TERRELL'S TUNEUP: BETTYE'S BACK

A version of this was published in The Santa Fe New Mexican
Nov. 4, 2005

The new album by soul belter Bettye LaVette, I’ve Got My Own Hell to Raise reminds me of a couple of other excellent albums from recent years.

There are obvious similarities between LaVette’s latest and Solomon Burke’s 2002 CD Don’t Give Up on Me. Both were produced by roots rocker Joe Henry, and both consist primarily of vibrant covers written by better known, (primarily) rock artists. (Burke sang tunes by Bob Dylan, Van Morrison, Tom Waits and Elvis Costello. Here LaVette covers Sinead O’Connor, Lucinda Williams, Joan Armatrading, Aimee Mann, Dolly Parton and other female composers.)

Perhaps even more comparable to LaVette’s new album is Howard Tate’s 2003 tasty “comeback” album Rediscovered. (I’ve actually become angry when I saw this CD in bargain bins at a record store a few months ago. “The fools!” I nearly screamed.) Like Tate, LaVette is an unjustly overlooked singer who should have been a huge star in the 1960s, but through a series of strange misfortunes, somehow missed the boat. I’d like to believe that there’s a parallel world somewhere in some galaxy in which both Howard and Bettye are right up there in higher reaches of the soul pantheon.

Unlike Tate, who went missing for several decades after his recording career flopped, LaVette stuck with it, her career “like a case study in the annuls of Murphys Law, full of bad luck, wrong decisions and nonstop professional disappointments,” a wise critic once wrote.

On the new CD, Henry has assembled a very capable but unassuming batch of musicians to back her up (guitar, bass, keyboards, drums, no horn section.) But he wisely allows LaVette’s voice to remain front and center.

The album starts off with “I Do Not Want What I Do Not Have,” which was the title song of Sinead’s greatest album. Like the original, LaVette’s version is performed a capella. But the similarities end there. O’Connor’s version sounded like the cry of a wounded child. LaVette -- who has taken so many liberties with the melody she should get songwriter credits, sounds like a field holler, oozing with raw spiritual power.

Then the band comes in for “Joy” with a funky crunching guitar (Doyle Bramhall II) and LaVette shouting the title. This is one of Lucinda Williams’ greatest rockers. I never thought anyone would ever make it better, but somehow LaVette did.

She turns Parton’s folkish “Little Sparrow” into a voodoo-soaked blues, while “The High Road” written for LaVette by Sharon Robinson sounds like a gospel ballad worthy of Mavis Staples. But even prettier is “Just Say So,” in which LaVette is accompanied only by an acoustic guitar. It sounds like a long, lost Stax demo.

The only slight disappointment here is “Down to Zero,” the song that introduced Joan Armatrading to the world in the late ‘70s. LaVette’s cover is worthwhile, but I find myself missing Armatrading’s understated moan.

The album ends with Fiona Apple’s “Sleep to Dream,” whose refrain not only gave LaVette the title for her album, but also reveals the singer’s underlying attitude: “This mind, this body, and this voice cannot be stifled by your deviant ways. … I‘ve got my own Hell to raise.” It’s not clear to whom LaVette is directing her rage. But I wouldn’t want to be the one to try to stifle this voice.

(The photo of Bettye LaVette is from Robert Mugge's Blues Divas.)

Also Recommended:

One Night Stand: Live at the Harlem Square Club 1963; Night Beat; The Best of Sam Cooke. With a new biography on the shelves (Peter Guralnick’s Dream Boogie: The Triumph of Sam Cooke) and these three reissues from RCA/Legacy, perhaps the time has come for a full-fledged Sam Cooke revival.

This new version of One Night Stand is the “20th anniversary edition” of an album which for reasons I will never understand wasn’t released until 1985, more than 20 years after Cooke’s death.

Before this, the only live Cooke album was the rather tame Live at the Copa, which showed the softer, smoother, more uptown side of Sam. But here, Cooke, fresh off a British tour with Little Richard is all sweat and grit in this Miami show. With a band led by R&B sax titan King Curtis (grim note: both Cooke and Curtis died as a result of homicide), Cooke rips through most of his biggest hits, spotlighting the gospel fervor that had only been hinted at in the studio versions.

