Friday, February 16, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Pick Me Up on Your Way Down by Willie Nelson, Merle Haggard & Ray Price
Run Back to Him by Brent Hoodenpyle & The Loners
Rose Garden by Southern Culture on the Skids
Accidently on Purpose by Johnny Paycheck
Let's Flirt by Cornell Hurd with Connie Hancock
Memphis by Carl Newman
Rolling Stone by Neko Case
Byrd from West Virginia by I See Hawks in L.A.
Cumberland Gap by Sen. Robert Byrd
Wallflower by David Bromberg
Down in the Bayou by The Watzloves
Down in a Hole by Audrey Auld Mezera
Let's Waste Another Evening by Josh Lederman & Los Infernos
Working Man by Bill Kirchen
Sunglasses After Dark by Dwight Pullen
Jimmy Parker by Ed Pettersen
Crazy Old World by Ukuleleman
BLACK HISTORY MONTH SET
Is Anyone Goin' to San Antone? by Charlie Pride
I Can't Help It If I'm Still in Love With You by The Holmes Brothers with Roseanne Cash
She Even Woke Me Up to Say Goodbye by Swamp Dogg
Six Days on the Road by Taj Mahal
A Cigarette, A Bottle and a Jukebox by Big Al Dowling
Buffalo Soldiers by Allan Harris
Wasbash Cannonball by Blind Willie McTell
When My Blue Moon Turns to Gold Again by Clarence "Gatemouth" Brown
Funny How Time Slips Away by Al Green & Lyle Lovette
John Law Burned Down the Liquor Store by Chris Thomas King
Tallacatcha by Alvin Youngblood Hart
Busted by Andres Williams & The Sadies
Out on the Western Plains by Lead Belly
Jambalya by Professor Longhair with Clarence "Gatemouth" Brown
Don't Let Her Know by Ray Charles
Will the Circle be Unbroken? by Mavis Staples
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
Saturday, February 17, 2007
Friday, February 16, 2007
TERRELL'S TUNEUP: MY ADVENTURES IN LALA LAND
A version of this was published in The Santa Fe New Mexican
February 16, 2007
It was just what I needed — another way to spend money on music from the worldwide interwebs.
Back in September, I signed up on Lala.com, an online service for trading used CDs — and a pretty cool little music club.
As a bona fide used-bin bloodhound for the last 15 years or so, I’ve been able to get my hands on some CDs I’ve wanted for years that you just don’t see at used-record shops in Santa Fe and Albuquerque.
Basically it costs $1.75 per CD. You set up a “have” list and a “want” list and wait for someone to request CDs you have and send you those you want. The company provides postage-paid envelopes and plastic “clamshell” cases.
Since joining, I’ve received almost 60 CDs and sent out about the same number. Some of the ones I received I later sent out again. I’ve heard rumors that some people copy songs onto their computers or iPods from the CDs they get, then trade them. There is a comically unenforceable Lala.com rule forbidding this.
I have yet to receive an unplayable CD — knock on wood — though I’ve had to clean a couple. I’m waiting for four CDs to arrive: two Mike Watt solo albums, an out-of-print Irma Thomas twofer called Safe With Me/Live at the Kingfish, and Wild, Cool & Swingin’, a Julie London compilation.
My first month was the most active one. I spent $38.50 for 22 CDs. Since then, I’ve averaged a little more than $16 a month. I’ve found that I have to constantly add to the CDs I’m willing to part with as well as the ones I want.There are now 171 CDs on my “want” list. (Doesn’t anyone want to part with Surfin’ in Harlem by Swamp Dogg or The Electric Prunes’ Stockholm 67?)
I’ve only got 22 I want to get rid of, which means I probably ought to start going through my collection with an eye on thinning it out.
There are a few rules. You can choose to receive CDs only with art. If you choose this option, those sending CDs to you are required to send the front booklet. (Most also will send you the back-cover art even though it’s not required.) And you’re not allowed to send promotional CDs, which make up a good chunk of a music critic’s collection.
Some of my Lala plunder consists of obscure albums I reviewed in the early days of this column (the late ’80s and early ’90s) that I originally had on cassette tape.
These include:
*There Goes the Wondertruck by Mary’s Danish. This was a fun little Los Angeles band featuring two female singers; it was “the next big thing” for about 14 seconds back then.
*Preaching and Confessing by Rotondi. They were a kind of polka-rock (accordion and sax) band though not as crazy (or as tight) as Brave Combo or The Polkaholics. My favorite song here is “The Commie Hoedown,” a salute to the fall of communism and the end of the Reagan administration.
