R.I.P. GEORGE CARLIN

TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 22, 2008
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
America the Beautiful by The Dictators
The Kingdom of My Mind by The Blood-Drained Cows
Bumble Bee Zombie by Roky Erikson
Bumble Bee by The Casual Dots
Sonic Reducer by The Dead Boys
Libertines in My Scene by The Dirty Novels
Summertime by Ricky Nelson
Death Wears an Overcoat by Bichos
Jolie's Nightmare by Chuck E. Weiss
Rock-a-Bye Your Baby With a Dixie Melody by Al Jolson

You Are My Sunshine by Spider & The Crabs
On the Outside Lookin' In by The Upside Dawne
Shake & Fingerpop by Tide
Crawfish Song by The Astronauts
Love Man by Otis Redding
Quiero Ser Como Wau y Los Arrrghs!!! by The Hollywood Sinners
Rey Los Tablistas by Wau y Los Arrrghs!!!
I'm Happy Too by Hubb Capp & The Wheels

Rock 'n' Soul Music by Country Joe & The Fish
Land of the Freak by King Khan & The Shrines
If You Leave Me by Andre Williams & The New Orleans Hellhounds
Everlovin' Man by The Dirtbombs
Cream by Prince
Premadawnut by Fishbone
Am I the One by The King Khan & BBQ Show

Whittier Boulevard by Los Straitjackets
Mega Bottle Ride by Joe Strummer & The Mescaleros
Yo Frankie (She's Allright With Me) by Dion
Heartbeat of Time by Scott Kempner
Who Will Lead Us by The Gutter Twins
Jesus of the Moon by Nick Cave & The Bad Seeds
Ramona by NRBQ
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

UDALL vs. PEARCE ON ENERGY

My story in today's New Mexican on the differing views on energy policy of Senate candidates Tom Udall and Steve Pearce can be found HERE. The sidebar on key energy votes can be found HERE.

This morning the Pearce camp "demanded" a debate on energy policy with Udall.

"Pearce called for the two camps to begin immediate talks to determine the location and format for the debate," the news release said.

I can't imagine Udall not agreeing to debate with Pearce before the gerneral election, but at the moment when polls show him up by 25 percentage points, I'm betting he's not in a rush.

THE SANTA FE OPRY PLAYLIST

Friday, June, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Bears in Them Woods by Nancy Apple
It'd Be Sad If It Wasn't So Funny by Lonesome Bob
Poor Little John by Roger Miller
Deisel Smoke, Dangerous Curves by Doye O'Dell
Roll Truck Roll by Laura Cantrell
Rolling Stone by Neko Case
Poisonville by Ronny Elliot
Creole Stomp (Happytown) by Steve Riley & The Mamou Playboys
Dancing Shoes by Mama Rosin

The Birth of Rock 'n' Roll by Carl Perkins
How's My Ex Treating You by Jerry Lee Lewis
Walk on Out of My Mind by Waylon Jennings
Rebel Rouser by Jim Stringer
My Eyes by Tony Gilyson
Billy 1 by Los Lobos
Senor (Tales of Yankee Power) by Willie Nelson & Calexico

Lawrence Jones by Kathy Matea
Are They Going to Make Us Outlaws Again by Hazel Dickens
Waiting For The Demons to Die by Boris & Saltlicks
The Girl on the Side by The Boxmasters
Wildwood Flower by Cedar Hill Refugees
Checkout Time in Vegas by The Drive-By Truckers
The Seeds of My Destruction by Cornell Hurd

I'll Give You Needles by Scott Kempner
Whatever Happened to Cheetah Chrome by Tommy Womack
Lonely Town by Julien Aklei
Gun Blue by Goshen
Tower of Song by Martha Wainwright
Invitation by Richard Buckner
A Whorehouse is Any House by Bonnie Prince Billy
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: SUPERGENIUS SOUL

A version of this was published in The Santa Fe New Mexican
June 20, 2008

Back in 1968, Country Joe & The Fish envisioned the concept of “rock ’n’ soul” music with an exhilarating, if tongue-in-cheek song by that name.

“Now this ain’t soul music, mind you, this is rock music. But it’s got soul to it, if you can dig that. And now the band would like to play a new riff they just learned, we call a sockin’-it-to-you.”

Forty years later that sockin’-it-to-you spirit is embodied by a Canadian guitar picker of East Indian heritage who lives in Germany — ladies and gentlemen, the mighty King Khan. As Country Joe might say, his love is like a rainbow.

