Showing posts sorted by date for query Al Hurricane. Sort by relevance Show all posts
Showing posts sorted by date for query Al Hurricane. Sort by relevance Show all posts

Monday, February 10, 2014

Big Enchilada Features NM Rock


THE BIG ENCHILADA



Since the days when Buddy Holly recorded in Clovis, New Mexico, the land of roadrunners, sopapillas and crashing flying saucers, has been the home of some excellent rock 'n' roll. It hasn't always thrived, but somehow it's survived. Step inside the Garage of Enchantment into hear some immortal garage, punk and psychedelic sounds, with some Hispanic sounds, which is the foundation of much of New Mexico rock 'n' roll. Viva Nuevo Mexico!

Here's the playlist:

(Background Music: Panic Button by The Fireballs )
I Wanna Come Back from the World of LSD by The Fe-Fi Four Plus 2
Willow by Manby's Head
Cave Man by Blood-Drained Cows
Go Away by The Plague
When Will I Find Her by Mike Renolds & The Infants of Soul
La Mula Bronca by Al Hurricane

(Background Music: Mr. Big by The Four Frogs)
Witches by Bichos
Run Girl Run by The Movin' Morfomen
Who's Been Driving My Little Yellow Taxi Cab by Lincoln Street Exit
Spreading the Love Vibration by 27 Devils Joking
Working Girl by The Strawberry Zots
El Corrido de Emilio Naranjo by Angel Espinoza

(Background Music: Little Big Hair by Milo de Venus)
The Movies by The Angel Babies
For Your Love by Mother Structman's Jams and Jellies
Goat Throat by The Scrams
Tipi Tipi Tin by Baby Gaby
(Background Music: Moonbeam by King Richard & The Knights)

Many of the bands from the '60s on this episode recorded for or were associated with Dick Stewart's  Lance Records in Albuquerque, N.M.. Check out their website HERE

And check out my recent Terrell's Tuneup column on Norton Records' excellent El Paso Rock compilations -- the recent ones including many southern New Mexico bands. That's  HERE.

Now listen to the dadgum thing below:

Sunday, October 09, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 9, 2011 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Volare by Alex Chilton
Raw Power by Iggy & The Stooges
Blues for Joe by The Monsters
Angry Hands by Manby's Head
Bad Boy by HeadCat
One-Eyed Girl by The Compulsive Gamblers
Old Folks Boogie by Jack Oblivian
Crawdaddy by Nine Pound Hammer
White Rabbit by The Frontier Circus

Spook Factor by The Memphis Morticians
Get Down (and Get Stupid) by The Del-Gators
Electric Band by Wild Flag
Family Tree by Black Lips
Sweet Jesus by Elvis Hitler
Sister Ray Charles by JC Brooks & The Uptown Sound
Booty City by Black Joe Lewis & The Honeybears
Natural Man by The Dirtbombs
Crazy Clown Time by David Lynch

Victory Song by Scott H. Biram
Hail Bop! by The Bassholes
Primitive by Southern Culture on the Skids
The Pimps Don't Like It by Juke Joint Pimps
I Might Just Crack by April March
Good Bye Johnny by The Gun Club
Baila Bailme by Al Hurricane

Kool Thing by Sonic Youth
In the Dark by Jay Reatard
Outside Woman Blues by Blind Joe Reynolds
Frankie and Johnny by Kazik Staszewski
Lazy River Road by The Persuasions
Surf's Up by The Beach Boys
Greater Day by The Rev. James Cleveland
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis


 Subscribe to The Big Enchilada Podcast! CLICK HERE

Monday, March 21, 2011

Gotcher Brand New Big Enchilada RIGHT HERE!

THE BIG ENCHILADA


I'm a grandfather now but I can rock just like a young whippersnapper. A couple of slugs of Geritol and I'm as good as new. Here's some rockin' tunes for the young at heart and old of fart. As Popeye says, "You've got to save your youth for your old age." This episode includes tons of the usual garage/punk/pyschobilly/R&B/ trash rock that I love so well. And we end with a freeform set that's an ode to grandfatherhood. Someday my grandson will hear this. Hopefully he won't be too disturbed.

Play it here:



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Here's the playlist

(Background Music: No Tienes Mi Querer by The Rollings)
Don't Let me Down by The Pornostuntman
The Heist by Gotham City Mashers
Baby I Grind by Les Sexareenos
Spook Factor by Memphis Morticians
No Great Shakes by Hipbone Slim & The Knee Tremblers
I Need Your Lovin' by Wolfman Jack & The Wolfpack
Good Time by The Mighty Hannibal

(Background Music: Sweet Georgia Brown by Cab Calloway)
Floor Length Hair by Kid Congo & The Pink Monkey Birds
Cheetah Eyes by Clone Defects
Walking Through My Dreams by The Big Bopper
Boogiehut by The Get Lost
Red River St. by The Kill Spectors
The Monkey by The Great Gaylord
Eres Casado by Al Hurricane

(Background Music: Old Folks Boogie by Captain Beefheart & The Magic Band)
Granddaddy's Rockin' by Mac Curtis
Rock 'n' Roll Grandpap by Don Rader
Dirty Old Man by Thee Headcoatees
I Am My Own Grandpa by Asylum Street Spankers
Silver Threads Among the Gold by Jerry Lee Lewis
Grandpa's Boogie by Grandpa Jones
Look at Granny Run by Howard Tate
(Background Music: Sloop John B by Joseph Spence)

Friday, January 07, 2011

RADIO HURRICANE

Al Hurricane, the Godfather of New Mexico Music -- and who was featured in the latest New Mexico Blue Book -- will perform live at Albuquerque's KiMo theater, 8 p.m. Feb. 16.

And if you can't make it to the theater, you can listen to it live on the radio,  KANW 89.1.

You can read my 1998 profile of Al HERE (scroll down)

Friday, July 16, 2010

Hurricane Warning for Santa Fe

Al Hurricane that is.

The Godfather of New Mexico music and his son Al Hurricane, Jr., will perform 7:30 pm, Saturday, August 7 Santa Fe Community Convention Center at a benefit dance for the Santa Fe Fiesta Council.

Al the Elder released his first album in 1967. Hurricane has released 29 more albums with his latest in 2007.

CLICK HERE and scroll down to find my 1998 profile of Al, Sr.

Tickets are $15 per person or $25 per couple and can be purchased at the Lensic Peforming Arts Box Offfice, by phone at (505) 988-1234 or online.

Thursday, May 21, 2009

BLIP.FM ADDS VIDEOS

My old No Depression board buddy Paul Bonanos writes in The New York Times about Blip.fm's latest deal with Youtube to bring music videos to its service.

Paul's story is HERE .

His Blip page is HERE

My Blip page is HERE.

And below is a very short clip of Al Hurricane and his brother Tiny Morrie. The video doesn't show up when you embed the blip, so I'll embed the Youtube itself.



Sunday, May 03, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 3, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
69 Faces of Love by King Khan & The Shrines
Drums a Go Go by The Hollywood Persuaders
She Said Yeah by Larry Williams
Black Shiny Beast by Buick MacKane
Space Age by The Monks
Bullet Proof by The Black Smokers
Sheela Na Gig by P.J. Harvey
The Crusher by The Novas
Pleasure Unit by The Gore Gore Girls

Little Red Riding Hood by The Big Bopper
Red Riding Hood and The Wolf by Bunker Hill with Link Wray
Little Red Riding Hood by Sam the Sham & The Pharoahs
Burning Red by The Molting Vultures
Sookie Sookie by Steppenwolf
Later That Night by Ruben & The Jets
Leave the Ghost at Home by Troy Gregory & The Sights
Lap Dancer by Big Ugly Guys
Minority Report by Los Straightjackets
Dos Hojas Sin Rumbo by Al Hurricane

Wrong Way Ticket by The Cramps
Take My Heart by The Black Lips
Torture Rock by The Rockin' Bellmarx
I'm a Hog for You Baby by Screaming Lord Sutch
You Treat Me Bad by The Ju Jus
Mr. Link Wray by The Happy Happy Jihads
The Black Widow by Link Wray
Moonlight Boogie by Billy Miles Brook
Ain't That Just Like Me by The Astronauts
Madhouse by Barrence Whitfield & The Savages

Get Happy by Simon Stokes
Experiment in Terror/Stalkin' by Impala
I Hear Sirens by The Dirtbombs
Money (That's What I Want) by Junior Walker & The All Stars
Alcoholics in My Town by Jesus H. Christ & The Four Hornsmen of the Apocalypse
Sign of the Judgement by Marcus Randolph
Muriel by Eleni Mandell
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Monday, November 17, 2008

THREE'S A CHARM: NEW PODCAST

Listen to my dadgum podcasts!I've just unleashed my third podcast, Terrell's Sound World Favorites, Vol. 1, more than an hour's worth of tunes I like playing on my Sunday night KSFR radio show.

CLICK HERE to download the podcast. (To save it, right click on the link and select "Save Target As.")

CLICK HERE to subscribe to my podcasts (there will be more in the future) and HERE to subscribe on iTunes.





My cool BIG feed player is HERE.

