Sunday, July 21, 2024
KSFR, Santa Fe, NM, 101.1 FM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell Email me! terrell(at)ksfr.org
Here's my playlist:
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
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Don't press the arrow on this image. Wait until the "videos" below. Keep your damn shirt on! |
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The outlaw Spanish Henry |
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Cedric Burnside with KSFR;s own Mike Handler Tumbleroot, Santa Fe, 5-13-24 |
Earlier this week I saw Mississippi bluesman Cedrick Burnside play at the Tumbleroot here in Santa Fe. As I suspected, Burnside, grandson of the late master R.L. Burnside, was fantastic and any Santa Fe blues fan who missed it should regret it.
But this post isn't about the music Burnside played. It's about a joke he told Monday night.
It was a funny joke, but I already knew the punchline. That's because I was familiar with this song I first heard by Gabriel Sanchez, aka Baby Gaby.
Here's that song:
Despite the name "Pepito" and Baby Gaby's exaggerated Mexican accent, I've always suspected that the dysfunctional family poked fun at in this tune might not be Mexican at all.
And in fact, that's the case.
The first known published telling of this tale was "Madame la Marquise." a poem satirizing French aristocracy by British-born poet Robert Service in his 1940 collection Bar-room Ballads: A Book Of Verse.
Here's how it starts out:
Said Hongray de la Glaciere unto his proud Papa:
"I want to take a wife, mon Pere." The Marquis laughed: "Ha! Ha!
And whose, my son?" he slyly said; but Hongray with a frown
Cried: "Fi! Papa, I mean -- to wed. I want to settle down."
The Marquis de la Glaciere responded with a smile:
"You're young, my boy; I much prefer that you should wait awhile."
Kind of wordy, no? It takes a few lines more before the Marquis gets around to warning his lovesick son about the dangers of possible incest.
And that leads us to a classic zombie movie ...
In 1943, the calypso star known as Sir Lancelot (Lancelot Victor Edward Pinard) wrote a song for -- and appeared in -- a creepy film called I Walked With a Zombie. (But no, Roky Erikson never covered this)
Lancelot called the tune "Fort Holland Calypso Song" (Not "Fort Collins" as it's mistitled in the video below. My daughter lives in Fort Collins and if there were any zombies there, I'm pretty sure she would have told me.)
Check the scene below:
Notice the refrain and the melody are very similar to the song Baby Gaby sings. But there's no story about a lad wanting to marry girls his dad thinks are his secret sisters.
But skip ahead about 20 years and another calypso singer, Lord Melody rewrote Sir Lancelot's lyrics, adding the basic ""Madame la Marquise" plot, and here we go. But I still don't know why he'd call his song "Wau Wau":
"Shame"-- or "Wau Wau" spread around the Caribbean. Puerto Rico-born pop singer Shawn Elliott had a hit in South America with his version:
Here's Peter Tosh of The Wailers, backed by The Skatellites in 1965:
Also in the '60s, Buffy Sainte-Marie sang an Irish-style song called "Johnny Be Fair," which tells the familiar story, though Canadian folklorist Edith Fowke quotes The Buffy Sainte-Marie Songbook, (1971) where the singer introduces "Johnny Be Fair," saying her song was "based on a joke I heard from an Irishman ..."
And this seemed like an affirmation to me. The strange idea that prompted me to look into this song was a weird and unsubstantiated notion I had that the story told in the Baby Gaby song I love might have originated in Ireland. "Pepito" is much closer to Lord Melody and the others posted above, but the plot is the same as Buffy's:
But as we all know, shame and scandal often leads to Madness! The British punk-ska group recorded this in 2005.
Now all us Cedrick Burnside fans need to convince the man to craft his joke into a song ...
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Cedrick at Tumbleroot, Santa Fe, NM 5-13-24 |
O.K., I'll admit this is a pretty dumb idea.
It came to me yesterday after I ran into my friend Dan during my afternoon walk along the Santa Fe River Trail and he mentioned a Ty Segall album called Fudge Sandwich. For some reason that reminded me of Primus' album Pork Soda.
Then it got worse.
So here's. selection of songs from albums named for dishes you've probably never consumed -- and never would want to.
My drink order? How about a frosty can of ...
I see the soup d'jour is Goat Head Soup.
I can' decide between the Burnt Weenie Sandwich ...
I was born in a dump / Mama died and my daddy go drunk...
These are the first words of a song that became one of the most covered tunes of the 1960s, though the covers have gone well beyond. "Tobacco Road" is the story of poverty, sentimentality and a young man's determination to better his circumstances. Or maybe "sentimentality" shouldn't be part of that description, as in the last verse, the singer declares his desire to "blow it up and start all over again."
It sounds like some ancient blues song, something John or Alan Lomax might have picked up from some half-drunk sharecropper or mean-eyed Angola Prison inmate.
But, no, it was written by John D. Loudermilk, a country and pop songwriter from Durham, N.C. He wrote it and was the first to record it 1959 (and released in 1960).
Loudermilk, in a 1988 interview in American Songwriter, spoke of the origins of what probably is his best-known song:
I got the idea for writing that song from a road in our town that was called Tobacco Road because it was where they rolled the hogsheads full of Tobacco down to the river to be loaded onto barges. Along that road were a lot of real tough, seedy-type people, and your folks would have just died if they thought you ever went down there.
He didn't mention that "Tobacco Road" previously had been used as a title of a 1941 movie directed by John Ford, as well as a 1933 Broadway play, both of which were based on a 1932 novel of the same name by Erskine Caldwell.
But that's neither here nor there. The movie, play and novel largely have been forgotten, while the song is a classic. It's been recorded by everyone from Edgar Winter to David Lee Roth; from Hank Williams, Jr. to The Jefferson Airplane ... and lots of folks in between.
Here's that original 1960 version by Loudermilk:
But Loudermilk's version failed to become a hit. It wasn't until the 1964 British Invasion, when a one-hit-wonder band called The Nashville Teens recorded it. And yes, their one hit was indeed wondrous:
Sunday, July 21, 2024 KSFR, Santa Fe, NM, 101.1 FM Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrel...