UNIONS TO DISPUTE WIVIOTT AD

Several labor unions backing Ben Ray Luján for Congress are holding a news conference Tuesday to "set the record straight on Don Wiviott's misleading attacks on Ben Ray Luján."

An e-mailed news release doesn't give much of a hint as to what will be said at the news conference. It mainly says nice things about their candidate such as he's "has always stood up for the people of New Mexico with bold, progressive ideas and values. In Congress, he'll continue to put working families first."

Wiviott's ad blasts Luján for working as blackjack dealer in Nevada then getting a $90,000 state job the ad credits to Luján's "famous father" House Speaker Ben Luján. It also charges that the younger Luján missed 13 of 14 meetings of the "Healthcare Commission" -- actually something called the "Telehealth Commission," which is a board appointed by the governor.

The ad, which began running on TV on Saturday, does not appear on Wiviott's Web site for reasons I can;t figure out. The only known copy on the Web is on Heath Haussamen's blog and he's selfishly not sharing it. You'll have to CLICK HERE to see it.

Check Kate Nash's story in Tuesday's New Mexican.

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Speaking of the CD 3 Congressional race, our profiles of Harry Montoya, Jon Adams and Rudy Martin ran today.

Profiles of the Republican CD 3 candidates Marco Gonzales and Dan East are running Tuesday.

All these can be found on The New Mexican's Elections section.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 18, 2008
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Chicken Slacks by RIAA (Sam Cooke vs. Ray Stevens)
Hand on the Hot Wire by Key Francis
Killer Wolf by The Jon Spencer Blues Explosion
Ain't That Just Like Me by The Astronauts
Who Buy The Guns by Joe "King" Carrasco y las Coronas
Don't Hold It Against Me by ? & The Mysterians
Oblivion by Mudhoney
Jibba Jab by Tic & Toc

Sixteen Tons by Stan Ridgway
As Long as I Have You by The Detroit Cobras
Wild Baby Wow by Lightning Beat-Man
Pachuco Cadaver by Captain Beefheart
Thunder Thighs by Andres Williams with the Diplomats of Solid Sound
Rock 'n' Roll Murder by The Leaving Trains
Chick Habit by April March
Stoned by The Rolling Stones

Is There Anybody Out There? (Bob's Nightmare) by Simon Stokes
Lucky Lucky Luck by Evangelista
Evil Alligator Man by Jad Fair
Talk to the Animals by Bobby Brodsky
Mr. Slater's Parrot by The Bonzo Dog Band
Zombie Dance by The Cramps

Ohio/Machine Gun by The Isley Brothers
Mission District by The Black Angels
Banghra Brothers by Firewater
La Faim de Haricots by Les Negresses Vertes
Cliquot by Beirut
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

CD 3 PROFILES

The New Mexican's profiles of candidates for Congressional District 3 begin running today.

My story about the race as a whole is HERE.

An issues questionannaire, consisting of 10 Yes-or-No questions is HERE.

My profile on Don Wiviott is HERE.

Kate Nash's profile of Ben Ray Luján is HERE.

Her profile of Benny Shendo, Jr. is HERE

The other Democratic candidates. Harry Montoya, Jon Adams and Rudy Martin will run Monday. The Republican candidates, Marco Gonzales and Dan East will run Tuesday.

Happy reading.

THE SANTA FE OPRY PLAYLIST

Friday, May 16, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Feelin' Good by Levon Helm
Les Secrets D'Evangeline by Mama Rosin
Cajun Joe (The Bully 0f the Bayou) by Doug & Rusty Kershaw
Bully of the Town by Joe Maphis
The Gallows by Possessed by Paul James
Ten Million Slaves by Otis Taylor
Fishing Blues by Taj Mahall
Don't Go Cutting on My Cattle by Bone Orchard

Train of Life by Laura Cantrell
Bayou Tortous by James McMurtry
Time Heals by The Gear Daddies
Hillbilly Blues by Ronnie Dawson
Wolfman's Romp by The Juke Joint Pimps
How Can I Miss You When You Won't Go Away? by Dan Hicks & The Hot Licks
The Curley Shuffle by Jump 'N the Saddle
He's Got the Whole World in His Hands by Brother Williams' Memphis Sanctified Singers

COAL MINING SET
Lawrence Jones by Kathy Mattea
Last Train to Poor Valley by Norman Blake
16 Tons by Tennessee Ernie Ford
Dark as a Dungeon by Merle Travis with The Nitty Gritty Dirt Band
Working in the Coal Mine by Devo
Dreams of a Miner's Child by The Stanley Brothers
Coal Miner's Daughter by Loretta Lynn
Paradise by John Prine
Big Bad John by Jimmy Dean
Que Creek by Buddy Miller
Timothy by The Buoys

The Last Word in Lonesome is Me by Roger Miller
Carbon-Dated Love by I See Hawks in L.A.
Former American Soldier by Chip Taylor
Buffalo Skinners by Woody Guthrie
Hank Williams' Ghost by Darrell Scott
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots
Radio list

TERRELL'S TUNE-UP: IN THE MINES, IN THE MINES WHERE THE SUN NEVER SHINES

A version of this was published in The Santa Fe New Mexican
May 15, 2008


Back in the 1980s and ’90s, Kathy Mattea was one of Nashville’s dependable country/pop hit makers. Her voice was soulful, and she’d often allow folk and bluegrass elements in her music, though she never strayed too far from the Nashville formula.

