Thursday, July 14, 2005

ROUNDHOUSE ROUND-UP: RICHARDSON STILL STRONG IN POLL

A version of this was published in The Santa Fe New Mexican
July 14, 2005


Gov. Bill Richardson hit an ugly patch of negative publicity about a month ago. But according to a recent statewide poll by a national firm, if Richardson’s renown ego has taken some lumps with the spate of bad headlines dealing with fancy jets, speeding SUVs (also CLICK HERE) and Wen Ho Lee, it has barely affected his popularity here.

The latest New Mexico tracking poll by the New Jersey-based Survey U.S.A. found 53 percent of New Mexicans polled approved of the job Richardson is doing, while 41 percent disapproved.

This compares with 54 percent approving and 39 percent disapproving in a Survey U.S.A. poll in early May. That’s a net loss of 3 percentage points in the last two months.

And it’s been a pretty bumpy two months for the governor.

First there was the jet story — how Richardson’s administration had bought a $5.5 million airplane, a far superior ride than any of our neighboring governors have access to. State Republicans seized on the opportunity to portray Richardson in radio ads as a high-rolling jet-setter .

Then there was the speeding story — how Richardson, already notorious for commanding his state police drivers to drive at breakneck speeds, refused to stop for an Albuquerque police officer.

And more recently, there was the return of an old headache for Richardson — Wen Ho Lee, the fired Los Alamos scientist who initially was suspected of espionage but was convicted on only one count of mishandling classified information. A federal appeals court judge presiding over Lee’s violation-of-privacy lawsuit listed Richardson , who was energy secretary during the Lee debacle, as a likely leaker of information about Lee months before the scientist was charged.

Sanderoff the Sage: Richardson spokesman Billy Sparks noted Tuesday that the 3 points the governor dropped is within the poll’s 4.1 percent margin of error.

But New Mexico pollster Brian Sanderoff of Research & Polling Inc. was right on the money last month when I interviewed him about Survey U.S.A.’s May poll.

Sanderoff noted the previous poll was taken before the jet and speeding controversies broke. “The jet story was really the first (Richardson controversy ) that has gotten to the point of water-cooler talk,” Sanderoff said in June. “Something like that probably would affect his rating by 3 points or so.”

Poll numbers: Survey U.S.A.’s New Mexico poll was conducted between Friday and Sunday. Six hundred New Mexico residents were randomly called to participate in an automated phone poll. Similar polls were conducted in all 50 states.

The poll breaks down the respondents in terms of gender , ethnicity, party affiliation and other categories.

Hispanics approved of Richardson’s performance by nearly a 2-to-1 margin. However , 50 percent of Anglos disapproved of Richardson’s performance, while only 45 percent approved.

The poll also revealed something of a gender gap.

Women tended to support the governor more than men. Seventeen percent more women approved of Richardson’s performance than disapproved (55-38 percent). The difference for men is 7 percent (52-45 percent).

Not surprisingly, Democrat Richardson scores highest with members of his own party (75 percent approving to 19 percent disapproving) and lowest with Republicans (34 percent approving, 61 percent disapproving).

As far as educational level goes, most of those who had been to graduate school were Richardson admirers. Sixtyfive percent of respondents in that category approved of his performance while only 29 percent disapproved. He also was popular with those who had no college experience — 52 percent to 41 percent. Those who graduated from college and those with some college experience were fairly evenly split on Richardson.

The Church of Richardson: The poll results also broke down Richardson’s numbers in terms of the respondents’ church attendance.

Regular churchgoers approved of Richardson by a shaky 48-46 percent margin. The support goes up to 57 percent among those who “sometimes” go to church (with 39 percent disapproving) and 56 percent for those who say they never go to church (38 percent disapproving.)

In an issue with some religious overtones, Richardson won approval from a big majority of those who described their view on abortion as “pro-choice” (63-33 percent). Fifty-three percent of “pro-life” voters disapproved of Richardson, while 41 percent of pro-lifers in New Mexico polled approved of his performance.

Richardson supports women’s right to have abortions. However, he has said he would sign a bill requiring doctors to notify parents of minor girls seeking abortions. This could have lost Richardson some pro-choice support, though it could have gained some support from pro-lifers.

Forty percent of those polled said they were pro-life, while 54 percent said they were pro-choice.

Wednesday, July 13, 2005

FREE FLAMING LIPS DOWNLOADS

The fabulous Flaming Lips are offering some free downloads to promote their film The Fearless Freaks, a documentary I heartily recommended a couple of weeks ago.

You can find those downloads HERE.

These are live tracks culled from Lips performances between 1986 and 1996, compiled for a promo CD given away at early showings of the movie. In his spoken introduction track, Coyne encourages fans to copy the disc, put it on the internet and "please, please, do not pay hard-earned money for it."

The songs are, "With You," "Can't Stop the Sping," "Shine On Sweet Jesus,"Space Age Love Song," "Moth in the Incubator," "When You Smile," and "Sleeping on the Roof."


I can't honestly say how good these are yet. My computer's slowly downloading them now. All I've heard so far is "Wayne's Introduction." If the tunes are decent -- and as a Lips fan, I've got to assume they are -- I'll play a track or two on this Sunday's Terrell's Sound World.

Monday, July 11, 2005

TERRELL'S SOUNDWORLD PLAYLIST

Sunday, July 10, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell


OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Black Tongue by The Yeah Yeah Yeahs
Journey to the Center of Mind by The Ramones
Is it My Body? by Alice Cooper
Blue Orchid by The White Stripes
Entertain by Sleater-Kinney
Sheela Na-Gig by P.J. Harvey
The Mystery of Love by Marianne Faithful
It's So Hard by John Lennon
Anna by Aurthur Alexander

Rock Show by Iggy Pop
Are We the Waiting by Green Day
Jubilee by Patti Smith
My Friend Goo by Sonic Youth
I Want to See You Belly Dance by The Red Elvises
The Slim by Sugar
Santana, Castanada & You by Giant Sand
Bridget the Midget by Ray Stevens

HOWLIN' WOLF vs. SON HOUSE
House Rockin' Boogey by Howlin' Wolf
Death Letter Blues by Son House
Built For Comfort by Howlin' Wolf
Preachin' Blues by Son House
Spoonful by The Super Super Blues Band
John the Revelator by Son House
Coon on the Moon by Howlin' Wolf

Just Like Greta by Van Morrison
No Time to Think by Bob Dylan
Have You Seen the Stars Tonight by Paul Kanter & The Jefferson Starship
Forever Changed by Bobby Purify
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, July 09, 2005

THE SANTA FE OPRY PLAYLIST

Friday, July 8, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Bandages and Scars by Son Volt
Lincoln Town car by The Waco Brothers
Virgin of the Cobra by Kev Russell
Lonesome Valley by Jon Dee Graham
Whiskey in a Jar by Hazeldine
Rated X by Neko Case
Rainbow Stew by Jason Ringenberg
Dumb Blonde by Dolly Parton
Track 2 by Charlie Tweddle

A Cigarette, A Bottle and a Jukebox by Big Al Downing
Just Between You and Me by Charlie Pride
Blame the Vain by Dwight Yoakam
Hey Bartender by Dan Hicks & The Hot Licks
I Just Lost My Mind by Rex Hobart & The Misery Boys
Wayside/Back in Time by Gillian Welch
Drunkards Go to Hell by Foddershock
Misty by Ray Stevens

I'm Working on a Building by Bill Monroe & The Bluegrass Boys
I'm Working on a Road by Flatt & Scruggs
Propiniquity by Earl Scruggs with The Nitty Gritty Dirt Band
Dark Hollow by David Bromberg
Are You Washed in the Blood by Red Allen
I'm Not a Communist by Grandpa Jones
Grapevine by Tom Russell
A Summer Love Song by Dr. West's Medicine Show & Junk Band
Cover of the Rolling Stone by Dr. Hook & The Medicine Show

Don't Get me Started by Rodney Crowell
Baghdad by Ed Pettersen
Out of Line by Michael Martin Murphey
Belshazzer by Johnny Cash
The Bloody Bucket by Grey DeLisle
A Whorehouse is Any House by Bonny Prince Billy
It Sure Was Good by George Jones & Tammy Wynette
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, July 08, 2005

TERRELL'S TUNEUP: NOW HERE'S A MAN WITH THE BLUES

A version of this was published in The Santa Fe New Mexican
July 8, 2005


It’s a sad confrontation, a clash of the titans that nobody wanted to see.

The scene is backstage at the Newport Folk Festival in 1966. Ethnomusicologist and folk music heavyweight Alan Lomax, who brought several old Mississippi blues greats from the ‘20s and ‘30s to the show, had set up what he called a “juke joint” backstage where he filmed informal performances.

Son House, one of the most venerated of all the early bluesmen was there. He’s drunk and belligerent and he‘s made the mistake of interrupting the performance of Howlin‘ Wolf, the Mississippi-born Chicago bluesman, who was more of a demiurge than an entertainer.

At first Wolf tries to joke with House, who had been one of his mentors back in the Delta. “Now here’s a man with the blues,” Wolf growls.

But when House doesn’t stop, the Wolf pounces. “You had a chance with your life, but you ain’t done nothing’ with it,” he says. “You don’t love but one thing, and that’s some whiskey.”

This was captured on film and is, in fact the most intense moment in Don McGlynn’s 2003 documentary The Howlin' Wolf Story: The Secret History of Rock 'n' Roll, which is showing Saturday and Wednesday at Santa Fe Film Center.

There’s lots to like about this film. One of my favorite parts is the home movie footage from Wolf drummer Sam Lay’s camera of 1960s gigs at long-gone Chicago joints like Sylvio’s -- where you can spot Chicago blues royalty like Sonny Boy Williamson and Little Walter in the audience.

But the scene that keeps haunting me is the one with Son House. It’s hard to watch and embarrassing to everyone involved, including present-day viewers. The hard fact is Wolf is right.

House, who was eight years older than Wolf, had lived an archetypal blues life. He’d been a traveling troubadour, a preacher and a hobo. In his early years he’d killed a guy and served time in the infamous Parchman prison. He had a brief recording career in the ‘30s, then disappeared until 1941 when Lomax tracked him down, then disappeared again until the early ‘60s when folkie revivalists “rediscovered” him. House had spent most of those missing years working as a Pullman porter in Rochester, N.Y.

Wolf, born Chester Burnett, on the other hand, never turned his back on his music. Learning guitar from none other than Delta blues founding father Charlie Patton himself, Wolf went to West Memphis, Ark., where he hooked up with Sun Records’ Sam Phillips, then to Chicago, where, along with his friend and rival Muddy Waters, he pioneered electric blues.

His music and his wild stage persona personified the rough and raucous spirit of the blues, but, as becomes apparent in McGlynn’s film, he was a hard-working, big-hearted conscientious man — which counters the blues stereotype.

He paid unemployment insurance for his band, even back in the ‘50s. He was a family man. His grown daughters recall how he bought them back fancy clothes when he toured Europe with the American Folk Blues Festival. He was intent on self improvement, taking classes to learn to read and write when he was in his ‘50s and even taking music lessons to improve his guitar playing.

Like most the bluesmen we know and love from that era, Wolf was born under the bad signs of extreme poverty and racial oppression. His own mother, a religious fanatic, threw him out of the house as a child of 13. (In the film his longtime guitarist Hubert Sumlin tells how Wolf, while touring Mississippi, came across his mother. He tried to give her some money, but she threw it on the ground and stomp on it. She didn’t want any money that came from the Devil’s music.)

So when Wolf tells Son House, “You had a chance with your life, but you ain’t done nothing’ with it,” it’s coming from the realization that he could have ended up like House -- drunk, broke and living on past glories -- had he not worked so hard.

The Howlin' Wolf Story will show at The Santa Fe Film Center at Cinemacafe, 1616 St. Michael's Drive 4 p.m. Saturday and 7:30 p.m. Wednesday. Tickets are Tickets $8; $7 for students and seniors; $6 for film festival members.

Also Recommended:

* Blues With a Message
by Various Artists. In the minds of too many modern fans, blues is nothing but party music, celebrating drinking, fighting, gambling and -- especially -- skirt-chasing.

But besides other mules kicking in his stall, sometimes the wolf knocks at a bluesman’s doors. In other words, besides the songs about drinking and fornicating, there’s also a tradition of socially conscious blues tunes.

Blues with a Message is a collection of 18 songs that deal with issues of poverty, racism, war, prison and even one medical epidemic (“The 1919 Influenza Blues” by pianist/singer Essie Jenkins.)

The artists represented here are mainly older acoustic players, such as former Mississippi Sheik Sam Chatman, who sings about racial stereotypes in “I Have to Paint My Face” and former inmate Robert Pete Williams, who tells a long sad tale called “Prisoner’s Talking Blues”

There’s also some electric blues, such as Juke Boy Bonner’s “What Will I Tell the Children,” (“Listened, looked around all day for a job/and I looked almost every place/It’s hard to come home and find hunger on your children’s face.”) and “Little Soldier Boy” a Korean War-era song by a Detroit singer named Doctor Ross.

One of the most uplifting songs here is “Why I Like Roosevelt” by sacred steel icon Willie Eason. He praises FDR (“Racial prejudice he tried to rule out/Invited Negro leaders to the White House …) while recalling the dark days of his predecessor (“After Hoover had made the poor man moan Roosevelt stepped in, they was a comfortable home.”)

TERRELL'S SOUND WORLD PLAYLIST

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