Here's the play list:

I Wanna Come Back from the World of LSD by The Fe-Fi-Four plus Two
Let Loose the Kracken by The Bald Guys
No Confidence by Simon Stokes
Red Riding Hood and The Wolf by Bunker Hill with Link Wray
96 Tears by Big Maybelle
Mi Saxophone by Al Hurricane

Folly of Youth by Pere Ubu
Police Call by Drywall
We Tried It, Try It by The Movin' Morfo Men

The Criminal Beside Me by R.L. Burnside with The Jon Spencer Blues Explosion
Freezer Burn by Edison Rocket Train
Treat Her Right by Los Straightjackets with Mark Lindsay
What Do You Look Like? by Hipbone Slim & The Knee Tremblers with Holly Golightly
Jungle Rock by The Fall
Devil Dance by The A-Bones

Moonbeam by King Richard & The Knights
Lord, Don't Let Me Fail by Mahalia Jackson

Sunday, September 21, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, September 21, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

SUPPORT THE KSFR FALL FUNDRAISER!
Call me during the show 505-428-1382 or PLEDGE ONLINE

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
It's Money That I Love by Randy Newman
Money Money by The A-Bones
Money (That's What I Love) by Jerry Lee Lewis
I Need Some Money, I Want Some Money by Swamp Dogg
Money Won't Change You by James Brown
Before the Money Came by Bettye Lavette

Maniac Rockers From Hell by The Meteors
Chocolate Drop by Howlin' Wolf
(I'm Not Your) Scratchin' Post by The Dirtbombs
Cab it Up by The Fall
Vampiro by Los Peyotes
Seething Psychosexual Conflict Blues by Figures of Light
Only to Other People by The Detroit Cobras
Addictos Al Ye Ye by The Hollywood Sinners
Dos Hojas Sin Rumbos by Al Hurricane

BRIAN WILSON SET
All songs by Brian Wilson except where noted
That Lucky Old Sun/Morning Beat
Heroes & Villains by The Beach Boys
My Jeanine by Brian Wilson & Van Dyke Parks
Rio Grande
Cabin Essence
Add Some Music to Your Day
Still I Dream of It
Surf's Up by The Beach Boys
Going Home

Meth of a Rockette's Kick by Mercury Rev
Always by Leonard Cohen
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Sunday, August 03, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, August 3, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
I Wish That I Was Dead by The Dwarves
Taxi Driver by The Rodeo Carburettor
Night of Broken Glass by Jay Reatard
Wedgie Wipeout by The Wipeouters
Day Time Girl by Sky Saxon
I'm in With the Out Crowd by Sam the Sham & The Pharoahs
Thanks a Lot by Dengue Fever
Don't Bring Me Down by The Animals
Dog Food by Iggy Pop

Penny & The Young Buck by The Gluey Brothers
Can't Take 'em Off by Andre Williams & The New Orleans Hellhounds
Sweet Tooth by King Khan & The Shrines
Puddin' Truck by NRBQ
Snake Charmer by The Puddle Jumpers
Hot Tamale Baby by Buckwheat Zydeco
Can't Judge a Book by Bo Diddley
Louie Louie by The Kingsmen

Pappa Did the Chicken by Little Sammy
Boss Lady by The Detroit Cobras
The Ballad of Hollis Brown by Thee Headcoats
Davey Crocket by Thee Headcoatees
Buzz the Jerk by The Pretty Things
Hey Little Girl by Thunderbirds
Don't You Want a Man Like Me by Little Brother
Baila Bailme by Al Hurricane
Rub Every Muscle by Half Japanese

Tremblin' White by Hundred Year Flood
Freckle Song by Chuck Prophet
Listen by Screamin' Jay Hawkins
Take a Bath by Charles Sims
La Sombra by Cordero
Don't Change on Me by Ray Charles
I Believe in Tomorrow by Tiny Tim & Bravc Combo
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Sunday, June 15, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 15, 2008
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Hell or High Water by Hundred Year Flood
Son of a Gun by Goshen
Albert Goes West by Nick Cave & The Bad Seeds
Selling the Wind by Pretty Girls Make Graves
The Wicked Messenger by The Black Keys
Sookie Sookie by Steppenwolf
Kill You Tonight by The Sinister Six

El Perversio by Deadbolt
Get Happy by Simon Stokes
Mumble and Bumble by The Seeds
These Boots Were Made For Walking by Johnny Thunders & Wayne Kramer
It's Not Bad by The Shakers
Marylou by The Astronauts
Big Boy Pete by Paul Revere & The Raiders
Draygo's Guilt by The Fall
Cha Wow Wow by The Hillbilly Soul Surfers
Mi Saxophone by Al Hurricane

Torture by King Khan & The Shrines
Can't Stop Thinking About You by Charles Bradley
Dirty Old Woman by Denise LaSalle
Cosmic Slop by The P-Funk All-Stars
Slow Bus Movin' (Howard Beach party) by Fishbone
Sherilyn Fenn by Screamin' Jay Hawkins
Can You Deal With It by Andre Williams & The New Orleans Hellhounds

Global a Go Go by Joe Strummer & The Mescaleros
Shanghai by Hang on the Box
Soba Song by 3 Mustaphas 3
Sober Driver by Dengue Fever
Dyplomata by Kult
I'm Going to Leave You Satisfied by Divorced
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, April 04, 2008

