Greetings, out there in podland, the 96th exciting episode of The Big Enchilada is here, so weep no more. We have wild new sounds from He Who Cannot Be Named, Alien Space Kitchen, Sex Hogs II, San Antonio Kid, a couple of Swedish bands, Rattanson and Fezz, classic punk rock from The Germs, The Eyes and Skull Control, a strange ditty from rockin' Rod McKuen and to celebrate episode 96, some sweet sounds from the 9,696-year-old Perfect Master himself, Question Mark (and the Mysterians).
(Background Music: Straitjacket by Bill Haley & The Comets)
Fezzalized by Fezz
I Want You to Be My Baby by Grace Chang
Kill Your Parents by The Eyes
Hellbound by Sinners
There's a UFO Up There by Travis Wammack
Money Changes Everything by Ought
(Background Music: 96 Tears (en Espanol) by Question Mark & The Mysterians)
Sunday, May, 2016 KSFR, Santa Fe, N.M. 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Webcasting! 101.1 FM
email me during the show! terrell(at)ksfr.org
Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Losing My Mind by Alien Space Kitchen
Kill Your Parents by The Eyes
One More Time by He Who Cannot Be Named
Top Secret by KAOS
Family Fun Night by Figures of Light
Hoochie Coochie Man by New York Dolls
Ruby's Old Time by The Fleshtones
Wandering Black Hole by Rattanson
Prodigal Son by Rev. John Wilkins (Live at Scott's Pottery Gallery, Arroyo Seco, June 8)
MDManne by San Antonio Kid
War Going On by Sulphur City
Speed Freak by Stomachmouths
Hot Stumps by Skull Control
Fezzalized by Fezz
In Hell by The Monsters
I Dig Her Wig by Rod McKuen
Take Me to Our Place by Jonny Manak & The Depressives
Round and Round by The Germs
Pigtails by Sex Hogs II
My Shadow by Jay Reatard
Don't Send Me Flowers I Ain't Dead Yet by Reigning Sound
Boys in the Wood by Black Lips
Rockin' Bones by The Cramps
Shakin' All Over by Flamin' Groovies
96 Tears by Question Mark & The Mysterians
Money Changes Everything by Ought
Lemmy by The Come n' Go
Brother, My Cup is Empty by Nick Cave & The Bad Seeds
This One's from the Heart by Tom Waits & Crystal Gayle CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Friday May 27, 2016 KSFR, Santa Fe, NM Webcasting! 10 p.m. to midnight Fridays Mountain Time Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org
Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
He Ain't Right by Legendary Shack Shakers
Tryin' to Forget the Blues by Porter Wagoner
A version of this was published in The Santa Fe New Mexican May 27, 2016 Here are a bunch of albums in the garage, punk, crazy rock vein that I’ve been enjoying lately. What?
You’ve never heard of any of these bands? That’s why I included links. Click them. Educate yourselves. Broaden your horizons. Dare to explore ...
* My Degeneration by He Who Cannot Be Named. If Los Straitjackets are the golden, heroic, baby-faced luchadores of rock ’n’ roll, then He Who Cannot Be Named is the villainous, rule-breaking hair-pulling, eye-gouging heel.
After all, he’s a founding member of the Dwarves, veteran spunk-rockers best known for album covers featuring images with naked women crucifying a midget, and for getting kicked off Sub Pop Records at the peak of the great grunge scare for creating a hoax in which they claimed He Who had been killed in a knife fight. You know, my kind of band.
So on He Who’s latest solo record, the veteran guitarist (who never has revealed his real name) sings sweet praises to a blow-up rubber sex partner (“Lovedoll”) and a touching 1950s-edged ode to necrophilia (“One More Time”). Santa Fe’s own Gregg Turner has also explored this theme.
One of my favorites is a song that doesn’t contain any overt perversity. It’s the album opener, a rousing tune in which the singer declares he’s better than you, smarter than you, richer than you. It’s almost certainly a jab at snobs. But it’s more fun if you assume He Who Cannot Be Named really means it and expects you to bow to his superiority.
Like his mothership band, He Who has plenty of good old-fashioned rowdy punk songs, several of which are addictively melodic. But he also branches out musically. “Transfusion” and “Beautiful Disease” feature a banjo, reminding me a little of the late Tommy Ramone’s “bluegrass” band, Uncle Monk. And on “Our Sacred Hate,” there is a screechy fiddle that suggests Celt-punk. Dropkick Murphys or The Tossers would do good versions of this.
* Part I by Sex Hogs II. Just a few years ago there was a bitchen little garage band in Albuquerque The Scrams. I never got to see them live — and in fact, I hadn’t even heard of them until several years ago when I was listening to a podcast by a crony, in which he played a Scrams song, called me out by name, and basically ordered me to love them. That wasn’t hard. They were great.
called
Unfortunately The Scrams are no more. But just a few weeks ago, former Scramster Nate Daly, who contacted me to tell me about his new band Sex Hogs II. (I’m not sure what happened to Sex Hogs I.) These feral Hogs sound a lot like the long-lost Scrams.
