TERRELL'S SOUND WORLD PLAYLIST

Sunday, February 4, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Dropkick Me Jesus by Bobby Bare
Coney Island Baby by Lou Reed
Head Held High by The Velvet Underground
Uranium Rock by The Cramps
I'm Bigger Than You by The Mummies
Dead End Street by The Monsters
Dirty Lie by Electric Koolade
13 Going on 21 by Dead Moon
Bridget the Midget by Ray Stevens

This Ain't No Picnic by The Minutemen
Drove Up From Pedro by Mike Watt with Carla Bozulich
Me and Jill/Hendrix Crosby by Ciccone Youth
Baby Blue by The Warlocks
Take Me To the Other Side by The Spacemen 3
Green and Gold by The Electric Flag
Wang Dang Doodle by P.J. Harvey

Things You Can Do by TV on the Radio
Lost Souls by Celebration
Pray to the Junkiemaker by Fishbone
Gett Off by Prince
Mighty O by Outkast
Le Vicomte by Soel
Trouble Man by Marvin Gaye

Come Together/Dear Prudence/Cry Baby Cry by The Beatles
Tropical Iceland by The Fiery Furnaces
Miss World by Hole
When Leon Spinx Moved Into Town by Caliphone
Goodnight Irene by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

THE SANTA FE OPRY PLAYLIST

Friday, February 2, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Girl Called Trouble by The Watzloves
That's What She Said Last Night by Billy Joe Shaver
The Streets of Baltimore by Bobby Bare
Engine Engine Number Nine by Southern Culture on The Skids
I Don't Want Love by Dan Hicks & The Hot Licks
Sting in This Old Bee by Hank Thompson
Put Your Cat Clothes on by Carl Perkins
Gallo de Cielo by Joe Ely

Amanda by Don Williams
Morphine by Audrey Auld Mezera
Honky Tonk Song by Jimmie Dale Gilmore
Long Walk Back to San Antone by Junior Brown
Come With Me by Waylon Jennings
A-11 by Miss Leslie & Her Juke Jointers
Backstreet Affair by Conway Twitty & Loretta Lynn
Brand New Heartache by Jeff Lescher & Janet Beveridge Bean

Tabitha by Ed Pettersen
If It's Really Got to Be This Way by Bill Kirchen
Unbroken Love by Andy Fairweather Low
You Can't Stop Her by Jim Lauderdale
99 Friends of Mine by Dan Reeder
You Can Buy My Heart With a Waltz by The Desperados
Cripple Creek by Steve Rosen
In Tall Buildings by John Hartford
Do it to Me Tonight by Hasil Adkins

Prozac by Ramsay Midwood
Nosy Neighbor by The Ditty Bops
The Old Rugged Cross by Jim Kweskin
Dear Someone by Gillian Welch
Miracle of Five by Eleni Mandell
Walkin' Man by Guy Clark
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNEUP: GROUNDHOG DAY CLEARANCE

A version of this was published in The Santa Fe New Mexican
February 2, 2007

It’s the Groundhog Day clearance sale at Terrell’s Tune-Up.

Yes, it’s that time of year when the music industry is slow in releasing new products, a convenient time to look back on some of the albums from last year that I never quite got around to reviewing (and that, in a couple of cases, I just recently got into).

*Return to Cookie Mountain by TV on the Radio. This album topped the recent Jackin’ Pop Critics Poll at the online zine Idolator — without my help. Sheepishly I have to admit I didn’t notice this album until after the ballot deadline. So that makes 2006 one of those years that I wish I could go back to and change my top-10 list. Cookie Mountain definitely belongs on it.

Longtime readers know I’m a guitar chauvinist — a “rockist,” as some of those snooty, big-town critics would say. As a rule, my tastes generally lie with bands that don’t stray too far from the Buddy Holly and The Crickets guitar-bass-drums lineup. I’m generally leery of techno/electronica newfangled stuff.

But sometimes a sound is so amazing it makes me realize why rules are meant to be broken. TV on the Radio is a big case in point.

Somehow these five guys from Brooklyn create music that is catchy and otherworldly at the same time. The combination of the soulful vocals of Tunde Adebimpe and Kyp Malone, emerging from the often apocalyptic sonic backdrop, is irresistible. It’s almost like a strange mash-up of Fishbone and Pere Ubu. I hear reverberations of Prince in here, and David Bowie, too. In fact he makes a guest appearance on the song “Province.”

In short, it’s the kind of music I’d like to take on a time machine and go back to, say, 1967 — or even better, 1957 — and tell people, “In the future, this is what rock ’n’ roll sounds like.”

Like Firesign Theatre records, with Cookie Mountain you find new things to appreciate with each subsequent listen — little audio treats you didn’t notice before. (Dig that crazy clarinet that comes out of nowhere about four minutes into “Tonight.”)

“Blues From Down Here” sounds like roots music from the planet of the robots. “Snakes and Martyrs” sounds like a long-lost David Byrne melody that’s gone through genetic reconstruction. “Let the Devil In” starts out with bruising industrial drums and turns into a desperate chant.

