Wednesday, June 03, 2009

BOB WILLS REVOLT!

Painting by Jon Langford
There's a cool little movement afloat in Tulsa, Okla. -- the Bob Wills Revolt.

A Tulsa printer named Lee Roy Chapman says the area of town -- where the famed Cain Ballroom is -- now called The Brady Arts District, should be re-named the Bob Wills District.

The district is named after an early 20th Century civic leader named Tate Brady. According to a story in today's Urban Tulsa Weekly:

Brady--one of the original incorporators of Tulsa after moving here from Missouri in 1890 to open a mercantile store--eventually built the Hotel Brady, a favored gathering spot of oil men and Democratic politicians, according to the state Historical Society. He married a prominent Cherokee woman and later was adopted into the nation, becoming one of its strongest advocates in Washington, D.C.

But Chapman sees a much darker side to Brady's personality, one that isn't often acknowledged in discussions of his role as one of the city's early boosters. Chapman charges that Brady led a land grab in the Greenwood area in the aftermath of the 1921 race riot, supported segregation as a leader of the state Democratic Party during the Constitutional Convention and served as a member of the Ku Klux Klan.
Brady's involvement in the KKK is disputed, the article points out.

The Bob Wills Revolt has a Web site HERE. There;s a Facebook group HERE.

By the way, the article in the Tulsa Urban Weekly is written by Mike Easterling, formerly of The Journal North and the Santa Fe band The Couch Burners.

eMUSIC: WHAT A REVOLTIN' DEVELOPMENT

As longtime readers of this blog know, I've been a rabid defender of the music download subscription service eMusic. I faithfully post each month's downloads in hopes that readers can appreciate, and maybe even try out some of the cool obscure and forgotten stuff I find. A lot of the stuff you hear on my radio shows and my podcasts came from eMusic.


Heck I even put up with their weird typos, their blockheaded way they assign genres to selections (For the record, Rufus Thomas is NOT "hip hop"!) and even mixing up track names -- all because there's so much good stuff there at such a great price.

For the record, my current plan gives me 90 downloads a month for $19.99. It's a plan that was grandfathered in after their rate hike a couple of years ago.

I saw this week's announcement that eMusic had struck a deal with Sony -- a major label that swallowed up Columbia as well as BMG (which I stubbornly still refer to as RCA, praise Elvis) and other labels -- as a mixed blessing.

No, I don't give a flying darn about some of the old Sony acts -- Billy Joel, Journey, Whitney Houston. And most the coolhipindiepunk acts they're touting like The Sex Pistols and The Clash is stuff I already have.


But there are a lot of cool old blues, jazz and hillbilly acts going back to the '20s -- that's 1920s, kids, that were on Columbia (which swallowed up Okeh Records way back when). So, assuming they offer this as well as Michael Jackson and Eddie Money, that's a good thing.

But one little detail the press release kind of forgot to mention.

Along with the massive Sony back catalog, there's also a little matter of a price increase.

For my plan, I'll be going from 90 downloads to 50 downloads every 30 days. Doing the math, my price for a download goes up from about 22 cents to about 40 cents.

Granted, 40 cents still is a lot cheaper than Amazon, iTunes or any place else I know. So I might swallow my pride and stick around, even though it's really tempting to tell them to stick it. One thing for certain -- there will be a lot less experimenting on my part, making it a lot less likely I stumble across and take a chance on acts like Impala, Ross Johnson and Isaiah Owens, and albums like Rarities from The Bob Hite Vaults or Slide Guitar Gospel (1944-1964).

For the record , eMusic claims the price increase was in the works before the Sony deal. You still have to wonder.

Here's a couple of articles about the eMusic changes from the Los Angeles Times and Business Week.

********


I've been excited about the new Norton compilation I Still Hate CDs for a couple of months now. It was released Tuesday, so I happily downloaded the 38 (of 45) tracks I didn't already have.

So imagine my disappointment when I discovered that seven of the tracks I downloaded are marred by an obnoxious scratchy digital distortion. (Apparently another track, "Camel Walk" by The Saxons is the same way. I didn't download that one because I already had it on one of the Mad Mike's Monsters collection on Norton.

I'm sure eMusic will credit my account. I just hope they replace those those lousy tracks pronto. (Miriam at Norton says she's contacted their download company about the problem.)

An honest mistake I'm sure. But happening today sure didn't make me feel any better about eMusic.

Sunday, May 31, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 31, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Bo Diddley is Crazy by Bo Diddley
Sugarfoor by Black Joe Lewis & The Honeybears
Land of the Freak by King Khan & The Shrines
I Had to Chew My Own Leg Off/Born in a Haunted Barn by The Dirtbombs
You've Got My Mind Messed Up by James Carr
Farmer John by Don & Dewey
Conjuration by The Tex Reys

Puss n Boots by The New York Dolls
I Got Something for You Girl by Hot Nuts
Cosmic Belly Dance by The Monsters
Night of The Phantom by Larry & The Blue Notes
Oomp Boomp by The Rhythm Addicts
Blowout by Los Straitjackets
Devil Smile by Nekromantix
Sonic Reducer by The Dead Boys
The Hurdy Gurdy Man by The Butthole Surfers

WFMU FREE MUSIC ARCHIVES SET
Last Lost Fight by New Bomb Turks
Last Double Eagle by Little Howlin' Wolf
Predator by Modey Lemon
Put Down the Carving Knife by Singing Sadie
When You'd Go by The Cynics
The Wait by Pierced Arrows

Sacred Trickster by Sonic Youth
Jeepster by T-Rex
One For My Baby by Iggy Pop
I Ain't Got Nobody by Fats Waller
Where and When by Dion & The Belmonts
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

FROGFEST 2009

Frogfest '09: Ya Shoulda Been There!

