Monday, June 18, 2012

Joey Allcorn at Cowgirl Tuesday

UPDATE 6-19 8pm I just got word that the Joey Allcorn show at the Cowgirl is cancelled. Oh well, watch the videos anyway!

I just learned that honky tonk singer Joey Allcorn is going to play The Cowgirl tomorrow night, 8 p.m.

And it says on the Cowgirl website there's NO COVER!

I've played him many times on the Santa Fe Opry and hope to see him at the Cowgirl Tuesday.

Check out the videos below (and dig those tacky Tikis! The bar's called the Kreepytiki.)




Sunday, June 17, 2012

TERRELL'S SOUND WORLD PLAYLIST



Terrell's Sound World Facebook BannerSunday, June 17, 2012 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

 OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Sunday You Need Love by The Oblivians
The Beast by Roky Erikson & The Resurrectionists
Your Pretty Face is Going to Hell by Iggy & The Stooges
10,000 Beers Ago by Dicky B. Hardy
The Young Psychotics by Tav Falco
Living Wreck by Mudhoney
Runaway Daughter by The Electric Mess
Little Angel by Johnny Otis

Adios Mexico by Joe "King" Carrasco & The Texas Tornados
Ruby Red by The Copper Gamins
Bored and Lonely by French Inhales
En Tu Corazon by Gatos Salvajes
It's Alright by Hound Dog Taylor
Go Go Go by George Thorogood & The Destroyers
Snatch It Back And Hold It by Black Joe Lewis & The Honeybears
Down on Me by Big Brother & The Holding Company
Orange Claw Hammer by Captain Beefheart

Family Fun Night by Figures of Light
How I Wrote Elastic Man by The Fall
The Sky is a Poisonous Garden by Concrete Blonde
River of Blood by The Black Angels
Dance Like a Monkey by New York Dolls
Black Shiny Beast by Buick MacKane
Eat Me by Pussy Galore

Vagina by Busy McCarroll
Sheila Na Gig by P.J. Harvey
Having a Party by The Mekons
Pappa Won't Leave You Henry by Nick Cave & The Bad Seeds
Raised Right Men by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
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Friday, June 15, 2012

THE SANTA FE OPRY PLAYLIST


Santa Fe Opry Facebook BannerFriday, June 15, 2012 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Harper Valley PTA by Syd Straw & The Skeletons
My Wife Thinks You're Dead by Junior Brown
Whatcha Gonna Do Now by Tommy Collins
Mule in the Corn by NRBQ
So Long I'm Gone by Andy Anderson
Rooster Blues by James Luther Dickinson
Pig Fork by The Imperial Rooster
Euphoria by Holy Modal Rounders

Ice Man by Filthy McNasty
Hippie in My House by Rachel Harrington
Wedding Of Hillbilly Lili Marlene by June Carter with Homer & Jethro
Mad Cowboy Love by Bayou Seco
Don'tcha Lie to Me by Scott H. Biram
Cracklins by The Gourds
Cussin' in Tounges by Legendary Shack Shakers
Helluva Weekend by T. Tex Edwards & The Swingin' Kornflake Killers
Gas Station Woman by Phil Ochs

Lazarus by Ray Wylie Hubbard
Just Like a Monkey by South Memphis String Band
Skunk Ape by The Misery Jackals
Girls Just Wanna Have Fun by Pesky J. Nixon
Evil Eye by Dead Man's Tree
Get Outta My Way by The Dirt Daubers
Dollar Dress by The Waco Brothers
Alcohol of Fame by The Wood Brothers

Cowboy Peyton Place by Doug Sahm
Walk Away from the Wine by Cornell Hurd
How Can A Poor Man Stand Such Times And Live by Ry Cooder
Out of the Blue by Giant Giant Sand
The Round by Hank 3
Charlie's Last Stand by Loudon Wainwright III
CLOSING THEME: Comin' Down by The Meat Puppets
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Thursday, June 14, 2012

TERRELL'S TUNEUP: Figures of Light Shine Again

A version of this was published in The Santa Fe New Mexican 
June 15, 2012

I really liked Figures of Light’s debut album, Smash Hits, when I first heard it a few years ago. But I was afraid this group might be a flash — maybe ”flicker” is a better word — in the pan. After all, singer Wheeler Winston Dixon and guitarist Michael Downey had taken a lengthy break from the music business before they even made that album.