One Night Stand was recorded in January 1963. About a month and a half later he went into the studio and in three nights recorded what would become Night Beat.
It’s not nearly as raw as the Harlem Square show, but no less soulful. Here he plays with a small combo, including a young Billy Preston on organ. While Cooke wrote most of his own material, Night Beat is a collection of blues songs, including some Charles Brown tunes and a snazzy takes on the Howlin’ Wolf hit “Little Red Rooster” and Mississippi Fred McDowell‘s “You Gotta Move.”

But the record starts out with a quietly urgent version of the old spiritual “Nobody Knows the Trouble I’ve Seen”.

The fact he was doing religious material is significant. Cooke started out as a gospel singer with the influential Soul Stirrers and his “defection” to the world of pop was considered by some as an affront to God Himself. But Cooke proved here that his gospel roots still were strong.

I like the “Best Of” album here mainly, to steal a Cooke hit title, “For Sentimental Reasons.” It was one of the first albums I ever owned in the early ‘60s. It still makes me grin when I read the hyped-up headline that was on the original back cover: “He lives in the Top Ten…”

Still there are far better retrospectives to introduce a new fan. Both Portrait of a Legend, released just two years ago and The Man and His Music (1986) have about twice as many tracks, and unlike this one, contain “A Change is Gonna Come.”

ROUNDHOUSE ROUND-UP: MORE ON MR. BUCKMAN

A version of this was published in The Santa Fe New Mexican
November 3, 2005

If nothing else, Mississippi political operative and all around colorful character Richard Buckman stirred things among New Mexico Democrats.

First there was his “sweetheart” contract with the state Democratic Party for which he took in $40,000 between December and September — while his real-life sweetheart Vanessa Alarid worked as the party’s executive director.

State party chairman John Wertheim insists that Alarid had nothing to do with the contract with Buckman’s TCB Consulting firm.

Then there was his precedent-setting drunken driving case.

Although two Albuquerque police officers said Buckman showed signs of intoxication — bloodshot, watery eyes, slurred speech and the strong odor of alcohol — and although he failed a field sobriety test when he was pulled over in the early morning hours of Oct. 27, 2004 — the charge was thrown out.

A judge ruled that the field sobriety test was invalid because Buckman was too heavy.

Police guidelines say that DWI suspects more than 50 pounds overweight shouldn’t be given certain physical field sobriety tests involving balance. Buckman’s DWI charge was dropped.

Buckman didn’t return phone calls made Tuesday and Wednesday to his Los Angeles office. He’s now working in the show biz world with a company called Sand Castle Entertainment Group.

But even before Buckman came to New Mexico, Buckman’s name was attached to controversies in other states.

The Wall Street Journal in March 2004 reported that Buckman approached an associate of U.S. Rep. Chip Pickering, R-Miss. with an unusual offer concerning the Democratic filibuster of President Bush’s judicial nominees.

According to Pickering, Buckman had proposed a deal: Democrats were willing to end their opposition to the nomination of the congressman’s father, Charles Pickering Sr., to a federal appeals judgeship.

All the younger Pickering had to do was agree to a redistricting plan that would effectively eliminate his Congressional seat.

Buckman, in a Mississippi paper, denied trying to influence the confirmation of Judge Pickering.

Charles Pickering became a federal appeals judge, eventually getting a temporary recess appointment by Bush. He resigned late last year, shortly before his term was up. Chip Pickering still is in Congress.

(Strange aside: An online Fox News article about the alleged Pickering proposal says Buckman is “formerly a GOP consultant.”)

Also last year, Buckman found himself in the middle of an ethics fight in D’Iberville, Miss. — though he was not accused of wrongdoing himself.

According to accounts in The Sun Herald, a Biloxi, Miss. paper, Buckman was hired as a consultant on economic development issues in 2003, receiving a monthly retainer of $1,500. But when a Buckman associate went to pick up his money, the city manager said he had to go talk to a city councilor about the check.