Festival season is starting early in Santa Fe this year. The Thirsty Ear Festival, which traditionally has been held on Labor Weekend, currently is scheduled for June 12-14. And Frogfest, which normally is in August, was held yesterday.

But I, for one, was happy it was earlier. I had to miss last year's Frogfest because that was the day I had to drive to Denver for the 2008 Democratic National Convention. And the year before, Frogville took a break from the Festival. So I hadn't been to a Frogfest since 2006. As the old Wolf Brand Chile ads used to say, "Well that's too long!"
Hundred Year Flood
Yesterday's festival was a fine show indeed. Thought I thought I was running late, I was actually got to the Santa Fe Brewing Company just in time to order a burger before the music started. I did have to leave for a couple of hours to go see my son's drama presentation at Capitol High (sorry, Taarka!), but otherwise I was there for the whole shebang.

Once again, it was a great reminder of what a cool little record label Frogville is and how lucky Santa Fe is to have it and all the acts associated with it.

Here's some random observations:
* This was the first time I've seen Hundred Year Flood since Jim and Kendra went on hiatus a few months ago to raise their little one. (Jim played with Goshen earlier in the day, while Kendra was there for most of the time there with the mighty Oak Palmer). Flood has John Courage filling in for Kendra on the bass and Andy Kravitz on drums. Plus they've added a second guitarist, Justin Lindsey. The new members fit nicely in the band. And Bill and Felecia soared. Damn, every time Felecia opens her mouth to sing it's goddamn magic! Flood's set included at least a couple of new songs, which Bill said are going to be on a new album that they plan to start on shortly.
Joe West & Mike the Can Man sing "Okie from Muskogee"
* Joe West not only writes some great tunes (he did my favorite last night, "Reprimand"), but he has a knack for choosing covers that make great sing-alongs. He sang "Like a Rhinestone Cowboy" and "Okie from "Muskogee" with his pal Mike the Can Man. The Joe West Situation is a heck of a band too. He's got mandolin angel Sharon Gilchrist, guitarist and Bob Dylan interpretter Josh Martin, bassist Margaret Burke (more on her below) and a drummer, whose name I didn't get. (Sorry!)

* Speaking of guest stars, the stage was crawling with them during his set. Among those was Terry Diers, who recently moved back to Santa Fe. I hadn't seen him in years. I'll never forget the time back at Club West in the '80s when I was interviewing Screamin' Jay Hawkins between sets. Terry, if I'm remembering this right, was in Hawkins' pick-up band. The two got in some kind of weird argument. At first it seemed like friendly banter, but Hawkins got more and more agitated. At one point he exclaimed, "You crazy, man!" When Screamin' Jay calls you crazy, that means something.
GOSHEN
* Goshen's set was blistering! Grant Hyunga was pounding out his most intense blues, including some great slide numbers. Goshen would be right at home on Voodoo Rhythm Records along side of Thee Butchers' Orchestra, Stinky Lou and The Jukejoint Pimps. Too bad it was so early in the day that the crowds had yet to arrive.
Tiny dancers
* Boris McCutcheon & The Saltlicks were fortified on several songs by singer Stephanie Hatfield (who has her own band, Hot Mess.) Boris' daughter, who must be 3 or 4, commanded the dancing area during her favorite song by her dad, "Pony Ride."

* The surprise of the day for me was The Strange, who played a short second-stage set inside. The group includes Justin Lindsey, HYF's new guitarist and singer Lynsay Ayala, who wails. Good boogie rock. Santa Fe should be seeing more of them.
Margaret Burke
* Margaret Burke, who played bass and sang with Joe West and Bill Hearne, has to have more fun on stage than any performer I know. She's not flashy and doesn't engage in crazy antics. She just beams and it's infectuous.

* Bill Hearne's still a hell of a honkytonker. His Roadhouse Review, including Margaret, steel guitarist Augie Hayes and guitarist Bob Goldstein are aces.

Friday, May 29, 2009

THE SANTA FE OPRY PLAYLIST

Friday, May 29, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Pollyanna by Patterson Hood
Rock Island Line by Rev. Peyton's Big Damn Band
Mutant Daddy by Flathead
Dance Crazed by Lil Mo & The Monicats
Spayed Cooley by Ry Cooder
Swinging the Devil's Dream by Spade Cooley
Goodness Gracious Gracie by The Light Crust Doughboys
The Blues My Naughty Baby Gives to Me by Dan Hicks & The Hot Licks
The Big Enchilada by Bud Kurtz

The Way We Are by The Flatlanders
The Gardens by Freddy Fender
Are the Good Times Really Over For Good by John Doe & The Sadies
Fight (Tonight's the Night) by James McMurtry
Beyond Here Lies Nothin' by Bob Dylan
Bob Dylan's 300 Game by Emily Kaitz with Jimmy LaFave
Animal Hoedown by Harry Hayward

Frogfest 2006 Frogfest Set
Oklahoma by Joe West
The Wicked Things by Boris & The Saltlicks
Belladonna by Goshen
The Waltz of the Angels by Bill Hearne's Roadhouse Revue
My Angeline by Tarka
Jockey Full of Bourbon by Santa Fe All Stars
Hell or High Water by Hundred Year Flood

Hotel Grand by Eric Hisaw
Downey Girl by Dave Alvin & The Guilty Women
Hey Toughen Up by Candye Kane
Freight Train Boogie by Wayne Hancock
The Ghost by Willie Nelson
Old Friend by Loudon Wainwright
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S SOUND WORLD PLAYLIST

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