Sunday, August 8, 2010
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell@ksfr.org
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
96 Tears by Big Maybelle
I'll Be Back by ? & The Mysterians
Buy a Gun, Get a Free Guitar by Deadbolt
Virginia Avenue by Kid Congo Powers & The Knoxville Girls
Sex Cow by Teengenerate
Ikebukuro Tiger by Guitar Wolf
Chicken Thighs by Andre Williams
She's a Tiger by The Ding-Dongs
Break the Spell by Gogol Bordello
Idiota Stąd by Kult
Cantina by Pinata Protest
Sally Go Round the Roses by The Jaynettes
Too Many Fish in the Sea/Three Little Fishes by Mitch Ryder & The Detoit Wheels
What You Lack in Brains by Batusis
You Got the Love by The Cynics
Cannibal Girls by The Hydes
Shopping For Clothes by The Coasters
Deep in the Sand by The Budos Band
Be Kind, Be Foolish, Be Happy by Chuck Barrister & The Voices of Darkness
All Night Long by Bongos Ikwue Bongos Ikwue
Rough Rider by The Hygrades
Freaking Out by Mondo Topless
Doing the Crawdaddy by Bo Diddley
D.O.A. by The Fuzztones
Bird Brain by Kevin Coyne
Lost Girl by The Troggs
Underdog Backstreet by Warren Lee
Soul Man in the Underground by Jon E. Edwards
Take My Hand Precious Lord by Pinetop Perkins & Willie "Big Eyes" Smith
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
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Sunday, August 08, 2010
More Yakety Yak About Truth in Music
I'm not sure whether to post this one in my music blog or my political blog. Guess I'll do both.
Here's a 2007 report on this issue by ABC's 20/20 featuring a confrontation between a real Drifter and a fake Drifters group.
Here's a video of The Coasters
Today The New Mexican published my story about Veta Gardner, wife of Carl Gardner, the last living member of The Coasters, being upset about an imposter version of The Coasters playing The Clovis Music Festival. Initially the festival advertised that The Coasters were playing, but after complaints, the festival website was changed to reflect that these Coasters are "Billy Richards' Coasters."
As Mrs. Gardner points out, the website still says Richards' Coasters "breathed life into classic Leiber & Stoller songs like: `Charlie Brown,' `Yakaty Yak,' (sic) `Love Potion No. 9' and many more." She also said using the phrase "Clown princes of Rock 'n' Roll" is a copyright infringement.
Richards was a member of an early '60s Coasters offshoot, started by Bobby Nunn, an original member who Veta Gardner says was fired from the band in the late '50s. But he didn't record with the actual Coasters on those songs listed above or "Along Came Jones," "Searchin'," "Youngblood" or any of the Coasters hits you might remember.
The story of "the man with the big cigar" ripping off rock 'n' roll artists in the '50s and '60s is well documented. "Imposter" bands is just another way to screw the artists who created the music.
This issue -- a phenomenon that has been going on for decades -- was discussed last year in the state Legislature. (Here's my column about that .) The House passed the "Truth in Music Act," sponsored by Rep. Al Park, D-Albuquerque, and the bill made it through the Senate Judiciary Committee. But the session ended before the full Senate could vote on it. Maybe next year.
A little story-behind-the story: The issue of The Coasters at the Clovis Music Festival was first brought to the attention of Veta Gardner, the festival, myself and anyone else who would listen by a lady named Virginia Pritchett. Though she lives in Texas now, she's a former College of Santa Fe student who was raised in eastern New Mexico. Virginia is a record collector, an "oldies" fanatic who used to be a DJ at an oldies station in California. She's genuinely concerned about imposters harming the livelihood of the musicians who created the music.
She pointed me to this 1997 article in the New York Observer about Carl Gardner's long struggle against imposters.
And here's the link to the Vocal Group hall of Fame Foundation, which is leading the effort nationwide for "Truth in Music" legislation.
Here's a 2007 report on this issue by ABC's 20/20 featuring a confrontation between a real Drifter and a fake Drifters group.
Here's a video of The Coasters
Saturday, August 07, 2010
eMusic August
* The World Ends: Afro-Rock and Psychedelia in 1970s Nigeria by various artists This is the latest collection from the incredible Soundways Records. I spent nearly half my monthly credits on this cool collection, but it's worth it.
In the early '70s, following the bloody Biafran civil war, Jimi Hendrix guitar and James Brown funk invaded Nigeria.
In the early '70s, following the bloody Biafran civil war, Jimi Hendrix guitar and James Brown funk invaded Nigeria.
Fuzz and wah-wah seized control of African guitars. Slinky organ sounds crept into the music. And the African drum was stronger than ever.
Bands like The Hykkers, Cicada and The Semi Colon created funky little masterpieces. In "Ottoto Shamoleda" by a band called Colomach you could hear a little Santana. The Hygrades' "Rough Rider" would fit in the soundtrack of any decent Blaxploitation movie.
And I like the advice of Chuck Barrister & The Voices of Darkness: "Be Kind, Be Foolish, Be Happy."
* Reform School Girl by Nick Curran & The Lowlifes. I owe Los Alamos music fiend Russ Gordon for turning me on to this band.
Bands like The Hykkers, Cicada and The Semi Colon created funky little masterpieces. In "Ottoto Shamoleda" by a band called Colomach you could hear a little Santana. The Hygrades' "Rough Rider" would fit in the soundtrack of any decent Blaxploitation movie.
And I like the advice of Chuck Barrister & The Voices of Darkness: "Be Kind, Be Foolish, Be Happy."
* Reform School Girl by Nick Curran & The Lowlifes. I owe Los Alamos music fiend Russ Gordon for turning me on to this band.
Basically Curran plays some of the roughest, rawest R&B/rockabilly this side of Barrence Whitfield. This album has a lo-fi, '50s car-radio sound to it. Curran sounds as if he's channeling Little Richard filtered through the ghost of Ronnie Dawson, the late rockabilly rowdy, with whom Curran used to play.
But the title song reveals a Phil Spector side. Probably Shadow Morton would be a more apt comparison, as the song has a distinct "Leader of the Pack" vibe to it.
Curran & The Lowlifes are playing up in Nuke City as part of Gordon's Free Concert Series on Friday August 20.
PLUS:
* The 35 songs from The Very Best Of by Hoosier Hot Shots that I didn't get last month. (This only cost me five credits though because the eMusic price was 40 tracks for 12 credits and I downloaded seven tracks last month. What a deal!)
* 9 tracks from Hillbilly Classics. Talk about deals ... This is a 73 (!!!) song collection of mostly obscurities from the '40s and '50s. Costing only 12 credits, it's definitely one of the biggest bargains I've stumbled across on eMusic for some time.
PLUS:
* The 35 songs from The Very Best Of by Hoosier Hot Shots that I didn't get last month. (This only cost me five credits though because the eMusic price was 40 tracks for 12 credits and I downloaded seven tracks last month. What a deal!)
Basically these Indiana cut-ups, who started recording in the early '30s, were the harbingers of Spike Jones. The slide whistle (played by Paul "Hezzie" Triesch) was an important part of the Hot Shot sound, as was the clarinet, played by Gabe Ward.
Among the tunes in this collection are whizbang versions of American standards like "The Band Played On," "Sioux City Sue," "Toot Toot Tootsie," and "I Wish I Cold Shimmy Like My Sister Kate."
There's also some bizarre obscurities by the quartet. My favorite is "I've Got a Bimbo Down on The Bamboo Isle." I found a scratchy old 1920 version of this tune by Frank Crumit on the Internet Archive a few years ago. It's about a swell gal who "all she wore was a great big Zulu smile." As I wrote of this song in a column a few years ago, "A ship wreck never sounded so sexy."
* 9 tracks from Hillbilly Classics. Talk about deals ... This is a 73 (!!!) song collection of mostly obscurities from the '40s and '50s. Costing only 12 credits, it's definitely one of the biggest bargains I've stumbled across on eMusic for some time.
My favorites of the ones I nabbed for now are "Nothin' Clickin', Chicken" by The Down Homers and "My Dreamboat Hit a Snag" by Louis Innis & The String Dusters." I'll start downloading the rest of this when my account refreshes.
ATTENTION ACOUSTIC PICKERS
My old friend Amy Airheart Bianco (who I first met when she was a DJ at the venerable KFAT Radio in Gilroy, Calif. in the early '80s) just sent me this. She's looking for acoustic musicians.
I know you're out there. Check it out!
Calling New Mexico’s Acoustic Musicians!
The third annual New Mexico Women Author’s Book Festival is taking place this October 2nd and 3rd in downtown Santa Fe at the New Mexico History Museum. During this free event, over 100 women authors will read from their works and over 3,000 people are expected to attend during the two days.
Festival Organizers are looking for 10-12 acoustic acts to perform Saturday or Sunday inside the New Mexico History Museum. Solos, duos, trios and quartets are encouraged to apply. Acts featuring women performers are also encouraged to send in audition materials. The performance area will be upstairs, with some seating and will be acoustic with no p.a.system. (this is due to noise restrictions in the building.) The performance area has very bright sound and will attract people coming from the café and the exhibit areas. A small stipend ($50.00 per act) is available for each act to help defray travel costs.
Acoustic acts from around the state are encouraged to apply. Sets up to 50 minutes in length will be booked and the stage will be open from 11:00 a.m. to 4:00 pm both days, with the last set ending by 4:50 p.m. Artists are welcome to bring their CD’s to sell during and following their sets, on the day of performance.
Please submit audition materials no later than September 1 to: Amy Bianco c/o MNMF Shops, P.O. Box 2065, Santa Fe, NM 87504-2065. For more information call (505) 982-3016 x 21.
Friday, August 06, 2010
THE SANTA FE OPRY PLAYLIST
Friday, August 6, 2010
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Hot Rodder's Lament by Deke Dickerson
Drinkin' Ain't Hard to Do by Hank III
Rated X by Neko Case
Fist City by Eilen Jewell
Backstreet Affair by Conway Twitty & Loretta Lynn
Mr. & Mrs, Used to Be by Ernest Tubb & Loretta Lynn
Super Boogie Woogie by Jerry Irby with His Texas Ranchers
Chickenstew by The Sixtyniners
Room 100 by Ronny Elliott
Corn Liquor Made a Fool Out of Me by Bad Livers
Chug a Lug by Mojo Nixon & The World Famous Blue Jays
Shelly Hopped That Train by The Cedarsqueezers
A-11 by Buck Owens
Amazing Disgrace by Dollar Store
1234 Ever by Jon Langford & Skull Orchard
The Girl On Death Row by T.Tex Edwards & Out On Parole
Mike the Can Man by Joe West
Meet Me By The Ice House Lizzie by Hoosier Hot Shots
TRIBUTE TO THE AMERICAN WAITRESS
The Waitress Song by Freakwater
Ravishing Ruby by Tom T. Hall
Mr. Sellack by The Roches
The Beautiful Waitress by Terry Allen
Diesel Daisy by Killbilly
Sweetheart (Waitress at a Donut Shop) by Dan Hicks & His Hotlicks Waitret Please Waitret by Kinky Friedman
Tip That Waitress by Loudon Wainwright III
Highway Cafe by Tom Waits
Goodnight, Dear Diary by Joe Ely
Don't Touch Me by Eleni Mandrell
I Wish It Had Been a Dream by The Louvin Brothers
I Push Right Over by Robbie Fulks
Clouds That Won't Rain by Clothesline Revival
Tom Dooley by Snakefarm
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Hot Rodder's Lament by Deke Dickerson
Drinkin' Ain't Hard to Do by Hank III
Rated X by Neko Case
Fist City by Eilen Jewell
Backstreet Affair by Conway Twitty & Loretta Lynn
Mr. & Mrs, Used to Be by Ernest Tubb & Loretta Lynn
Super Boogie Woogie by Jerry Irby with His Texas Ranchers
Chickenstew by The Sixtyniners
Room 100 by Ronny Elliott
Corn Liquor Made a Fool Out of Me by Bad Livers
Chug a Lug by Mojo Nixon & The World Famous Blue Jays
Shelly Hopped That Train by The Cedarsqueezers
A-11 by Buck Owens
Amazing Disgrace by Dollar Store
1234 Ever by Jon Langford & Skull Orchard
The Girl On Death Row by T.Tex Edwards & Out On Parole
Mike the Can Man by Joe West
Meet Me By The Ice House Lizzie by Hoosier Hot Shots
TRIBUTE TO THE AMERICAN WAITRESS
The Waitress Song by Freakwater
Ravishing Ruby by Tom T. Hall
Mr. Sellack by The Roches
The Beautiful Waitress by Terry Allen
Diesel Daisy by Killbilly
Sweetheart (Waitress at a Donut Shop) by Dan Hicks & His Hotlicks Waitret Please Waitret by Kinky Friedman
Tip That Waitress by Loudon Wainwright III
Highway Cafe by Tom Waits
Goodnight, Dear Diary by Joe Ely
Don't Touch Me by Eleni Mandrell
I Wish It Had Been a Dream by The Louvin Brothers
I Push Right Over by Robbie Fulks
Clouds That Won't Rain by Clothesline Revival
Tom Dooley by Snakefarm
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
SHARON JONES COMING TO LENSIC
Looks like Daptone Records is making inroads into Santa Fe. First we learned The Budos Band will be playing Corazon on August 19.