But like many female singers in modern corporate country — think Patty Loveless, Pam Tillis, Trisha Yearwood — Mattea at some point fell out of favor with the evil druids of 16th Avenue who control the Country Music Industrial Complex. It would be a nasty accusation to say that Nashville would callously dump a singer because of age (Mattea turns 50 next year), but that’s how things seem to work out now, isn’t it?

The good news is that Mattea still has that soulful voice, and, being free of commercial pressure, she’s at liberty to follow her creativity. And she’s done that quite capably with her new album, Coal. The bad news is that the album won’t get the airplay and won’t make the money it deserves.

Mattea is a native of West Virginia and the granddaughter of coal miners (on both sides of her family). She was moved by the tragedy of the 2006 Sago Mine disaster in her home state, in which 12 men were killed. So she took a batch of fine songs about the mining life by the likes of Jean Ritchie, Hazel Dickens (outright radicals you’d never hear on conservative Hot New Country radio!), Merle Travis, and others; grabbed Marty Stuart to produce and play on it; and made one powerful little bluegrass-soaked concept album.

Mattea sings about the extremely backbreaking work that is coal mining. She sings about a profession where danger is double and pleasures are few. Then there are the health hazards, which Mattea addresses in her a cappella version of Dickens’ wrenching “Black Lung,” which closes the album.

Mattea also tells of the economic hardships when the mines shut down. Ritchie’s “Blue Diamond Mines” recounts the story of one such impacted community: “Now the union is dead and they shake their heads/Well, mining has had its day/But they’re stripping off my mountaintop/And they pay me eight dollars a day.” The song even name checks “John L.” — Lewis, that is — president of the United Mine Workers of America from 1920 to 1960. With Stuart on mandolin and Loveless on vocal harmonies, the song is a bittersweet treat.

Even harder-hitting is “Lawrence Jones,” which was written by Si Kahn, a folk singer, political organizer, and son of a rabbi man. This is a song about a bloody 13-month strike in Harlan County, Kentucky, that began in 1973. According to a 2006 article in The Nation, "The miners went out on strike, and an escalating fight ensued between gun thugs hired by Duke Power and the men and women on the picket line. Finally, a Duke Power employee shot miner Lawrence Jones in the face one night and Jones died at the hospital.”

“There’s blood upon the contract like vinegar in wine/And there’s one man dead on that Harlan Country line,” Mattea sings.

Musically, the album drags a bit on slow, mournful songs like “Red-Winged Blackbird” and “Coming of the Roads” (both written by Billy Edd Wheeler.) And I’ve heard better versions of “Dark as a Dungeon.” Otherwise, Coal is a diamond.

Bonus! Mining for coal songs — my personal favorites:

1. “Dark as a Dungeon” by Merle Travis with The Nitty Gritty Dirt Band. Though lots of people have recorded this Travis tune, his version on Will the Circle Be Unbroken? is my favorite. Honorable mention: Johnny Cash’s cover of the song on his live At Folsom Prison album.

2. “Sixteen Tons” by Tennessee Ernie Ford. Working in a coal mine doesn’t pay well, but it apparently gives you license to kill those who refuse to step aside when they see you comin’. Tennessee Ernie’s is the coolest version of this classic Travis song, but I also like Stan Ridgway’s oddball arrangement.

3. “Quecreek” by Buddy Miller. Like Gordon Lightfoot’s “Wreck of the Edmund Fitzgerald,” this song was ripped from the headlines. On the day Buddy was finishing his Midnight and Lonesome album in 2002, nine Pennsylvania coal miners who had been trapped for three days were rescued. Buddy’s wife, Julie Miller, wrote this song, which appears at the end of the album.

4. “Last Train From Poor Valley” by Norman Blake. The mines shut down, a marriage fails, and brown-haired Becky is Richmond-bound.

5. “Working in a Coal Mine” by Lee Dorsey. This funky 1966 tune by New Orleans soul man Dorsey made mining sound cool and funky. But just like Rose Royce’s song about working at a car wash 10 years later, the record was better than the reality. Devo covered Dorsey’s song, too, but can you imagine anyone being allowed to work in a mine wearing those silly Devo hats?

6. “Coal Miner’s Daughter” by Loretta Lynn. Coal mining can’t be that bad if it spawned Loretta.

7. “Dream of a Miner’s Child” by The Stanley Brothers. The plot of this traditional tune is simple: A little girl has a nightmare about a mining disaster and begs her dad not to go to work, but he ignores her. Guess what happens.

8. “Paradise” by John Prine. The tale of Mr. Peabody’s coal mine in Muhlenberg County and the greatest strip-mining protest song ever written.

9. “Big Bad John” by Jimmy Dean. Big John was the type of miner “Sixteen Tons” was written about: “Everybody knew you didn’t give no lip to Big John,” Jimmy drawls. Even though he’d killed a guy from Louisiana in a fight over a “Cajun queen,” John’s superhuman heroism in a cave-in redeems him. This is one of the greatest faux-folk songs from the era (late ’50s and early ’60s) that produced “The Battle of New Orleans,” “El Paso,” “Saginaw, Michigan,” “Long Black Veil,” and others.

10. “Timothy” by The Buoys. Just because you’re in a mining disaster doesn’t mean you have to start skipping meals.

Radio: You know dang well you’re going to hear a lot of these songs tonight (Friday) on the Santa Fe Opry, 10 p.m. on KSFR-FM 101.1.