Saturday, October 02, 2010

eMUSIC OCTOBER

* It's Dance Time! by King Coleman. This is one I've been meaning to download for a longtime. I finally was spurred to do it after Carlton "King" Coleman died on Sept. 11 at the age of 78.

All the "hits" from the late 50s and early '60s are here -- at least they should have been hits. "The Boo Boo Song" is a strange and wonderful thing. He carries on hsi knack for fracturing nursery rhymes in "Three Soulful Mice."

There's "(Do the) Mashed Potatoes" -- to which Joey Dee and The Starliters later added hot pastrami. There's Coleman's sequel "The Mashed Potato Man" and other dance craze ditties like "Do the Hully Gully," "Do the Booga-Lou" and "Let's Shimmy." He sums it all up in the title song where he commands his hypnotized legions on the dance floor to all of these and more.

Just about every one of the tracks here sounds like a party I wish I'd have gone to.

* 1950s Rock N' Roll & Rockabilly Rare Masters. Another great eMusic bargain compilation. Fifty six tracks for 12 credits. (I picked up the Hasil Adkins track "Ducken" last month. It's still one of my favorites on this album.)

These masters are rare. I only had one of them, "You Shake Me Up by Andy Anderson. (I wrote about him last year. He's a Mississippi rockabilly who used to live in Taos, N.M.)

Besides Adkins, the most recognizable names here are Freddy Fender, whose "Mean Woman" is included here, and Rudy "Tutti" Grayzell, whose "Duck Tail" should have been a universal anthem of the greasy '50s.

Then there's a guy named Creep. I've known lots of creeps, but not this one. There are two tracks by him, including "Betty Lou's Got a New Tattoo," later covered by The A-Bones. And if you're lookin' for a song to remind you of Elvis' "Trouble," you've come to the right place with Creep's tune "I'm Wise."

* Malaikat dan Singa by Arrington de Dionyso. Last month I downloaded Varieties of Religious Experience: 1993-2003 by de Dionyso and the Old Time Relijun. This newer album by de Dionyso if anything is even wilder.

On this one he's singing in the Indonesian language translated lyrics of William Blake and Zohar. But this is no intellectual excercise. This stuff rocks!

The first song, "Kedalaman Air," reminds me of a frantic version of The Talking Heads' "Psycho Killer" with a feral fuzztone guitar. The next one "Mani Malaikat" slows down into a swamp voodoo groove. The droning sax and fiddle remind me of "Up in Flames," the David Lynch-Angelo Badalamente song that Koko Taylor sang in Wild at Heart.

And then, the music starts to get really crazy ...

* 10 tracks from Hi De Ho Man by Cab Calloway. When I graduated from college in 1976 the only job I could find was managing a trailer park -- Vagabond Trailer Park on Cerrillos Road. Crappy job, but free rent, a block from a Lotaburger and an actual paycheck! One of the first things I did was go on a record buying binge. Some of those titles still are among my favorites -- Transformer by Lou Reed, Legalize It by Peter Tosh, How Late'll Ya Play 'Til? by David Bromberg, Radio Ethiopia by The Patti Smith Group and this one by Cab Calloway.

I know I've written this somewhere before, but I had seen Calloway in concert back in the early '60s at a Harlem Globetrotters game with my grandmother. So I was somewhat hep to the jive. But this record -- a double LP in its original release -- sealed it for me.

Through the years I picked up several of these tunes from other Calloway collections. But among the classics I downloaded now are "San Francisco Fan" -- about a golden-hearted gal who "gave her life to save her man, a man who wasn't worth a shovel full of Earth from the grave of San Francisco Fan."

And then there's Nagasaki, recorded in 1935. It's a place "where the fellers chew tobaccy/And the women wicky-wacky Woo." Sounds like a pretty swingin' town. Before we nuked it.

You got your basic "Jumpin' Jive," the scat-crazy "Abi Gezunt," a truly spooky "St. James Infirmary" and a fun workout called "15 Minute Intermission." But some of my favorites are the slow ballads like "My Gal" and "I'll Be Around." On these you get a true sense of Cab's vocal talents.