*Reading, Writing and Arithmetic by The Sundays. The mellow, haunting, almost-folkish British duo featured a singer named Harriet Wheeler. The Sundays became popular in the early 1990s.
*Zvuki Mu. This was the self-titled album by a Russian band that could only be described as the Soviet Captain Beefheart.
*Loser Illusion Pt. 0 by The Leaving Trains. This was a six-song EP on the influential SST label. Five of the songs are run-of-the-mill punk rock. The standout is the epic conspiracy rocker “Rock ’n’ Roll Murder,” which cleverly mixes elements of Patti Smith’s “Rock ’n’ Roll Nigger” with Richard and Linda Thompson’s “Did She Jump or Was She Pushed.” (Which many recognize as a tribute to the late Sandy Denny.) Karen Carpenter was murdered, the Trains claim, “But she was one of them.” And Peter Tosh was murdered, they say: “He even made it look like a murder to cover up a murder!”
Other obscurities I’ve found on Lala.com:
*Jesus’ Blood Never Failed Me Yet by Gavin Bryars. This is a haunting piece of music that I can’t play frequently. It’s a repetitive work based on a tape loop of a homeless man singing this sweet little hymn, originally recorded for a documentary by a Bryars filmmaker crony. As the hymn plays over and over again, different instruments — string quartet, full orchestra, etc. — come and go. One lengthy track features Tom Waits. At first it seemed maddeningly monotonous, but a few minutes into the music the melody becomes like a mantra and, if you let yourself flow with it, an emotional experience. The little tramp becomes a Stan Laurel/Buddha spirit who will live in your heart.
*The Trip by The Electric Flag. This is the soundtrack for the 1967 Roger Corman hippie-exploitation flick starring Peter Fonda. I was somewhat disappointed with this CD. Somehow this music (by a band that included guitarist Mike Bloomfield and drummer Buddy Miles) didn’t sound nearly as psychedelic as the music I heard on the DVD of The Trip I recently rented from Netflix (and I wasn’t tripping when I watched the movie). Maybe it just sounds better while watching tacky LSD special effects.
*A Tribute to Robert Altman’s Nashville. This was put together by alt-country singer Carolyn Mark and features songs by Neko Case, Kelly Hogan, and others. Some of these tunes, especially Mark’s version of Ronee Blakley’s “Idaho Home,” make me realize that some songs from this movie should have been country hits and Blakley should have been a star.
*Spillane by John Zorn. This is strange and wonderful music by Zorn and friends. The first song is Zorn’s avant-garde take on crime jazz, a 25-minute musical collage. The next two songs feature bluesman Albert King, who plays guitar on both and narrates a weird little story on “Two-Lane Highway: Hico Killer — Long Mile to Houston.” Then there’s “Forbidden Fruit,” a collaboration with the Kronos Quartet.
February 16, 2007
It was just what I needed — another way to spend money on music from the worldwide interwebs.
Back in September, I signed up on Lala.com, an online service for trading used CDs — and a pretty cool little music club.
As a bona fide used-bin bloodhound for the last 15 years or so, I’ve been able to get my hands on some CDs I’ve wanted for years that you just don’t see at used-record shops in Santa Fe and Albuquerque.
Basically it costs $1.75 per CD. You set up a “have” list and a “want” list and wait for someone to request CDs you have and send you those you want. The company provides postage-paid envelopes and plastic “clamshell” cases.
Since joining, I’ve received almost 60 CDs and sent out about the same number. Some of the ones I received I later sent out again. I’ve heard rumors that some people copy songs onto their computers or iPods from the CDs they get, then trade them. There is a comically unenforceable Lala.com rule forbidding this.
I have yet to receive an unplayable CD — knock on wood — though I’ve had to clean a couple. I’m waiting for four CDs to arrive: two Mike Watt solo albums, an out-of-print Irma Thomas twofer called Safe With Me/Live at the Kingfish, and Wild, Cool & Swingin’, a Julie London compilation.
My first month was the most active one. I spent $38.50 for 22 CDs. Since then, I’ve averaged a little more than $16 a month. I’ve found that I have to constantly add to the CDs I’m willing to part with as well as the ones I want.There are now 171 CDs on my “want” list. (Doesn’t anyone want to part with Surfin’ in Harlem by Swamp Dogg or The Electric Prunes’ Stockholm 67?)
I’ve only got 22 I want to get rid of, which means I probably ought to start going through my collection with an eye on thinning it out.