Since the turn of the century, Khan has been ripping up European audiences. He released a couple of CDs with buddy Mark Sultan as The King Khan & BBQ Show, a hard-charging blues/garage duo distinguished by its love of doo-wop harmonies.

But even more impressive is Khan’s work with The Shrines, a nine-, 10-, or 11-piece (depending on which account you read) full-fledged psychedelic soul band, complete with horn section. At one point, the group included a Japanese go-go dancer named Bamboorella who, according to an early press release, “traded a life of crime, sex, and drugs for a life of rock ’n’ roll, sex, and drugs. With her salacious dances she enthuses both men and women alike.”

Khan’s is an amazing sound. But even more amazing is that until June 17, the young king hadn’t been available on any American record label.

Vice Records, the same independent label that’s home to The Black Lips, just released The Supreme Genius of King Khan & The Shrines, a best-of compilation complete with a Bollywood-style album cover and liner notes from The Black Lips’ Jared Swilley. The album features tracks from the band’s three albums — Three Hairs and You’re Mine, Mr. Supernatural, and What Is?! — plus various singles and EPs.

While you can often detect punk and garage rock influences in Khan’s grooves, and the pace of some tunes like “Land of the Freak” is closer to speed metal than to soul, Khan and the band clearly respect the traditions of soul. This is no silly parody. It’s a legitimate update of the genre.
Among my favorite tracks is “Took My Lady to Dinner,” a tune that might owe its hooks to the Beatles’ “Drive My Car.” The narrator in the song sits in horror as his girlfriend orders “15 pounds of ribs, deep fried with some burgers on the side” not to mention the ice cream for dessert. In the refrain, Khan sings, “She’s fat, she’s ugly, I really really love her.”

“Welfare Bread” has a sweet, Southern melody, though the arrangement reminds me a little of Springsteen’s “Tenth Avenue Freeze Out.” There’s even a little “Born to Run”-style glockenspiel. It’s a poor man’s love song. “You don’t have to pay your bills anymore, now/You just have to eat my welfare bread.”

Whoever compiled this album had no way of knowing that Bo Diddley would die just a few weeks before the release. So I guess it’s just righteous synchronicity that Diddley’s “Crackin’ Up” is the only cover song on Supreme Genius. Khan does it justice with his tremolo guitar and ragged vocals.

The real showstopper, though, is “Shivers Down My Spine,” a dark, bluesy, minor-key song in which Khan sounds like he’s at the end of his rope and in some kind of vampiristic relationship (”She bites me square on my neck/I say, ‘Baby, what the heck?’”) The tune features a cool, spooky organ solo by Freddy “Mr. Ovitch” Rococo (aka Fredovitch).

I’m hoping this is just the first shot fired in the King Khan & The Shrines invasion of America and that Vice releases an album of new material in the near future. Because, like Country Joe might say, “Everywhere I go, you know that it’s always understood/Rock and soul music is doggone good.”

More super sounds of soul
* Daptone 7-Inch Singles Collection, Vol. 2 by various artists. I’ve been yakking about the latest great soul revival for a couple of years now. The one record company most responsible for this delightful phenomenon is Daptone, a New York label that has been cranking out the soul for several years.

The collection features several tunes by Daptone’s two greatest stars — Sharon Jones, the corrections-officer-turned-songbird who is fast becoming the 21st-century Aretha Franklin; and Lee Fields, who’s loud and proud about his musical debt to James Brown but is a dynamic performer in his own right.

There are other acts here too, like shouter Charles Bradley, The Mighty Imperials, the Dap-Kings (who regularly back Jones and also recorded with Amy Winehouse), and Antibalas, here under its original name, Antibalas Afrobeat Orchestra. The band’s appearance almost makes up for the absence of The Budos Band, one my favorite Daptone groups, which, like Antibalas, explores the relationship between African music and American funk.

Fields shines here with the slow Stax/Volt-sounding “Could Have Been.” Shouting over a gutbucket guitar, sweet organ, and sax-led horn section, Fields sounds like Howard Tate in his prime.

The song that really stands out on this collection is Jones’ version of “I Just Dropped In (To See What Condition My Condition Was In).” Yes, that weird psychedelic pop gem that served to introduce the world to Kenny Rogers (with The First Edition), circa 1967.

The lyrics (by a young and apparently stoned Mickey Newbury) are gibberish (“I woke up this morning with the sundown pouring in/I found my mind in a brown paper bag within,” and so forth) But Jones sings it with gospel-fired intensity, and those Dap horns respond in kind.

Sorry, CD lovers, this album is only available as a download. You can find it on iTunes, Amazon or eMusic.