Wednesday, October 07, 2015

WACKY WEDNESDAY: Got Plenty of Lemon, Got Plenty of Wine

Well, it's a good good wine,
 It really make you feel so fine

Today I'm going to salute, and hopefully turn a few people on to one of my favorite lesser-known, under-rated and unsung (actually, it was sung) Frank Zappa songs of all time:

"WPLJ" -- (That's White Port and Lemon Juice for all you squares) -- which was the opening track on The Mother of Invention's 1970 album Burnt Weenie Sandwich.

I was a student at Santa Fe High School when Burnt Weenie first came out and WPLJ immediately became part of the jukebox of my mind the first time I heard it.

It's one of Zappa's over-the-top doo-wop extravaganzas. I almost wonder whether this was an outtake from Cruising with Ruben & The Jets, released just a couple of years before. Burnt Weenie Sandwich ends with another Rubenesque number called "Valerie" (originally recorded by Jackie & The Starlites.)

Let's take a listen, shall we:



Like I say, I loved "WPLJ," from the start. The sheer absurdity of going on and on in praising this low-rent drink always made me laugh. But what really made the tune was the finish, that  crazy Spanish rap by Mother Roy Estrada at the end of the song:

  “The modern-day pachuco refuses to die.”
Ruben Sano:
Por qué no consigues tu . . . tu carnal que nos compre some wine ese, ándale, pinche bato, puto, hombre, no te hagas nalga, hombre . . . (chale!) no seas tan denso, hombre (chale!), ándale, dile, porque no merecer, ándale, pinche vino, más sua . . . más suave es, más . . . más lindo que la chingada, hombre, ándale, pinche bato, hombre, quiere tu carnal, hombre, tu carnal ese, tú, tú sabes, tú sabes esto de la movida, tú sabes la movida, ese, tú sabes cómo es, tú sabes, pinche vino, puta, ándale, pinche bato, cabrón, ándale ... (Transcription from  Zappa Wiki Jawaka

To me it sounded like Santa Fe in 1970! I had tons of friends who talked just like that.

By the way, I ran this through Google Translate and came up with the English version:

Why not get your. . . your carnal buy us some wine that, go ahead, click bato, fucking, man, do not get your butt, man. . . (chale!) Do not be so dense, man (chale!), go ahead, tell, because they deserve, go ahead, click wine, more sua. . . softer, more. . . cuter than a bitch, man, go ahead, click bato man wants your carnal man your carnal that, you, you know, you know this from the move, the move you know, that, you know how it is, you you know, fucking wine, whore, go ahead, click bato, bastard, go ahead

I'm sure that's 100 percent correct.

But "WPLJ" was not a Zappa original. He was covering an obscure Salinas, California doo-wop group called The 4 Deuces, who recorded as a B-side in 1956. The song was used in an ad for for Italian Swiss Colony, a company that produced white port.

Here's how that sounded:



But notice, the Deuces don't include the magical Spanish spoken-word performance at the end. I always wondered what inspired Zappa to do that.

Then in 2002, Arhoolie Records released a bitchen compilation called Pachuco Boogie full of Mexican-American hipster jazz between 1948 and 1950, mainly in Los Angeles. A big chunk of the selections, including the title song were by one  Edmundo Martínez Tostado, an El Paso native better known by his stage name: Don Tosti.

Tosti and his group also recorded under the names Don Ramone Sr. y su Orquesta and Cuarteto de Ramon Martinez.

Whatever he called his band, these two songs make me thirsty for some white port and lemon juice and hungry for a burnt weenie sandwich.

I'd say mystery solved.



Tuesday, October 06, 2015

Evening for Vietnam with Terry and Bukka Allen

Terry Allen and Anton
Terry Allen with my son Anton at
Santa Fe Brewing Company in 2006.
(Anton looks older these days. Terry doesn't)
Here's what looks like a fine show down in Albuquerque coming up this weekend. Santa Fe's own Terry Allen and his son Bukka Allen, also a musician, will be playing at the Kimo Theater Saturday, Oct. 10 for an even called "An Evening for Vietnam."

The Allens' part of the show will follow a screening of Deryle Perryman and Moises Gonzalez' documentary Same Same But Different, a story of war veterans returning to Vietnam.

The show is a benefit for a music school in Vietnam being built by TwoBricks, an Albuquerque non-profit that builds music schools in underdeveloped regions.

Tickets are $10-$100 (now there's a range!) You can buy them HERE.

Listen to The Santa Fe Opry on KSFR, 101.1 FM in Santa Fe this Friday (10 pm-midnight). I might just have another ticket or two to give away.

Below is one of my favorite Terry Allen songs, "There Ought to Be a Law Against Sunny California," performed at Santa Fe Bandstand in 2012. Unfortunately, Terry cleaned up the lyrics when performing at that "family friendly" event.