There are a few rules. You can choose to receive CDs only with art. If you choose this option, those sending CDs to you are required to send the front booklet. (Most also will send you the back-cover art even though it’s not required.) And you’re not allowed to send promotional CDs, which make up a good chunk of a music critic’s collection.
Some of my Lala plunder consists of obscure albums I reviewed in the early days of this column (the late ’80s and early ’90s) that I originally had on cassette tape.
These include:
*There Goes the Wondertruck by Mary’s Danish. This was a fun little Los Angeles band featuring two female singers; it was “the next big thing” for about 14 seconds back then.
*Preaching and Confessing by Rotondi. They were a kind of polka-rock (accordion and sax) band though not as crazy (or as tight) as Brave Combo or The Polkaholics. My favorite song here is “The Commie Hoedown,” a salute to the fall of communism and the end of the Reagan administration.
*Reading, Writing and Arithmetic by The Sundays. The mellow, haunting, almost-folkish British duo featured a singer named Harriet Wheeler. The Sundays became popular in the early 1990s.
*Zvuki Mu. This was the self-titled album by a Russian band that could only be described as the Soviet Captain Beefheart.
*Loser Illusion Pt. 0 by The Leaving Trains. This was a six-song EP on the influential SST label. Five of the songs are run-of-the-mill punk rock. The standout is the epic conspiracy rocker “Rock ’n’ Roll Murder,” which cleverly mixes elements of Patti Smith’s “Rock ’n’ Roll Nigger” with Richard and Linda Thompson’s “Did She Jump or Was She Pushed.” (Which many recognize as a tribute to the late Sandy Denny.) Karen Carpenter was murdered, the Trains claim, “But she was one of them.” And Peter Tosh was murdered, they say: “He even made it look like a murder to cover up a murder!”
Other obscurities I’ve found on Lala.com:
*Jesus’ Blood Never Failed Me Yet by Gavin Bryars. This is a haunting piece of music that I can’t play frequently. It’s a repetitive work based on a tape loop of a homeless man singing this sweet little hymn, originally recorded for a documentary by a Bryars filmmaker crony. As the hymn plays over and over again, different instruments — string quartet, full orchestra, etc. — come and go. One lengthy track features Tom Waits. At first it seemed maddeningly monotonous, but a few minutes into the music the melody becomes like a mantra and, if you let yourself flow with it, an emotional experience. The little tramp becomes a Stan Laurel/Buddha spirit who will live in your heart.
*The Trip by The Electric Flag. This is the soundtrack for the 1967 Roger Corman hippie-exploitation flick starring Peter Fonda. I was somewhat disappointed with this CD. Somehow this music (by a band that included guitarist Mike Bloomfield and drummer Buddy Miles) didn’t sound nearly as psychedelic as the music I heard on the DVD of The Trip I recently rented from Netflix (and I wasn’t tripping when I watched the movie). Maybe it just sounds better while watching tacky LSD special effects.
*A Tribute to Robert Altman’s Nashville. This was put together by alt-country singer Carolyn Mark and features songs by Neko Case, Kelly Hogan, and others. Some of these tunes, especially Mark’s version of Ronee Blakley’s “Idaho Home,” make me realize that some songs from this movie should have been country hits and Blakley should have been a star.
*Spillane by John Zorn. This is strange and wonderful music by Zorn and friends. The first song is Zorn’s avant-garde take on crime jazz, a 25-minute musical collage. The next two songs feature bluesman Albert King, who plays guitar on both and narrates a weird little story on “Two-Lane Highway: Hico Killer — Long Mile to Houston.” Then there’s “Forbidden Fruit,” a collaboration with the Kronos Quartet.
Thursday, February 15, 2007
ROUNDHOUSE ROUNDUP: MUSIC FOR THE ROUNDHOUSE
A version of this was published in The Santa Fe New Mexican
February 15, 2007
There’s a bill moving through the Legislature — House Bill 406, sponsored by House Republican Whip Dan Foley of Roswell — that would give The University of New Mexico $8 million to broadcast legislative sessions.
It’s not exactly a radical idea. Forty other states have live Web-casting of their legislatures while 27 states televise their legislatures on public television.
But it’ll take more than $8 million to get people to actually watch our lawmakers in action. The Legislature is going to have to be jazzed up a little with good production values. And that includes music.
I propose each issue facing the Legislature should have its own theme music.