And now, Jamie from Fanman Productions informs us that the mighty Sharon Jones & The Dap-Kings will play the Lensic Performing Arts Center on Sept. 27.
No word on ticket prices yet. All I know right now is that a band called Grace Potter & The Nocturnals will be opening.
Jones' show is scheduled 10 days after Barrence Whitfield is supposed to play at Santa Fe Brewing Company.
That's a lotta soul for this little town.
I wrote a quickie review of Jones' last album I Learned the Hard Way. You can find it HERE (scroll down.)
Thursday, August 05, 2010
TERRELL'S TUNE-UP: WHAT I DID ON MY SUMMER VACATION
A version of this was published in The Santa Fe New Mexican
August 6, 2010
Here’s what I did last week on my summer vacation.
I spent several days last week in New York City. The major chunk of my time was spent at musical events (and riding the subways to get to them).
Here’s the magical part. Only moments after I made my plane and hotel reservations, I got an email invitation from the promoters of another free show: Kid Congo & The Pink Monkey Birds — led by a guy who’s been a member of The Cramps, Nick Cave and the Bad Seeds, and The Gun Club — who were playing at The Knitting Factory in Brooklyn.
* Sweatin’ to the oldies: ? & The Mysterians and Mitch Ryder offered a sharp contrast in their different approaches. And I have to say that ? and his band kicked major rump. From the moment he bounced onto the stage wearing a cowboy hat and a pink-and-purple jacket with Buffalo Bill fringes, ? was a psychedelic sprite belting out his rock ’n’ soul.
The Mysterians included all their original members — five Chicanos who grew up hanging out and playing music with one another. They’re tight and yet have an easy way together. They’ve done all these songs a jillion times, but they still look like they’re having the time of their lives playing them.
Ryder, on the other hand, had a bunch of new players who looked young enough to be his grandkids. These Wheels weren’t even hub when Ryder was tearing up the charts with “Devil in a Blue Dress” and “Jenny Takes a Ride.” All were proficient musicians, but they lacked that warriors’ bond that comes from years on the road.
But the main difference between the two is that ? and crew have retained their garage-band spirit, while Ryder’s band had a classic-rock edge. Ryder’s band even had a big production number that started out with tinkly-winkly piano versions of Rolling Stones songs like “Ruby Tuesday” and “You Can’t Always Get What You Want,” leading with epic guitar crescendos to an overwrought version of “Gimme Shelter.” (I left during the drum solo. I just couldn’t take it.)
The Mysterians got a little outside help. Soul singer Louise Murray of the Jaynetts dueted with ? on “Sally Go Round the Roses.” Murray sang on the original recording of this cool tune. But more impressive, the one and only Ronnie Spector joined the group on their big hit “96 Tears.” It was an unbelievable moment. She basically vamped on the “you’re gonna cry, cry, cry, cry” outro, teasingly adding an occasional “be my baby” to the proceedings.
