Sunday, October 8, 2023
KSFR, Santa Fe, NM
Webcasting!
8 am to 10 am Sundays Mountain Time
Substitute Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org
Here's the playlist :
Sixty six years ago on this date, the Godless communists of the Soviet Union launched the first man-made satellite into space, a 183-pound metal sphere called "Sputnik 1."
I was barely four years old at the time, so if I do any memories of it, they're buried under tons of rock 'n' roll, television commercial jingles and odd recollections of Andy's Gang episodes.
But all my life I've had it drilled into my head that Sputnik caused a wave of paranoia in the U.S.A.
"... Sputnik struck fear into the hearts of Cold War Americans, who realized that the Soviets could just as well have lofted a nuclear-tipped missile to North America," declared a 2003 reminiscence on NBC.
A 2005 dissertation by Ian Kennedy called The Sputnik Crisis And America's Response looks at how the satellite affected America's psyche:
This “not too much to worry about” mentality did not last long into the following month. When the Soviets repeated their achievement with the launch of Sputnik II in early November 1957, a much larger and heavier satellite that included a canine passenger, Americans had more cause for concern. As that month drew to a close, further events would breed a more worried reaction. …
On 25 November, President Dwight D. Eisenhower, a bulwark of leadership that had almost always inspired public confidence, suffered a stroke, causing many to speculate whether the aging leader could still fulfill the weighty obligations of the presidency. Finally, as if to add insult to injury, the first attempt by the United States to match the Soviets in the new space race resulted in spectacular failure. On 15 December 1957, American rocket technicians attempted to launch their nation’s first satellite. This small sphere, called Vanguard I, barely made it off of the launch pad before the rocket carrying crashed back to Earth in a massive ball of flame. Once Americans saw this highly publicized disaster, most of the “not too much to worry about” feelings that may have existed after the first Sputnik were replaced by genuine concern.
So how did this genuine concern affect American music?
In my quick and not-very-scholarly look at this issue, I found many songs obviously inspired by Sputnik. But what I didn't find was much real paranoia.
In the world of country music, Ray Anderson, with his band The Homefolks, declared that "Sputniks and Mutniks" (almost certainly a reference to Laika the space dog, who the Soviets sent to into orbit just a few weeks after Sputnik) "have got me scared."
But still, considering the title and the upbeat tempo of the song might lead a listener to believe his fear was tongue and cheek. Hear for yourself:
Rockabilly Jerry Engler in his song "Sputnik (Satellite Girl)" didn't seem scared at all:"
Likewise, bluesman Roosevelt Sykes was inspired by Sputnik to celebrate his sexy girlfriend, a "hot rocket baby [who] will leave you flyin' blind":
Another rockabilly, Carl Mann, sang of "Satellite No. 2," I guess a successor to Sputnik 1. Mann's reaction was not to run in fear, but to "dance, dance, dance / Let's dance, to that satellite no. 2":
So if Sputnik caused panic and paranoia, it was my kind of panic and paranoia!
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A zoot suit with some Hi-De-Ho! |
On this Throwback Thursday let's celebrate the zoot suit, a type of apparel that's inspired many musicians -- as well as sparking a bloody, racist 10-day riot in Los Angeles.
A 2016 article in Smithsonian Magazine described the suit and its significance,
With its super-sized shoulder pads, sprawling lapels and peg leg pants, the zoot suit grew out of the “drape” suits popular in Harlem dance halls in the mid-1930s. The flowing trousers were tapered at the ankles to prevent jitterbugging couples from getting tripped up while they twirled. By the ’40s, the suits were worn by minority men in working-class neighborhoods throughout the country. Though the zoot suit would be donned by the likes of Dizzy Gillespie and Louis Armstrong, it was “not a costume or uniform from the world of entertainment,” the Chicago big-band trumpeter and clothier Harold Fox once said. “It came right off the street and out of the ghetto.’’
Maybe the first song with "zoot suit" in the title was "A Zoot Suit (for my Sunday Girl)." It was recorded by all sorts of folks in the '40s including the Kay Kyser Orchestra (who did the original in early 1942), Benny Goodman, The Andrews Sisters and, later, even Dave Van Ronk.
My favorite version is the one by Dorothy Danridge and Paul White:
Then there's these guys, whoever they are. (Seriously, does anyone know? Please tell me!)
WARNING: This video probably is illegal in Florida!
Skip ahead to the early 1960s and we'll find a little combo called The High Numbers.
The who?
That's right! It's the band later known as The Who. I don't think Pete and Roger and the boys actually ever wore an actual zoot suit though:
Known as the first Chicano play on Broadway, Luis Valdez's 1979 musical Zoot Suit (made into a movie starring Edward James Olmos in 1981) was based partly on the 1943 zoot suit "riots" in Los Angeles, in which U.S. Navy members stationed in southern California attacked zoot-attired Chicanos (and Filipinos. And Blacks) in East L.A., as the cops turned a blind eye. Because, you know, patriotism. (Just a few months ago, the Los Angeles City Council formally apologized for "effectively sanctioning the violence perpetuated eight decades ago.")
The Cherry-Poppin' Daddies had a huge hit in 1997 with their own song about that ugly little stain on American history.
Now those sailors know where their women went for love!
Sunday, April 13, 2025 KSFR, Santa Fe, NM, 101.1 FM Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Em...