Thursday, July 05, 2018

THROWBACK THURSDAY: Happy Birthday, Smiley Lewis

One hundred and five years ago on this date a child named Overton Amos Lemons was born in DeQuincy, Louisiana, near Lake Charles. His mother died when he was a teenager. Young Overton jumped a freight train that took him to New Orleans. There he transformed into Smiley Lewis and became one of that city's most respected blues singers.

"Depending on the situation, Smiley possessed a voice that could shake the shot glasses off a South Rampart Street bar or lullaby a baby to sleep," s 1993 profile in Offbeat said. "One of New Orleans’ most prolific artists, between 1947 and 1965 Lewis recorded some of the most enjoyable and consistent R&B put on wax."

The article quoted famed New Orleans record producer Dave Bartholomew, (who wrote and produced many of Lewis’ best songs: "Smiley had one of the best voices we had around,” Bartholomew said “But it didn’t pay."

Offbeat explained: "Despite recording the original and superior versions of such classics as `Blue Monday,' 'I Hear You Knocking' and 'One Night,' and leaving an enviable body of work, the times and the quirks of the record business held his career back."

Basically, Lewis' problems was that his songs kept getting covered by more famous artists like Fats Domino.

Here are a few Smiley songs that should have been hits. Let's start with his record with which he introduced himself to anyone with ears to hear, "Here Comes Smiley."


This ne is called "Lillie Mae," which was his mother's name.


Here's a smooth R&B ballad, "Someday You'll Want Me."


And here's a song that Elvis Presley later made famous.

Wednesday, July 04, 2018

WACKY WEDNESDAY: Have Another Heaping Helping of Hyper-Patriotism


Hey baby, it's the Fourth of July! And it's a perfect time for hyper-patriotic country songs.

Behold!

Let's start with Lulu Belle and Scotty in the early '50s. They couldn't stand those lowdown stinkin' Reds!



More than a decade later, Marty Robbins hated those low-down stinkin' commie protesters as much as he loved Wicked Felina



So did Leon Womack



Roy Acuff, country artist/super patriot performs "Smoke on the Water." I don't think Deep Purple done it that way ...



Haven Hamilton, Henry Gibson's character in Nashville, is said to have been inspired by ol' Roy




I owe this post to a recent thread in the 20th Century Country Music Facebook group. Thank you, fellow patriots!

Sunday, July 01, 2018

TERRELL'S SOUND WORLD PLAYLIST





Sunday, July 1, 2018
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org

Here's my playlist :

OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
4th of July by X
The Outcast by Dave Van Ronk
96 Tears by Garland Jeffreys
Used by The Black Smokers
Medication by The Saucer Men
Mujeres Gatos en la Luna by Los Eskeletos
Dead Sea Fruit ny Miss Ludella Black & The Masonics
Bad Mouthin' by Tony Joe White
I'm Not Like Everybody Else by The Rockin' Guys

Do The Push and Pull by Rufus Thomas
We Reserve the Right to Refuse Service to You by Kinky Friedman & The Texas Jewboys
Love Buzz by Shocking Pink
Love Buzz by Nirvana
Lille Girl by The Goon Mat & Lord Bernardo
Commuter Baby by Trixie & The Trainwrecks
The Monkey Speaks His Mind by Andre Williams

The Crusher by The Cramps
Jump and Shout by The Dirtbombs
Taxidermy Porno by The Hex Dispensers
Laredo (Small Dark Something) by Jon Dee Graham
No Guilt by The Waitresses
Today is a Beautiful Day by Reverend Beat-Man & The New Wave
The Good Bastards by The Bennevilles
I'm Shakin' by Little Willie John
Praise His Name by Leo "Bud" Welch
It Came from the South by Robbie Fulks & Linda Gail Lewis
American Music by The Blasters

The Beast is You by The Electric Mess
Bottle of Wine by The Fireballs
House of the Rising Sun by Jello Biafra & The Raunch and Soul All Stars
Manny's Bones by Los Lobos
Mi Saxophone by Al Hurricane
You Done Me Wrong by Bill Hearne
Everything's Dead by The Dead Brothers
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Thursday, June 28, 2018

THROWBACK THURSDAY: Thanks, Mr. Sax

Sax with sax

On this day in 1846, a Belgian inventor and musician named Adolphe Sax received a patent for his latest musical instrument.

He called it the saxophone.

Other Sax creations --  the saxotromba, the saxhorn and the saxtuba -- never really caught on.

But the saxophone did. And below are three major reasons I'm glad Sax invented this essential instrument.

1 "Harlem Nocturne." My favorite version is that by The Viscounts, a crime-jazz, noir-rock classic that was a hit in 1959.



2) "A Love Supreme" by John Coltrane



And, of course, New Mexico's own late great Al Hurricane with "Mi Saxophone."



Wednesday, June 27, 2018

WACKY WEDNESDAY: Salute to the Answer Song




I've always been intrigued by the phenomenon of the "answer song," songs recorded in direct response to some big hit. It was as if the answer-song artist was forcing a conversation with the singer of the original tune.

If there was a popular tune about a bad relationship or break-up, an answer song would  provide perspective from the other party involved. If it was a song involving current events, the answer song would provide a rebuttal.

There are some truly important artists who sang answer songs -- Etta James and Kitty Wells, to name a couple. But there is something so inherently tacky, so nakedly bottom-feederish about the whole game of trying to glom onto someone else's hit, I can't help but love the answer-song.

Did I mention Etta James? In 1955, she answered Hank Ballard's "Work With Me Annie" with "Roll With Me Henry." Ballard answered the answer song with a song called  "Henry's Got Flat Feet (Can't Dance No More)."



Kitty Wells' "It Wasn't God Who Made Honky Tonk Angels" was a response to Hank Thompson"s "The Wild Side of Life."



I never realized that the girl The Big Bopper was talking to on the phone in "Chantilly Lace" was Jayne Mansfield!



Here's another telephone conversation set to song. The thing I love about Jeanne Black's answer to Jim Reeve's "He'll Have to Go" is the fact she complains about her ex-lover being a no-show at a date "just yesterday." But less than 24 hours later, she's lassoed some other funky dude who "Holds me much more tenderly than you."  Girl moves fast!



But Ruby, why do you have to go to town?



A band called The Beach Bums, led by a young and apparently right-wing Bob Seger took Sgt. Barry Sadler's "Ballad of the Green Berets" and turned it into " protest against protesters," an attack on draft dodgers and war resisters.



And responding to Barry McGuire's famous protest tirade "Eve of Destruction" was this song by a jangly trio called The Spokesmen. The song basically says, "Hey Barry, why the long face? Don't you realize the advances in modern medicine and technology? And don't forget the work of the United Nations ..."

Though as a group The Spokesmen were a one-hit wonder, two members  -- John Medora and David White -- had been songwriting partners for years. And they wrote some classics including "At the Hop," performed by Danny & The Juniors and Lesley Gore's proto-feminist  "You Don't Own Me."




TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 13, 2025 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Em...