Thursday, March 26, 2009

TERRELL'S TUNE-UP: PLAY IT AGAIN, SAHM

A version of this was published in The Santa Fe New Mexican
March 27, 2009


Keep Your Soul
Ten years ago this November, Douglas Wayne Sahm checked into the Kachina Lodge in Taos. Shortly thereafter he checked out of this earthly plane.

It was a loss felt by all true fans of Texas music — and by that I mean country, blues, Tex-Mex, rock ’n’ roll, and all the wonderful blends of those ingredients that Sahm loved so much and performed so well. His work with his bands — going back to the mid-’60s with the Sir Douglas Quintet and later with the Texas Tornados — and in his solo projects is nothing short of timeless.

It’s not quite as exciting as, say, a discovery of never-released lost Sahm recordings, but there’s a new record that Sir Doug fans shouldn’t be without. Keep Your Soul: A Tribute to Doug Sahm — released this week — was lovingly put together by a team led by Sahm’s son Shawn Sahm.

This isn’t the first tribute album for the man. There was Songs of Sahm by the Bottle Rockets back in 2002. That was a fine effort worth seeking out. And some of the Sahm obscurities on the Bottle Rockets’ effort — like “Lawd, I’m Just a Country Boy in This Great Big Freaky City,” “Stoned Faces Don’t Lie,” and “You Can’t Hide a Redneck (Under That Hippy Hair)” — aren’t on the new tribute.

But there’s a lot more Texas on the new one, including numbers performed by Sahm’s old band mates, friends, family, and contemporaries. The two surviving Texas Tornados, accordion master Flaco JimĂ©nez and organist Augie Meyers, reunite on a song called “Ta Bueno, Compadre.” Sung by Nunie Rubio and featuring the West Side Horns’ Al Gomez on trumpet and Louie Bustos on tenor sax, this is an upbeat Tex-Mex stomper. (The fourth Texas Tornado, Freddy Fender — the mayor of Milagro — joined Sahm in rock ’n’ roll heaven in 2006.)

Meyers — Sahm’s main sidekick, whose Vox organ was one of the most recognizable components of the SDQ — also pops up here on “Adios, Mexico,” a rocking Tornados tune performed by Joe “King” Carrasco. Carrasco was perhaps Sahm’s most important disciple in the early 1980s, playing a hopped-up version of the basic SDQ sound he called “Nuevo Wavo.”

This wouldn’t be a proper Doug tribute without those contemporary Sahm disciples, The Gourds. The Austin band displays Sahm’s (and its own) Mexican and Cajun influences on the song “Nuevo Laredo.”

Santa Fe’s Terry Allen is spotlighted doing a bluesy Sahm tune called “I’m Not That Kat Anymore.” Terry’s joined by his usual gang, known as the Panhandle Mystery Band, led by Lloyd Maines on guitar. And that’s Joe Ely on background vocals. Even more bluesy is Jimmie Vaughan, who does a Sahm shouter called “Why Why Why,” complete with a horn section and Sahm’s longtime drummer George Rains.

Little Willie G., from the 1960s East L.A. band Thee Midnighters, kicks off the album with the Sir Douglas Quintet’s first hit “She’s About a Mover.” (According to legend, the SDQ tried to pass itself off as English to cash in on the British Invasion. But after listening to this song for more than a couple of seconds, nobody but a drooling moron could mistake Doug Sahm for a limey.) Ry Cooder produced and plays a great grating electric guitar on this track. And we stay in East L.A. for the next tune, “It Didn’t Even Bring Me Down,” a suave little mellow song performed by Los Lobos with Cesar Rosas on lead vocals and Steve Berlin shining on sax.
TEXAS TORNADOS 1996
Most of the artists on the CD — including Dave Alvin, Alejandro Escovedo, and Delbert McClinton, all of whom provide worthwhile interpretations — are no big surprise. But somehow I’ve never associated the music of Greg Dulli (The Afghan Whigs, The Twilight Singers) with the music of Doug Sahm. So Dulli’s contribution, “You Was for Real” is the big surprise of the album. Even though there’s steel guitar (Greg Leisz) and fiddle (Amy Farris), it’s unmistakably Dulli. He’s played with the melody of the song — originally a cry-in-your-beer honky-tonker — and turned it into a dark, minor-key slow-burner. You might call the sound “Twilight Tornado.” It’s truly one of the tribute’s highlights.