If you're new to Cab Calloway, this album is an excellent introduction. It worked for me.

ALEX MAAS of THE BLACK ANGELS
* The first five tracks of Phosphene Dream by The Black Angels. It's a psychedelic WHUMP! Austin's Black Angels are back for their third full-length album.

These guys, who I first saw at a Roky Erikson Ice Cream Social during SXSW a couple of years ago, play psychedelic music. Not your fairy-fey flower-power fluff, but intense, throbbing hypnotic excursions to other worlds. It's trippy, but not all trips are happy affairs. Some are downright scary. And thus, The Black Angels have titles like "River of Blood" and "Bad Vibrations."

The first thing a fan will notice about Phospene Dream is that the sound is far more varied than their previous albums. "Sunday Afternoon" even has a little Texas funk in it. I could easily imagine Hundred Year Flood having a go at this one. And the last half or so of "Yellow Elevator #2" even has a little Beatles vibe in it. (Think "I Want You/She's So Heavy.")

The songs are shorter too. No 16-minute odysseys like they had on their previous ones

I only had enough credits to get half of the 10  tracks, but my account refreshes next week so I can complete this trip.

Friday, October 01, 2010

THE SANTA FE OPRY PLAYLIST

Friday, September, 2010
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Moonshiner's Life by Hank III
Jason Fleming by Roger Miller
Lady Muleskinner by The Meat Purveyors
Country Girl by Dale Hawkins
Down Where the Watermelon Grows by The Volo Bogtrotters
Hoy Hoy Hoy by Wayne Hancock
Eat at Home by Tom Armstrong
Uh-Huh-Honey by Autry Inman
The Ballad of Charles Whitman by Kinky Friedman & The Texas Jewboys

Drag the Lake Charlie by Drive-By Truckers
East TX Rust by Shinyribs
God Fearing People by Th' Legendary Shack Shakers
Lonesome Side Of Town by Johnny Dilks And His Visitacion Valley Boys
It Ain't Up Here by Kell Robertson
Pill-Poppin' Country Weirdo by Halden Wofford & The Hi-Beams
Come To The Water by Possessed By Paul James
Too Drunk to Truck by Sixtyniners
Bosco Stomp by Beausoleil

Songs in Honor of Santa Fe's New Nudity Ordinance
Boobs a Lot by The Fugs
Naked Party by Ross Johnson with the Gibson Bros
Naked Man by Randy Newman
You Look Bad When You're Naked by Rosco Gordon
Buck Naked by Terry Allen
Please Don't Go Topless Mother by Troy Hess
Naked If I Want To by Moby Grape
Bounce Your Boobies by Rusty Warren
Naked Light of Day by Butch Hancock
Naked Girl Falling Down the Stairs by The Cramps

Your Name Is On My Lips by Chip Taylor & Carrie Rodriguez
Sure Feels Like Rain by Reverend Peyton's Big Damn Band
A Little Bitty Tear by Ray Charles
Lookin' For A "Love Me" Gal by Big Sandy & His Fly-Rite Boys
Lone Cowboy by Michael Martin Murphey
Up Above My Head by Lydia Clark
In Christ There Is No East Or West by Mavis Staples
CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

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Thursday, September 30, 2010

TERRELL'S TUNEUP: HANK III's ONE BEFORE EMANCIPATION

A version of this was published in The Santa Fe New Mexican
October 1, 2010


Call this one Hank III’s “contractual obligation” album.

Rebel Within, the fifth album on Curb Records by the grandson of the sainted Hank Williams, has plenty to like, and there’s nothing really bad on it. Still, it lacks the punch of most his previous works, especially 2006’s Straight to Hell. This one has the feel of an odds ’n’ sods outtakes record.

I’m not exactly sure how a radical troublemaker like Hank III — whose heart lies in the world of hardcore punk as much if not more than in that of country music — ever got hooked up with a label like Curb in the first place. True, young Hank’s dad, Hank Williams Jr., has recorded on Curb for years. But by most reports, Hank III has long been estranged from Junior — who calls Kid Rock his “rebel son.”

