Thursday, October 23, 2008

ROUNDHOUSE ROUNDUP: HOW TO IMPROVE THE DEBATES

A version of this was published in The Santa Fe New Mexican
Octobber 23, 2008


Is anyone out there not sick of candidate debates yet?

In recent weeks, we’ve seen three presidential, one vice presidential, two U.S. Senate, and I’m not sure how many Congressional debates.

Last week, we even had a double-header — the last Barack Obama/John McCain debate followed minutes later by the first Tom Udall/Steve Pearce debate.

As always, there have been a variety of formats and a plethora of rules. Frequently you see the candidates questioned by a panel of journalists, sometimes just a lone moderator.

Often there are questions from audience members (or e-mailed questions from television viewers). Sometimes the candidates have their own podiums or stools or they have to sit together at the same table.

Some formats discourage interaction between candidates. I remember a 2006 state land commissioner debate between Pat Lyons and Jim Baca in which both seemed eager to challenge each other. It could have been an interesting night, but the candidates kept getting interrupted by a moderator who insisted on sticking with the boring rules and kept going on to the next question instead of allowing Lyons and Baca to go at it.

Then there was the state Public Regulation Commission forum sponsored by business organizations this week in which the candidates got the questions in advance and read from scripts. Nobody better complain about “gotcha” questions there.

Here’s a few things I’d do if I ran the debates:

* First, I’d have a single moderator. It would have to be someone knowledgeable on the issues. And most important, it would have to be someone with enough guts to interrupt and say, “Please answer the question,” to any candidate who started giving a stump speech instead of sticking to the topic at hand.

* The first part of the debate would be a town-hall format with questions from unaffiliated voters. But, unlike the recent presidential town-hall forum in Nashville, Tenn., the questions would not be pre-screened and pre-approved by anyone. Trust the people! Sure, you’ll get some pointed questions, maybe even a few rude ones. You might even get a stray nut ball now and then. But seeing how the candidates handle those unpredictable questions would tell us far more than their canned answers to canned questions.

* The second part would be the candidates questioning one another. These segments hands down have been the most interesting part of the debates between Udall and Pearce. Udall made Pearce praise George Bush, while Pearce socked Udall with an unexpected question about some child-porn bill. Back in 2006, it was a question from Heather Wilson about raising taxes that stumped her Congressional opponent Patricia Madrid — and may have helped cost Madrid the election.

* The final third would be a feature I’ve never seen on any debate, though it’s almost always done these days during post-debate coverage by television networks: fact-checking. You’d have to have a team of journalists frantically Googling during the early parts of the debate to see who got what wrong. The moderator would then confront the erring candidate. If there weren’t enough provable errors, then the rest of the time could be filled by more questions from the audience — or by the candidates.

Of course, if one candidate got his facts wrong significantly more than the other, his supporters would complain that “the media” was biased against him. But chances are, they’re going to make that claim anyway so let ‘em squawk.
Debbie's dad
Mr. White Bucks doesn’t buck White: Here’s one of the stranger celebrity endorsements I’ve seen lately.

Actually, it’s not technically an endorsement, but the 1st District Congressional campaign of Republican Darren White on Wednesday released a statement announcing that singer Pat Boone had presented White with an Honorary Guardian of Seniors’ Rights award.

Boone is national spokesman for a group called the 60 Plus Association — “a non-partisan seniors advocacy group with a free enterprise, less government, less taxes approach to seniors issues,” according to the group’s Web site.

“I am pleased to present this award to Darren White,” Boone said in a statement. “He is a tax cutter, protecting the pocket books of senior citizens. 60 Plus calls on nearly 5 million seniors for support so I believe I can speak on behalf of seniors when I say that they can count on Darren White. Clearly, seniors will have no finer friend in Congress than Darren White.”

Boone praised White for opposing “the death tax,” which actually is called the estate tax.

But the most interesting claim on the news release was the description of Boone — “a recording artist, movie and TV star second to none in the 1950s, 60s and 70s.”

Second to none? Elvis Presley, Chuck Berry, Little Richard, Bo Diddley, Jerry Lee Lewis and a few dozen others might take issue with that — and that’s just dealing with the ’50s.

Blog Bonus: I wonder if Pat Boone would groove on the cop-rock band that was second to none in the early 90s, Darren White & The Force.



