Monday, May 06, 2013

Barrence Signs With Bloodshot

BARRENCE WHITFIELD & THE SAVAGES
Live in Santa Fe 2011
It's official: Bloodshot Records announced today they've signed rock 'n' soul maniacs Barrence Whitfield & The Savages.

A new album, Dig Thy Savage Soul, will be released this summer. (Confession: I've heard it. It's mighty fine.)

Loyal readers of this blog and my column etc. know there's a New Mexico connection here. Savage guitarist Peter Greenberg, formerly of Lyers and DMZ -- not to mention Manby's Head -- lives in Taos.

Dig my savage interview with Barrence a couple of years ago.

And here's a video from last year's European tour


Sunday, May 05, 2013

TERRELL'S SOUND WORLD PLAYLIST


Terrell's Sound World Facebook BannerSunday, May 5, 2013 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

 OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Sex & Money by Iggy & The Stooges
Radioactive Boy by The Meteors
As Long As I Have You by The Detroit Cobras
Rock 'n Roll Murder by The Leaving Trains
Be My Baby by Proto Idiot
Pump by The B-52s
7 and 7 Is by Love
Watch Your Mouth by King Salami & the Cumberland 3
Mas Mas by Joe "King" Carrasco & El Molina

Lonely Avenue by Sam Samudio
23 Hours Too Long by Sonny Boy Wiiliamson & The Yardbirds
Good for Nothing by Hipbone Slim & The Knee-Tremblers
Garbageman by The Cramps
Thelma and Louise by HorrorPops
Demon Seed by Demented Are Go
Station Blues by Dead Man's Tree
Red Rosé Tea by The Marquis Chimps

Holland by The Black Angels
Everybody Lets Me Down by J Mascis & The Fog
Tiger Phone Card by Dengue Fever
Douchebags on Parade by Mudhoney
Gangster of Love by Johnny 'Guitar' Watson
Sheila Na Gig by PJ Harvey
Stoned by The Black Lips
I'm Too Amazed by Figures of Light
Big Shot by Bonzo Dog Doo-Dah Band

Creeping Away by Swamp Dogg
Swamp Devil by Gitlo Lee
Tell Me Why by Elvis Presley
Welfare Bread by King Khan & The Shrines
Crucify Your Mind by Rodriguez
Lucky Day by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Saturday, May 04, 2013

More eMusic Downloads

* Sam Hard and Heavy by Sam Samudio. His real name is Domingo Samudio, but you probably know him best as Sam the Sham, the voice of "Wooly Bully," "Ju Ju Hand" and (even though it's my least favorite Sam the Sham & The Pharoahs hit), "Little Red Riding Hood." Sam was a Chicano-rock icon, a garage-rock pioneer, who, with The Pharoahs blended a Tex-Mex sensibility with Memphis soul.

Hard and Heavy was Sam's attempt in 1970 to establish himself as a serious solo artist. He was picked up by Atlantic Records, which brought in producer Tom Dowd (who'd just produced major records by The Allman Brothers and Derek & The Dominos) and hired musicians including  Duane Allman, Jim Dickinson with his band The Dixie Flyers, The Memphis Horns and even The Sweet Inspirations (Elvis' background singers) for this record.

The result was a horny, soul-soaked, blues-stewed record with Samudio wailing and growling. Shoulda been a hit. It wasn't. And Samudio sank into unjustified obscurity, remembered mostly when his songs popped up on oldies radio.

For those of us who actually bought Sam the Sham albums in the '60s, the musical direction of Sam Hard and Heavy shouldn't be a surprise. Before I actually heard it, I was afraid it woulds be an overstuffed early '70s supergroup fustercluck. It's not.

There's several covers of familiar songs here. -- It's hard to screw up "Lonely Avenue,"  but even harder to make it sound truly fresh. But Samudio aided by The Sweet Inspirations bring out the hidden joy inside this Doc Pomus classic.

Wisely, Samudio's take on "Key to the Highway" doesn't sound like Derek & The Domino's more familiar version. There's a repetivie grating guitar lick and a cool electric organ bouncing off the rest of the band. I'm not sure who's playing the harmonica, but it works.

The best songs here are the longer jams where sam and band get to stretch out. there's John Lee Hooker's "Goin' Upstairs," performed as a Canned  Heat-style boogie. Even better is the urgent, hard-driving "15 Degrees Capricorn Asc." Despite it's goopy hippie mystic title, this is one tough slab of rock 'n' roll. "Come on, push! Come on, work!" Sam commands as the organ, guitar and horns battle it out.