D’Iberville Councilor Oliver Diaz said that he had made a personal loan to Buckman. Diaz said he and Buckman had agreed that if Buckman couldn’t pay his loan, Diaz would keep his consulting check.

Buckman had fallen behind on his loan payments, Diaz said.

“Richard and I are still friends. In fact, he still owes me $500,” Diaz was quoted in The Sun Herald in April 2004.

Diaz in December was found to be in violation of the city’s ethical code and was forced to reimburse the city for $1,500.

Love & Gloating on the Campaign Trail: For another perspective on Richard Buckman, check out Stump Connolly's account of meeting "a dark, brooding man in a dark suit and camel's hair coat leaning into my shoulder" while covering last year's Wisconsin primary. Buckman eventually asks Connolly, "Just paint me clean! Just paint me clean, brother."

This is where I stole the photo of Buckman -- with Stump's blessing. Be on the lookout for a soon-to-be-published book by Connolly based on his coverage of the 2004 election.

Pigskin preview: Perhaps state government is trying to create less news about kickbacks and more about kick-offs.

Whatever the case, the state is advertising for proposals for consultants who will study the feasibility study of attracting a National Football League to New Mexico.

James Jimenez, secretary of the state Department of Finance and Administration said in an interview Wednesday that this request for proposals came about as a result of talk earlier this year about trying to lure the New Orleans Saints franchise to the state.

After Saints owner Tom Benson talked about the possibility of moving the team out of New Orleans — and this was well before Hurricane Katrina — Richardson sent representatives to talk to the team management.

It’s not likely that New Mexico will get the Saints, Jimenez said. But Richardson wants to study everything that is needed for the state to be in the position of being serious about trying for an NFL team, he said.

“We want to know what are the business requirements, what’s expected of a public entity, what kind of stadium would be required, the number of tickets you’d have to sell,” Jimenez said. “Everything needed to make New Mexico more attractive.”

The maximum the state will pay for the study is $150,000, Jimenez said. The deadline for proposals is Dec. 2.

And though I’m sure it’s premature, my vote is to call the team The New Mexico Jackalopes.

WERTHEIM UNDER FIRE

A version of this was published in The Santa Fe New Mexican
Nov. 2, 2005

State Democratic Party Chairman John Wertheim — under fire recently from some Democrats who say he has kept them in the dark on party finances and other matters — said Tuesday that he hasn’t done a good job communicating with his members.

“I haven’t done enough reaching out and soliciting other people’s advice,” Wertheim said in an interview. Wertheim has been state chairman since April 2004.

Wertheim said he is working on improving his communication with party rank-and-file and has taken to heart criticism of his leadership listed in a letter last week from 16 members of the party’s state Central Committee.

The Oct. 24 letter — sent to all 350 central committee members — was from members from the state party’s “progressive” wing.

One of those signing the letter, Barbara Wold of Albuquerque, said her main concern is that the state party needs to be more transparent and more communicative.

In a progressive Democrat blog called Democracy for New Mexico, Wold wrote, “We believe the party's focus has been on candidates and their big personalities at the top instead of on principles and positions that come from the bottom up — the very things that define who we are and what we stand for as a Party.”

Charlotte Roybal of Santa Fe, a longtime party activist who signed the letter, said she and others made a proposal to Wertheim to form a progressive caucus. She never heard back, she said.

Wertheim’s critics say he has not made the state party’s budget available to them. Those signing the letter said they want to see “a meaningful and detailed accounting of the incomes and expenditures that have reduced our state party’s coffers to a dangerous low.”

Wertheim denied that the party is having financial problems.

According to the most recent available filing with the Federal Election Commission, the state party has cash on hand totaling $50,818. Between Jan. 1 and Sept. 30, the state party has spent about $40,000 more than it had taken in.

Party spokesman Matt Farrauto said having $50,000 in the bank during an off election year is “fantastic.” He said the contention that the party is in financial trouble is “fiction conjured by people who don’t have a good perspective.”