TERRELL'S TUNE-UP: XIU XIU 'NUFF

A version of this was published in The Santa Fe New Mexican
April 18, 2008


Here’s some of the craziest but most enticing music I’ve heard in a long time. Women as Lovers, the new album by northern California avant-garde rockers Xiu Xiu, pushes boundaries I didn’t even know were there. And the band will be pushing them in Santa Fe at a Monday night, April 7, show at the College of Santa Fe.
XIU XIU's WOMEN AS LOVERS
Xiu Xiu (pronounced “shoe shoe”) might remind listeners of the San Francisco band Deerhoof. The two bands have collaborated in the past, and Deerhoof’s drummer and keyboardist Greg Saunier plays on Women as Lovers. I also detect a certain kinship with another San Francisco experimental rock band, Thinking Fellers Union Local 282. There’s a similarity in some of the batty sounds, although Xiu Xiu’s music lacks the lighthearted, goofball quality of the Thinking Fellers. And then there’s Mr. Bungle, another Bay Area weirdo, kitchen-sink band. Xiu Xiu’s Ches Smith was a member of that group.

Singer Jamie Stewart has one of those morose, sobbing, 4 a.m.-suicide voices that sometimes get on my nerves (he’s been compared with The Cure’s Robert Smith). Stewart’s voice gives a definite gravity to Xiu Xiu’s eccentric, eclectic musical assault, which can include sax, vibraphone, chimes, banjo, flute, harmonium, glockenspiel, bells and whistles, all sorts of electronic gadgetry, and — on their best songs — loud, maniacal drumming.

Xiu Xiu songs have a way of sneaking up on you. The opening tune, “I Do What I Want, When I Want,” has a slow, plodding, ominous beat, punctuated by what sounds like kazoos. Eventually the song drifts into a strange section of whistles and gongs, like an amusement park boat ride drifting into a forbidden area of It’s a Small World, and by the end there’s a wild, jazzy sax (by guest Howard Wiley).

Sometimes the lyrics are as bizarre as the music. “Crush a pastry into your breast ... crush an ashtray into your breast,” Stewart croons on “In Lust You Can Hear the Axe Fall.”

But don’t think they’re not serious. “Black Keyboard” deals with child sexual abuse in a direct and shocking manner. “Why would a mother say such things? Why add tongue to a kiss good night?” Stewart sings over an acoustic guitar.

Xiu Xiu takes a stab at politics with “Guantanamo Canto,” which in spots sounds almost like a Javanese gamelan piece. “My country needs this freedom to contradict your humanness,” Stewart sings. One of the highlights of the album is a cover of David Bowie’s and Queen’s “Under Pressure” that features guest vocals by Swans’ Michael Gira and Wiley’s explosive sax.

Sometimes the slower songs on Women as Lovers get way too shoegazey for my tastes. “Master of the Bump” (“If you say my dancing is effeminate I will never dance again.”) is about a guy whose masculinity is being questioned. I guess the slow, weepy arrangement is supposed to reinforce those questions. And I might have fallen asleep during “Black Keyboard” had that first line, quoted above, not jolted me so. I vastly prefer the full New Year’s Eve-in-the-nuthouse mode, with the vibes clinking, drums crashing, horns blaring, and synths screeching.

Women as Lovers demands repeat listens. You’ll discover new textures and unexplored corridors almost every time you play it.

Xiu Xiu, with opening act Thao Nguyen and the Get Down Stay Down, is scheduled to play at the College of Santa Fe SUB, in St. Michael’s Hall, 1600 St. Michael’s Drive, at 8 p.m. on Monday, April 7. The show is free for CSF students and $8 at the door for the rest of us. Call 473-6217 for information.

Say it ain’t so, Tony!

Here’s some shocking news from state government: Tony Orlando is no longer a New Mexico music commissioner.

During a recent shake-up on the New Mexico Music Commission, Mr. “Knock Three Times” didn’t see the yellow ribbon ’round the ole oak tree, so he stayed on the bus and kept riding. He was one of about a dozen members of the 26-person commission who was replaced at the beginning of the year. Strangely, there was no press release announcing the changes.

Speaking of strange, the appointment of Orlando to the state panel in 2005 was one of the most mysterious appointments of the whole Richardson administration. Orlando doesn’t live in New Mexico. He’s not from New Mexico. He doesn’t play here much, not even the casinos. He’s never recorded any songs by Al Hurricane or Joe West. He hasn’t had a hit in almost 30 years. And, of course, he never attended any commission meetings or did anything to advance New Mexico music as far as anyone could tell.

Still, I’m going to miss the cheap punch lines he often provided me with.