Some are obvious. For instance, anytime there’s any bill relating in any way to the proposed spaceport, the proper theme song would be the original television Star Trek theme. And whenever the House or Senate faces a smoking-ban bill and other tobacco legislation, they’d play “Smoke, Smoke, Smoke That Cigarette” by Tex Williams.
A couple of years ago, I wrote an entire column about death-penalty songs. (Steve Earle’s “Ellis Unit One” and Merle Haggard’s “Sing Me Back Home” led that list.) Similarly there’s a plethora of railroad tunes for any bill having to do with the Rail Runner. (“Daddy What’s a Train?” by Utah Phillips would be my nomination.)
Here are some other suggestions:
Cockfighting: “Gallo de Cielo” by Joe Ely (written by Tom Russell). If cockfighting is really so bad, how could such a great song come out of it? This is the ballad of a young Mexican named Carlos Zaragoza who steals a champion fighting rooster and goes to the U.S. seeking his fortune by gambling on that gallo. I’ve heard the song probably 500 times, but I still listen intently as Gallo de Cielo fights his last battle against a black rooster named Zorro.
Defense of Marriage: “The Ceremony” by George Jones & Tammy Wynette. This was a slow, solemn and not intentionally funny number, complete with someone playing a minister conducting a wedding ceremony for George and Tammy as they pledge their eternal one-man/one-woman love. Cynics and wise guys, of course, might point out that both Jones and Wynette were married multiple times.
Minimum Wage: “Minimum Wage” by The BusBoys. This New Wave band was briefly popular in the early ’80s. The song is from the perspective of someone who works for minimum wage.
Film industry bills: “Celluloid Heroes” by The Kinks. This song observes, “Everybody’s a dreamer, everybody’s a star/Everybody’s in show biz, no matter who you are.” And it has some wise advice for would-be stars, which would include politicians: “You who are successful, be always on your guard/Success walks hand and hand with failure/Along Hollywood Boulevard.”
Conference Committees: What else but the late Charlie Rich’s big crossover song, “Behind Closed Doors.”
Of course, individuals could have their own theme music. Sen. Joe Carraro, R-Albuquerque, beat me to the punch earlier this year when he played the Tone Loc classic “Funky Cold Medina” in honor of his fellow Republican, Sen. Steve Komadina of Corrales.
A natural theme for Gov. Bill Richardson would be Jean Knight’s old soul hit “Mr. Big Stuff.” House Speaker Ben Luján, D-Nambé, could be introduced by The Everly Brothers’ “That Silver Haired Daddy of Mine.” Rep. Mimi Stewart, D-Albuquerque, has a ready-made theme song in “Mimi” by French crooner Maurice Chevalier.
Got any more? E-mail me at sterrell@sfnewmexican.com.
The Western candidate: Richardson, in national interviews about his presidential candidacy, has made a point of identifying himself as a Western governor with “Western values.” The West, as he’s noted, is fertile ground for the Democratic Party to grow.
But the latest polls from the New Hampshire-based American Research Group shows that Democrats in Western states have yet to embrace Richardson as a favorite son.
According to the polls released Wednesday, Richardson is doing best in Arizona, where he has the support of 4 percent of Democrats. In Utah, he’s at 1 percent while in Oklahoma, which is sort of like a Western state, he has 2 percent.
Alabama is not a Western state, but Richardson polled at 1 percent there, according to ARG.
Each of the polls were based on telephone interviews with 600 likely voters between Feb. 8 and 13. The margin of error is 4 percent.
So you want to influence the Legislature: A coalition of three advocacy groups Friday will be training citizens on how to deal with the Legislature. The groups are the Family Justice Campaign (a project of the National Association for the Advancement of Colored People that includes several labor and advocacy groups), the New Mexico Human Needs Coordinating Council and Student Social Work Advocates.
Some of the groups will be conducting training sessions at First Christian Church and St. John’s United Methodist Church. There’s a scheduled rally on the east side of the Capitol at 11 p.m. Friday followed by a news conference at 1:30 p.m. For more information, call Julie Roberts at 983-3277.
February 15, 2007
There’s a bill moving through the Legislature — House Bill 406, sponsored by House Republican Whip Dan Foley of Roswell — that would give The University of New Mexico $8 million to broadcast legislative sessions.
It’s not exactly a radical idea. Forty other states have live Web-casting of their legislatures while 27 states televise their legislatures on public television.
But it’ll take more than $8 million to get people to actually watch our lawmakers in action. The Legislature is going to have to be jazzed up a little with good production values. And that includes music.
I propose each issue facing the Legislature should have its own theme music.