Where the heck is Bill Richardson? The traveling governor was on the campaign trail again this week, this time in Florida.
BY THE POOL IN DENVER
He was there Tuesday and Wednesday, attending Obama campaign events in Palm Beach, Immokalee, Port Charlotte, Tampa and Kissimmee. This is according to various online newspaper reports. The governor’s office doesn’t make public announcements of when the governor leaves the state.

Next week, according to The Sandusky Register, Richardson will be in Erie County, Ohio.

Monday, October 20, 2008

DEBATE MANIA

I meant to post this on Sunday, but my article about Saturday night's debate between Tom Udall and Steve Pearce can be found HERE.

Kate Nash covered the CD3 debate for us Sunday night. You can find her story HERE.

Two weeks and one day left, folks!

Sunday, October 19, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 19, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Working Man by The Cellar Dwellers
Grease Box by TAD
Pleasure Unit by The Gore Gore Girls
Mr. Custer Stomp by The Scouts
Louie Louie by Paul Revere & The Raiders
We're Having Much More Fun by X
The Open Mind by Mudhoney
Snake Eyed Suzie by Thee Cybermen
Fat Angel by Jefferson Airplane

A. on Horseback by Charlie Pickett & The Eggs
Angeline by Figures of Light
Baby Stardust by Thee Michelle Gun Elephant
Te Voy Odiar by Wau y Los Arrrghs!!!
Blow My Mind by Hollywood Sinners
Action by Los Peyotes
Panic Button by Edgar Allen & The Po' Boys
Long Haired Guys from England by Too Much Joy
Murder in My Heart for the Judge by Moby Grape
Woody Woodpecker by Mel Blanc & The Sportsmen

Moonlight Drive by The Doors
Flames Over Nebraska by Pere Ubu
Lizard's Tongue by Dickie B. Hardy
I'm Gonna Kill You Tonight by Lightning Beat-Man
Don't Go Away by Thee Midnighters
Haywire Hodaddy by The Hodads
Do the Trouser Press by The Bonzo Dog Doo Dah Band
The Weirdness by The Stooges
Welcome to My Mind by Duggie Ward

Loneliness by Junk
Do Lord Remember Me by Mississippi John Hurt
You Better Run by Junior Kimbrough & The Soul Blues Boys
Rock Minuet by Lou Reed
Lucky Day by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, October 17, 2008

THE SANTA FE OPRY PLAYLIST

Friday, October 17, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Huntsville by Merle Haggard
Plastic Love by The Riptones
The Struggle in the Puddle at the Bottom of the Bottle by Zeno Tornado & The Boney Google Brothers
Good Girls by Bovine
Little Red Corvette by The Gear Daddies
Burn Your Fun by Holly Golightly & The Brokeoffs
Davy Crocket by Thee Headcoatees
No Swallerin' Place by June Carter
On This Mountain Top by Johnny Paycheck
Then You'll Know What It Means to Be Blue by Spade Cooley

Tell Ol' Bill by Bob Dylan
Absolutely Sweet Marie by Jason & The Scorchers
Billy 1 by Los Lobos
One Good Gal by Charlie Feathers
The Young Psychotics by Tav Falco
Real Cool Ride by The Hillbilly Hellcats
Ridin' With the Blues by Ry Cooder
Drinkin' Wine Spo-Dee-O Dee by Johnny Burnette & The Rock 'n' Roll Trio

Between the Whiskey and the Wine by Miss Leslie
Brothers of the Bottle by George Jones
The Drinking Song by Loudon Wainwright III
Wreck on the Highway by The Waco Brothers
Bulldozers and Dirt by Drive-By Truckers
The Winner by Bobby Bare
Crawdad Hole by Gus Cannon

Loser by Dave Alvin
Moon Gone Down by The Gourds
Tennessee by Last Mile Ramblers
Killing Me by Fred Eaglesmith
Former American Soldier by Chip Taylor
Night Accident by Robbie Fulks
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, October 16, 2008

TERRELL'S TUNE-UP: UNADULTERATED HEARTACHE

A version of this was published in The Santa Fe New Mexican
Octobber 17, 2008


Warning: Between the Whiskey and the Wine by Miss Leslie is unadulterated hard-core, heartache honky-tonk music. Don’t look for irony. Don’t look for hipster detachment. This is real emotion. Nothing cute here. This is the sacred ground where Tammy Wynette and Kitty Wells have tread. Yuppie slummers, get packing.