Hey Hey we're the Figures!
But I’m glad to say I was wrong. Figures of Light are back again with a new album called Drop Dead, and like their first, it’s blasting, primitive, raw two-or-three-chord rock ’n’ roll. Some call it “proto-punk,” but I think it might even be more proto than that.

Dixon and Downey are aided once again by The A-Bones’ rhythm section (drummer Miriam Linna and Marcus “The Carcass” Natale on bass). And this time out, Mick Collins (of The Gories and The Dirt-bombs) plays guitar. He also produced the album.

A quick history of the Figures: The original group was from New York City, influenced by The Velvet Underground and other pre-punk, post-garage acts of that era. At their first concert in 1970, the group destroyed 15 television sets onstage at Rutgers University (though I just read an article that says the real number might be as high as 27 sets).

An early poster for Figures of Light described their show as “a rock ’n’ roll violence sonata.”

They released their first and only single, “It’s Lame” (backed with “I Jes Wanna Go to Bed”) in 1972. They pressed only 100 copies of the 45. It received little if any airplay outside of New York, and Figures of Light never got anywhere as big as The Velvets or the New York Dolls or even The Dictators. They broke up, smashing their last TV well before the great punk-rock scare of the late ’70s.

We can account for at least two of those original 100 records. One, according to British rock critic David Solomons, was broken in half by Don Imus when the band tried to get him to play it during a remote broadcast in New York shortly after its release.

But more important, another copy was found at a swap meet a few years ago by Linna and her husband, Billy Miller, who owns Norton Records. Impressed and inspired, Linna tracked down Dixon, now a film-studies professor at the University of Nebraska -Lincoln. (Film is his first love and his first medium.)

Dixon talked to Downey for the first time in 25 years or so, and next thing you know, Figures of Light were shining again.

After all those decades, Figures of Light returned to the studio (with guitar help from Matt Verta-Ray, who plays with Jon Spencer in Heavy Trash). They recorded a bunch of new tracks and combined that with the original “It’s Lame “ and “I Jes Wanna Go to Bed” plus some live songs (including the near-six-minute “Ritual TV Smashing Finale”). Thus, Smash Hits came to be. That was 2008 — 36 years after their first recording.

Back to the present: One thing that amazes me about Figures of Light is how similar they sound to their 1972 recordings. Dixon’s voice sounds exactly as it did 40 years ago. They recorded Drop Dead last summer in Brooklyn, taking a mere two days to crank out 20 songs. Fifteen made it to the album. I guess they’re saving the others for the box set.

Speaking of boxes, "My Box Rocks” pulls a listener right back to Light world. It’s a swaggering boast of a song. I’m not really sure what it’s about, but who cares. By the end of the song it’s hard not to sing along, proclaiming “My box rocks!”

But that’s just an appetizer for some of the meatier tracks here. “Black Plague Blues” is a primitive thumper about the disease that wiped out as many as 200 million people in the 14th century. This is an old song. No, it doesn’t go back to the 14th century, but the Figures did play it at their first 1970 show. The track contains Collins’ best guitar solo here. I heard the tune several times before I learned that the solo is a backward recording.

Another standout is “Family Fun Night,” which might be this band’s answer to the Ramones’ “We’re a Happy Family.” Dixon repeats the refrain, “Every night is family fun night” like an insane jingle for some really crappy corporate pizza joint.

