There's "Set Up Antother Drink" by Carl Phillips, "Booze Party" by Three Aces and a Joker (The Cramps covered this),  "Flop Top Beer" by Buddy Meredith, "Moonshine" by Montie Jones, "I'm Drinkin' Bourbon" by Billy Starr, "Wine Wine Wine" by Bobby Osbourne, "Whiskey Women and Wilid Living" by Tommy W. Pedigo, "Moonshine Still" by Jack Holt and "Pink Elephant" by Wally Willet.

What kind of message does this send to the children? I feel almost drunk after listening to all these.

But wait, there's more ...

There's a not-bad cover of George Jones' "White Lightning" by a band called The Valley Serenaders. But that's not nearly as remarkable as "White Lightning Cherokee" by Onie Wheeler. No, it's not a politically incorrect look at Native American alcoholism. It's about a guy who gets a better thrill from kissing his Indian girlfriend than drinking his pappy's brew. But he has no intention of giving up either.

And there's not one not two but three versions of a song called "Beer Drinkin' Blues." One's by Eddie Novak, another by Rocky Bill Ford. Johnny Champion calls his song "Beer Drinkin' Daddy." All deal with a hard-drinking alcoholic whose drinking is interfering with his marriage. Ford plays it sad, while Novak seems more comical. My favorite though is Champion's. It's an upbeat song with a snazzy organ solo. He seems almost defiant about his beer drinkin'.

* Mississippi Masters: Early American Blues Classics 1927-1935 by Various Artists. The Mekons led me to this one. On their latest album Ancient & Modern, Sally Timms sings a song called "Geeshie," a spooky, bluesy little number I said sounds as if it came from "a speakeasy near the gates of Hell." The group based this song on an obscure blues song called "Last Kind Words" by a woman named Geeshie Wiley.

When I read that, I searched for the song on eMusic and found it here in this Yazoo Records collection, along with two other Geeshie tunes, "Skinny Legs Blues." (Look out, Joe Tex, the ghost of Geeshie is looking for you!) and "Pick Poor Robin Clean," which sounds like a crazy cousin of "Salty Dog" sung with Elvie Thomas.

Wiley is fairly obscure, but she might be the best known artist on this album. There's King Soloman Hill, who has a piercing voice that might remind you of Skip James. Blind Joe Reynolds does "Outside Woman Blues," a song revived in the '60s by Cream. I know now where Canned Heat got the "Bullfrog Blues." (It's by a guy named William Harris, who does that and two other tunes here.)

And Mattie Delaney was singing "Tallahatchie River Blues" decades before Bobbie Gentry and Billy Joe were throwing stuff off the bridge.

ALSO


* The final five tracks of Fire of Love by The Gun Club. As I said last month when I downloaded the first six tracks, I came to this band decades too late.

I don't regret that. In fact it's pretty cool that I left some great musical surprises for my old age.

This was the first album by Jeffrey Lee Pierce and the boys and it just gets better after each listening.  There's some pumped up version of old Mississippi blues -- Robert Johnson's "Preaching the Blues" and a six minute wrestling match with Tommy Johnson's "Cool Drink of Water."

But Pierce's originals are powerful in their own right. "Ghost on the Highway," "Black Train" and "Good Bye Johnny" are raw and wild. Even though I'm a new initiate, it's hard to imagine rock 'n' roll without these songs.

* "Rainmaker" by Eliza Gilkyson. I stumbled across this song a few weeks ago when looking for songs by New Mexico artists for one of my Spotify playlists. Released on a 2005 Gilkyson compilation called RetroSpecto, this is one of her earliest recorded songs, released in the late '60s or early '70s under the name of Tusker, a Santa Fe band that Gilkyson fronted back when she was known as "Lisa. Along with my personal favorite group of that era, The Family Lotus, Tusker represented the best of New Mexico hippie music.

The lyrics are pure hippie-dippie wanna-be Indian: "We can dance, people, bring that rain down from the sky/We don't have to let the land go hungry or run dry/We can dance and bring Rainmaker back before we die ..." But it sure brings back great memories.