Here’s the good news: the new commissioners include a gaggle of New Mexicans actually involved in music here. Among them are a couple of Santa Fe folk who have done great work with the community in general as well as with musicians — Ana Gallegos y Reinhardt, the force behind Warehouse 21, and David Lescht, who started the Outside In, which has brought good music to nursing homes and hospitals and provided guitar lessons to kids in jail.

One drawback with Gallegos y Reinhardt and Lescht: neither ever hosted a weekly variety show in the ’70s on national TV. But with a little encouragement, I’ll bet they can overcome this handicap.

The Music Commission, with or without Tony, has been busy. It’s responsible for a television show called New Mexico Southwest Sounds that airs on KOAT-TV, Channel 7. (The last one featured Jimmy Stadler, Micky Cruz, Wayne Johnson, and Poor Man’s Ferrari.) You can see videos of past shows HERE

And, according to commissioner George Adelo, commission executive director Nancy Laflin referred the producers of the Oscar-winning No Country for Old Men to musician Michael Sanchez, who wrote a mariachi song used in the movie.

The commission has a good Web site too: CLICK HERE.

Monday, October 22, 2007

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 21, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

with special guests Chuck McCutcheon, Liisa Ecola and Scott Gullett
Now simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Timothy by The Buoys
Gimme Dat Harp Boy by Captain Beefheart
Misery Goats by Pere Ubu
Duplexes of the Dead by The Fiery Furnaces
Where Evil Grows by The Gore Gore Girls
Slum Goddess by The Fugs
Tijuana Hit Squad by Deadbolt
The Whole Thing Stinks by Rico Bell
I Have Been To Heaven And Back by The Mekons
Roll In My Sweet Baby's Arms by Deadmen's Hollow

Ghost Song/Dawn's Highway/Newborn Awakening by Jim Morrison & The Doors
Morrison by Robert Mirabal
Alabama Song by Kazik Staszewski
Wreck on the Highway by The Waco Brothers
Back Door Man by The Doors

Hulkster in Heaven by Hulk Hogan
The Cutester Patrol by The Grandmothers
Comin' Around the Mountain by Hound Dog Taylor & The Houserockers
Feast of the Mau-Maus by Screamin' Jay Hawkins
Shoot Your Shot by Junior Walker
All Night Lover Man by Swamp Dogg
Dozin' and Droolin' by Root Boy Slim & The Sex Change Band
Banana Split for My Baby by Louis Prima

Sensitive New Age Guys by Christine Lavin
La-Ti-Da by Marcia Ball
Whatever Happened to P.J. Proby by Van Morrison
Niki Hoeky by P.J. Proby
El Rebelde by Al Hurricane
The Man in Paper Hat by Eleni Mandell
So Long Baby Goodbye by Jo-El Sonnier
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Thursday, October 11, 2007

ROUNDHOUSE ROUNDUP: POLITICAL HURRICANE

A version of this was published in The Santa Fe New Mexican
October 11, 2007


One problem that political reporters and bloggers are having since last week’s news that Sen. Pete Domenici, R-N.M., isn’t running for re-election is coming up with fresh metaphors for the effect that announcement is having on state politics.

Earthquake. Upheaval. Reshuffling the deck. Tsunami. Frenzy. Stampede. I believe all of those have been used, many of them by me. So let’s just go all the way and say it ripped a hole in the fabric of political reality in New Mexico.

So now I’m going to talk about a Hurricane. No, not another metaphor for tumult. I’m talking about the man with the eye patch who definitely is the most colorful supporter who attended Rep. Heather Wilson’s otherwise low-key announcement news conference in Albuquerque last week — the Godfather of New Mexico music, Al Hurricane.

Unfortunately, he was only there to show his support for Wilson’s Senate bid, not to sing. But, talking to Hurricane after the announcement, I learned something about Heather Wilson I’d never imagined.

She plays the banjo!

Hurricane said he and Wilson were at a presentation for students at an Albuquerque middle school, and she joined him on banjo for a song.
'MARTY
If state Democrats don’t want to lose the all-important bluegrass vote, they might have to bring in Sen. Robert Byrd, D-W.V., to do a little fiddling on the campaign trail. Indeed, this race could take a turn for the musical. Democrat Marty Chávez, besides being mayor of Albuquerque, plays electric guitar. He played “Louie Louie,” “Hang on Sloopy” and some other songs with the band that opened for Joan Jett at a Fourth of July concert at Balloon Fiesta Park.

Meanwhile, back on Capitol Hill: Republican U.S. Rep. Steve Pearce of the state’s southern Second Congressional District was still sitting tight as of Wednesday, though sources close to him confirmed the congressman “has started talking to folks about putting together a finance committee and some form of exploratory committee.”

One rule of thumb: When a potential candidate starts talking about “exploratory committees” that almost always means he or she is going to run.