* The Gories: This was Mick Collins’ group before The Dirtbombs. Collins along with fellow guitarist Dan Kroha and drummer Peggy O’Neill started out in Detroit in 1986 and lasted until the early ’90s. They got back together last year for a reunion tour with The Oblivions. And The Gories still sound fresh, crazy, and aggressively primitive. Beginning with their unofficial theme song, “Hey Hey, We’re the Gories,” they bashed their way through a high-energy set that included Gories favorites like “Thunderbird E.S.Q.” and “Nitroglycerine,” as well as covers of John Lee Hooker’s “Boogie Chillun” and Eddie Holland’s “Leaving Here.” They even went No Wave for a minute and did a cover of a Suicide song.
* Death: Talk about a band that was ahead of its time. Death was a trio of black kids from Detroit, back in the early 1970s, combined the soul and R & B they’d grown up with the Detroit rock of the day.
* Gogol Bordello: This international band of maniacs lived up to its reputation of playing intense and crazy live shows. It’s led by Ukraine-born Eugene Hutz, who immigrated to New York City in the early 1990s and recently moved to Brazil.
* Primus: Following Gogol would be a heavy task for anyone. So, sadly, Primus was pretty much a major letdown. I’m a Primus fan and was excited about seeing the group. But after the group’s opening act, Les Claypool and the boys seemed plodding and spaced out.
* Kid Congo & The Pink Monkey Birds: Kid Congo Powers is a hero in the garage-punk sub genre, which doesn’t place the highest value on instrumental virtuosity. Nevertheless, he’s an amazing guitarist who doesn’t need 15-minute solos to prove it. One of his encore tunes was an instrumental I didn’t recognize that sounded like a wild cross between Duane Eddy and “Psychotic Reaction.”
BLOG BONUS!
THE GORIES
? & THE MYSTERIANS with RONNIE SPECTOR
MITCH RYDER & THE DETROIT WHEELS
GOGOL BORDELLO
KID CONGO POWERS & THE PINK MONKEYBIRDS
August 6, 2010
Here’s what I did last week on my summer vacation.
I spent several days last week in New York City. The major chunk of my time was spent at musical events (and riding the subways to get to them).
It was a near-impromptu trip, an impulse vacation. What sparked it was something I saw on the internet about The Detroit Breakdown, a free outdoor show at Lincoln Center sponsored by The Ponderosa Stomp Foundation. On the bill were two bands that rocked my reality as a junior high kid: Mitch Ryder & The Detroit Wheels and ? & The Mysterians.
Even more interesting were slightly more recent Detroit groups including garage/punk heroes The Gories and Death, a resurrected proto-punk group.
Here’s the magical part. Only moments after I made my plane and hotel reservations, I got an email invitation from the promoters of another free show: Kid Congo & The Pink Monkey Birds — led by a guy who’s been a member of The Cramps, Nick Cave and the Bad Seeds, and The Gun Club — who were playing at The Knitting Factory in Brooklyn.
To me, this was a cosmic confirmation from the universe. Then later I learned that Gogol Bordello would be playing with Primus the night before the Detroit Stomp. Glory hallelujah!
Here’s a rundown of the music I saw last week:
Here’s a rundown of the music I saw last week:
* Sweatin’ to the oldies: ? & The Mysterians and Mitch Ryder offered a sharp contrast in their different approaches. And I have to say that ? and his band kicked major rump. From the moment he bounced onto the stage wearing a cowboy hat and a pink-and-purple jacket with Buffalo Bill fringes, ? was a psychedelic sprite belting out his rock ’n’ soul.
The Mysterians included all their original members — five Chicanos who grew up hanging out and playing music with one another. They’re tight and yet have an easy way together. They’ve done all these songs a jillion times, but they still look like they’re having the time of their lives playing them.
Ryder, on the other hand, had a bunch of new players who looked young enough to be his grandkids. These Wheels weren’t even hub when Ryder was tearing up the charts with “Devil in a Blue Dress” and “Jenny Takes a Ride.” All were proficient musicians, but they lacked that warriors’ bond that comes from years on the road.
But the main difference between the two is that ? and crew have retained their garage-band spirit, while Ryder’s band had a classic-rock edge. Ryder’s band even had a big production number that started out with tinkly-winkly piano versions of Rolling Stones songs like “Ruby Tuesday” and “You Can’t Always Get What You Want,” leading with epic guitar crescendos to an overwrought version of “Gimme Shelter.” (I left during the drum solo. I just couldn’t take it.)