There's a couple of cuts that aren't so "hard and heavy," but are tasty treats. The acoustic cover of Randy Newman's "Let's Burn Down the Corn Field' is soulful and spooky. And the country/conjunto of "Don't Put Me On" is irresistible.

My only complaint here is that a bonus track that appeared on some reissues of Sam Hard and Heavy -- a cover of "Me and Bobby McGee" featuring Duane Allman -- didn't make the eMusic version. Otherwise, this album is a real treasure.

(All Sam the Sham fans should read this wonderful 1999 interview in Salon.)


* Cookin' Up a Party by King Salami & The Cumberland Three. The band's always been called The Cumberland Three, but the album cover clearly shows four guys beside the limboing King Salami. As the late Jonathan Winters might say, "Where's the other two?"

I'll leave that mystery to the numerologists. All that matters is that on this, their second full-length album, the King and his men continue on as one of the best party bands coming out of the British Isles in who knows how long. Admitted devotees of Barrence Whitfield & The Savages, Salami and crew specialize in a frantic, early R&B-infused sound.

Every dang tune here is a moneymaker-shaker. "Monkey Beat" features crazy bongos; "Yosemite Sam" is a spirited tribute to one of the real heroes of the wild west; "Howlin' for My Woman" could wear you out just listening to it.

All those songs are originals. but King Salami does a decent cover of Louis Prima's "She's a Kukamunga."

* Indigo Meadow by The Black Angels. Once again The Black Angels prove that a band can play psychedelic music without sounding campy or even all that retro.

Granted, on its new album, the Austin band certainly employs some sonic tricks from the psychedelic era: lots of reverb, lots of fuzz, some Mideastern/East Indian-sounding guitar licks and melody lines here and there, creepy electric organ — and in a couple of places you’ll hear that electric jug sound pioneered by the Angels’ Texas forebears, The 13th Floor Elevators.

The band’s music is strong enough that it doesn't seem defined by these musical embellishments. ...

Sound familiar? I reviewed this in Terrell's Tuneup not long ago.

Also

* Egyptian Rats by The Paint Fumes. This is a 3-song EP from garage-punk trio from Charlotte, N.C. They were one of my favorite bands I'd never heard of before off the new (free) Slovenly Records sampler. They make The Black Lips sound like The Jefferson Starship.

"Bluebird" by Leon Russell. Just a song I've loved since it came out in the mid '70s.

Friday, May 03, 2013

THE SANTA FE OPRY PLAYLIST


Santa Fe Opry Facebook BannerFriday, May 3 , 2013 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
 OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Gone to Texas by Terry Allen
Daddy's Moonshine Still by Dolly Parton
Sweet Georgia Brown by Johnny Gimble with Merle Haggard
The Railroad is Calling My Name by Bill Hearne
Billy's First Ex Wife by Ronny Elliot
You Don't Have to Be a Baby to Cry by Ernest Tubb
Where's the Dress? By Moe Bandy & Joe Stamply

Cornbread, Molasses and Sassafras Tea by The Nitty Gritty Dirt Band
Hey Joe by Carl Smith
Mule Skinner Blues by Van Morrison
Candidate for Suicide by Hank 3
Tiny Studded Red Designer Belt by The Dinosaur Truckers
April by The Imperial Rooster
Liquor and Whores by The Misery Jackals
Lilly Belle by The Calamity Cubes

Don't Let It Get You Down by Joe West & The Santa Fe Revue
Deal Gone Down by Wayne Hancock
Auctioneer Lover by Wendy Powers
Don't Put Me On by Sam Samudio
I Can't Give You Anything But Love by Willie Nelson
Jack's Truck Stop and Cafe by Dale Watson
Texas Talking by Shinyribs
Octopus by The Handsome Family

Kangaroo Blues by Cliff Bruner's Texas Wanderers
Late Night Lover by Rachel Brooks
Blue Gums Calling Me Back Home by Roger Knox & The Pine Valley Cosmonauts
Just Suppose by Kris Kristofferson
Don't Leave Me Now by Luther Wright & The Wrongs
We're Gonna Hold On by George Jones & Tammy Wynette
The Long Goodbye by David Bromberg & Los Lobos
Oh Lonesome Me by Anna Fermin
CLOSING THEME: Comin' Down by The Meat Puppets

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Thursday, May 02, 2013

TERRELL'S TUNEUP: Handsome Family Flees Into The Wilderness

A version of this was published in The Santa Fe New Mexican 
May 3, 2013


Wilderness, the new album by The Handsome Family, is as mysterious, dark, and utterly alluring as fans of this band — actually an Albuquerque couple named Brett and Rennie Sparks — have come to expect.

The melodies are mostly pretty, sentimental, and frequently sad, with sweet harmonies from Mr. and Mrs. Sparks. Many tunes may remind you of old folk songs or parlor music from some century gone by.