 

Sunday, October 04, 2015

TERRELL'S SOUND WORLD PLAYLIST

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Sunday, October 4, 2015
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

Here's the playlist

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres

We're an American Band by Grand Funk Railroad

Sinner Man by Esquerita

Drug Train by Social Distortion

Teeny Bopper Teeny Bopper by The Count Five

Vendidi Fumar by Churchwood

Dancing Fool by Butthole Surfers

Girl from Al-Qaeda by The Jack & Gene Show

 

Is That Religion? by Cab Calloway

Reefer Man by Big Bad Voodoo Daddy

Tumblin' Dice by Johnny Copeland

Ain't No Easy Way by Nancy Sinatra with Jon Spencer

Do the Get Down by Jon Spencer Blues Explosion

It's The Truth, Ruth by The Big Bopper

As You Go Down by Holly Golightly

96 Tears by Aretha Franklin

 

Down on Me by Big Brother & The Holding Company

Kick Hit 4 Hit Kix U (Blues for Jimi and Janis) by John Lee Hooker

Ball and Chain by Big Brother & The Holding Company

Get It While You Can by Howard Tate

 

Elephant Gun by Beirut

Wicked Waters by Benjamin Booker

High Noon Blues by The Night Beats

Crawl by The Cynics

Not of This World by The Plimsouls

Prayer for New Mexico by Ronnie Gene

CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, October 02, 2015

THE SANTA FE OPRY PLAYLIST

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Friday, October 2, 2015
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Buckaroo by Buck Owens

Beedle Um Bum Mother McCree's Uptown Jug Champions

Mud by Legendary Shack Shakers

Lower 48 by The Gourds

Mama Hated Diesels by Commander Cody & His Lost Planet Airmen

May the Bird of Paradise Fly Up Your Nose by Little Jimmy Dickins

Cheatin' Again by Whitey Morgan

What's a Simple Man to Do by Steve Earle

Hell Naw by The Reverend Peyton's Big Damn Band

Pretty Girl by Miss Leslie

 

The Burden by Terry Allen

You Can Be My Baby by The Backsliders

Pray I Won't Wake Up by Honky Tonk Hustlas

She's in the Graveyard Now by Earl McDonald's Original Louisville Jug Band

In the Jailhouse Now by Webb Pierce

What I Used to Do All Night by Reverend Billy C. Wirtz

Honky Tonk Stardust Cowboy by Bill Hearne

 

Apartment 34 by Holly Golightly & The Brokeoffs

Building Chryslers by The Bottle Rockets

Lubbock in the Springtime by The Beaumonts

Sleep With a Stranger by Nikki Lane

I'm the Only Hell My Mama Ever Raised by Johnny Paycheck

Dark In My Heart by DM Bob & The Deficits

Wild American by Kris Kristofferson

This Train by Linda Gail Lewis

 

All Dressed for Trial by Peter Case

Now That the Buffalo's Gone by Buffy Sainte-Marie

Four Old Brokes by Joe Ely

Everybody's Talking About the Same Thing by Floyd Domino & Maryann Price

Let it Roll by Dinosaur Truckers

Worried Mind by Eilen Jewell

Same God by The Calamity Cubes

CLOSING THEME: Comin' Down by The Meat Puppets


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Subscribe to The Big Enchilada Podcast! CLICK HERE
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

 

Thursday, October 01, 2015

THROWBACK THURSDAY: Saluting a Jug Band Giant

from the April 1930 edition of What’s on the Air, a publication of WHAS radio in Louisville, Ky.
Earl McDonald is the banjo man in the middle.
Click the image to make it more readable

Most people haven't heard of him, but American music owes a lot to an African American banjo player from Kentucky named Earl McDonald.

As a teenager circa 1900, (no that's not a typo), McDonald was a fan of what might have been the very first jug band in the known universe, The Cy Anderson Jug Band, which featured early jug pioneer B.D. Tite. 

The Anderson band, based in Louisville, knocked around for about nine years, playing "riverboats, carnivals, parties and venues throughout the Midwest and upper South" according to Don Kent's liner notes for the wonderful Yazoo jug band collection Ruckus Juice & Chitlins

But by 1909, a homesick Anderson decided to move back to Virginia. But McDonald was ready to fill the void. Earl McDonald's Original Louisville Jug Band got a gig playing the Kentucky Derby. According to the Jug Band Hall of Fame:

By 1914, he was travelling with his band to performances in New York and Chicago. Earl McDonald led the Ballard Chefs' weekly performances on Louisville's WHAS radio for three years (1929-1932). Public response exceeded expectations, enhancing the popularity of jug band music throughout the eastern half of the United States. Earl McDonald's voice and the rhythm of his jug blowing enlivened the recordings of more than 40 tunes with a half-dozen bands from 1924 to 1931.

McDonald played with the  Original Louisville Jug Band as well as the Ballard Chefs and The Old Southern Jug Band. And in 1924 with a group that eventally became known as The Dixieland Jug Blowers -- which was a merger of McDonald's Original band and one led by his former musical partner Clifford Hayes -- he made the first known jug band recording backing singer Sara Martin on "Blue Devil Blues."

I wasn't able to find any information and what happened to McDonald. He was doing his Ballard Chefs radio gig as late as 1932. Tat's about the time the bottom was falling out of the recording industry, especially for "race" records and "hillbilly" records. I'm not even sure when McDonald died. 

But he sure left some fun tunes behind. Enjoy some now.

Here's my favorite Earl McDonald song, "She's in the Graveyard Now," a variation of "In the Jailhouse Now."



And here's another classic



And here is another McDonald, Hayes and Martin collaboration from 1924



And what the heck, here are a bunch of songs from McDonald and his bands





TERRELL'S SOUND WORLD PLAYLIST

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