But speaking of being for real, my very favorite song on Keep Your Soul is “Be Real” by Freda and the Firedogs. This group, led by long, tall Marcia Ball, was an Austin staple back in the day when Sahm was inventing the concept of the “cosmic cowboy.” Sahm would perform with the Firedogs. Ball, reunited with her old bandmates, sings Sahm’s two-stepper with unpretentious grace, class and emotion.

Somewhere, Sir Doug has to be smiling.

I’ll be Doug-gone: Friday night on The Santa Fe Opry I’ll do a proper tribute of my own to Mr. Sahm, playing tracks from Keep Your Soul, other Sahm covers, and of course, tons of Doug’s own stuff. The Opry starts at 10 p.m. Mountain Time, and the Sahm segment starts right after the 11th hour. That’s KSFR-FM 101.1 FM and streaming live at ksfr.org.

Sunday, March 22, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, March 22, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org


OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Leave the Capitol by The Fall
Garbage Man by The Cramps
The Boogie Disease by Dr. Ross
Freezer Burn by Edison Rocket Train
Kick Boxer Girl by Black Smokers
American Beat by The Fleshtones
Loan Shark by Guana Batz
Wynonna's Big Brown Beaver by Primus
In Jail in Jacksonville by Root Boy Slim & The Sex Change Band

Preacher and the Bear by The Big Bopper
Love Special Delivery by Thee Midnighters
The Strip by The Upsetters
Debra Lee by BBQ
Pachuko Hop by Chuck Higgens
Pachuco Boogoe by Don Tosti's Pachuco Boogie Boys
WPLJ by The Mothers of Invention
Burn Baby Burn by Stud Cole
Tijuana Affair by Manic Hispanic

The Sky is a Poisonous Garden by Concrete Blonde
Young Girl Sunday Blues by Jefferson Airplane
Long Day's Flight (til Tomorrow) by The Electric Prunes
Today is a Good Day by Mudhoney
Undertaker by Thinking Fellers Union Local 282
Mysterious Friends by The Grifters
Polish Work Song by The Dex Romweber Duo
The Blood of God by Kult

I'll Fly Away by Isaiah Owens
God's Mighty Hand by The Rev. Utah Smith
He's Got the Whole World in His Hands by Brother Williams Memphis Sanctified Singers
The Ball Game by Sister Wyona Carr
I Know I've Got Religion by The Staple Singers
Walk Around by The Rev. Lonnie Farris
City of Refuge by Alvin Youngblood Hart & The Carolina Chocolate Drops
The Church Needs Good Deacons by Washington Phillips
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, March 21, 2009

Best Music Deal of the Day

LOS WACOSI couldn't see the Waco Brothers this year because I couldn't make it to SXSW (thank you New Mexico Legislature!), but here's the next best thing.

The lovely and talented Deano Waco (that's him on the far left of the photo) is offering free downloads of 14 songs with the fabulous Meat Purveyors.

You can find that HERE.

Don't be a freeloading scumbag. Use the Paypal button to leave a little dough for Deano. As the man says, "Think of it like I'm your bartender and I've just given you a round on the house!"

I'm listening now and it sounds cool.

Friday, March 20, 2009

TERRELL'S TUNE-UP: THIS IS WEIRD

For some reason, my column this week did not appear in Pasatiempo.

However, it did show up on The New Mexican's Web site.

You can check it out HERE.

Somehow a story I did for the Legislative page in today's paper got held also. Maybe I've been fired.

UPDATE:
Looks like this is going to be a "Web Only" Tune-up. It was actually based on several short reviews in recent e-Music monthly reports published on this blog. You can find those HERE.

XXXXX

By the way, Tom Adler will be filling in for me tonight on The Santa Fe Opry on KSFR. It's the last night of the Legislature (THANK GOD!), so I'll be stuck at the Roundhouse. But Tom always does a great job, so tune in at 10 p.m. on KSFR, 101.1 FM or on the Web.