Leslie Anne Sloan’s clear, intense voice just stops you in your tracks. Unlike many female country singers, there’s nothing sugary, flirty, or kittenish about Miss Leslie’s voice. She enunciates every word and sings with a power that lets you know she means every word that leaves her lips.

The liner notes let you know that this is a very personal album. According to one of Leslie’s hometown papers, the Houston Press, the singer went through a “rough divorce” (are there any easy ones?) since her previous album. The songs here — every one an original — deal with her struggles with alcohol and coping with the divorce. Archetypal country fare to be sure, but nothing on this album sounds like a cliché.

“This album is about a journey I started several years ago — a journey toward finding myself and living that person without apologies,” she writes in the CD’s booklet. “This album is mainly for anyone who has lost themselves — and ever tried to find themselves in something else — whether it was a bottle, another person, or a song.”

While Leslie’s earlier records — Honky Tonk Revival and the live Honky Tonk Happy Hour — are good authentic Texas country stompers, neither has the emotional punch of Between the Whiskey and the Wine. When she sings lines like, “So keep pouring drinks until I can’t remember/ Cause that’s the only way I know I’m bound to heal” (on “I Can Still Feel”) or “A shot of Makers on my left, a glass of red on my right and somewhere in the middle you’ll find me” in the title song, you get the feeling she knows what she’s talking about.

Even on upbeat songs with hints of humor, like “Honky Tonk Hangover” (“My head is sore, I smell like beer/And all my money is gone”), there’s a troubling aura of truth that gives a troubling aura of truth that give the songs an edge.

Adding power to Leslie’s music is her band, a bunch of two-step studs known as Her Juke-Jointers. The steel guitar of Ricky Davis (who has played in the bands of Dale Watson, Gary P. Nunn, The Derailers, and Asleep at the Wheel) and the fiddle, played by Leslie herself, drive the sound. Rounding out the Juke-Jointers are Ric Ramirez on upright bass (he’s served time with Wayne “The Train” Hancock) and Timmy Campbell on drums.

After a dozen heartbreakers, the last song on the record, “Love Will Find You,” is like a ray of hope. Leslie sings it with just as much conviction as she does her woozy, boozy laments.

Also recommended:

*Dirt Don’t Hurt by Holly Golightly and The Brokeoffs. OK, I’m not completely down on ironic, hipster takes on country music.

This lady is probably doomed to be best known for singing, “I love Jack White like a little brother,” in her funny little cameo on The White Stripes’ novelty song, “It’s True That We Love One Another.”

But there’s a reason The Stripes would want Holly on their album. Though not that well known in the States, she has released about a dozen solo albums, plus a couple of live recordings, since the early ’90s. She’s also done a couple of duet albums with British garage band guru Billy Childish. She began her career with a Childish offshoot, Thee Headcoatees, a not-so-slightly deranged garage/punk take on the girl-group sound. (The group did funny odes to Jackie Chan, Davy Crockett, and Santa Claus.)

And yes, “Holly Golightly” is her real name — Holly Golightly Smith, to be exact — even though some assume she lifted it from the character in Truman Capote’s Breakfast at Tiffany’s.

Her latest album — the second released under the name Holly Golightly and The Brokeoffs — is a bluesy country romp with a jug-band spirit. The first album under that name was last year’s You Can’t Buy a Gun When You’re Crying.

Dirt Don’t Hurt was recorded in five days in Spain. Holly sings and plays guitar and banjo, while “The Brokeoffs” — actually her longtime sidekick “Lawyer Dave” Drake — sings and plays several stringed and percussion instruments. He gets a solo spotlight on the blues-drenched “Cora.”

One of the coolest songs here is a barnyard meditation called “Cluck Old Hen,” which is, in fact, about a female chicken. “Kick and squall, cackle and strut/I think everyone hates her guts.”

Holly and Dave get nice and spooky on the minor-key “Burn Your Fun,” which warns of religious fanatics taking over. “Better run, better run, better burn your fun/Preacher man’s comin’ for you.”

Religion’s on their minds on another tune, “Gettin’ High for Jesus” (”I’m gettin’ high for Jesus, cause He got so low for me”) featuring a squawking harmonica and tremolo guitar.

By far the prettiest tune on the album, and indeed, one of the most gorgeous country melodies I’ve heard in years, is “Up Off the Floor,” a slow waltz that reminds me a lot of “Tennessee Blues” by Kris Kristofferson and Rita Coolidge.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 13, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Em...