One Republican with whom I spoke this week said Pearce doesn’t need to jump in the Senate race right away. He can sit back, see whether Gov. Bill Richardson decides to run for Senate (I haven’t bugged the Richardson camp today to get a denial, but earlier this week I got an emphatic “No.”) and keep raising money for a House race, which could be transferred to a Senate campaign.

The exploratory committee route might suggest that’s what Pearce is doing.

But my source close to Pearce said, “I don't believe that's a strategy he would pursue. He is strongly considering a run now and will make a decision sooner rather than later. Once the pieces are in place and he's comfortable with a decision, (Pearce will) put out a statement. But it could go either way.”

The club of The Club: While state Republicans were casting their first stones at Chávez on Tuesday, attacking his record as mayor, Wilson was facing an attack — from her right. The conservative Club for Growth, a national anti-tax group, released a statement saying Wilson’s economic record “runs both deep and wide in liberal waters.” The statement quoted club president Pat Toomey saying, “Last time I checked, supporting tax hikes, pork projects, and other liberal policies is not the mark of an economic conservative.”

Replacing Heather: About the time that Bernalillo County Sheriff Darren White was announcing his bid Wednesday to seek the GOP nomination for Wilson’s congressional seat, a Democrat, former Health Secretary (and St. Michael’s High School graduate) Michelle Lujan Grisham, announced she’ll be holding a news conference to announce her intention to run for the seat.

One person who is not having a news conference is state Rep. Al Park, D-Albuquerque. Park said last week that he was considering the race for CD 1. He confirmed Wednesday that he won’t be entering the race. “I’ve got to put family first,” he said. He will, however, run for re-election to the state Legislature, where he chairs the House Judiciary Committee.

So far in that congressional race, Republican candidates include White and possibly state Rep. Janice Arnold-Jones of Albuquerque, while Democrats include Albuquerque City Councilor Martin Heinrich, former assistant Attorney General Jon Adams and (probably) Grisham.

Bad news from Nevada: Gov. Bill Richardson has said many times that he needs to do well in Nevada to keep his presidential hopes alive. Therefore a new poll from the Silver State by American Research Group has to be extremely disappointing for his campaign.

The poll of 600 Nevada residents likely to participate in the Democratic caucus in January show only 5 percent support Richardson, putting him in a distant fourth place. What’s worse for the governor is this is one point down from the last ARG Nevada poll in June. The poll was taken Friday through Tuesday and has a 4 percent margin of error.

Another ARG poll released Wednesday shows Richardson pulling 7 percent among likely Arizona Democratic primary voters. That poll interviewed 600 likely voters and had a 4 percent margin of error. U.S. Sen. Hillary Clinton has a wide lead in both states.

BLOG BONUS

Seeing Al Hurricane last week made me realize that the profile I did of him nine years ago hasn't been up on the Internet since my original web site went down several years ago. So what the heck ...

A version of this was published in The Santa Fe New Mexican
June 7, 1998


It's star time New Mexico style.

The band is pumping a Norteno beat and the audience is warmed up. Literally. It's an outdoor show on a hot afternoon, but nobody seems to mind the sweat and the sun.

"Are you ready for the star of the show?'' the man behind the keyboards asks. The crowd roars in approval.

"Well, sorry. We're not bringing him out yet.'' But the bandleader's smile gives away his little joke. "No, I'm just kidding. Here he is, ladies and gentleman, the star of the show, the Godfather of New Mexico music, and my father, Mr. Al Hurricane!''

The Godfather emerges from his tour bus parked to the left of the stage as all eyes turn to him. He cuts a dashing figure white suit, white shoes, a mop of black curly hair and a face marked by a black eye patch a grim souvenir of a life as a traveling musician turned into a celebratory trademark of a man and his music.

"Orale!" Hurricane shouts, waving his hand in greeting and grinning. Some shout back. Others just clap and cheer louder. By now it's a standing ovation and he hasn't even started.

He basks in the moment. This more than the money, he says is what propels Alberto Nelson Sanchez, the man behind the Hurricane.

For about 40 years Sanchez/Hurricane has been making a living with his music. He owns his own record company, Hurricane Records, which still thrives in the age of the compact disc. In past years his family also owned its own recording studio and nightclub in Albuquerque.

And while the entertainment business is full of stories of careers destroying family relationships, the musician's road seems to have had an opposite effect on the Sanchez clan.

Hurricane has shared the stage with his younger brothers "Tiny Morrie" and "Baby Gaby," who was part of a recent show at Camel Rock Casino. He has seen his son, Al Jr., grow up to become his bandleader, and his nieces and nephews find musical careers of their own. He currently is working with his youngest daughters on what he hopes will turn into a recording project.

But the road has had its share of pain and loss for Hurricane as well.

He lost an eye in an automobile wreck on the way to a gig in Colorado in November 1969.

Both of his marriages ended in divorce, the second one with extremely tragic consequences.