Of course, rockist that I am, my favorite song here is “Wolf Like Me,” which, with its stinging guitar and drums straight out of the Ramones’ “Teenage Lobotomy,” is probably the most traditional-sounding rocker here. Yet even this one breaks from the rocked-out first verse into a spacier bridge.

*Boys and Girls in America by The Hold Steady. Here’s another one that made it onto critics’ top-10 lists all over this great land of ours — but not mine.

Yet, unlike Cookie Mountain, I don’t regret that decision.

Boys and Girls is a very listenable album. The first song, “Stuck Between Stations,” starts out with a reference to Sal Paradise, which is a plus for Kerouac fans.

The album is probably the closest thing to classic rock a band of youngsters has put out in some time. Everyone compares it with early Springsteen, though some of the piano flourishes also remind me of early Meat Loaf.

That’s generally my problem with the record. Not only has it been done before, it’s been redone better. If you really want to hear a contemporary band that’s captured that early-Bruce spirit, seek out Marah, especially the 2000 album Kids in Philly — a masterpiece that includes one of the best songs about Vietnam ever recorded, “Round Eye Blues.”

Still Boys and Girls isn’t bad. I especially like the crazy organ solo in the faster-than-Springsteen-ever-went “Same Kooks.” And “Chillout Tent,” which deals with drug-abusing youngsters at a rock festival, is wicked fun.

*Idlewild by Outkast. This is more of a companion piece than a soundtrack to the movie of the same title that starred Outkast; it’s the influential hip-hop group’s follow-up to their amazing double-disc Speakerboxx/The Love Below.

I haven’t seen the movie. And this CD doesn’t match up to its predecessor. But it’s lots of fun, with some fine tunes that stand out.

Like the double disc, Idlewild is basically two solo records — it can be divided into Big Boi songs and André 3000 songs, plus some inconsequential spoken-word bits related to the movie. And just like I preferred The Love Below to Speakerboxx, I’m partial to the songs by Dre. The guy’s a real musician. I hate to mention Prince twice in one column, but I believe Dre is heir to the purple throne.

Some of the music here embraces jazz — and Cab Calloway gets credit for the “hi-di-hi’s” on “Mighty ‘O.’” “Mutron Angel,” featuring vocals by Myrna “Peach” Brown, is futuristic gospel. And Dre gets nice and bluesy — with a nod to Stevie Wonder’s “Higher Ground” — on “Idlewild Blue (Don’tchu Worry ’Bout Me).”

For you Funkadelic fans, the almost nine-minute “A Bad Note” is a lengthy, “Maggot Brain”-like, fuming guitar piece.

*Love by The Beatles. This is a remix album patched together by longtime Beatles producer George Martin and his son, Giles. It was assembled for a Las Vegas spectacular (I’m not making this up) by Cirque du Soleil. But it’s a fun little ride.

“Get Back” starts with the opening chord of “A Hard Day’s Night,” picks up with the drums, and (later some guitar) from “The End” before the vocals from the original “Get Back” start. There’s some Sgt. Pepper noise in there before it fades into the next track, a hyped-up “Glass Onion,” which has stray sounds from “Hello, Goodbye,” French horns from “Penny Lane,” and a lonely loop of John Lennon singing, “Nothing is real.”

I’m sure lots of hard-line, old-time Beatlemaniacs shuddered at the thought of this project. But I feel just the opposite. My biggest complaint is that there wasn’t enough experimenting and mixing up of the old Beatles tapes. Many songs just sound like new, “modernized” version of Beatles classics. Of course, what could ever match the spirit of experimentation and plain old weird thinking that went into making the original version of “Strawberry Fields Forever”?

Here’s a suggestion: next time, give TV on the Radio access to the old material and see what they come up with.

ROUNDHOUSE ROUNDUP: IT'S HOT BUTTON DAY AT THE ROUNDHOUSE

A version of this was published in The Santa Fe New Mexican
February 1, 2007

Today is Earned Income Tax Credit Awareness Day, according to a news release from Lt. Gov. Diane Denish.

Happy Earned Income Tax Credit Awareness Day!

But a better name for Feb. 1 at the Roundhouse would be "Hot Button Day." This is the day that several hot-button issues get their first — and for some, quite possibly their last — hearings of the session.

You’ve got the medical marijuana bill, (Senate Bill 238 sponsored by Sen. Jerry Ortiz y Pino, D-Albuquerque) in the Senate Public Affairs Committee.

There’s a twofer in the House Consumer and Public Affairs Committee: The panel is scheduled to discuss abortion (the parental-notification bill, House Bill 239, which would require abortion doctors to notify parents of teenage girls seeking abortions, sponsored by Rep. Larry Larranaga, R-Albuquerque) and gay marriage. There’s the proposed constitutional amendment, House Joint Resolution 2, by Rep. Gloria Vaughn, R-Alamogordo, as well as HB 395, sponsored by Rep. Nora Espinoza, R-Roswell.