Curb your enthusiasm: The company is run by Mike Curb, a political conservative and former lieutenant governor of California. He was also a musician, heading a vocal group called The Mike Curb Congregation. The MCC provided background vocals for the Sammy Davis, Jr. hit “The Candyman” and had a hit of its own with “It’s a Small World” — yes, the theme from the Disneyland ride. The Congregation also backed Hank Jr. on the pre-outlaw-country schlock hit “All For the Love of Sunshine.” Back in 1970, when he was head of MGM and Verve Records, Curb gained national notoriety for dropping 18 acts from the label, including The Velvet Underground, for suspected drug use.

It’s not surprising that a self-described hell-raiser and vocal advocate for drinkin’, druggin’, and — at least at one point a few years ago — devil worship would knock heads with someone like Mike Curb. Curb and Hank III have been involved in several lawsuits through the years. The company didn’t want to release a record by the singer’s punk band, Assjack. That’s certainly their prerogative.

But, in an example of pure music-industry evil, Curb also fought hard to keep Hank III from taking it to another label or releasing it on his own. The company even got a court order stopping the artist from selling self-burned copies of Assjack CDs at his shows.

As Hank III and The Louvin Brothers would say, “Satan is real.”

Hank III responded by selling T-shirts at his concerts emblazoned with the message "Fuck Curb!” He also refuses to sell his Curb CDs at his shows.

Back to the record: But maybe the slapdash, so-long-Curb-Records nature of Rebel Within isn’t the only the reason for the more subdued spirit of the album. Some songs here deal directly with the consequences of nonstop partying, crazy indulgence, and addiction. If Straight to Hell and Damn Right, Rebel Proud were parties, this one is the hangover.

The first song is called “Gettin’ Drunk and Fallin’ Down.” And, like other songs on the album, such as “Lost in Oklahoma” and “Drinkin’ Ain’t Hard to Do,” it’s more about fallin’ down than it is about the joys of gettin’ drunk. “It’s the kind of living that’s going to put me in the ground,” he moans. And you believe him.

In the title song Hank sings “The more I try to do right it just seems wrong/I guess that’s the curse of living out my songs.” This is an obvious reference to a line from a famous tune by his dad: “Why must you live out the songs that you wrote?”

Then there’s “#5,” a slow honky-tonker with heartbreak fiddle and sobbing steel guitar. It’s about quitting, or at least wanting to quit, heroin. “This is the last time the needle’s going in to try to set my soul free,” he sings. “I’ve done had four friends die around me/Now I realize that old number five just might be me.” (In an interview on Outlaw Radio Chicago, Hank said that in real life, he has never smoked crack or shot heroin.)

“Tore Up and Loud” is more like the Hank III of yore, both in content and in sound. It’s full of distorted vocals and psychobilly reason and ends with an obscene rant about being free (tempered by a sly “shave-and-a-haircut” banjo riff).

Indeed, don’t think Hank III has lost his sense of humor. The album ends with a wild hillbilly romp called “Drinkin’ Over Mama.” But it’s not your typical country mama song. Here mama starts drinking at the age of 61, and she gets killed “by her own crack pipe.”

It’s sure going to be interesting to see what Hank III comes up with next, now that he’s out of the Curb cage.

Also recommended

* Too Drunk to Truck by Sixtyniners. In the tradition of their Voodoo Rhythm label mates The Watzloves and Zeno Tornado, this is a European band — from the Netherlands, to be exact — that loves good old American honky-tonk music.

But like those other acts (and Hank III, for that matter), the Sixtyniners love it enough not to get too reverent about it. The title song, for instance, is a play on a classic by The Dead Kennedys. And “Livestock” is an animal party that starts out with barnyard noises.