On the other hand, The Mysterians did a version of The Stones’ “Satisfaction.” But there was nothing grandiose about it. They played the song as I imagine they did in 1965.
The Mysterians got a little outside help. Soul singer Louise Murray of the Jaynetts dueted with ? on “Sally Go Round the Roses.” Murray sang on the original recording of this cool tune. But more impressive, the one and only Ronnie Spector joined the group on their big hit “96 Tears.” It was an unbelievable moment. She basically vamped on the “you’re gonna cry, cry, cry, cry” outro, teasingly adding an occasional “be my baby” to the proceedings.
* The Gories: This was Mick Collins’ group before The Dirtbombs. Collins along with fellow guitarist Dan Kroha and drummer Peggy O’Neill started out in Detroit in 1986 and lasted until the early ’90s. They got back together last year for a reunion tour with The Oblivions. And The Gories still sound fresh, crazy, and aggressively primitive. Beginning with their unofficial theme song, “Hey Hey, We’re the Gories,” they bashed their way through a high-energy set that included Gories favorites like “Thunderbird E.S.Q.” and “Nitroglycerine,” as well as covers of John Lee Hooker’s “Boogie Chillun” and Eddie Holland’s “Leaving Here.” They even went No Wave for a minute and did a cover of a Suicide song.
* Death: Talk about a band that was ahead of its time. Death was a trio of black kids from Detroit, back in the early 1970s, combined the soul and R & B they’d grown up with the Detroit rock of the day.
The son of singer/bassist Bobby Hackney, discovering one of his dad’s demo tapes in the attic, convinced his dad to reform the group. Death’s only studio recordings were released by the indie label Drag City as a CD called ... For the Whole World to See.
Death still roars. The band even did a song it wrote inspired by Richard Nixon, “Politicians in My Eyes.”
* Gogol Bordello: This international band of maniacs lived up to its reputation of playing intense and crazy live shows. It’s led by Ukraine-born Eugene Hutz, who immigrated to New York City in the early 1990s and recently moved to Brazil.
Gogol, whose members are from all over the world, play a high-charged rocking fusion of traditional Gypsy music — violin and accordion are important elements — other traditional European sounds, reggae, and more recently samba, creating a sound they modestly call “Gypsy punk.”
At their show on the Brooklyn waterfront, the musicians did some old favorites — “Not a Crime,” “Wonderlust King,” and “Start Wearing Purple” — plus a lot of their latest album, Trans-Continental Hustle.
* Primus: Following Gogol would be a heavy task for anyone. So, sadly, Primus was pretty much a major letdown. I’m a Primus fan and was excited about seeing the group. But after the group’s opening act, Les Claypool and the boys seemed plodding and spaced out.
* Kid Congo & The Pink Monkey Birds: Kid Congo Powers is a hero in the garage-punk sub genre, which doesn’t place the highest value on instrumental virtuosity. Nevertheless, he’s an amazing guitarist who doesn’t need 15-minute solos to prove it. One of his encore tunes was an instrumental I didn’t recognize that sounded like a wild cross between Duane Eddy and “Psychotic Reaction.”
Opening his hourlong set with “I Found a Peanut,” a Thee Midnighters cover and the funniest song from his latest album, Dracula Boots, the Kid let rip with tunes spanning his career, including The Gun Club’s “Sex Beat” and two Cramps tunes, “I’m Cramped” and an extra-sinister “Goo Goo Muck.”
BLOG BONUS!
My snapshots of most these shows (and other things) can be found HERE.
Even better, here's some YouTube videos I found from some of the shows I saw. (The first two are from my GaragePunk Hidout pal allison levin's friend Corwin Wickersham.)
DEATH
THE GORIES
? & THE MYSTERIANS with RONNIE SPECTOR
MITCH RYDER & THE DETROIT WHEELS
GOGOL BORDELLO
KID CONGO POWERS & THE PINK MONKEYBIRDS
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TERRELL'S SOUND WORLD PLAYLIST
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