But the verses tell a different story. “Big brother hates everything on his plate. ... All through dinner he spews out hate, it’s family fun night. ... Mom shovels down food, she weighs 253. ... Later we’ll watch our separate TVs, it’s family fun night.”
IMG_0753
Mick Collins with The Gories, New York 2010

A couple of songs on Drop Dead make me laugh every time I hear them. One is “You’re Just Another Macaroon,” a put-down of an egotistical jerk, perhaps a celebrity, from a former fan with a melody that could almost be a country song. The title and refrain introduced me to an insult I’d never heard before. I don’t think I’ve ever called anyone a “macaroon.”

Then there’s  “Mellow the Fuck Out.” The message is simple: “You got to mellow, you got to mellow, you got to mellow the fuck out,” Dixon sings/chants as the band plays an urgent garage-rock backdrop behind him. We never learn what the subject of the song is doing to deserve such advice. A friend freaking out on drugs? A bouncer at a bar dealing with an unruly customer? You can imagine umpteen scenarios where the words might apply.

The Figures of Light get almost pretty on “With a Girl Like That.” The guitars hint at Byrds-like folk rock, but it’s actually easier to imagine The Rolling Stones doing this song on one of their early albums.

I could get corny here and say The Figures of Light are a beacon in the fog of overproduced, overcalculated, overhyped modern rock. The truth is, Dixon and Downey are just a couple of hip old coots (about my age) who rock harder than most self-styled punks half their age and sound like they’re having twice as much fun doing it.

Keep shining, Figures of Light.

 Blog Bonus: It's lame!


 

Sunday, June 10, 2012

TERRELL'S SOUND WORLD PLAYLIST



Terrell's Sound World Facebook BannerSunday, June 10, 2012 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

 OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Janet by The Saterelles
Sonic Reducer by The Dead Boys
Blank Generation by Richard Hell & The Voidoids
Down the Drain by The Escatones
Candy Can't Wait by The Dirty Novels
Here Comes Pappa by T-Model Ford
Alice by Figures of Light
Take Me Away by Willis Earl Beal

Dixie Iron Fist by Legendary Shack Shakers
Lipstick Vogue by Elivs Costello & The Attractions
Being by The Angry Dead Pirates
Psilocybic Mind by Marshmallow Overcoat
Wasted Time by The Grannies
Save My Soul From Hell by Rev. Beat-Man & The Un-Believers
Turn that TV Off by Boris the Sprinkler
The Trough by The Molting Vultures

Sweet Little Hi-Fi by Pussy Galore
Son of Sam by Jon Spencer Blues Explosion
Ballad To The Son Of Sam by The Consumers
Can't Stop ... Gotta Rock! by Los #3 Dinners
That Old Black Magic by Spike Jones & His City Slickers
Shortnin' Bread by The Cramps
Oh Lord by Snake Island
Hey Rockabilly by Die Zorros
Texting by Bottle Service
What You Deserve by Thee Witch Hazel Martinis

Can Your Pussy Do the Dog by The Rockin' Guys
Venus in Furs by The Velvet Underground
Talking at the Same Time by Tom Waits
Gone Again by Patti Smith
Amphetamines and Coffee by Afghan Whigs
Curtain Falls by Bobby Darin
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Subscribe to The Big Enchilada Podcast! CLICK HERE

Friday, June 08, 2012

THE SANTA FE OPRY PLAYLIST


Santa Fe Opry Facebook BannerFriday, June 8, 2012 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Single Girl by The Dirt Daubers
Bible, Candle and Skull by Legendary Shack Shakers
Rock Your Baby by Candye Kane
Hillbilly Thunder Machine by Joe Buck
11 Months and 29 Days by Dave Alvin
Ice Cold Water by Ray Condo
Mama's in a Honky Tonk Downtown by Karen Collins & The Backroads Band
I Said My Nightshirt & Put On My Prayers by June Carter with Homer & Jethro
Psycho '84 by T. Tex Edwards