But when you allow the lyrics to sink in, you realize there’s a lot more going on here than sweet nostalgia.

Years ago I wrote that the Handsome Family’s lyrics “take you to mysterious places, telling strange tales of ghosts, dead children, murders, supernatural animals, drunken domestic disputes, uneasy little victories, and somber little defeats.” I’ll stand by those words. Wilderness continues along that shadowy path.

Like their previous album, Honey Moon, which examines the idea and practice of love from a variety of angles, Wilderness is a concept album. Every song is named after a different animal: “Eels,” “Octopus,” “Lizard,” “Owls,” etc.

“The record is all about animals, but it’s not really about animals,” Brett said during a recent interview on my radio show, The Santa Fe Opry on KSFR-FM. “They’re about a lot of things, but I guess animals are the jumping-off point for a lot of themes.”

Rennie, who writes all the lyrics for Handsome Family songs, said, “I was thinking about it like a medieval bestiary, which are factual, but factual about the world as we know it now but not necessarily about the truth of the world.”

Several of the songs deal with humans — including historical figures from the 19th century.

There’s “Flies,’ which starts off about George Armstrong Custer, lying dead at Little Bighorn (“His red scarf tied, his black boots shined/How beautiful he looked to the flies, the happy kingdom of flies”); there’s “Wildebeest,” which deals with the lonesome death of songwriter Stephen Foster (“He smashed his head on the sink in the bitter fever of gin/A wildebeest gone crazy with thirst pulled down as he tried to drink”).

And there’s “Woodpecker,” which is about Mary Sweeney, a Wisconsin schoolmarm notorious for having manic fits and smashing windows. Her story is told in Michael Lesy’s 1973 book Wisconsin Death Trip.


“That was my century. … I would have fit in,” Rennie said about the 1800s. “When the train tracks went through, everything went to heck. To me, people like Stephen Foster or Custer or Mary Sweeney were people who had one foot in the old world and one foot in the new world.”

Brett added, “We’re kind of obsessed with that turn-of-the-century kind of thing. We started this new little project called the Parlour Trio [featuring longtime Handsome colleague David Gutierrez on mandolin] where we’re playing turn-of-the-century parlor music just around Albuquerque for fun. … That was a time when everything in America maybe started becoming less European, in a way. … I think that’s an amazing period in American history and American music history.”

Wilderness also has many songs in which Rennie continues her fascination with insects and other creepy crawling things. Besides “Flies,” there are songs titled “Spider,” “Caterpillars,” and “Glow Worm.” Insects also star on several tunes on Honey Moon, my favorite being “Darling, My Darling,” told from the perspective of a lusty male insect willing to sacrifice his life to the waiting fangs of the female of the species.

One of my favorite images on the new album is the last verse of “Flies,” which takes place in some trashy vacant lot near a Wal-Mart: “Great armies of the smallest ants fight battles for the glory of their queen/Such a tiny, glorious queen.”

Behold the Sphinx Moth Larva
Asked about this apparent bug fixation, Rennie laughed. “You live in New Mexico. My God, we have some amazing insects here. … Two summers ago, we saw our first sphinx moth larva out in the yard. Once you’ve seen that, trying to wiggle their way down …” Brett interjected, “It looked like a little hot dog was crawling across the yard.”

“They look like caterpillars when they’re first born, but when they get ready to pupate, they drop all their legs off, and they look like a finger. A little finger rising from the ground,” Rennie said.

“When I first saw this thing, and I’m from New Mexico, I was like, it was one of those things where you say, Oh, my brain doesn’t want to do this — what am I seeing?” Brett said.

Asked about the battling ant army imagery in “Flies,” Rennie said, “I’ve watched great battles out in my driveway. There’s two competing ant holes.”

Brett reminded her of the time, not long after the couple first moved to Albuquerque, that Rennie, a New York native, learned the hard way that “I got ants in my pants” isn’t just a James Brown song.

“Honestly, I feel like I was a different person after I was bitten by those ants. There was a point in the middle, when I was just writhing in pain, that I could feel the queen calling me down in the earth. And I wanted nothing but to do her bidding.”

There is a CD release party for Wilderness at 9 p.m. on Saturday, May 4, at Low Spirits, 2823 Second St. N.W., Albuquerque, 505-344-9555. Tickets are $11. 

BLOG BONUS

Here's the Santa Fe Opry segment where I interviewed Brett & Rennie. I used a lot of quotes from it in the above column -- but there's lots more that I didn't write about.

The interview starts about 15 minutes into the show.




Here's a live version of  "Woodpecker."




TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 14, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terre...