And then there’s cockfighting. The Senate Conservation Committee — the traditional killing grounds of anti-cockfighting bills — will hear measures sponsored by Senate Majority Leader Mary Jane Garcia, D-Doña Ana, (SB 10) and Sen. Steve Komadina, R-Corrales, (SB 70).

There might be even more hot-buttons to be pushed today. It’s sure to be an Earned Income Tax Credit Awareness Day we’ll never forget.

For the record: Denish has scheduled a news conference to make more people aware of that tax credit at 10 a.m. in Room 321. The credit, which many people don’t bother to claim, is up to $4,536 for qualifying families with two or more children, Denish said.

Real ID: The memorial calling for Congress to repeal the REAL ID Act has at least one friend in New Mexico’s congressional delegation.

Marissa Padilla of U.S. Rep. Tom Udall’s office, answering a reporter’s inquiry Wednesday, released a statement saying, “Congressman Udall voted against the REAL ID Act in the 109th Congress because it was a first step toward a national ID card. While he agrees that we need safe and secure forms of identification to help fight illegal immigration, the decision on how to issue driver’s licenses should remain something the states decide.”

House Joint Memorial 13 as of Wednesday was on the House Temporary Calendar, which means it could be heard on the House floor as early as today.

Victory for bolos: The bolo tie came one step closer to becoming the legal state tie Wednesday when the House voted unanimously to pass HB 115.

Bill sponsor Rep. Don Tripp, R-Socorro, is a jeweler by profession. He said several fellow jewelers requested the bill.

Tripp claimed New Mexico produces more bolos than any other state. I’m not sure whether our neighbors to the West would agree.

But in Arizona, people refer to the tie as “bolas” and say we’re wrong to spell it otherwise.
As I mentioned a few columns ago, in 1987, the Legislature named the bolo “official state tie or neckwear of New Mexico” in a memorial.

However, that was done in a nonbinding memorial, so the bolos aren’t listed in the same section of state law that lists the official state bird, state animal, state reptile, state butterfly, state cookie and all the state songs.

But even if the bill passes the Senate and becomes law, that doesn’t mean House members can wear bolos to floor sessions. Cloth ties still are required, according to House rules.

There’s an identical bill, SB 19, sponsored by Komadina, scheduled for a hearing Friday in the Senate Rules Committee.

Is it a session yet?: In a recent column, I listed several examples of “It’s not a session until ...”

At least one of those came to pass. Sen. John Pinto, D-Tohatchi, sang "The Potato Song."

However, some Roundhouse purists argue that didn’t count because Pinto sang the Navajo song in the Rotunda on Seniors Day — not on the Senate floor.

I’m not taking a position on this.

I asked you, the reader, to submit your own “It’s not a session until ...” examples and, sure shootin’, some of you did. Here are some of those:

* There is a “Call of the House” and members are under escort to the restroom. (This is from House Majority Leader Kenny Martinez of Grants.)

* Sen. Joe Carraro, R-Albuquerque, shows up in an opera cape for Italian American Day.

* A former legislator shows up, and lawmakers spend an hour of floor time lauding him rather than acting on bills.

* Someone (a) gets into a fight at a Santa Fe bar; (b) gets popped driving drunk; or (c) sends an incendiary op-ed to The New Mexican and then stands by it.

* Everyone in the Legislative Council Service has a cold they caught from schoolchildren sliming the bannisters.

* Throughout the building, it’s mariachi music all day every day.

* The lobbyists start delivering pizzas (always with green chile).

* The bill clerks are using three Xerox machines at once.

* When everyone is finally really sick of all the Valentine candy.

That last one is especially disturbing because the Valentine onslaught hasn’t even started yet.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, January 1, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Blues From Down Here by TV on the Radio
Ancient Animals by Celebration
Tip My Canoe by Dengue Fever
Horoscopic. Amputation. Honey by Califone
Walkin' With Jesus (Sound of Confusion) by Spacemen 3

In This Home on Ice by Clap Your Hands and Say Yeah
The Burglars Are Coming by Solex
Hooded by The Casual Dots
Days and Nights in the Forest by Deerhoof
Like You Crazy by Mates of State
All ABout the Feeling by Moggs
Jitterbug by Angelo Badalamenti

Burn My Mind by The Monsters
Sun Dance Moon Dance by Bleach 03
Livin' Large by L7
23 Kings Crossing by Thinking Fellers Union Local 282
I'll Give You Space Cake by King Automatic
White People Thing by Lee Hazelwood
Groovy Times by The Clash
House by Babes in Toyland
Red Hot by Sam the Sham & The Pharoahs

Danelectro 3 by You La Tengo
Life is Like a Musical by Outkast
Drive My Car/The Word/What You're Doing by The Beatles
Cabinessence by Brian Wilson
A Black and White Rainbow by A Hawk and a Hacksaw
Killing Jar by French, Frith, Kaiser & Thompson
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis