Thursday, January 26, 2006

ROUNDHOUSE ROUND-UP: FUNDING THE FACT FINDERS

A version of this was published in The Santa Fe New Mexican
January 26, 2006

Trips to see the World Series. Tickets to Denver Broncos games. Fact-finding jaunts to Europe.

Every year, Barry Massey of The Associated Press dutifully documents some of the goodies that lobbyists bestow upon legislators and other state officials.

Every year, Massey’s stories explain how there’s no limit on the amount of gifts, meals, travel and campaign contributions lobbyists can give. (HERE's a story from last May)

And every year, nobody does anything about it.

This week, Massey wrote about Louisiana Energy Services — a company that wants to build a uranium-enrichment plant in southeastern New Mexico — paying nearly $20,000 to send a couple of groups of legislators to the Netherlands to tour a similar uranium facility.

In light of the state treasurer scandal in New Mexico and the Jack Abramoff scandal in Washington, D.C., it might seem that unrestricted freebies from lobbyists would prompt more attention.

I asked Gov. Bill Richardson about it Wednesday morning at the annual Legislative Breakfast of the New Mexico Press Association.

“I want to work with the Legislature in the next session to see if we can have comprehensive reforms that deal with a number of these issues,” Richardson replied.

But the reforms the governor has in mind apparently don’t include legal limits on the amount of airline tickets and hotel rooms lobbyists can give.

“As long as it’s disclosed, promptly divulged,” he said, “I think it’s fine.”

Referring to the LES trips, Richardson said: “Sometimes legislators, many times congressmen, need fact finding. ... I felt this trip was legit. They took a critic from my administration, and she came back even more negatively disposed.”

He was referring to Gay Dillingham, who chairs New Mexico’s Environmental Improvement Board. She went to Holland on an LES-sponsored trip with a group of lawmakers and other state officials in 2004. Dillingham indeed remained critical of LES’ New Mexico plan.

But she’s an exception. Every legislative “fact finder” quoted in the AP story found facts that were favorable to the company’s proposal.

State Sen. Cisco McSorley, D-Albuquerque, disagrees with Richardson about the quality of such “fact finding” missions.

“If something is important enough to study, it should be studied in a neutral way,” he said. “When you go on a junket paid for by a lobbyist, you’re only getting one side.”

McSorley said he would support legislation to prohibit lobbyists from paying for trips and to set a limit on the value of gifts allowed. “I don’t think you should be allowed to accept anything more than a meal,” he said.

Sen. Dede Feldman, D-Albuquerque, said she thinks gifts from lobbyists should be banned.

Trips, such as the LES Netherlands jaunts “don’t look good,” Feldman said.

However, she said, sometimes “think tanks” pay for lawmakers to go to out-of-state conferences concerning various issues such as health care. Feldman has accepted such trips, she said, which proved to be worthwhile.

Salaries for legislators: One might think that European junkets and World Series tickets would be pretty good incentives for recruiting new legislators.

But Senate Republican Whip Lee Rawson says the increasing workload and time it takes to serve in the Legislature is making it harder to attract anyone other than retirees, government employees and people who are financially secure or able to work nontraditional hours.

“It’s getting difficult to recruit people who could do an exceptional job, but can’t afford to run,” Rawson said in an interview this week.

“We no longer have a Legislature that is representative of our population at large,” he said.

Therefore, he said, the state should consider another path — providing an actual salary for lawmakers.

Rawson’s Senate Joint Resolution 2 would amend the state Constitution to give lawmakers a salary on top of the per diem and mileage they already receive.

The measure calls for legislators’ salaries to be set to 15 percent of a U.S. Congress member’s salary. That figure currently is $162,100, which would work out to an extra $24,315 for our state legislators.

“This isn’t about more money for me or the current legislators,” said Rawson, adding that everyone currently serving knew going in that nobody would be paid for all the time they spend.

The legislation would go to state voters in November if it passes both chambers.


Rawson said he’s aware that the next step after a salary could be a move for a full-time Legislature.

“If they do that, I’m out of here,” said Rawson, who has served in the Senate and, previously, the House for a total of almost 20 years. Such a move would completely take away the concept of “citizen Legislature,” he said.

The resolution is awaiting a hearing by the Senate rules committee.

Monday, January 23, 2006

MUSIC ROW DEMS

Rolling Stone just ran an article about Music Row Democrats.

I first became familiar with this group because my buddy Ed Pettersen is involved in it (a member of the executive board.) I quoted Ed in a story about the infamous Johnny Cash demonstration I wrote from New York during the 2004 Republican Convention.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, January 22, 2006
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell



OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Sharkey's Day by Laurie Anderson
Journey to the Center of the Mind by The Amboy Dukes
Why Won't You See Me? by Concrete Blonde
I Want the Answers by The Fleshtones
Moving to Florida by The Butthole Surfers
Here Comes Your Man by The Pixies

Sputnik City Buvi Buvi by Kishidan
Drowning Witch by Frank Zappa
Two Amber Things by The Residents
Feedback Jazz by The Stilettos
Stabbing by Jon
Lost Avenue by Johnny Dowd
The Way We Were by Wild Man Fisher & Mark Mothersbaugh


R.I.P. WILSON PICKETT
(All Songs by Wilson Pickett except where noted)
Funky Broadway
I'm in Love
Soul Survivor
She's Lookin' Good
Hey Jude
Don't You Ever Let Nobody Drag Your Spirit Down by Linda Tillery & The Cultural Heritage Choir with Wilson Pickett
Land of 1,000 Dances
In the Midnight Hour

Why? (The King of Love is Dead) by Nina Simone
Pride (In the Name of Love) by U2
Keep on Pushing by The Impressions
His Eye is on the Sparrow by Isaac Hayes
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, January 21, 2006

THE SANTA FE OPRY PLAYLIST

Friday, January 20, 2006
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Broken Bottle by Jon Langford & Sally Timms
Nobody's Fault But Mine by Bethleham & Eggs
60 Acres by James McMurtry
Castanets by Los Lonely Boys
Gloriously Tangled by Boris & The Saltlicks
The Things I Done Wrong by Danny Barnes
Jeannie's Afraid of the Dark by Robbie Fulks

Panties in Your Purse by Drive By Truckers
Oh My Jesus by Destiny Whores
Loser's Lullaby by Ronny Elliott
My Beautiful Bride by The Handsome Family
Sweet Virginia by Camper Van Beethoven
That's What I Like About the South by Hank Thompson
Don't Be Afraid of the Neo-cons by Norman & Nancy Blake


What Makes Bob Holler? by Bob Wills & His Texas Playboys
Draftboard Blues by Cliff Bruner & His Boys
Roly Poly by Asleep at the Wheel with The Dixie Chicks
Brain Cloudy Blues by Merle Haggard
There'll Be Some Changes Made by W. Lee O'Daniel & His Hillbilly Boys
Trouble in Mind by The Pine Valley Cosmonauts with Jimmie Dale Gilmore
Oklahoma Stomp by Spade Cooley
Keep on Truckin' by Smokey Wood & The Wood Chips
Faded Love by Rod Moag & Dayna Wills
Bubbles in My Beer by Bob Wills & His Texas Playboys

Love Make a Fool of Me by Big Al Anderson
Burn That Broken Bed by Iron & Wine with Calexico
Welcome Back by Mike Ireland & Holler
Life of a Texas Man by Blaze Foley
Red River Memory by James Talley
Pilgrim by Steve Earle & The Del McCoury Band
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, January 20, 2006

TERRELL'S TUNE-UP: THE HIGH PRIESTESS & THE KING

A version of this was published in The Santa Fe New Mexican
Jamuary 20, 2006


Many speeches were made about Dr. Martin Luther King Jr. this week during his annual holiday. But if you really want to know how King affected people, pick up a copy of a new compilation of political songs by Nina Simone called Forever Young, Gifted and Black: Songs of Freedom and Spirit and cue up Track 4, “Why? (The King of Love is Dead).”

Just three days after King’s assassination, Simone, performing at the Westbury Music Fair in Westbury, N.Y., unveiled undoubtedly the most moving musical tribute to King ever conceived.

And someone was smart enough to record it.

Written by her bass player, Gene Taylor, it’s a slow dirge that, like many a powerful gospel song, gradually picks up tempo.

The pain in Simone’s voice has always been obvious. But in this unedited version of that performance, listeners can get a taste of the full depth of the raw grief, the outrage, even the honest paranoia behind that song.

Previously released versions of “King of Love” had been seriously edited, to about half the length of the nearly 13 minutes on the new CD.