Friday, October 07, 2011

THE SANTA FE OPRY PLAYLIST

Friday, October 7, 2011
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrel(at)ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Out There a Ways by The Waco Brothers
Too Much Thinkin' by Andy Vaughan & The Driveline
Gettin' By by Six Shot Revival
Open Road by Scott H. Biram
Bitter by Black Eyed Vermillion
Jesus Was a Wino by Lydia Loveless
Pink Elephant by Wally Willett
She's My Witch by Southern Culture on the Skids
Flop Top Beer by Buddy Meredith

Me Not Calling by Rock Brousard & Two Hoots and a Holler
Moonshine by Montie Jones
Uncle Sam by Anthony Leon & The Chain
Susie Anna Riverstone by The Imperial Rooster
A Girl Don't Have to Drink to Have Fun by Jane Baxter Miller and Kent Kessler
Elbow Grease, Spackle and Pine Sol by Dale Watson & The Texas Two
Jumping the Sharks by Carter Falco
Drop the Charges by The Gourds
Oh These Troubled Times by The Corn Sisters
Rubber Legs by Gene Smith

JOHNNY CASH SET
All songs by JC unless otherwise noted
So Doggone Lonesome
Thunderball
Don't Think Twice It's Alright
A Girl Named Johnny Cash by Harry Hayward
Galway Bay
What is Truth?
I Walk the Line (Revisited) by Rodney Crowell with Johnny Cash
I Walk the Line by Johnny Cash
WWJCD (What Would Johnny Cash Do?) by The Dolly Ranchers
New Mexico

Cocaine Blues by Merle Haggard
Red Headed Stranger by Willie Nelson
Blue Eyes Cryin' in the Rain by Carla Bozulich
I Can't Help It-(If I'm Still In Love With You) by Hank Williams
The Love That Faded by Bob Dylan
Lion in Winter by Hoyt Axton
CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

STOOGE, WALK WITH ME

Here's a couple of freebies you can start your weekend with.

There's a new live Iggy & The Stooges DVD featuring their live performance of the entire Raw Power album at last year's All Tomorrow's Parties festival. You can get a free MP3 of "Search and Destroy" if you give these folks your email address. (Is this a vile plot to compile a list of Stooges fans for the government to make it easier to confiscate your Stooges records? We'll see.)

Embedded in the below graphic are a couple of videos of live songs (scroll over Iggy's hands), plus a trailer for the DVD. Also lotsa links to where you can buy the video, MP3s, etc.

Then scroll down to the bottom of this post to hear and, if you like, to get a free copy of some musical weirdness from David Lynch. Yes that David Lynch. He's got a new album coming out!




Thursday, October 06, 2011

TERRELL'S TUNEUP: Johnny Cash is For Everyone

A version of this was published in The Santa Fe New Mexican
October 7, 2011



I Walk the Protest Line NYC 2004
One of the best protest rallies that I ever covered took place during the 2004 Republican National Convention in New York. Sotheby’s auction house in uptown Manhattan held a reception for U.S. Sen. Lamar Alexander and the Tennessee delegation to the convention.

The event was billed as a tribute to Johnny Cash, and memorabilia from the Man in Black was to be auctioned. The reception riled Cash fans on the left, who argued that Cash was known for singing songs for America’s underdogs.

Before the rally, Ed Pettersen, a spokesman for a Nashville organization called Music Row Democrats, told me that he had spoken with Cash’s son, John Carter Cash, who wasn’t against the GOP event because his dad and Sen. Alexander were friends.

“If this is in conjunction with a reception for Lamar Alexander, I have no problem with it,” Pettersen said. “But if it goes beyond that, and the Republicans start proselytizing using Johnny Cash, I have a big problem with it.”

It was a nonviolent demonstration. Black-clad protesters sang Cash songs and carried signs referencing J.C. tunes: “I Walk the Line for Kerry,” “Send Bush to Folsom,” and one calling Republicans “Dirty Old Egg-Sucking Dogs.” The sign I liked best referred to an awful corporate hat act that performed for the GOP convention: “You Can Keep Your Brooks & Dunn, but Johnny Cash Belongs to Everyone.”

That message recently slapped me in the face when I received a review copy of Sony Legacy’s latest Cash compilation, Bootleg Vol. III: Live Around the World, scheduled for release on Tuesday.

In the middle of the first disc of the collection there’s a set of songs from the 1964 Newport Folk Festival. Cash is introduced by venerated lefty folk singer Pete Seeger, who was blacklisted during the McCarthy era. (During this set, Cash says hello to an offstage Bob Dylan, whom Cash called “the best songwriter of the age since Pete Seeger.”)

And then on disc two, there’s a set of tunes Cash performed at the White House in April 1970. Here he’s introduced by the 37th president of these United States, Richard Milhous Nixon.

And between the two is a set from a January 1969 show at the Long Binh Post in Vietnam, where Cash, June Carter Cash, and Carl Perkins entertained the troops, singing songs like “Remember the Alamo.” And there are even a few songs played for inmates — at Österaker Prison in Sweden.

Johnny Cash belongs to everyone.