In 1986, soon after his second divorce, his ex-wife's boyfriend killed his 2-year-old daughter. The boyfriend, Ruben Lopez, and Hurricane's ex-wife each were convicted of charges of child abuse resulting in death. Both served time in prison. Hurricane had a heart attack soon after the killing.

But his family, his music and his fans all helped him heal and go on.

The Godfather! ("Don't call me `El Padrino'," he later cautions a reporter. "There's a singer down in Texas who goes by El Padrino.") As the crowd outside of Camel Rock Casino cheers, it's easy to see that the man called Hurricane has won a big spot in their hearts. And you can tell he feels that love. Maybe that's why he doesn't immediately take the stage, but goes right for the center of the crowd.

Holding a wireless microphone, Hurricane sings his first several tunes right there among the people. Between songs he shakes hands with his fans, tells jokes with the men and flirts with the ladies. (Nothing raunchy, mind you. Not far away in the audience is Bennie Sanchez Hurricane's mother). During one song, he dances with a little girl who has come to the show with her parents.

Indeed, it's an all-ages show. As Hurricane finally joins his band on stage and more couples start dancing, you can see many generations. Men and women who look old enough to be the parents of the 61-year-old Hurricane dance next to couples in their teens not to mention small children who scamper about the concert area.

It's an inter-generational gathering on stage also. Hurricane's son, Al Jr., 38, leads the band and is a recording artist in his own right. At the recent Camel Rock gig, two daughters, Erika, 20 and 13-year-old Danielle the twin sister of the girl who was killed sang a few songs. Other sons and daughters have played with him in the past.

Hurricane has been playing music in public since he was younger than Danielle.

He was born in Dixon in 1936, but spent most of his early years in Ojo Sarco. His mother gave him the nickname "Hurricane'' as a child.

"I couldn't reach across the table without spilling a bunch of things and knocking everything over," he said in a recent interview at one of his favorite Mexican restaurants in Albuquerque.

The Sanchez family moved to Albuquerque when Al was 9 years old. At first he found himself picked on because of his light complexion and natural blonde hair. (His jet black toupee is one of the worst-kept secrets in New Mexico entertainment circles).

But his music helped him win acceptance. Both his mother and his father, Margarito, who died in 1979, encouraged him in this direction, he said.

As a youngster he worked as a strolling troubadour at restaurants in Albuquerque's Old Town. As a student at Albuquerque High School he formed his own band.

During the late 1950s and early 1960s, Bennie Sanchez began a career of promoting rock shows at the old Civic Auditorium in Albuquerque. Among those who performed were James Brown, Chuck Berry and Elvis Presley. Hurricane said he played with Chubby Checker in Santa Fe at a show his mother produced.

The young Hurricane's group was frequently chosen to open the show for touring national acts and sometimes was hired as a ``pickup'' band for famous singers coming through town without their own backup groups.

This is how Hurricane hooked up with Fats Domino. For a short time he traveled with Domino, though he said he turned down a chance to tour Europe as a part of Domino's band in the early 1960s because he did not want to leave his wife and young children.

Hurricane had married his high school sweetheart Nettie. The couple had four children Al Jr., Darlene, Sandra and Jerry.

Hurricane said he also played some concerts as a guest guitarist with Marvin Gaye's band in the mid-1960s.

While he loved rock and soul music, by the late 1960s he realized "people here were hungry for Latino music."
The Godfather-to-be cut his first album Mi Saxophone in 1967 for a small independent record company. Soon after that, he and his family started Hurricane Records, which produced albums for Hurricane, Tiny Morrie and Baby Gaby, and later Al Jr.

More than 40 albums would be released on vinyl during the next couple of decades. Like other record companies in recent years, Hurricane now only deals in CDs and tapes. Hurricane said he has six of his own albums currently available on CD.

Meantime, brother Morrie and his mother set up a family recording studio on San Mateo Boulevard, purchasing recording gear from Norman Petty Studios in Clovis. "Norman Petty offered us a deal on his Buddy Holley equipment," Hurricane said.

And noticing that there was no venue in Albuquerque for Chicano music, the family bought the Far West nightclub on west Central Avenue.

Thus the Sanchezes became a mini-music industry of their own recording music at their own studio, distributing it on their own label and playing live at their own nightclub.

The family toured quite a bit in those days, mainly through the Western states with cities that had sizable Hispanic communities.

It was on the way to one of those out-of-state gigs that Hurricane lost his right eye.

"It was November First, 1969, in Walsenberg, Colorado,'' Hurricane recalled. "We were in our way up to a show in Denver. I was in a car, there were six of us, band members, you know. We were pulling a trailer with our equipment. Tiny, Gabe and my mom were behind us about two or three hours.''

The car hit an icy bridge and started to slide, Hurricane said. ``It turned over five times and I came out of the driver's side.''

There was a shard of glass stuck in his eye.

