Thursday, July 07, 2016

THROWBACK THURSDAY: Lookin' for that Bully of the Town

Bullys suck.

They've always sucked.

And thus a song that became known as "Bully of the Town" became popular with folk, blues and country musicians in the 20th Century.

Actually, though it sprang from the late 19th Century, where,  credited to Charles Trevathan, it was originally known as "The Bully Song."

Musician and music writer Elijah Ward writes of the song.

“The Bully Song” was a huge hit in 1895 for a Scots-Canadian singer named May Irwin, who performed it in a stage play called The Widow Jones — which is also notable because a brief scene which she kisses one of the other actors was filmed by Thomas Edison in 1897 and hence is one of the first movie love scenes. Irwin followed with other songs about African American badmen, sung in exaggerated dialect — though, unlike most white singers who specialized in that sort of material, she did not wear blackface make-up — and she was one of the few pop stars of the late 19th century to record some of her hits, including “The Bully Song.”

But Ward explains there is some evidence that the song predates Irwin's version. He quotes W.C. Handy saying he heard it in the early 1890s.

Songs of this sort could be tremendous hits sometimes. On the levee at St. Louis I had heard Looking for the Bully sung by the roustabouts, which later was adopted and nationally popularized by May Irwin. I had watched the joy-spreaders rarin’ to go when it was played by the band

Below is Irwin's recording of the song. Unlike some of the versions that followed, Irwin is explicit in her desire to give the bully a taste of his own medicine.

She also explicitly -- and repeatedly-- uses that well racist term that contemporary polite folk call "The N-Word." You'd think she was NWA or something.

So if you don't want to hear that word, don't press play! (Ward does a cleaned-up version of the song HERE)



Gid Tanner was rather vague about the circumstances of the song here.



Lead Belly's version is similar, though he gives some additional information -- i.e. the Bully "shot the woman down." I suspect Mr. Ledbetter wanted to kill the Bully, go to prison for it, then get released by writing a song sucking up to the governor of whatever state he was in.



Here's Jerry Reed doing a version -- without the racist language -- closer in spirit to May Irwin's original. This bully is a definite asshole. There's a violent confrontation and the bully loses. [ Note from 2025: The original video with Reed singing the song with Buck Owens and Roy Clark on Hee Haw has vanished from YouTube]



For more deep dives into songs, check out The Stephen W. Terrell Web Log Songbook

Wednesday, July 06, 2016

WACKY WEDNESDAY: Late, but Don't Judge Me!

This is the latest in the day that I've ever posted a Wacky Wednesday.

Besides battling some bug (I got eight hours of sleep last night!) I've also been commuting to Albuquerque to cover legal proceedings, so I just couldn't do it this morning.

I was going to try to post this from the courthouse during the lunch break today.

But the public wi-fi there does not allow users to access any fun sites like Youtube or Blogspot -- both of which I need to do this work.

But enough of my sniveling excuses. Here's a Wacky Wednesday musical tribute to the American legal system.

Starting with Pigmeat Markham, of course:






Here's Wynonie Harris



Here's a classic from Moby Grape. [Disclaimer: this song does not reflect my personal feelings toward any of the many wise and hard-working men and women I know who have served on the bench.]



Sunday, July 03, 2016

TERRELL'S SOUND WORLD PLAYLIST




Sunday, July 3, 2016 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

Here's the playlist

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
An American is a Very Lucky Man by Fred Waring & The Pennsylvanians
4th of July by X
All By Myself by Johnny Thunders & The Heartbreakers
My Escape by Dead Moon
Gotta Get Fired by The Sloths
Gone Deep Underground by Stan Ridgway
They Took You Away by Gregg Turner
Listen by The Hotbeats
There's a UFO Up There by Travis Wammack

Can't Judge a Book by Its Cover by Bo Diddley
House Rockin' Boogie by Howlin' Wolf
Del Rio's Close Shave by The Fezz
I Hate You by The Sinister Six
Hey Gyp by The Orphans
Iron Dream by Kaos
Primitive Man by The Monsters
Work With Me Annie by Dave Van Ronk
We Want a Rock and Roll President by The Treniers

The Pusher by Left Lane Cruiser
Raise a Little Hell by Rev. Peyton's Big Damn Band 
Safety Zone by Lonesome Shack
Pimps Don't Like It by Juke Joint Pimps
Suzy's Cookies by King Mud
Pucker Up Buttercup by Paul Wine Jones
Misery / Azael by The Devils

Crawl Through Your Hair by New Mystery Girl
Lonely Avenue by Sam Samudio
Zombie OUtbreak by Alien Space Kitchen
Harm's Way by The Ugly Beats
My Dark Heart by The Bonnevilles
Nothin' to Prove by Sons of Hercules
Old Man Mose by Pierre Omer's Swing Revue Swing Cremonia
Bang Bang by Gaunga Dyns
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Thursday, June 30, 2016

It's Big Enchilada Time!