Wertheim said the party’s finances and budgets are available to any Central Committee member “who wants to come in and look at our records.”

He said that all the party’s monthly finance reports are available on the Internet. State political organizations are required to file reports with the FEC. But he said he intends to require the party treasurer to come up with a way to help party members better understand the financial reports.

One large expense that has been criticized by some Democrats is a now-terminated consulting contract with a firm called TCB, which cost the party $40,000 between December and September. The company is headed by a man named Richard Buckman, who at least for some time in recent months, was dating the party’s executive director, Vanessa Alarid.

The letter also complains that Wertheim hasn’t responded to requests for regular meetings of the Platform and Resolutions Committee “so we can counter the recurring criticism that the Democratic Party does not stand for anything.”

Wertheim said the activists have a point in this criticism. He said he recently reactivated the committee.

Some Democratic activists have raised concerns about the large turnover on the state party staff in recent months. Last month the party lost long-time comptroller Brian Monaghan, who was hired in 1998 to straighten out problems the party was having with the FEC. Monaghan, 65, said last week his retirement had nothing to do with any problems in the party.

Wertheim said that while some positions haven’t been filled, the party recently hired four regional field organizers to help Democratic efforts in all parts of the state. Their salaries, he said, are being paid by the Democratic National Committee.

Until recently, the party had four other field organizers who were paid by Gov. Bill Richardson’s campaign fund. Those four still work for the governor’s political operation.

Wertheim said part of the party’s problems is that so many new people became active in the party during the 2004 election.

“There’s a lot of energy and passion for the party by people who want to get involved who have no prior experience in party politics,” he said.

Wold, a Howard Dean supporter who became active during last year’s state Democratic presidential caucus, said that she is one of those newcomers Wertheim mentions.

“The party’s not used to having all these new people come in,” she said. “There are 40 to 50 state Central Committee members who are new and don’t expect things to be run like they’ve been run before.”

Wold said the challenge of the Democrats is to “get new blood without turning off the people who’ve worked (with the party) a long time.”

Meet Richard Buckman

A Democratic political operative from Mississippi who was paid $40,000 the state Democratic Party while dating the party’s executive director, has raised eyebrows among some party activists.

TCB Consulting, headed by Richard Buckman, 37, was contracted for “party building and fund raising” between December and September. During at least part of his tenure in New Mexico he was dating Vanessa Alarid, executive director of the state party.

Wertheim said in an interview Tuesday that Alarid had nothing to do with Buckman’s hiring.

During his time here Buckman was arrested on a drunken driving charge in Albuquerque shortly before last year’s election.

However, his lawyer was able to get the DWI charge dropped after convincing a judge that the 300-pound Buckman was too heavy to pass a field sobriety test in which Buckman had lost his balance while trying to walk a straight line.

In September he pleaded guilty to having driving without insurance or his driver’s license.

Buckman couldn’t be reached for comment Tuesday.

Some Democratic critics of Wertheim have questioned the TCB contract and what exactly the Democrats got for their money.

Wertheim said Buckman did valuable work for the party in terms of fundraising.

One of TCB’s major accomplishments, Wertheim said Tuesday, was getting retired Gen. Wesley Clark to speak at a fundraising dinner in Hobbs. Strengthening the Democratic Party in southeastern New Mexico — which voted overwhelmingly Republican last year — is crucial, Wertheim said.

In a July e-mail to a county party chairman who had questioned Buckman’s contract, Wertheim wrote, “TCB’s consulting arrangement focuses on strengthening the (state party’s) relationship with the Democratic National Committee and the Democratic Congressional Campaign Committee, both of which have provided substantial financial support to the DPNM during my tenure as Chairman.”

Last week outgoing party comptroller Brian Monaghan said he had never seen the TCB contract, though he had once asked Wertheim to see it.

“I’m not going to read anything into that,” Monaghan said. But he said normally he would see such contracts.

Wertheim said “I’m not sure why he said he couldn’t see it. The contract is on file at the office.”

The contract with TCB was terminated in September by mutual agreement of both parties, Wertheim said.

