Sunday, January 08, 2006

ROCK 'n' ROLL MURDERS

The Bryan Harvey killings sadly remind me of other musicians who were murdered. Here's a list, taken mostly from a strange feature piece I did in The New Mexican in September 1998. I had to make some revisions -- such as the fact that Marvin Gay, Sr. died and Mia Zapata's killer has been arrested and convicted since the original story appeared. I don't claim it's complete, so feel free to point out omissions in the comments section,


Last month marked the 25th anniversary of the assassination of John Lennon. He was shot and killed by Mark David Chapman in shortly after the release of his first album in more than five years. Controversial biographer and reknown idiot Albert Goldman implied that Yoko was in on the killing.



Sam Cooke, one of soul music's founding fathers - who was one of the country's best known gospel singers in the 1950s and 1960s - was shot and killed by a motel manager in Los Angeles in 1964 while he was pursuing a woman. Cooke was wearing only a sports jacket and shoes when he was shot.


King Curtis, born Curtis Ousley, was a famed session sax man who recorded with Sam Cooke, (that's him with Cooke on the above album cover), Buddy Holly, Aretha Franklin, John Lennon, The Coasters, Wilson Pickett, LaVerne Baker, Bobby Darin, Solomon Burke, The Shirelles, Nina Simone and countless others. He was stabbed to death in front of his apartment in New York City on August 13, 1971.

Blaze Foley, an obscure but influential Austin singer songwriter who wrote Merle Haggard's "If I Could Only Fly" and who inspired Lucinda Williams' "Drunken Ange"l and Townes Van Zandt's "Blaze's Blues." On Feb. 1, 1989 Foley, whose real name was Michael David Fuller, was shot to death at the home of an elderly friend. The killer was the old man's son, Carey January, who claimed self defense. A jury later that year found January not guilty.


Marvin Gaye, one of the greatest soul singers of all time was shot and killed by his own father in 1984. The elder Gaye claimed self defense. He was convicted of voluntary manslaughter and given a six-year suspended prison sentence. He died in October 1998.

Bobby Fuller, an El Paso disciple of Buddy Holly, best known for his 1965 hit I Fought the Law, was found dead in 1966 inside his car parked in front of his mother's home. He was 22. He died of gasoline inhalation. Although his death was ruled a suicide, his family and friends have made a credible case that Fuller was actually murdered. His death was the subject of an Unsolved Mysteries segment as well as a panel discussion - featuring Fuller's brother Randy Fuller - at the 1998 South by Southwest Music Festival.

The Notorious B.I.G., a.k.a Christopher Wallace, was shot and killed in Los Angeles in March 1997. Although no link to Tupac's death has been established, many in the rap community believe Biggie was murdered in retaliation for Shakur's death. (Some Tupac partisans blame Biggie for Shakur's 1994 shooting.) The last song on Biggie's posthumously released second album is titled, "You're Nobody Until Somebody Kills You."

Tupac Shakur, the rap star, was shot and killed in Las Vegas, Nev. in September 1996. It was not the first time he had been injured by gunfire. Two years before he was shot five times in what police said was a robbery, though some Tupac fans claim was an assassination attempt by rivals in the music business. (Weird note: Some Tupac fans actually believe that Shakur faked his death and is still alive. )


Stringbean, born David Akeman. This banjo picker was a former sideman of bluegrass founding father Bill Monroe, though he was best known as a star of the country comedy television show Hee Haw. He and his wife were shot and killed by burglars at their Nashville home in 1973.

Peter Tosh, one of the original Wailers and a reggae star in his own right, was murdered at his Jamaica home in 1987.

Mia Zapata, lead singer and songwriter of the Seattle punk band The Gits, was raped and strangled July 7, 1993 while walking home from a popular bar. A decade after her killing, DNA evidence led police to a suspect -- Jesus Mezquia, who was living in Florida at the time of his arrest. He was convicted of Zapata's rape and murder in 2004 and sentenced to 36 years in prison.


One bizarre aspect of Zapata's murder is that several of her song lyrics seemed aimed at an unnamed serial killer. The song "Sign of the Crab" begins, "You take me for a roller coaster ride with your serial killing ways ... Go ahead and slash me up, spread me all across this town/'Cause you know you're the one who won't be found ... Maybe I pushed my luck one too many times ...."

In "Spear & Magic Helmet" she sang, "You jumped her from behind/Two against one ... Then you raped her, you left her in the alley way ... I'm coming after you/you're nothing but a filthy scum/ And now I'm out to ruin you and your reputation/ Just because you sing in a band, you think I won't do it ...."

Saturday, January 07, 2006

ARRESTS MADE IN BRYAN HARVEY SLAYINGS

Police have arrested two been in connection with the killings of House of Freaks frontman Bryan Harvey and his family -- as well as another terrible crime in which three members of another family were killed in their home in Richmond.

Not many details yet. The suspects' names are Ray Joseph Dandridge and Ricky Gevon Gray. The motive in both sets of killings is said to be robbery.

Here's the Richmond Times Dispatch story and here's the story from a t.v. station in Philadelia, where the suspects were caught.

Last night while playing my House of Freaks tribute on The Santa Fe Opry, I gave myself the creeps by playing a song called "Ten More Minutes to Live," Bryan Harvey's black-humor contemplation of the last minutes of his life.

But I stumbled across a story of later House of Freaks song, one I wasn't aware of called "Hey, Hey, Hey, Hey," that seems to describe a murder in a basement. CLICK HERE .

DOES GENERAL "THUNDERBOLT" ROSS KNOW THIS?

Even The Hulk has his own blog!

THE SANTA FE OPRY PLAYLIST

Friday, January 6, 2006
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
19th Nervous Breakdown by Jason & The Scorchers
Barrier Reef by The Old 97s
Behind That Locked Door by My Morning Jacket
The Things I Done Wrong by Danny Barnes
Blood of the Ram by The Gourds
O Death by Camper Van Beethoven

2000 Funerals by Graham Parker
Rich Man's War by Steve Earle
Burn the Flag by The Starkweathers
There's a Star Spangled Banner Waving Somewhere by Hank Thompson
Don't get Me Started by Rodney Crowell
Baghdad by Ed Pettersen
That's the News by Merle Haggard
Keep Your Lamps Trimmed and Burning by The Bubbadinos

HOUSE OF FREAKS TRIBUTE
(All songs by House of Freaks)
When the Hammer Comes Down
Ten More Minutes to Live
White Folk's Blood
Meet Your Heroes
Kill the Mocking Bird
You'll Never See the Light of Day
Big Houses
The World of Tomorrow

How Can a Poor Man Stand Such Times and Live by Ry Cooder
Not the Tremblin' Kind by Laura Cantrell
The Dream (A True Story) by Porter Wagoner
Music Has No End by Clothesline Revival with Neil Morris
Solitary Man by Johnny Cash
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, January 06, 2006

TERRELL'S TUNE-UP: THE MIGHTY DIAMOND

A version of this was published in The Santa Fe New Mexican
January 6, 2006


It’s a strange state of affairs when the latest Neil Diamond album is much cooler than the new Neil Young.

But it’s true. Mr. Velvet Gloves and Spit has made his strongest, his toughest album in probably 35 years.

Some credit producer Rick Rubin for the aesthetic success of Diamond’s album, 12 Songs. “He did it for Johnny Cash, now he’s done it with Neil Diamond, blah blah blah …” I say hogwash. First of all hiring Rubin as producer is no guarantee of a great “comeback” album. Anyone remember Sutras by Donovan a few years ago? Cosmic yawn.

Rubin’s stripped down production, his slave-master demand for new Diamond songs and his insistence that Neil do his own guitar tracks certainly helped create the somber but tasteful sonic atmosphere of 12 songs. But I believe Diamond is an old lion who needed to roar.

Perhaps because of artistic boondoggles like the Jonathan Livingston Seagull soundtrack and outright drek like “Turn on Your Heartlight,” people forget what a great songwriter that the old Brill Building vet Diamond truly is.

This is the man responsible for the most underrated boozy love song of all time, “Love on the Rocks,” the weird mysticism of “Soolaimon,” the kid-fear saga of “Shilo.” This is the guy who screamed at his own furniture in “I Am, I Said.”

And now he’s the guy who can make you feel the ache of love in “Oh Mary” and “Evermore.” There’s so many fine tunes here. “Man of God” finds still glowing embers from the fire that was “Brother Love‘s Traveling salvation Show.” “Delirious Love” is sweet delirious pop. And “Hell Yeah” is the best rewrite of “My Way” I’ve ever heard.

Consumer note: Before you plop this CD in your computer, make sure your copy doesn’t have the dreaded XCP “anti-piracy” software, which Microsoft classified as “spy ware” that can render your box vulnerable to viruses. My copy is possessed by this evil demon, so I only listen to it on my DVD player and in my car. Sony has stopped making Cds with XCP.

Holiday Clearance Section: It’s time for holiday leftovers at Terrell’s Tune-up. Here’s some quick takes on a whole mess of CDs released in 2005 that I somehow never got around to reviewing. Some have been in the musical refrigerator for months.

* Magic Time by Van Morrison. To make an obvious play on the title, Morrison indeed still has the magic. His peculiar style of sweet soul music infused by his peculiar brand of Celtic mysticism sound like they drifted out of some ancient cave. There’s a melancholy feel on this record. “Just Like Greta” finds Morrison wistfully fantasizing about disappearing from public site, (just like Garbo), while “They Sold me Out,” which almost sounds like some lost song by The Impressions, is a classic Morrison diatribe against music industry weasels. But I doubt if he’s really going away. On one song, an upbeat blues with honking harmonica, Van promises to “Keep Mediocrity at Bay.”

* Front Parlour Ballads by Richard Thompson. If you’re craving some of those classic crazed Thompson guitar solos, this mostly acoustic record isn’t for you. Some of the songs here, such as the bouncy opening cut “Let it Blow” will practically leave you screaming, “Come on Richard, plug in!” But indeed, the record lives up to its title. I love the electric Thompson and I hope this album is just a diversion. Still there’s some strange, twisted, bittersweet gems here such as the squeeze-box colored “Miss Patsy” (Is that a mandolin he’s playing or a lute?) whose quaint melody is a weird contrast to the lyrics, which deal with a terrorist in prison. “The Boys of Mutton Street,” with its catch sing-along melody is about a street gang. “When We Were Boys at School” deals with a bitter victim of bullies who dreams of rising to power to inflict vengeance. “Should I Betray,” the taunting song of a blackmailer, is perhaps the creepiest of all.

* Long Gone by Clothesline Revival. Taking old field recordings of American blues, gospel and hillbilly singers and mutating them with electronica backdrops isn’t a new idea. Moby did it several years ago with his album Play. But the idea still sounds fresh on this, the second Clothesline Revival CD. Led by California guitarist Conrad Praetzel, Clothesline makes these old scratchy recordings come to life. Praetzel for the most part doesn’t distort or overwhelm these ancient melodies. Instead he enhances them. Some of the tracks, such as “Strange Things Happening,“ (based on a tune sung by Charles Haffer, Jr. in a Clarksdale, Miss. funeral home 1942) and “I’m Worried about My Soul” (sung by Lillie Knox in south Carolina in 1937) are downright haunting. And “Down in Arkansas,” sung by Almeda Riddle in 1959, actually rocks.

* Punk Trampoline by The Stillettos. The Stillettos was a New York punk band that started out before “punk rock” even had a name. Led by a high-pitched shouter who called herself Elda Stilletto -- whose voice contained traces of Yoko Ono as well as Betty Boop -- the group allegedly included Debbie Harry and Chris Stein of Blondie, Cheetah Chrome of The Deadboys and Rick (“Rock ‘n’ Roll, Hoochie Koo”) Derringer. This is a collection of recordings spanning the ‘70s. My favorites are the ones like “Feedback Rock” and “Pink Stilettos” that feature a crazy sax. There‘s even a weird punk/jazz tune called “Feedback Jazz.”

Terrell’s Sound World is back! Freeform weirdo radio returns to Santa Fe Public Radio after a three-week break, 10 p.m. this Sunday, on KSFR 90.7 FM.

And don’t miss The Santa Fe Opry 10 p.m. Friday on KSFR. I'll play a lengthy House of Freaks segment around the 11th Hour.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 13, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Em...