Wednesday, June 22, 2005

MY TEAM IS AWAYS RIGHT. YOURS IS ALWAYS WRONG

Anyone remember "Good Guys/Bad Guys Cheer" by Country Joe & The Fish.

I didn't think so.

It was a "spoken -word" piece on their 1968 Together album in which Joe, or one of the Fish shouts, "Let's hear it for the good guys!" The crowd responds "YAY!!!" This is followed by "Let's hear it for the bad guys!" The crowd boos. This is repeated several until the noise all runs together.

A couple of things made me think about the "Good Guys" and the "Bad Guys" in the past couple of days.

First there was Tom Bailey's latest post on his New Mexico Politics blog. He talks about the recent disclosure that Republican Albuquerque City Councilor Tina Cummings lying about a past DWI conviction.

Fair enough.

But then he basically says that Cummings is part of a Republican tradition of morally-challenged politicians, listing several good examples of bad examples from Bob Livingston all the way back to Bob Packwood.

However, the most recent example of a New Mexico politician lying about a DWI was a Democrat -- Letitia Montoya, who ran for a state Senate seat in Santa Fe last year. At a candidate forum last year Montoya was asked whether she'd ever been arrested for DWI before. She said know. However, court records showed she indeed had been arrested for drunken driving 20 years before. Montoya, who lost that race but is now running for secretary of state, now says she just told "a little white lie."

Yesterday The Drudge Report linked to The New Mexican Web site's version of my story about Gov. Bill Richardson's latest speeding escapade.

As a result, I was getting e-mails from people all around the country who were outraged that the governor can speed all he wants and even refuse to stop for police, while regular folks would get ticketed or maybe even even arrested for such a stunt.

Fair enough.

But a couple of e-mails used Richardson's speeding as just another example of the arrogant and immoral ways of Democrats.

However, a couple of years ago, when Richardson's speeding first became an issue, I interviewed a certain Republican who admitted to a high-speed ride of his own. Here's an excerpt from the Oct. 2, 2003 Roundhouse Round-up:
"The only reason I would have gone more than 100 mph is if I was late to something," Richardson's immediate predecessor, Gary Johnson, said in a phone interview this week.

Johnson said the only time he recalls his state police drivers going 100 mph was once when he was late for a political function in Albuquerque.

"I was late to see George Bush," he admitted. This, Johnson said, was during the 2000 presidential race. But Johnson said, unlike Richardson, he wouldn't have let his driver go that fast had there been a reporter in the car. "I wouldn't have considered it with The Washington Post in the car," he said.

UPDATE: I just noticed that conservative N.M. blogger Mario Burgos -- to his credit -- points to an example of another Republican speed demon -- this a story with tragic consequences. (I'm just not sure why Mario calls me a "lone merry man.")

And if I start to sound a little self-righteous, I can always look at these photos published by Conventry to bring the ego down a few notches.

THAT DAMNED MUSICAL BATON!

I just got passed the "musical baton" for the second time, this time by the one and only Steve Terrell -- at least the one and only Steve Terrell of Indianapolis.

On most the questions, I think I'll let my first answers stand.

However, this version of the questionnaire was slightly different.

It asked "What is my total volume of music?" Oh hell, who's counting. Let's just say that my small dining room serves as my CD room and it's just about full.

The last CD I bought was David Bromberg's Live in New York 1982. I picked it up at his wonderful convert at the Lensic Sunday night. (I still owe my girlfriend $20!)

And here's the embarassing part. The song that was on the CD player when Steve's e-mail arrived was Soundgarden's "Black Hole Sun" -- the new "swing" version by Paul Anka.

Now I gotta figure out five more bloggers I can inflict this on.

Tuesday, June 21, 2005

A MAN IN A HURRY

As published in The Santa Fe New Mexican
July 21, 2005


Gov. Bill Richardson is the center of another speeding controversy.

According to a report Monday by Channel 13’s Larry Barker, a state police driver for the governor refused on June 2 to stop for an Albuquerque police officer who noticed the governor’s white Cadillac sports utility vehicle “speeding and driving erratically” on an interstate frontage road in Albuquerque.

Barker’s report showed footage of the chase and a recording of the Albuquerque police officer. The report didn’t say how fast the governor’s driver was going.

A spokesman for Richardson referred questions about the incident to the state Public Safety Department, which called the incident “a simple misunderstanding,” noting that the Albuquerque officer was in an unmarked car and not in uniform.

In a written statement, DPS spokesman Peter Olson said, “there was no procedure in place for the governor’s driver to verify it was indeed an APD unit. Under those circumstances, state police are trained to take evasive action and not to stop.

Likewise, there was no procedure in place for the APD officers to make contact with the Governor’s vehicle.”

“They had flashing lights and a siren, but that doesn’t cut it,” Olson told The New Mexican.

Because of the incident, there now is a direct phone line state police can use to instantly communicate with Albuquerque police dispatchers, Olson said.

The report comes at a time in which state Republicans are airing radio commercials blasting Gov. Bill Richardson’s “high roller” lifestyle, including his driving habits. One ad says Richardson “isn't bothered by speed limits.”

Richardson’s speeding first was picked up on the political radar in 2003 when a Washington Post reporter, traveling with Richardson on the way to a political function, noted that the governor ordered his driver to go faster when they already were in excess of 100 mph.

There have been similar reports of Richardson’s speeding since then. Public Safety Secretary John Denko has defended Richardson’s high speeds, calling the practice a security measure.

Olson’s statement Monday says, “ The state police officer driving correctly followed the procedures mandated to safely and securely transport the governor ... the state police will continue to take every precaution and follow recognized procedures to ensure the safety of the Governor ...”

Saturday, June 18, 2005

THE SANTA FE OPRY PLAYLIST

Friday, June 17, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Drinking, Cheating and Death by The Waco Brothers
One Has My Name (The Other Has My Heart) by Jerry Lee Lewis
Intentional Heartache by Dwight Yoakam
Reprimand by Joe West
Blue Bonnets by Michael Martin Murphey
Wreck My Car by Scott H. Biram
Ed's Place by Horace Heller

Father's Day Set
That Silver Haired Daddy of Mine by The Everly Brothers
Daddy Was a Steel Headed Man by Robbie Fulks
A Boy Named Sue by Johnny Cash
Just Like My Dad by ThaMuseMeant
They Don't Make 'em Like My Daddy by Loretta Lynn
Hillbilly Highway by Steve Earle
Half Fist by Loudon Wainwright III
My Old Man by Jerry Jeff Walker

David Bromberg Set
Send Me to the 'Lectric Chair
Sharon
Young Wesley
Statesboro Blues/Church Bell Blues
Mr. Blue
Summer Wages

Blame it on Joann by John Hartford
Crazy as a Loon by John Prine
God's Got It by Grey DeLisle
I Always Loved a Waltz by Kell Robertson
Stranger in the House by George Jones with Elvis Costello
When You Wish Upon a Star by Michelle Shocked
The L&N Don't Stop Here Anymore by June Carter Cash
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, June 17, 2005

BROMBERG IN SANTA FE

As published in The Santa Fe New Mexican
June 17, 2005


He’s performed with Jerry Jeff Walker and John Prine, and recorded with Bob Dylan, Willie Nelson, George Harrison, Ringo Starr, Doug Sahm, Phoebe Snow, members of the Grateful Dead and even Sha Na Na.

He had a respectable solo career of his own, combining all sorts of American roots styles — blues, bluegrass, first-generation rock — fronting a band that could play Dixieland jazz one moment, a cowboy lament the next followed by white-boy funk and then come right back at you with furious Irish fiddle reels.

And then, about 20 years ago, David Bromberg basically hung it up.

He stopped touring, gave up on recording. Turned his back on the rock ‘n’ roll, traveling troubadour game to study making violins. Bromberg now operates his own store in Wilmington, Del.

“I just got burned out on all that,” Bromberg said in a recent telephone interview from his violin shop. Talking about his lack of studio recordings since the ‘80s, Bromberg said, “I was spending so much time in windowless rooms, I kind of ODed on it.”

Or, as his Web site biography says, “... the days on the road for extended periods simply do not fit his primary interests as a father and businessman.”

But the good news is that he’s starting to feel a little bit of the old itch again and has been doing some touring. And the really good news is that he’ll be in Santa Fe Sunday night with his band for a show at the Lensic.

Bromberg, 59, is a Philadelphia native who began his musical career in the coffee houses of New York’s Greenwich Village when he was a student at Columbia University.