Like the previous two volumes in the authorized Cash Bootleg series (Personal File is the first, From Memphis to Hollywood the second), Live Around the World is a fascinating compilation of rare tracks, most of which are previously unreleased. Die-hard Cash fanatics as well as casual listeners will find plenty to love here.

As expected, some of the recordings are low in audio quality — especially the ones from live shows in the 1950s and early ’60s but also the ones from the mid- to late-’70s. Audiowise, they sound about the same as the ones recorded in a war zone a decade earlier. But what the heck, this is advertised as a bootleg.

Most of Cash’s greatest songs are represented here. There are a couple of versions each of “Big River,” “Daddy Sang Bass,” “Rock Island Line,” “I Still Miss Someone,” and “Wreck of the Old 97” — and three renditions of “I Walk the Line.” Cash never minded singing the hits.

Command performance for Tricky Dick: Cash didn’t always take requests, as President Nixon learned. Before the big White House show, Nixon, who was famous for courting the stars of Nashville, requested Cash sing a couple of his favorite country tunes of the day.

What is Truth?
One was “Okie From Muskogee,” a hippie-bashing tune by Merle Haggard. Another was a more obscure number called “Welfare Cadillac,” which was done by a singer named Guy Drake. It made fun of all those lazy bums living a luxurious life while collecting welfare. Cash said, “No, sir.” He wouldn’t play those songs, not even for the Leader of the Free World.

A surprisingly gracious Nixon made light of that refusal while introducing Cash. “I’m not an expert on his music. Incidentally, I found that out when I tried to tell him what to sing,” Nixon said, evoking laughter and applause from his White House guests. And when he began his set, Cash joked back, “And for my second song, Mr. President —”

He started out with “I Walk the Line.” But he didn’t walk the line Nixon would have wanted. One of the songs he did that night was “What Is Truth,” based on “a poem for the youth of America.” It’s a sympathetic look at the young people of that era — even the ones with long hair — questioning authority.

“The young girl dancing to the latest beat has found new ways to move her feet / And the young man speakin’ in the city square / Might be tryin’ to say that he really cares.”

I can’t help but wonder what Nixon thought about this song a couple of weeks later when the Ohio National Guard shot and killed four student protesters at Kent State University.

But even Nixon knew the truth about Johnny Cash. As he said in his introduction that night, “He was born in Arkansas and he now lives in Tennessee. But he belongs to the whole country.”

Cash on the Spot(ify): Hey, Spotify users, check out my new playlist of Johnny Cash covers and tribute songs HERE.

Cash on the radio: I’ll be playing a huge cache of Cash Friday on The Santa Fe Opry. The show begins at 10 p.m. I’ll start in with J.C. songs a little after 11. And don’t forget Terrell’s Sound World, freeform radio at its finest, 10 p.m. Sundays. Both shows are on KSFR-FM 101.1 and screaming on the web at www.ksfr.org.



Sunday, October 02, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell



Webcasting!

101.1 FM
email me during the show! terrell(at)ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Stop Trying to Break Me Down by Barrence Whitfield & The Savages
Parchment Farm by Blue Cheer
Hoodoo Party by Rockin' Tabby Thomas
Want More by JC Brooks & The Uptown Sound
Livin' In The Jungle by Black Joe Lewis & The Honeybears
Future Crimes by Wild Flag
Rattlesnake, Baby, Rattlesnake by Joe Johnson
Speedy's Coming by The Monsters
You Break Me Up The Thunderfucks

Acid Bird by Robyn Hitchcock & The Egyptians
Eagle Never Hunts the Fly by The Music Machine
Fujiyama Mama by Frontier Circus
Vampire Sugar by Pussycat & The Dirty Johnsons
Baby Scratch My Back by Slim Harpo
Gary Gilmore's Eyes by The Adverts
You Can't Teach a Caveman Bout Romance by The 99ers
Miss Monster by Modie Bones
Blues Come Yonder by L.C. Ulmer
If You Wanna by Baby Jean

AROUND THE WORLD IN A DAZE
Ilha Virgem by Jovens do Prenda
Start Wearing Purple by Gogol Bordello
Forty Deuce by Black 47
I'm All Skinny by Sinn Sisamouth
Hong Kong Book of Kung Fu by Cornershop
Mamo, Snezhets Navalyalo by 3 Mustaphas 3
Girls Just Want to Have Fun by Petty Booka

Lover Please by Jack Oblivian
Moonbeam by King Richard & The Knights
Buzzards of Green Hill by Les Claypool & The Frog Brigade
The Devil at Rest by The Mekons
Arabia by Pere Ubu
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
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TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 14, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terre...