Some are obvious. For instance, anytime there’s any bill relating in any way to the proposed spaceport, the proper theme song would be the original television Star Trek theme. And whenever the House or Senate faces a smoking-ban bill and other tobacco legislation, they’d play “Smoke, Smoke, Smoke That Cigarette” by Tex Williams.
A couple of years ago, I wrote an entire column about death-penalty songs. (Steve Earle’s “Ellis Unit One” and Merle Haggard’s “Sing Me Back Home” led that list.) Similarly there’s a plethora of railroad tunes for any bill having to do with the Rail Runner. (“Daddy What’s a Train?” by Utah Phillips would be my nomination.)
Here are some other suggestions:
Cockfighting: “Gallo de Cielo” by Joe Ely (written by Tom Russell). If cockfighting is really so bad, how could such a great song come out of it? This is the ballad of a young Mexican named Carlos Zaragoza who steals a champion fighting rooster and goes to the U.S. seeking his fortune by gambling on that gallo. I’ve heard the song probably 500 times, but I still listen intently as Gallo de Cielo fights his last battle against a black rooster named Zorro.
Defense of Marriage: “The Ceremony” by George Jones & Tammy Wynette. This was a slow, solemn and not intentionally funny number, complete with someone playing a minister conducting a wedding ceremony for George and Tammy as they pledge their eternal one-man/one-woman love. Cynics and wise guys, of course, might point out that both Jones and Wynette were married multiple times.
Minimum Wage: “Minimum Wage” by The BusBoys. This New Wave band was briefly popular in the early ’80s. The song is from the perspective of someone who works for minimum wage.
Film industry bills: “Celluloid Heroes” by The Kinks. This song observes, “Everybody’s a dreamer, everybody’s a star/Everybody’s in show biz, no matter who you are.” And it has some wise advice for would-be stars, which would include politicians: “You who are successful, be always on your guard/Success walks hand and hand with failure/Along Hollywood Boulevard.”
Conference Committees: What else but the late Charlie Rich’s big crossover song, “Behind Closed Doors.”
Of course, individuals could have their own theme music. Sen. Joe Carraro, R-Albuquerque, beat me to the punch earlier this year when he played the Tone Loc classic “Funky Cold Medina” in honor of his fellow Republican, Sen. Steve Komadina of Corrales.
A natural theme for Gov. Bill Richardson would be Jean Knight’s old soul hit “Mr. Big Stuff.” House Speaker Ben Luján, D-Nambé, could be introduced by The Everly Brothers’ “That Silver Haired Daddy of Mine.” Rep. Mimi Stewart, D-Albuquerque, has a ready-made theme song in “Mimi” by French crooner Maurice Chevalier.
Got any more? E-mail me at sterrell@sfnewmexican.com.
The Western candidate: Richardson, in national interviews about his presidential candidacy, has made a point of identifying himself as a Western governor with “Western values.” The West, as he’s noted, is fertile ground for the Democratic Party to grow.
But the latest polls from the New Hampshire-based American Research Group shows that Democrats in Western states have yet to embrace Richardson as a favorite son.
According to the polls released Wednesday, Richardson is doing best in Arizona, where he has the support of 4 percent of Democrats. In Utah, he’s at 1 percent while in Oklahoma, which is sort of like a Western state, he has 2 percent.
Alabama is not a Western state, but Richardson polled at 1 percent there, according to ARG.
Each of the polls were based on telephone interviews with 600 likely voters between Feb. 8 and 13. The margin of error is 4 percent.
So you want to influence the Legislature: A coalition of three advocacy groups Friday will be training citizens on how to deal with the Legislature. The groups are the Family Justice Campaign (a project of the National Association for the Advancement of Colored People that includes several labor and advocacy groups), the New Mexico Human Needs Coordinating Council and Student Social Work Advocates.
Some of the groups will be conducting training sessions at First Christian Church and St. John’s United Methodist Church. There’s a scheduled rally on the east side of the Capitol at 11 p.m. Friday followed by a news conference at 1:30 p.m. For more information, call Julie Roberts at 983-3277.