Sunday, March 15, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, March 15, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
In Praise of Sha Na Na by The Dead Milkmen
Big Black Baby Jesus of Today by The Black Lips
Hey Sailor by The Detroit Cobras
Rosalyn by The Pretty Things
Marie by The Alarm Clocks
Samson and Delilah by Edison Rocket Train
Smokes by Question Mark & The Mysterians
Don't Try It by The Devil Dogs
I Couldn't Spell !!*@! by Sam the Sham & The Pharoahs
Love Letters by Dex Romweber Duo with Chan Marshall
Johnny's Jive by Johnny Little John & Guitar

Back Street Girl by Social Distortion
Out the Door by Les Sexareenos
Tina Louise by The Dirtbombs
It Ain't the Meat by The Swallows
Oh Sweet Susanna by The Mooney Suzuki
Your Love Has Got to Me by Don Covay
Red Rose Tea by The Marquis Chimps
Andre by L7
I Love Mean Girl by Pan Ron & Im Yeng
Cheerful Angels Commercial by Isaiah Owens

Cold Night for Alligators by Roky Erikson
El Perversio by Deadbolt
Unemployment by Demon's Claws
Wine Head by Johnny Wright
Rock and Roll by The Velvet Underground
Woman Train by Hank Davis
Midnight Stroll by The Revels
Selena by Kult
My Man Stands Out by Julia & Her Boyfriends

Hold My Hips by Dengue Fever
California Tuffy by The Geraldine Fibbers
Black John by The Soul of John Black
Bring it on Home to Me/I'm in Love Again by Rudy Ray Moore
Shapes of Things by The Yardbirds
The Parting Glass by The Clancy Brothers
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, March 13, 2009

THE SANTA FE OPRY PLAYLIST

Friday, March 13, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Foot Stompin' Friday Night by The Stumbleweeds
Whatcha Gonna Do Now by Tommy Collins
Where a Rat's Lip Have Touched by Phil Lee
I'm a Gonna Kill You by T. Tex Edwards & Out on Parole
I Wanna Be Sedated by Two Tons of Steel
Walking Bum by Heavy Trash
Disconnect You by Mike Neal
Cowboys are Frequently Secretly Fond of Each Other by Willie Nelson
Things We Like to Do by NRBQ

Tribute to Tribute Albums
It Didn't Even Bring Me Down by Los Lobos
Hot Dog by Toni Price
Hot Dog That Made Him Mad by Carolyn Mark & The Room-Mates
Before All Hell Breaks Loose by Asleep at the Wheel
Truckin' by Dwight Yoakam
Harper Valley PTA by Syd Straw & The Skeletons
I've Always Been Crazy by Carlene Carter
Poor Little Critter on the Road by Trailer Bride
Trouble in Mind by The Pine Valley Cosmonauts with Jimmie Dale Gilmore

Death Penalty Set
Send Me to the 'lectric Chair by David Bromberg
25 Minutes to Go by Johnny Cash
Sing Me Back Home by Merle Haggard
Sam Hall by Richard Thompson
Green Green Grass of Home by Kelly Hogan
Hangin' Johnny by Stan Ridgway
Miss Otis Regrets by Jenny Toomey
Ellis Unit One by Steve Earle & The Fairfield Four

After We Shot the Grizzly by The Handsome Family
Quietly by Fred Eaglesmith
They Don't Rob Trains Anymore by Ronnie Elliott
I Can't Get Used to Being Lonely by Amber Digby
Someday by Blaze Foley
Four Strong Winds by Neil Young
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: ROMWEBER ROMP

A version of this was published in The Santa Fe New Mexican
March 13, 2009


The weird phenomenon of punk/blues duos — which bore commercial fruit in the early part of this decade with The White Stripes and The Black Keys — owes debts untold to a North Carolina twosome called The Flat Duo Jets. Led by guitarist/shouter Dex Romweber, the Jets burned out by the end of the '90s. While they never quite grabbed the brass ring, the Jets earned a certain reverence in rock's underground corners, a respect that continues to this day.

Romweber has lain low for the last few years, but now he's back with another duo — his sister Sara Romweber (formerly of a band called Let's Active) taking Chris "Crow" Smith's place behind the traps set.

If you only heard a couple of tracks, such as "Pictures of You" and "Gray Skies," you might think the Dex Romweber Duo was Flat Duo Jets Mach II. But that's definitely not the case.

The new album, Ruins of Berlin, features the Romweber siblings collaborating with other musicians. Several songs include a bassist, while saxophone and even a cello pop up here and there. Rick Miller of Southern Culture on the Skids shows up for a guitar showdown with Dex. And there's a bevy of female guest vocalists, including Exene Cervenka, Neko Case, and Chan Marshall.

They are employed well. "Lonesome Train," in which Cervenka comes in on the second verse, is a wistful little minor-key ditty with a simple refrain, "Make love to me as we listen to the lonesome train ... out there in the lonesome rain." It's the type of tune that might have been crooned by the radiator lady in Eraserhead.

And speaking of David Lynch movies, I do believe my favorite track here is "Love Letters." When, as a grade-school kid, I used to hear the smoky blues torch-song original by Ketty Lester on my transistor radio, it seemed like a seductive invitation into some sexual netherworld. Years later, when Lynch used it in the soundtrack of Blue Velvet, it took on overtly sinister tones. ("Don't be a good neighbor anymore to her. I'll have to send you a love letter! Straight from my heart.") Neither Marshall's nor Dex's vocals come close to Lester's. But in this version, there's a subtle hint of menace to evoke disturbing memories of Frank Booth's evil joy ride.

Some of the selections here have a pronounced European feel. That's especially true of the instrumental "Polish Work Song," written by Dex and featuring Bob Pence on saxophone. Similarly, the title song — a Marlene Dietrich tune, for the love of Elvis! — has a jaunty little beat, but the melody is extremely similar to the slinky jazz song "Kiss of Fire."

Some of the best tunes here are the rocked-out instrumentals. "Lookout," which opens the album, is a surfadelic little cruncher featuring Miller as well as sax man Pence. Pence comes back for "Cigarette Party," a song where sister Sara gets to show her stuff on bongos.

The album ends with a simple country song, "It's Too Late," which Dex dedicates to a friend in North Carolina. It's not even a duo — just Dex playing an acoustic guitar and singing. It seems like the perfect coda for an understated but worthwhile album.

Also recommended:

200 Million Thousand by The Black Lips. These guys have taken some flak in the garage/punk community recently for allegedly getting too big for their metaphorical britches, so I approached their latest album with some reservations. I'm happy to report that even if it's true that these boys from Georgia are getting swelled heads, this record is swell.


You can still hear the basic Black Lips sound in here — basic guitar snot rock with frequently off-key singalong verses that remind me of The Dead Milkmen of yore. But somehow they seem to be expanding their sound without sacrificing their raw, rough, amateur-hour appeal.

"Drugs" is a basic rocker that sounds almost like a lost Dictators song. "Trapped in a Basement" is a minor-key stomper that reminds me a little of The Beatles' "I Want You (She's So Heavy)." "Drop I Hold" is an experimental, lo-fi, almost trip-hoppy piece that doesn't sound like anything else this has ever done, showing an artsy side we never knew they had.

On some songs, The Black Lips sound as if they've been listening to another "Black" band —The Black Angels. Psychedelic sludge colors tunes like the faux-bordello "Body Combat" and "Big Black Baby Jesus of Today."

Sometimes you wonder whether The Black Lips are idiot savants or just idiots. Take the track called "I Saw God." It starts off with a child talking about "religious experience," followed by a spoken-word piece over a slow-churning guitar. Next thing you know, someone starts fooling with the tape speed and loud beeps begin to "censor" the speaker's increasingly volatile (if incomprehensible) rant. The music pounds and swells like some deranged anthem before slowing down and puttering to a finish.

One track I found irritating was "I'll Be With You." Not that the song's bad. I like the Mickey-and-Sylvia tremolo guitar. But we've heard it before on a previous Black Lips tune, "Dirty Hands." The band is obviously going for new directions elsewhere on the album, so it's strange that with this song they basically copy themselves.

I have not heard the complete album. For reasons best known to the band and its record company, the final track, "Meltdown," isn't available for download on eMusic (where I got the rest of 200 Million Thousand), Amazon, or iTunes. So if "Meltdown" is bad enough to bring down the rest of the album or good enough to make the whole thing Top-10-of-the-year worthy, I just don't know.

TERRELL'S SOUND WORLD PLAYLIST

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