It’s raw straightforward garage-rock fun — “Blood in the Dirt,” “Want Some,” and “I Object” being fine high-octane boppers. But these guys are capable of pulling off slower tunes as well, such as “Sacrifice.”
I actually was surprised to learn that Sex Hogs II is a duo. They produce a pretty full sound for just two guys. The members are identified only as “Guitar Hog” and “Drum Hog” (Daly, I presume. He was the drummer for The Scrams.). “Bass Hog” joins them on one tune and, even better, “Sax Hog” plays on two others.
One of those, “Pigtails,” is, for the moment at least, my favorite tune on this record. It sounds like some kind of early ’60s rock ballad — or maybe a powerful Reigning Sound tune. I’m not sure which Hog is singing, but he pours his guts into it. And Sax Hog earns his slop on this one. (I’m a sucker for a sax on punk songs, so let’s have a moment of silence for former Stooge Steve Mackay, who died last October.)
And speaking of Reigning Sound, the only nonoriginal song here is an inspired cover of the Greg Cartwright-penned “Drowning,” which first appeared on RS’s album Too Much Guitar! Like they do on “Pigtails,” the Hogs give this one a lot of heart and soul.
* Apprentice by The Blues Against Youth. This is a one-man band from Italy, that one-man being a Roman guy named Gianni TBAY. (TBAY. Think about it.) He sings and plays guitar (lots of slide!) and drums. His sound is reminiscent of American one-man bands like Scott H. Biram and John Schooley, with both country and blues roots and a D.I.Y. punk-rock sensibility.
This album starts off with a slow and purdy blues instrumental called “Keep It Goin’.” At just over a minute long, however, this really is just an invocation to the blues spirits.
The faster-paced “Medium Size Star Bound” is the real opener. It features some tasty picking and lyrics about career frustration (“Medium size star bound/They can make you drown/Turn you upside down/But they can’t take your heart.” And in the middle, where you might expect a guitar solo, Gianni gives us a whistle solo. No, it’s not played on a whistle instrument — he actually whistles a melody. Truly whistling is a lost art in rock ’n’ roll.
One of my favorites here is “Got Blood in My Rhythm,” a jaunty number that would work for either the Rolling Stones (Exile on Main St.-era) as well as Dinosaur Jr. And did I say something about country roots? There’s a stunning cover here of one of Hank Williams’ saddest songs, “I Heard That Lonesome Whistle Blow.”
The album’s most impressive number is the title song, a seven-minute hard, gritty blues. Coming from out of nowhere, there’s an electric organ solo that’s nothing short of spooky. I’m not sure if this is Gianni or another musician. All I know is that it works.
It's video time"
HeWho goes country
And here's another mellow song
Here is some live Blues Against Youth
And when I searched for "Sex Hogs" on Youtube, I only found animal husbandry videos. But here is one of their songs you can listen to:
He's been singing, writing and recording songs for more than 50 years, And now Bob Dylan has turned 75, That happened just this week, on Tuesday, May 24.
Happy Birthday, dear Zimmy.
So in honor of one of the most covered songwriters in modern history, here's a wide variety of artists singing songs of Bob.
While most of the musical acts below are not obscure by any means, these Dylan covers aren't that well known. (Except maybe one. But you'll have to read on.)
Dylan has been covered by rock bands, soul singers, blues belters, country musicians, lounge crooners, traditional Irish bands and probably Tuvan throat singers and Norwegian marching bands.
I actually didn't find any of the latter. If I ever do, you know I'll post them.
Here is Nick Cave mutating a song Dylan wrote for Johnny Cash, "Wanted Man."
In 1974 Tina Turner changed "She Belongs to Me" into "He Belongs to Me" on her first solo album, Tina Turns the Country On. She also did another song on that album, "Tonight I'll Be Staying Here With You."
The industrial rock group Ministry also went country -- well, not really -- with this tune from Dylan's Nashville Skyline.
Buck Owens stumbled over the line about "ceremonies of the horsemen," but he sings it straight from the heart.
Dylan is a favorite of the Golden Throats -- Telly Savalas singing "I Shall Be Released," Eddie Albert blowing "Blowing in the Wind" and of course William Shatner's game-changing take on "Mr. Tambourine Man." But my favorite is "It Ain't Me Babe" as performed as a spoken word piece by Sebastian Cabot's (He was "Mr. French,' the butler in the '60s sitcom Family Affair.)
Sebastian starts off as if he's nursing the hangover of his life ("Go away from my window!") and ends up sounding like a third rate villain taunting some poor hostage. Enjoy.
Unlike the others here, this song actually was a minor hit of sorts -- at least I remember WKY in Oklahoma City playing it -- by a vocal group calling itself "The Wonder Who." But nobody wondered very long. Everyone figured out that it was The Four Seasons with Frankie Valli in hyper-drive falsetto. Many say Frankie did it as a joke. If so, it was a cruel joke ...
