Monday, June 09, 2008

RICHARDSON BRINGS KILLER ROBOTS TO NM


Apparently they'll be in Alamagordo, where they could do millions of dollars in improvements.

ALAMOGORDO -- Governor Bill Richardson today announced DreamWorks Pictures, Paramount Pictures and director Michael Bay will return to New Mexico to film major sequences for Transformers: Revenge of the Fallen. The next installment of the box office hit Transformers is expected to hit theaters next summer.

“Transformers was a huge success and I am pleased that Dream Works, Paramount Pictures and Michael Bay have decided to return to New Mexico to film the second installment,” said Governor Richardson.

The first film, starring Shia LaBeouf, Tyrese Gibson, Josh Duhamel, Megan Fox and John Turturro, grossed more than $700 million worldwide.

The current production has been prepping in Alamogordo since April and expects to begin filming in the fall.

Sunday, June 08, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 8, 2008
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
IN MEMORY OF BO DIDDLEY
(All songs by Bo, except where noted)

Bo Diddley
Diddley Daddy by The Super Super Blues Band
Pretty Thing by The Pretty Things
Cookie-Headed Diddley
Before You Accuse Me
Story of Bo Diddley by The Animals
Pills by The New York Dolls

Sixteen Tons
Bo Diddley's a Gunslinger by Warren Zevon
Bo Diddley's a Headhunter by Roky Erikson
Signifying Blues (Bo Diddley with Jerome Green)

Crackin' Up by King Khan & The Shrines
Cadillac by Van Morrison & Linda Gail Lewis
Bo Diddley Put the Rock in Rock 'n' Roll
Who Do You Love by Ronnie Hawkins & The Band
You Can't Judge a Book by Its Cover
For another cool Bo Diddley tribute check out the latest RadiOblivion podcast

Moonland by Nick Cave & The Bad Seeds
Smooth Jazz by Evangelista
Say it Loud (I'm Black and Proud) by James Brown
I Just Dropped In to See What Condition My Condition Was In by Sharon Jones & The Dap-Kings
Waddlin' Around by The King Khan & BBQ Show
Surf Rider by The Lively Ones
Yumma by The Fuzzy Set
Midnight Blues by The Detroit Cobras
Sex and Dying in High Society by X
We Repel Each Other by The Reigning Sound

I Fought the Law by Bobby Fuller Four
Johnny Appleseed by Joe Strummer & The Mescaleros
Pier 51 by CARBON/SILICONE
O Leaozinho by Caetano Veloso
Nantes by Beirut
Seems so Long by Stevie Wonder
You Can Never Hold Back the Spring by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

THE SANTA FE OPRY PLAYLIST

Laurell subbed for me Friday so I could see X and The Detroit Cobras. Here's her playlist.

Friday, June 6, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Substitute Host: Laurell Reynolds


Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Solar Broken Home-Steve Terrell
Wasted Days & Wasted Nights-Freddy Fender
This Ol Cowboy-Marshall Tucker Band
Molasses In the Moonlight-Jack Blanchard & Misty Morgan
Michael Hurley-I'm Getting Ready To Go/Oh My Stars

Fishing Blues-The Holy Modal Rounders
Wake & Bake-The Assylum Street Spankers
The Protest Song-Neil Innes
Hippy Boy-The Flying Burrito Brothers
Okie From Muskogee-Merle Haggard

Fountain Of Love-Frank Zappa
El Paso-Marty Robbins
A Profound and Beautiful Sadness-Derrol Adams
Other Side to This Life-Fred Neil
Emmylou Harris-Everybody's Talkin At Me

Neil Young-Wayward Wind /Love In Mind (live at Massey Hall 1971)
Johhny Cash-You Wild Colorado
Gordon Lightfoot-Beautiful
Juanita-Rosalee Sorrells

Blue Canadian Rockies-The Byrds
Blue Eyes Cryin In the Rain-Willie Nelson
One Paper Kid-Emmylou Harris & Willie Nelson
Moment of Forever-Willie Nelson

Make You Feel My Love-Bob Dylan
Non Dirle Che Non E Cosi (If You See Her Say Hello)-Francesco de Gregori
Red River Valley-Don Edwards

Defying Gravity-Jesse Winchester
John Hartford-Tater Tate and Allen Mundy
Joe West-The Human Cannonball
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots
Radio list

Saturday, June 07, 2008

eMUSIC JUNE

* I've Got to Know by Utah Phillips. I downloaded this one just a couple of days after Phillips died in late May. I stumbled across this album on eMusic was searching for some good songs to play on my tribute to Phillips on The Santa Fe Opry.

This is a 1991 album, recorded during he first Gulf War when Korean war vet/pacifist Phillips was pretty pissed off at the U.S. government. As always, Utah tells the story best (from his Web site):

"During the Gulf War, I got plenty good and mad. I parked my car and wouldn't drive it because I said it wouldn't run on blood. Then, with the help of Dakota Sid Clifford, I went into a small but very fine studio here in Nevada City. I said to Bruce Wheelock, the engineer, `Set up two mikes and start the tape. I'll tell you when I'm done.' For the next seventy minutes I spouted, fulminated, and sang about war, peace, pacifism, and anarchy. I used songs, poems, and rants to make the point, and said, `Okay, turn off the machine.' Bruce said, `Don't you want me to edit it?' I said, `No! I'm mad! Leave it the way it is!'