THE BIG ENCHILADA



You lucky devils! You're about to be treated to an hour's worth of Hellfire sinful rock 'n' roll -- just as the Prince of Darkness intended it to sound. There is new music from The Sloths, Gregg Turner, New Mystery Girl, Left Lane Cruiser, The Vagoos ... and of course the latest sensation from Voodoo Rhythm, The Devils!

SUBSCRIBE TO ALL RADIO MUTATION PODCASTS |

Here's the playlist:

(Background Music: Echo Four-Two by Johnny Gregory & His Orchestra)
I Must Be the Devil by Glambilly
Before I Die by The Sloths
Look in the Mirror by Gregg Turner
Coitus Interuptus From a Priest by The Devils
Chevrolet by Left Lane Cruiser
I Found a Peanut by Thee Midnighters

(Background Music: Lonely Road to Damascus by Milt Rogers & His Orchestra)
Stepping on My Toes by New Mystery Girl
The Devil & Me by The Vagoos
69 by The Four
Gimme That Girl by The Devil Dogs
I Don't Want to Die Again by White Fangs
It's a Cryin' Shame by The Gentlemen
Groovy Babe by Durand Jones & The Indications

(Background Music: Forbidden Planet by David Rose & His Orchestra)
Diablo con Vestido Azul by Los Streaks
The Man Without a Head by The Pulsebeats
Will Success Spoil Me by Help Me Devil
Lobo by Davilla 666
Cult Casualty by Messkimos
She Let the Devil In by Tom Morse
(Background Music: I Lost My Baby to a Satan Cult by Stephen W. Terrell)


Play it below:


THROWBACK THURSDAY: Dick Rosemont's Originals Project


Last Sunday night (actually early Monday morning) driving home after doing Terrell's Sound World at KSFR, I tuned into the show that comes on after mine, Oil of Dog with Gary Storm. On that show Gary had Dick Rosemont, who has a Santa Fe record shop called Guy in the Groove -- as well as a cool website called the Originals Project.

What he does there is simply track original versions of popular songs. Plus, without pretending to be a completest, Dick tries to list as many subsequent versions as possible.

Hey, I like doing stuff like that! I figured correctly that I'd like his website.

That night on Oil of Dog, Dick and Gary were playing various versions of "I Fought the Law," which was a hit for The Bobby Fuller Four in 1966.

I knew that Sonny Curtis, a Buddy Holly crony from Lubbock, had written it. But until that show I don't think I'd actually heard the original version by Sonny Curtis with the (post Buddy) Crickets.

Here that is:



Rosemont writes, "Be forewarned that not everything included here will be big news to music fans!" And that's true enough. But even for a jaded old rock 'n' roll freak like myself, I found plenty of surprises just puttering around The Originals Project.

For instance, I did not know that someone had recorded "Walkin' After Midnight' -- one of my favorite stalker songs -- before Patsy Cline. But actually a lady named Lynn Howard, with a  group called The Accents did in 1956 (The same year Patsy first recorded it.)



Likewise, I always just assumed that Big Bill Broonzy was the first to record "Key to The Highway" (which like everyone else my age, I first heard by Derek & The Dominoes in the '70s.) But actually it was recorded by a piano man named Charles Segar in 1940.



Now I knew that this '80s one-hit wonder called "Taco" wasn't the first to record called "Puttin' on the Ritz." (I still have a weird fondness from this video from the heyday of MTV.)


I knew it was written by Irving Berlin but I never knew who recorded it first. Rosemont's site informs us it was a guy named Leo Reisman, with Lew Conrad on vocals. And it's a Jazz Age delight.



Still, my favorite version is this one:

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 13, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Em...