Monday, February 12, 2007
TERRELL'S SOUND WORLD PLAYLIST
Sunday, February 11, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Sheila Na-Gig by P.J. Harvey
Go to Hell on Judgement Day by The Immortal Lee County Killers
Artschool Girl by King Automatic
Drug Train by The Cramps
Riot Van by The Arctic Monkeys
Lucky Few by Los Infernos
Valentine by Concrete Blonde
Red Riding Hood & The Wolf by Bunker Hill with Link Wray
Private Detectice by Gene Vincent
Waves of Fear by Lou Reed
The Place Where People Meet by Kustomized
Spread Your Love by Black Rebel Motorcycle Club
The Slim by Sugar
Flames Up by Thinking Fellers Union Local 282
Sweet Spots by The Fiery Furnaces
Monster Rock by The Monsters
That's Life by Frank Sinatra
Spillane by John Zorn
In My Homeland, the Great Shuilar by Tyva Kyzy
The Good Egg by Carl Stalling
Love and Hesitation by Otis Taylor
Bring it On Home by Chris Whitley & The Bastard Club
Beautiful Child by Camper Van Beethoven
New Skin by Celebration
Loving You by Elvis Presley
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Sheila Na-Gig by P.J. Harvey
Go to Hell on Judgement Day by The Immortal Lee County Killers
Artschool Girl by King Automatic
Drug Train by The Cramps
Riot Van by The Arctic Monkeys
Lucky Few by Los Infernos
Valentine by Concrete Blonde
Red Riding Hood & The Wolf by Bunker Hill with Link Wray
Private Detectice by Gene Vincent
Waves of Fear by Lou Reed
The Place Where People Meet by Kustomized
Spread Your Love by Black Rebel Motorcycle Club
The Slim by Sugar
Flames Up by Thinking Fellers Union Local 282
Sweet Spots by The Fiery Furnaces
Monster Rock by The Monsters
That's Life by Frank Sinatra
Spillane by John Zorn
In My Homeland, the Great Shuilar by Tyva Kyzy
The Good Egg by Carl Stalling
Love and Hesitation by Otis Taylor
Bring it On Home by Chris Whitley & The Bastard Club
Beautiful Child by Camper Van Beethoven
New Skin by Celebration
Loving You by Elvis Presley
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Saturday, February 10, 2007
THE SANTA FE OPRY PLAYLIST
Friday, February 9, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Act Naturally by The Beatles
Muswell Hillbilly by Southern Culture on the Skids
Evening Gown by Jerry Lee Lewis with Mick Jagger & Ronnie Wood
The Kids are Allright by Joe Goldmark
Best Friends of Mine by Waylon Jennings
Blues Plus Booze (Means I Lose) by Randy Kohrs
Delilah by Jon Langford & Sally Timms
Detective Song by Brent Hoodenpyle & The Loners
The Memory of Your Smile by Ralph Stanley & Maria Muldaur
I Ain't Gonna Marry by The Jim Kweskin Jug Band
Moonshiner by Uncle Tupelo
Sugar Coated Love by The Watzloves
Rock Billy Boogy by Johnny Burnette
Tear it Up by 1/4 Mile Combo
Green Green Grass of Home by Kelly Hogan
ELENI MANDELL SET
Moonglow, Lamp Low
American Boy
Don't Touch Me
Dear Friend
I'm Your Girl
Too Bad About You
Miracle of Five
Backstreet Affair by Van Morrison
Smoke Smoke Smoke by Doc & Merle Watson
Someday We'll Back by Merle Haggard
When Did You Stop Lovin' Me by George Jones
It Makes No Difference by My Morning Jacket
I Believe in You by Don Williams
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Act Naturally by The Beatles
Muswell Hillbilly by Southern Culture on the Skids
Evening Gown by Jerry Lee Lewis with Mick Jagger & Ronnie Wood
The Kids are Allright by Joe Goldmark
Best Friends of Mine by Waylon Jennings
Blues Plus Booze (Means I Lose) by Randy Kohrs
Delilah by Jon Langford & Sally Timms
Detective Song by Brent Hoodenpyle & The Loners
The Memory of Your Smile by Ralph Stanley & Maria Muldaur
I Ain't Gonna Marry by The Jim Kweskin Jug Band
Moonshiner by Uncle Tupelo
Sugar Coated Love by The Watzloves
Rock Billy Boogy by Johnny Burnette
Tear it Up by 1/4 Mile Combo
Green Green Grass of Home by Kelly Hogan
ELENI MANDELL SET
Moonglow, Lamp Low
American Boy
Don't Touch Me
Dear Friend
I'm Your Girl
Too Bad About You
Miracle of Five
Backstreet Affair by Van Morrison
Smoke Smoke Smoke by Doc & Merle Watson
Someday We'll Back by Merle Haggard
When Did You Stop Lovin' Me by George Jones
It Makes No Difference by My Morning Jacket
I Believe in You by Don Williams
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
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TERRELL'S SOUND WORLD PLAYLIST
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