Sixtyniners, led by singer/guitarist Michiel Hoving and drummer Claudia Hek, play some covers here — a spirited “John Hardy” sung by Hek, a stomping take on George Jones’ “The Race Is On,” and a fun “Almost Done,” a song that has appeared under various guises, such as Leadbelly’s “On a Monday” or, slightly altered, as Johnny Cash’s “I Got Stripes.” Here it’s done with a shuffling beat and cool trombone.

The band even evokes memories of Jerry Jeff Walker on “Terlingua,” the pretty tune that closes the album. And they can do some crazy blues too, like the Bo Diddley-esque “Hell” and “Play Dead,” in which the guitar sounds like a punkier version of Duane Allman.

Monday, September 27, 2010

BIG ENCHILADA PODCAST 27: FORBIDDEN CAVERN FANDANGO

THE BIG ENCHILADA





I have spoken with the Old Man in the Cave and he has told me to invite you all to a Forbidden Cavern Fandango. From the depths of the Earth come some of the craziest sounds of R&B, rockabilly and garage madness -- and as an added bonus, you'll hear some of my favorite Japanese rock tunes.

Play it here:






DOWNLOAD | SUBSCRIBE

Here's the playlist

(Background Music: Cyclone by The Fabulous Cyclones)
Bip Bop Bip by Barrence Whitfield & The Savages
Rockin' the Joint by Esquerita
Lizard Hunter by Gas Huffer
The Beam by The Screamin' Yeehaws
Scarum Harem by The Spook Lights
Heard It All Before by New Mystery Girl

(Background Music: Busy Body by The Jolly Green Giants)
Bulldog by King Coleman
Little Bad Wolf by The Tra-Velles
Satellite Baby by Skip Stanley
Tell Me What to Do by The Giant Robots
Visitation by Manby's Head
Sanbuca by The Bama Lamas
The Post Office Line by Dan Melchior & Das Menace
Love Blood Hound by K.C. Mojo Watson

(Background Music: Waltz of the Ratfinks by Mr Gasser & The Weirdos)
Go Ahead by The Amppez
Good Bye My Roller Girl by Mummy the Peepshow
Mink Oil by The Rodeo Carburetter
Guitar Date by The 5.6.7.8's
Alligator Night by Thee Michelle Gun Elephant
Samisen Boogie Woogie by Umekichi
(Background Music: Sukiyaki by Kyu Sakomoto)


The Amppez, Mummy the Peep Show and Umekichi are on the Benten label, home of great Japanese girl-punk

The Dan Melchior song is from the Free Music Archive and was recorded live on WFMU

Listen to this podcast 7 p.m. Mountain Time Tuesday September 28 on Real Punk Radio

Sunday, September 26, 2010

TERRELL'S SOUND WORLD PLAYLIST

Sunday, September 26, 2010
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Wilder Wilder, Faster by The Cramps
Sex Android by The Barbarellatones
Sugar Buzz by The Ruiners
Ghost Shark by Rocket From the Crypt
Who Do You Love by The Preachers
The Trip by The Rockin' Guys
Wail by The Jon Spencer Blues Explosion
Whip the Booty by Andre Williams

Tula by Alejandro Escovedo
Falling Down Again by Buick MacKane
A Different Kind of Ugly by Sons of Hercules
Nama Bersembunyi by arrington de dionyso
Baby by Lyres
Alcohollywood by The Raunch Hands
One Hit Wonder by Texas Terri Bomb

JAPANESE ROCK SET
God Jazz Time by Thee Michelle Gun Elephant
Lingerie Shop by Tsu Shu Ma Mi Re
Ikebukuro Tiger by Guitar Wolf
Your Smiling Face is About to Break by The Amppez
Sex Cow by Teengenerate
Roller Coaster by Red Bacteria Vacuum
Watering by Detroit7
Sukiyaki by Kyu Sakomoto

Let Them Talk by Red Elvises
Ride Helldorados by Deadbolt
Almost a God by Movie Star Junkies
Magpie Song by Delaney Davidson
Sally Go Round the Roses by Holly Golightly
Don't Knock by Mavis Staples
Lucky Day by Tom Waits
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis


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TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 13, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Em...