Can You Blame the Colored Man by South Memphis String Band
Bootlegger Blues by The Great Recession Orchestra
Deep Elum Blues by Harmonica Frank
Pass the Booze by Ernest Tubb
Crazy Boogie by Merle Travis
I Love You Honey by Cathy Faber's Swingin' Country Band
August 1967 (Hippies Call It STP) by Holy Modal Rounders
Uneasy Rider by Charlie Damiels

Down in Mississippi by James Luther Dickinson & The North Mississippi Allstars
Ramblin' Man by Soda
Small Ya'll by George Jones
Three Times Seven by Doc & Merle Watson
The Bad Girl I Keep in My Heart by Cornell Hurd
Before All Hell Breaks Loose by Kinky Friedman
I'll Save My Tears by Hank 3
My Pretty Quadroon by Jerry Lee Lewis

1957 Ford Meteor by Menic
Footprints in the Snow by Jimmie Dale Gilmore & The Wronglers
Someone to Give My Love To by Big Al Anderson
Lovin' Ducky Daddy by Carolina Cotton
Breaking Up Party by Arty Hall
Bony Fingers by Hoyt Axton
Wore Me Down by Martin Zellar & The Hardways


MORE TO COME (Keep refreshing your browser until midnight)


CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNEUP: The Strange Story of Willis Earl Beal

A version of this was published in The Santa Fe New Mexican 
June 8, 2012


It’s still a long way to Halloween, but I’m going to tell you about some haunting songs from a haunted singer and, to steal a line from Concrete Blonde, the ghosts inside his haunted head.

The artist here is Willis Earl Beal, who is from Chicago, though he recently spent a few years in Albuquerque — August 2007 until June 2010, according to the weekly Chicago Reader. He was homeless for at least part of his time there. It was during his time in the Duke City that Beal began recording homemade CDs of his songs and leaving them in public places where unsuspecting listeners could find them.

The mysterious CD-Rs and his hand-drawn fliers with messages like “Write to me and I will make you a drawing” and “Call me and I will sing you a song” led to his discovery. (That message, complete with his name and phone number, also can be found on Beal’s website.)

A flier featuring a self-portrait of Beal in a bow tie and a message seeking female companionship was featured on the January 2010 cover of Found magazine. (“I am a good person. I am employed. I pay rent for a studio apartment living space. I dwell alone,” it reads. The message includes a 505 phone number.)

A similar message discovered in a Chicago bookstore (“I want some friends & stuff ... I am not a Weasel”) sparked a lengthy feature about Beal in Chicago Reader last year.

And that built enough interest for XL/Hot Charity records to release an actual album — the lo-fi, almost no-fi Acousmatic Sorcery — earlier this year. And now he’s touring Europe — though, as I’ll explain later, that hasn’t worked out well so far.

Local-pride aside: The material on the album was recorded during Beal’s Albuquerque years. Here’s what Beal told Chicago Reader about New Mexico:

“I had to get out to Albuquerque, because Albuquerque was the place where I was gonna grow as an artist.” When he left Chicago for New Mexico, he’d just been fired from a night-shift security job at the Sears Tower — now the Willis Tower, as Beal likes to point out. He’d developed a romanticized idea of Albuquerque as a beautiful, barren place based on the 2003 film Off the Map. “A guy who worked for the IRS went out to Albuquerque to audit somebody, this family, and decided that he was an artist, and he never came back. I think it was Santa Fe,” he says. “Much to my dismay, Albuquerque was nothing like that.”

Beal leaving his self-burned CDs around Albuquerque has biographical echoes of his fellow “outsider” artist Daniel Johnston recording cassettes of his music and handing them out to students on the University of Texas campus back in the 1980s.

The first Willis Earl Beal song I ever heard was “Take Me Away,” a raw, spirited blues shout that Pitchfork compared to a field holler. Beal sings: “Now I have been wiser, I’ve been the fool/I’ve been the teacher and a pupil in the school/I’ve followed and I’ve broken each and every rule/Lord, I’m as tired as a mule.”