King Khan & BBQ
*
The King Khan & BBQ Show I was so happy that an American label (Vice Records) was releasing a King Khan & The Shrines best-of The Supreme Genius of King Khan & The Shrines) that I decided to download the album from Khan''s other band that I didn't have. (The one I do have is What's For Dinner?, which I got from eMusic a few months ago.)

The two-man King Khan & BBQ Show is a minimalist project for Khan, as the Shrines is a 9-piece soul outfit with a horn section. However, it's a fuller sound for BBQ (aka Mark Sultan), who normally plays as a one-man band.

This band, however isn't your normal high-throttle blues-bomb duo like The Black Keys, The Bassholes, etc. Sure there's some of that , though these guys usually swerve more to a garage-band sound. You hear aural references to both "Psychotic Reaction" and The Syndicate of Sound's "Little Girl" in "Lil' Girl In The Woods." But what really sets them apart is their wonderful do-wop sensibility that permeates several tunes here. This magic is evident on the first track "Waddlin' Around." Plus, you can even hear a little Righteous Brothers call-and-response in "Bimbo's Theme."


* Recapturing the Banjo by Otis Taylor. Otis gets together with a small army of his fellow contemporary blues warriors -- Alvin Youngblood Hart, Corey Harris, Guy Davis, Keb Mo' -- and jazz banjo man Don Vappie for a banjo-driven feast of sound. These guys want to reclaim the banjo as an African, and African-American instrument. There's old songs, new songs, and fresh takes on some of Otis' greatest hits.

For my complete review in Terrell's Tune-Up, CLICK HERE.

*
Flammend' Herz by The Dead Brothers . This instrumental album is a soundtrack by Voodoo Rhythm Records' Swiss "funeral orchestra" for a documentary by Andrea Schuler and Olifr Rutz about Germany's oldest tattoo parlour. The cuts tend to be short (only one tune here being over three minutes), establishing an atmosphere for just a moment, then moving on to the next one. You'll hear traces of gypsy jazz, banjo, accordion, tuba and even some spooky slide whistle on "Geistzug." The Brothers rock out on the first half "Road Worker Blues" (before it turns into a piano meditation) and Sicilian folk music on "Mai Lo Cantado Il Blues." And there's a way-too-short take on one of my favorite Leon Redbone tunes "Lulu's Back in Town." Some interesting stuff, but don't get this before you hear The Dead Brothers' most recent record Wunderkammer, which I reviewed a couple of years ago and also is available on eMusic.

* 10 tracks from The Pretty Things by The Pretty Things. After hearing a snippet of the song "Pretty Thing" by The Pretty Things on the latest Sonic Nightmares podcast, I decided I needed to play that on my Bo Diddley tribute on Terrell's Sound World. So I spent my last 10 tracks of the month on 10 of the 17 tracks available on this 1965 album. Asumedly for some legal copyright reason the song "13 Chester Street" isn't available on eMusic. So I took my points from Pepsi bottle caps and got this stray download from Amazon. So imagine my disappointment when I found out the damned Amazon Mp3 is damaged. Makes weird popping nosies. I want my Pepsi back!

X and DETROIT COBRAS at SANTA FE BREWING CO.

JOHN DOE & EXENE

Yikes, what a show!

As faithful blog/Tune-up readers know, I just saw X three months ago at South by South West, and I considered that show one of the best of the festival. I normally don't go see bands that I've seen that recently, but, hell, X is X. Besides, I really wanted to see The Detroit Cobras.

And I'm glad I did.

I had a feeling it was going to be a fun night early in the afternoon when I went to the Brewing Company to buy my ticket (no kiddies, I don't get into concerts for free all the time. Paying for music is good for the economy, good for America and good for the soul.) Sitting at an outside table was none other than the members of X eating lunch. They were a friendly bunch. We talked a little about the Austin show, which they said was fun.

Between those two X shows, I have to say that the band sounded better in Austin, mainly because the vocals were mixed far better than in Santa Fe. Last night it was hard to hear the singing over the roar of the instruments.
Billy Zoom & Exene
But the Santa Fe show was more fun than the SXSW show, which was a live television performance (Direct TV). The local crowd last night was far rowdier and the band picked up on the energy. While in Austin their songs were clear, concise and tight, in Santa Fe they went a little crazy and stretched out at times, keeping those fires stoked.

It was a middle-aged mosh pit. It was the first one in several years for me, and, large as I am, I was being bounced around like a pinball. Yes, it was annoying at first (mainly because several potentially good photos were ruined when someone would come flying into me) , and yes, it did get old after a while. But in the middle, it was exhilarating.
RACHEL MEDITATES
As for the Detroit Cobras, they were good too.

The Cobras are a guitar-based self-described "covers band" that specializes in old R&B and soul tunes with a little rockabilly thrown in. Most of their material is obscure enough it might as well be their own. Singer Rachel Nagey has a husky sexy voice.

They got off to a rather slow start. It was still daylight, which Rachel said was strange for them. These flatlanders also complained about the altitude and lack of oxygen.
DETROIT COBRAS JOIN X
But once they got going and the audience warmed up, the magic started working. By the time they did "Shout Bama Lama" (an old Otis Redding tune) the place was on fire. I hope the altitude doesn't keep them away from Santa Fe in the future.

A couple of times during X's set, the Cobras took the stage as background singers/dancers. There seemed to be a good comradery between the two bands -- something you don't always see between headliners and opening acts.

Check out my photos of the concert. You can see X HERE and The Detroit Cobras HERE.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 13, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Em...