One of his first breaks was hooking up with a then-unknown New York singer-songwriter named Ron Crosby, who would transform himself into Jerry Jeff Walker. Bromberg toured with Walker and recorded on his first album Mr. Bojangles. (Though he’s pictured on the back cover holding a banjo, Bromberg actually played electric guitar on the album.)

After years on the folkie circuit, Bromberg got a recording contract with Columbia Records, releasing his first album David Bromberg in 1971, the highlight of which is the five-minute “Sammy’s Song,” a disturbing — and graphic — tale of a boy losing his virginity in a Spanish whore house. Bob Dylan played harmonica on the song.

Around that time Bromberg was playing guitar on Dylan’s albums Self Portrait and New Morning. It also was during this period that Bromberg was producer for one of the greatest acoustic country albums of all time — John Hartford’s Aereo-Plane.

Three other Columbia albums followed before Bromberg went on to smaller labels. He never became a “star,” but with some tunes became staples of hipper FM stations of the day.

Among these were “Sharon,” a funky tale of a carnival snake dancer; “Send Me to the ‘Lectric Chair,“ a Bessie Smith tune updated to name check Watergate Judge John Sirica; and Blind Willie McTell’s “Dyin’ Crapshooter Blues,” turned into a Dixieland stomper.

He sang in a voice distinctively his own, a just-this-side-of-comical nasal. He could bring belly laughs in some tunes like “Will Not Be Your Fool” or “Bullfrog Blues,” then break your heart with his version of “Mr. Blue.”

And his frequent touring kept his fandom alive. He played New Mexico several times in the late ‘70s and early ‘80s, including a packed show with his band at the old Golden Inn. He played several times as a solo artist at Paolo Soleri shows in the early ‘80s.

He stopped touring and recording in the mid ‘80s, a period that was hard on many performers of his generation and particularly hard on those specializing in American roots music.

“I’d been studying violin making for a few years when I stopped touring,” Bromberg said. He graduated in 1984 from the Kenneth Warren School of Violin Making in Chicago, where he’d moved in 1980.

Though he knows how to make a violin, Bromberg said he doesn’t pretend to be a master of that instrument. His main instrument is guitar, though he also plays dobro and mandolin.

“I bought and sold violins for a living,” he said. Traveling to Europe to look for violins and bows he said, was more fun than touring and recording.

Two years ago, he left Chicago for Delaware.

“My wife and I had had enough of Chicago winters,” he said. “We were looking for some place back east. My former road manager now works as associate director of the Grand Opera House in Wilmington. Wilmington has the right kind of climate and we were able to make a good deal on the shop.”

According to some published reports, the city of Wilmington sold old building that houses David Bromberg’s Fine Violins in the Market Street area for $1 in exchange for Bromberg helping to promote arts in the downtown area. There he buys, sells and repairs violins and bows.

After years of being off the road, once in Wilmington, Bromberg started regular blues and bluegrass jam sessions at a Wilmington club. “I discovered this 15-year-old kid — I guess he’s 17 now — who’s one of the most brilliant electric blues guitarists I’ve ever heard,” he said.

And he’s started touring again, and for the first time in a quarter century, with a band — horn section and all. Right before Santa Fe, Bromberg and his group are performing at the Telluride Bluegrass Festival.

Bromberg still hasn’t gone back to the “windowless room” to resume his recording career, though there's a “new” Bromberg CDs available at his Web site.

“I’m finding stuff from old concerts that people recorded surreptitiously,” he said. “We have one for sale, a concert in New York City.” This 1982 show is the first legal bootleg Bromberg is offering.

He says he has no plans to try to get a new record contract. “These days record companies are pretty much superfluous,” he said.

But he has started writing songs again. “I wrote me a song in a dream,” Bromberg said. “It’s called ‘Outside Man.’ It’s stone blues.”

Sounds like this “outside man” might be coming back in again.

Who: The David Bromberg Band
When: 8 p.m. Sunday
Where: The Lensic Performing Arts Center, 211 West San Francisco St.
How much: Tickets range from $39 to $27
Call: 505-988-1234 $27 Ticket Phone: (505) 988 -1234


Hear a lengthy set of David Bromberg music tonight on The Santa Fe Opry, 10 p.m. to midnight on KSFR, 90.7 FM. (The Bromberg set will start around 11 p.m.)

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 4, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Email...