I was astounded. I immediately thought he was young Ted Hawkins or Abner Jay. Accompanied only by percussive bashing on what sounds like an oil drum, the song is a wild joy. Tom Waits would have killed to have done this song.

Seeking out the rest of the album, I was fascinated with the opening instrumental, “Nepenenoyka,” played on what sounds like a cross between a zither and a kalimba. This brought to mind the mysterious, itinerant Texas gospel singer Washington Phillips, who in the late 1920s recorded some powerful songs using what same say was a fretless zither. This instrument also appears on other Acousmatic Sorcery songs, notably “Bright Copper Noon.” On that song, Beal’s voice sounds less like Ted Hawkins and more like Terence Trent D’Arby, the 1980s soul rocker who could go from an angelic croon to an Otis Redding growl in the blink of an eye.

You’ll also hear Beal’s kalimba or whatever it is on “Cosmic Queries.” This song is downright spooky. It’s a minor-key moan with what sounds like some sort of woodwind. I hear Waits in this one, as well as Brazilian experimental composer Tom Zé. And then there are some lyrics about what is apparently Beal’s favorite food — oatmeal. Oatmeal pops up in other Beal songs as well. It’s something of a trademark. On the drawing that made the cover of Found magazine, Beal confessed, “I like oatmeal, train stations, night time and chamomile tea.”

But despite the power of “Take Me Away” and the quirky charms of the songs just mentioned, I have to admit I was ultimately disappointed with most of Acousmatic Sorcery. Too many songs are mopey midnight guitar dirges, the kind of stuff you could hear at 2 a.m. in any given college dorm across this great land during the past 40 years or so. Then there’s the strange but strangely uninspiring stab at rap called “Ghost Robot.”

Beal redeems himself somewhat on the last track, “Masquerade.” He sounds like Screamin’ Jay Hawkins reciting a twisted bedtime story in a disturbing half-shout (unintentionally scaring children in the process). Appropriately, the track ends in maniacal laughter.

Unfortunately, Beal’s rapid rise to cult hero status recently took a dark-side-of-fame detour.

He was arrested in late May in the Netherlands after a performance at a festival called Le Guess Who? Beal allegedly kicked a homeless heckler in the face during his show. “Because of a few bad apples, we all miss out on one more glorious, fantastic, lovely performance,” he told the festival audience. “I love you, and I even love the guy whose face I kicked in. I love him, too. He’s a good guy. He’s just drunk, a little.”

Let’s hope this is just a bump in the road for Beal. Though too many songs on his first album are undeveloped, it’s obvious that Beal possesses a wild genius that I hope to hear more of.

Blog Bonus: Let this Beal video take you away:

Tuesday, June 05, 2012

BIG ENCHILADA 49: Attack of the Tacky Tikis


THE BIG ENCHILADA



Inspired by a series of startling hallucinations in the gardening section of my local K-Mart, this month The Big Enchilada takes you to an uncharted desert isle where the world's tackiest Tikis plot in secrecy. All the tacky Tikis, where do they  all come from? Can you withstand the Attack of the Tacky Tikis?

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Here's the playlist:
(Background Music: Tiki by The Waitiki 7)
Everybody Says by TikiTiki Bamboos
Run Away by Dead Man's Tree
My Groupie by Thee Martian Boyfriends
Dance With You by The Black Lips
Drop in and Go by The Molting Vultures
Tiki Man by Deadbolt

(Background Music: Bi-Aza-Ku-Sasa by The Mogambos)
I'll Make You Happy by The Kontikis
I Lost My Mind by The Angry Samoans
Cat Food by Bottle Service
Good Night, Sleep Tight by The Bloody Hollies
Sasquatch Love by Horror Deluxe
Black Plague Blues by Figures of Light
Prisoner of the Tiki Room by Mojo Nixon

(Background Music: Daktari Ooh Ah by Chaos Inc.)
Payday Loans by The Winking Tikis
Little Suzie by Harmonica Lewinski
She's My Baby Doll by Terry Clements & The Tune Tones
Soul Typecast by Jon Spencer Blues Explosion
Circuit Breaker by Love Collector
Wine Head by Johnny Wright
Voodoo Idol by The Cramps