The DWI arrest had nothing to do with the contract being terminated, Wertheim said.

Buckman currently is in the entertainment business in Los Angeles.

UPDATE: A Democrat reader just pointed out to me that in my subhead for this post I mistakenly had written "Meet Richard Buckner."

For those who don't know, Richard Buckner is a wonderful singer in the alt country realm. You can read about him HERE. As far as I know, he's never been a political operative from Mississippi.

Fortunately, I got Richard Buckman's name correct in the rest of this post, and, thank God, in the paper.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 30, 2005
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

THE STEVE TERRELL SPOOKTACULAR!
Halloween Hootenanny by Zacherle
Monster by Fred Schneider
Haunted House by Sam the Sham & The Pharoahs
Monster Rock by Screaming Lord Sutch
Zomby Woof by Frank Zappa
Werewolf by Southern Culture on the Skids
Pet Semetary by The Ramones
You Must Be a Witch by The Lollipop Shoppe
Voodoo Voodoo by LaVern Baker
New Mexico (from John Carpenter's Vampires)
The Blob by The Five Blobs

King Henry by Steeleye Span
Demonoid Phenomenon by Rob Zombie
Everyday is Halloween by Ministry
Monsters of the ID by Mose Allison
Lonesome Undertaker by The Ghastly Ones
(I Lost My Baby to a) Satan Cult by Stephen W. Terrell

Graveyard by Trailer Bride
Night of the Vampire by Roky Erickson
Rockin' Bones by The Cramps
Brand New Girl by Angry Johnny & The Killbillies
Bloodletting (The Vampire Song) by Concrete Blonde
The Man with the Candy by The Frogs

Feast of the Mau Mau by Screamin' Jay Hawkins
Loop Garoo by Dr. John
Am I Demon? by Danzig
Welcome to My Nightmare by Alice Cooper
Night of the Wolves by Gary Heffern
Wound by Stan Ridgway & Pietra Wexstum
Heebie-Jeebies by Little Richard
Happy Halloween by Zacherle

IT'S SPOOKALICIOUS!

Just a reminder that the 200th Annual Steve Terrell Spooktacular is tonight on KSFR, 90.7 FM, starting at 10 p.m. Mountain Standard Time, going on to the witching hour.

Those from out of town can listen on the web.

Dance and romance to beloved fright songs by Roky Erickson, The Cramps, Screamin' Jay Hawkins, Rob Zombie, The Cramps, Screaming Lord Sutch and more.

TERRELL'S TUNEUP: SWEET SOUL MUSIC

A version of this was published in The Santa Fe New Mexican
October 28, 2005

Southern soul music of the 1960s -- which for my money was one of the major pinnacles of American music -- represented not only a joyful triumph of Black culture but provided a vibrant example of the possibilities of integration.

The music that came out of Memphis and Muscle Shoals -- which was rawer and grittier than the more polished pop of Motown -- featured amazing Black singers. The Stax/Volt galaxy, for instance -- Otis Redding, Sam & Dave, Carla Thomas and Percy Sledge. But you can’t overlook the contributions of certain talented Caucasians to this glorious sound.


Guitarist Steve Cropper and bassist Donald “Duck” Dunn -- members of Booker T & The MGs who performed on countless classic soul records -- are high on this list. So are songwriter/producer Dan Penn and keyboardist/songwriter Spooner Oldham. These guys are living proof that soul knows no color line.

This duo is responsible for the recently released Moments From This Theatre: Dan Penn and Spooner Oldham Live, recorded from various concert performances in the British Isles while touring with Nick Lowe in 1998.

Unlike the countless hits that bear the mark of Penn and/or Oldham, this CD isn’t a high-charged, sweaty, Dionysian strut. Instead, it’s low-key, a little moody, full of quiet intensity. These still waters indeed run deep. The soul’s so thick, you might break the knife if you tried to cut it.

Penn strums an unassuming guitar, singing lead (on all but one song) with his mournful drawl. Oldham’s gospel-drenched Wurlitzer piano sounds almost otherworldly.

The duo leads us through some of their best-known material, starting out with “I’m Your Puppet,” originally a hit for James and Bobby Purify.

There’s “Sweet Inspiration,” a faux gospel tune that was a minor hit and signature song for a girl group appropriately called The Sweet Inspirations (who later would become backup singers for Elvis Presley’s touring ensemble); “Cry Like a Baby,” a hit for a young Alex Chilton with his ‘60s band The Box Tops; a lesser known and unjustly overlooked Percy Sledge hit “Out of Left Field”; and “A Woman Left Lonely,” best known for its version by Janis Joplin.

Probably the best-known -- and probably the best period -- Penn songs -- “Do Right Woman, Do Right Man” and “Dark End of the Street” are both here. These songs, both high in gospel influence, are like emotional bookends. The former is a sturdy declaration of everlasting fidelity, sung not from a starry-eyed, giddy, “I’m-in-love-I’ll- promise-anything” perspective, but as a hard-won, well thought out piece of wisdom. It’s a pledge of respect and a demand for respect.

The latter is a confession of shame and weakness, but a nonetheless sincere cry of devotion to an illicit romance. While “Do Right” implies that some kind of moral crisis has been vanquished or averted, the narrator of “Dark End” is sinking fast and isn’t even sure if he wants to be pulled out.

My personal introduction to both of these songs, which were co-written with Chips Moman -- were on Gilded Palace of Sin, the first album by The Flying Burrito Brothers.

“Do Right Woman” first was recorded by Aretha Franklin. Between her 1967 record and the Burritos’ 1969 version, the song was covered by William Bell, Joe Tex, Cher and Delaney & Bonnie.

“Dark End of the Street” has been around the block even more. It’s been covered by Aretha, Percy, Joe Tex, Dolly Parton, Gary Stewart, Ry Cooder, Gregg Allman, Lazy Lester, Richard & Linda Thompson, Porter Wagoner, Elvis Costello The Afghan Whigs, and most recently, Frank Black (on his latest album Honeycomb, which features performances by Penn and Oldham).

“Everybody keeps asking me what’s my favorite version of `Dark End of the Street,’” Penn says, introducing the song here. “As if there was any others but James Carr’s.” Carr was the first to record it in 1966.

There are several lesser known tunes here too, “I Met Her in Church” (an obscure Box Tops song) and the funny country funk of “Memphis Women and Chicken” standing out.

Penn and Oldham did their most important work in the shadows of more famous singers. But this short excursion into the spotlight only enhances their invaluable contributions.

(The Web site for Proper Records has no information on this CD at this writing. If you can’t find it in local stores, just Google the title and you’ll find several online vendors who have it.)

*If You Didn’t Laugh, You’d Cry by Marah. Like the best work of this Philadelphia band, this new album is raucous and rootsy.

Brothers David and Serge Bielanko, who make up the core of the band, do little to discourage comparisons to Springsteen and Gasoline Alley-era Rod Stewart.

But don’t assume Marah is some kind of classic-rock revivalist band. The more records they put out, the more distinct they sound.

One of my favorite songs here is “The Hustle,” in which Dave sings of leaving the maddening pace of the city (“Claim me a country hill and a woman with which to grow old …”), though the frantic rhythm and the pounding guitar paints a picture of a crazed but seductive urban world to which you know he’ll always go back.

“The End” (no, not The Doors’ song) starts out with a gentle dobro riff over a shuffling beat. The song goes quiet for several seconds before coming back with an urgent melody that Lindsey Buckingham would have killed to have written.

But the high point of this record is “The Dishwasher’s Dream,” a Dylanesque (harmonica and all) nightmare of working class angst, blood and suicide and Cheetos and dope. The melody sounds like some Irish outlaw ballad.

No, If You Didn’t Laugh, You’d Cry doesn’t measure up to Marah’s greatest album Kids in Philly. But it’s a worthwhile listen.

The Steve Terrell Spook-tacular: A Santa Fe Halloween tradition for the past 200 years. Tune into Terrell’s Sound World, 10 p.m. to midnight Sunday, 90.7 FM or web casting at www.ksfr.org.

Laurell Reynolds will be filling in for me tonight on The Santa Fe Opry, 10-12 on KSFR

THE VIGIL RESIGNATION

Here's the link to my story on State Treasurer Robert Vigil's resignation.

Here's a quick glance at Vigil's political career.

Here's where you'll find Quicktime versions of videos of conversations between Vigil and investment adviser/FBI informant Kent Nelson.

Here's something on my new Capitol Bureau partner Dave Miles. (Hey, what the Hell? They didn't do this for me when I came over from The Albuquerque Journal 18 years ago ...)

ROUNDHOUSE ROUND-UP: MORE POLITICAL CHATTER FROM VIGIL TRANSCRIPTS

A version of this stroy was published in The Santa Fe New Mexican
October 27, 2005

Federal prosecutors and defense lawyers are arguing about the significance of certain conversations between indicted former state Treasurer Robert Vigil and a “cooperating witnesses,” surreptitiously captured on video and audio tape.


But one thing that comes out clearly in transcripts is Vigil’s view of state politics and some fellow New Mexico politicians.

Vigil, who resigned Wednesday and faces 21 federal felony counts primarily involving extortion, visited the Downs at Albuquerque racetrack Aug. 24 with California-based investment adviser Kent Nelson.

Political fundraising was prominent in Vigil’s mind that day. At one point he told Nelson, “I spend most of my time trying to keep my job.”

Vigil spoke to Nelson about Paul Blanchard, who is a co-owner of the Albuquerque track, state Board of Finance member and huge financial contributor to Gov. Bill Richardson. The treasurer told the California consultant that Richardson “just gave (Blanchard) another racetrack down south.”

Blanchard was in the partnership to which the state Racing Commission awarded a license to build the track and casino in Hobbs now known as Zia Park.

After gossiping a bit about Blanchard’s wealth, Vigil said, “So, you know, our business is small, is small compared to …” He didn’t finish his sentence.

“I've been asking this Paul Blanchard to do a fundraiser for me,” Vigil said. But, Vigil he said he’d had no luck.

“So why don’t you get with the governor and just tell the governor to put a fundraiser on for ya?” Nelson asked.

“ I could, I could, but I don’t like to be indebted too much, you know,” Vigil said. “I help him out; I do; me and the governor sorta have the same, you know, I agree with a lot of things he does, so I help him out, but I’ve never really asked him for favors.”

Earlier in the conversation, Vigil, speaking about a businessman and his company, had bragged, “he knows that I have a lot of influence with the governor, so now they treat me good.”

After Vigil’s arrest last month, Richardson repeatedly and publicly urged Vigil to resign.

Everybody’s smoking it: Later in the afternoon, Vigil talked about another state official who recently has been in legal trouble and controversy: Public Regulation Commissioner E. Shirley Baca.

Talking about a possible candidate for Baca’s seat, Vigil said, “There’s an incumbent in that office, but she was caught; she was caught with marijuana, but then she, but then she was cleared, you know.”

Baca was arrested in December on a misdemeanor marijuana possession charge at the Albuquerque International Sunport. The charge eventually was dropped.

“You know and most people, I guess, smoke marijuana, so it’s gonna be interesting if they hold that against her or no,” Vigil said.

The treasurer offered an interesting insight — that Baca’s re-election campaign could turn out to be a de facto referendum on drug-law reform.

“I think it's important for her to be on the ballots to see where people are with that issue,” Vigil said. “Cause, you know, most people I guess smoke it, so … that’s what they say, you know.

Somebody’s gotta smoke it. When they bring it over in truck loads, I mean, I don’t smoke it, so somebody else must, right?”

The next month, when the FBI searched the homes of Vigil and former Treasurer Michael Montoya, who also was indicted on federal extortion charges, agents seized an unspecified amount of marijuana from Montoya’s home. While the FBI took financial records, computers and a book on ethics from Vigil’s property, they didn’t report finding any pot.

Gubernatorial parodies: Earlier this year Gov. Bill Richardson was parodied on Saturday Night Live by comic Horatio Sanz.

Now another national humor outlet has aimed its slapstick at our governor. But this time the humor was of the dark variety.

In last week’s issue of The Onion, an online newspaper parody, the headline was “Six Dead In Gubernatorial Suicide Pact.” Among the six was You-Know-Who.

Supposedly the governors drank poisoned liquor in the Ohio statehouse and died with their bodies arranged in a circular pattern on the floor.

“Although the reasons behind the suicide pact remain unknown, many of the country's surviving 44 state chief executives said they are not surprised by the tragedy,” The Onion said. “The governors were all known in their home states for their penchants for dark suits, their similar hairstyles, and their ‘fuck everything’ attitudes.”

The story has a fake quote from another governor saying he had seen signs of the coming tragedy: “Bill (Richardson) had developed this habit of slashing at his arms and chest with his New Mexico flag lapel pin.”

THE WHITE GUY WHO HAD TO STAND

Thank you Miss Rosa, you are the spark,
You started our freedom movement
Thank you Sister Rosa Parks.
The Neville Brothers

No doubt that the late Rosa Parks was a heroine. Last night on CNN when Aaron Brown referred to her as the mother of the Civil Rights Movement, Rep. John Lewis, D-Georgia went a step further called her one of the mothers of Modern America.

But when considering heroes, I like to consider villains too.

I'm not talking about the obvious villains of the Civil Rights era -- Wallace, Maddox, Bull Connor, the Ku Klux Kretins who committed bombings and lynchings and midnight terrorism.

I'm talking about someone who has fallen through the cracks of history: The white man on that bus in Montgomery in 1955 who wanted Rosa Parks' seat.

By all the accounts I've read, it was the bus driver, not this anonymous white passenger who caused the uproar -- ordering Parks to stand up or be arrested, then actually calling the police.

But I want to know how that white passenger felt that day.

Was he just another Alabama bigot, angry at the uppity nigger who was sitting in the seat that rightfully belonged to him?

Was he less than a hater, just a passive participant in the Jim Crow laws, quietly accepting segregation as the natural order of things? Did Parks' refusal confuse him? Did he really care about getting a seat all that much? Was he embarassed when the bus driver made a scene? Or was it he who reported Parks to the driver?

Did this guy's views of Civil Rights change through the years? Did he curse the sit-ins and freedom marches? Did he vote for George Wallace? Was he one of those who drove Parks and her husband out of Montgomery by making threatening phone calls?

Did he ever come to feel shame about that day on the bus? Did he ever feel less than manly about trying to oust a middle-aged woman from a seat on a bus?

Did he ever get to know Rosa Parks? Did he ever apologize? Did he ever realize that her act that day actually made him more free?

Is he dead or alive? Who is this guy? I believe the story of Rosa Parks is incomplete until we know.

AS LONG AS THEY DON'T ARREST FAKE OZZIE

By ASSOCIATED PRESS
October 25, 2005

LOS ANGELES (AP) - Elmo, the red and cuddly Muppet from the Sesame Street television series, has learned a new lesson: 'H' is for handcuffs.

A man dressed as the character was one of three impersonators arrested last week for allegedly harassing tourists for tips after posing for photos on Hollywood Boulevard. Booked with him were people impersonating superhero Mr. Incredible and the dark-hooded character from the horror movie "Scream."

The impersonators said they were taken into custody at gunpoint, handcuffed and paraded on the Hollywood Walk of Fame before stunned tourists and other impersonators. They were charged with misdemeanor "aggressive begging," police said.

"With all of the crime in Los Angeles they pick on us?" said Elmo impersonator Donn Harper, 45, who makes up to $400 a day in tips.

Tourists have complained that the costumed characters harass them for not tipping after posing for photos in front of Grauman's Chinese Theater and the Kodak Theater. Merchants say some of the costumed characters are scaring tourists.

(Anton with Ozzie impersonator near Grauman's Chinese Theater last August. Darth Maul, above, hissed at me when I didn't tip him.)