The previous versions crescendo until Simone wails, “What’s going to happen/Now that the king of love is dead?

But in the unedited version, we learn that there was more to the performance before she got to that last line.

“ What’s going to happen now when all of our cities/Our people are rising,” Simone begins to improvise as the music starts slowing down. In fact, many American cities were on fire at that moment as black people raged against the murder of King.

“They’re living at last,” she sings, “even if they have to die, even if they have to die at the moment that they know what life is/Even if at that one moment that you know what life is, if you have to die, it’s all right/Because you know what life is, you know what freedom is for one moment of your life/What’s going to happen/Now that the king of love is dead?”

As the applause subsides, it appears as if Simone is about to introduce another song. But then she goes off on a tangent about how many black leaders, artists, and musicians had died in recent years. She names Lorraine Hansberry, Langston Hughes, John Coltrane, and Otis Redding.


“We can go on,” she says, her voice beginning to quiver. “Do you realize how many we have lost? It really gets down to reality, doesn’t it?”

By now, Simone is in a stream-of-consciousness mode: “Not a performance. Not microphones and all that crap. But really something else.” Now she’s whispering. “We’ve lost a lot of them in the last two years. But we have remaining Monk, Miles ...”

Breaking the tension, a man in the audience adds, “Nina.”

“I love you, too,” she responds warmly. The audience applauds.

She could have left it there on a sweet sentiment. But this wasn’t a time for greeting-card clichés. Simone had more to say.

“And of course for those we have left we are thankful, but we can’t afford any more losses,” she says. Then she breaks down.

“Oh no,” she sobs. “Oh my God! They’re shooting us down one by one. Don’t forget that. ’Cause they are. They’re killing us one by one.”

She theorizes that King might not have been killed had just a few more people stayed “a little closer” to him. “Just a little closer to him,” she says, “Stay there, stay there. We can’t afford any more losses.”

As if there were no more words to say, Simone begins singing the bridge of “King of Love”: “He had seen the mountain top, and he knew he could not stop ...” And the band joins in.

Here Simone completely blurs the lines between entertainer, political advocate, and grieving friend. In that moment — “Oh no. Oh my God!” — Simone expresses the horror of a nation, not only for a terrible murder but for the grim realization that the civil-rights movement was doomed to dissipate.

Simone and her music soon would largely fade from the American consciousness. A few years after her Westbury performance, Simone left the United States. After living in several countries in Europe, the Caribbean, and Africa, she settled in France, where she died in 2003.

(Troubling fact: There’s a tradition of great black artists — including Josephine Baker, Sydney Bechet, James Baldwin, Memphis Slim, and Tina Turner — moving to France. I don’t think it’s for the cheese.)

While “King of Love” definitely is the highlight of Forever Young, Gifted and Black, the compilation is full of hard-hitting political songs from an artist who was hard to peg.

Known as the “High Priestess of Soul,” Simone, born Eunice Waymon in rural North Carolina, studied at the Juilliard School of Music in New York. Her music, especially her piano-playing, drew from her classical training.

But she also interpreted folk music, gospel, blues, soul (also released this week is an expanded reissue of Nina Simone Sings the Blues, featuring an ultra-funky version of “House of the Rising Sun”), and show tunes. She even makes pop pap like the Association’s “Cherish” (from the album Silk and Soul, rereleased this week) sound soulful.

But it was her protest tunes that distinguished Simone. Forever Young, Gifted and Black has her inspiring anthem “I Wish I Knew How It Would Feel To Be Free” and stirring versions of “Turn! Turn! Turn!” and “The Times They Are A-Changin’.” There’s a song called “Revolution,” which sounds like an answer to the Beatles song. (But unlike the Fab Moptops, Nina’s saying, “Count me in!”)

The compilation includes two other tracks from the 1968 Westbury Music Fair — “Backlash Blues,” featuring words by poet Langston Hughes (“Who do you think I am?/You raise my taxes, freeze my wages and send my son to Vietnam”), and one of her most powerful songs, “Mississippi Goddam.”

Simone wrote the latter herself in the early ’60s, following a spate of murders of civil-rights activists. With its title and refrain, Simone ensured that this song would never get radio play in this God-fearing nation. But instead of a top-10 teen tune, she left us an honest testament from a troubled but promising era.

TERRELL'S SOUND WORLD PLAYLIST

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