Play it here:



Sunday, June 03, 2012

TERRELL'S SOUND WORLD PLAYLIST



Terrell's Sound World Facebook BannerSunday, June 3, 2012 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

 OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Election Day by El Pathos
Black Plague Blues by Figures of Light
A Natural Man by The Dirtbombs
Evil One by The Tex Reys
Rocketship to Freedom by The Molting Vultures
Weedeye by Churchwood
Not Too Soon by Throwing Muses
Watching My Baby by Reigning Sound
Noo, No , No by Die Zorros

Buddy Holley Glasses by The 99ers
Geraldine by The A-Bones
Please, Please Baby by The Five Hearts
Telephone Baby by Johnny Otis
Honey Please by The Evil Eyes
Evil Eye by Pussy Galore
Tangerine Submarine by The Nevermores
Parade by Pretty Girls Make Graves
Ruby Go Home by The Oh Sees

JOEY RAMONE TRIBUTE

Now That I Am Dead by French, Frith, Thompson & Kaiser
I Couldn't Sleep/Seven Days of Gloom  by Joey Ramone
I Wanna Be Your Joey Ramone by Sleater-Kinney
The Crusher by The Ramones
Eyes of Green by Joey Ramone
Pet Sematary by The Ramones
Dancing With Joey Ramone by Amy Rigby
The Return of Jackie & Judy by Tom Waits
What a Wonderful World by Joey Ramone

Days and Days/ Your Haunted Head by Concrete Blonde
Having a Party by The Mekons
I'm Shakin' by Jack White
This Could Go On Forever by Tav Falco
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Subscribe to The Big Enchilada Podcast! CLICK HERE

Friday, June 01, 2012

THE SANTA FE OPRY PLAYLIST


Santa Fe Opry Facebook BannerFriday, June 1, 2012 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
 OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Can't Go to Heaven by The Dirt Daubers
Buster's Crawdad Song by The Tune Wranglers
Hucklebuck by June Carter with Homer & Jethro
Your Cousin's On Cops by The Reverend Peyton's Big Damn Band
Texas Whore Pleaser by Slackeye Slim
There's No Fool Like a Young Fool by Ray Price
Trooper's Holler by Hank3
The L-Ranko Motel by Bell & Shore
Bullfrog Blues by Legendary Shack Shakers

Jack's Red Cheetah by Bob Coltman
Blues Keep Callin' by Cathy Faber's Swingin' County Band
Lucky Stars by J.P. McDermott and Western Bop
Sales Tax by The Great Recession Orchestra
Bed Spring Poker by Mississippi Sheiks
I Love Onions by Susan Christie
Jesus Walking on the Water by Asylum Street Spankers
Daisies Up Your Butterfly by The Cramps
A Girl Named Johnny Cash by Harry Hayward

DOC WATSON TRIBUTE SET 
(All songs by Doc Watson except where noted)
Freight Train Boogie by Doc & Merle Watson
Country Blues
The Cuckoo
Don't Monkey Round My Widder by Doc Watson & Chet Atkins
Going Down This Road Feeling Bad
You Are My Special Angel
Wabash Cannonball by Doc Watson & Jean Ritchie
Tennessee Stud
Last Thing on My Mind by Doc & Merle Watson

Hard Morning in a Soft Blur by Giant Giant Sand
Window Up Above by Johnny Paycheck
Walking in the Woods by Tom Irwin
No Reason to Quit by Merle Haggard
Hard Road by Vince Bell
Santa Fe by Eilen Jewell
Maverick by George Thorogood & The Destroyers
CLOSING THEME: Comin' Down by The Meat Puppets

Subscribe to The Big Enchilada Podcast! CLICK HERE
Steve Terrell is proud to report to the monthly Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S SOUND WORLD PLAYLIST

  Sunday, March 24, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell E...