Hurricane's wife and children came to the hospital, he said. They got off the elevator as nurses wheeled him by in a gurney, "I heard my wife tell my son, `Look at that poor man. I hope your dad is not in that bad of shape.' My face was so swollen up my own wife didn't recognize me.''

The accident and the new eye patch didn't stop the music. But his first marriage soon came to an end. Hurricane remarried in 1971.

With his new wife, Hurricane had four more children Nelson, Erika and the twins Danielle and Lynnea.

By the early 1980s, Hurricane decided to sell the nightclub and the recording studio.

Tiny Morrie and his family moved to Mexico, where his son Lorenzo Antonio became something of a teen idol. Morrie's daughters would form a Spanish-language pop group called Sparx a few years down the road.

Baby Gaby by this point had decided to quit the music business. He became a postal worker but still performs occasionally.

The mid-1980s became the most horrible time in Hurricane's life the second divorce, the killing of Lynnea, the heart attack, which he says came about due to the stress of losing his little girl.

Lynnea Sanchez was pronounced dead on arrival at University of New Mexico Hospital on Nov. 5, 1986. An autopsy later showed that she died of blunt trauma to the back or the abdomen.

Hurricane's wife, Angela Sanchez, then 34, and her boyfriend Ruben J. Lopez, then 44, were arrested. In September 1987 a jury convicted both of child abuse leading to death.

Lopez was sentenced to nine years in prison. He was released in 1992 and is still on parole. Angela Sanchez was sentenced to six years and served about half her term.

Hurricane said he had no choice but to go on and be strong. "She went to prison and suddenly I had to be the mother and the father of my children, '' Hurricane said. "You know it really touched me. Last Mother's Day my son Nelson called me and said `Happy Mother's Day, Dad. You were my father and mother.' ''

These days Al Hurricane has slowed down. Not nearly as much touring, just a couple of gigs a week. He says he's working on a new album but doesn't want to say when to expect it. "Whenever I say, it would be later,'' he said.

But he still loves the music, still loves the applause, still loves it when a fan interrupts an interview to get an autograph and a kiss.

And the Godfather loves passing his music on to a younger generation. He recalled a recent show at a school in Las Vegas, N.M. The students he said were just as enthusiastic, if not more, than his regular audiences. "They were grabbing me, caressing me, '' he said. "I told the vice principal later that I felt like Elvis Presley. He told me, `You are our Elvis Presley.' "

Saturday, October 06, 2007

THE SANTA FE OPRY PLAYLIST

Friday, October 5, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

email me during the show! terrell@ksfr.org

Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Hello World by Horace Heller
2000 Man by The Gourds
New Lee Highway Blues by David Bromberg
Don't You Wish It Was True by John Fogerty
The Girl on Death Row by T. Tex Edwards & Out on Parole
The Crossing by Ray Campi
Shell of a Man by Johnny Bush & Justin Trevino
La Mula Bronca by Al Hurricane

In the Highways by The Peasall Sisters
John Law Done Burned Down the Liquor Sto' by Chris Thomas King
Fishing Blues by Taj Mahall
Hitchhiker by Blue Velvet Band
Big Rock Candy Mountain by John Hartford
He's Coming to us Dead by Ralph Stanley
Coffee Blues by John Sebastion & David Grisman
One Cut, One Kill by Bone Orchard
Ashes of Love by Rose Maddox

Don't Look and It Won't Hurt by Richmond Fontaine
Cut the Cards by Chris Whitley & The Bastard Club
The Ballad of Terri McGovern by Joe West
Gambling Charlie by Michael Hurley
I'd Rather Be Your Enemy by Lee Hazlewood
Waking Dream by Trailer Bride
Colorado by Chevy Chase
Scattin' the Blues by Les Primitifs du Futur

Study War No More by Michelle Shocked
Evening Gown by Jerry Lee Lewis with Mick Jagger & Ronnie Wood
Angel of the Morning by Chip Taylor & Carrie Rodriguez
Old Friends by Roger Miller, Willie Nelson & Ray Price
Big in Vegas by The Derailers
Whispering Pines by The Band
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, October 05, 2007

WHAT A WEEK!


I'm a political junkie, but with all the stuff going on these past few days I feel like I'm about to OD.

And now Julia's accusing me of hagiography. At least it's not child hagiography.

Besides all the scrambling for Pete Domenici's seat (Heather in, Udall out, Pearce pondering, Lyons leaning, Richardson closing the door), the latest story is about state Sen. John Grubesic's announcement he's not running for re-election. Here's an early Web version of the story. But check The New Mexican tomorrow. There's much more, including a possible surprise candidate.

My favorite part of Heather's announcement press conference today was seeing Al Hurricane there and getting to yack with him for the first time in at least a couple of years. Al's a long-time Wilson supporter. But whatever your politics, he's a great New Mexican musician. I'll play a song of his on the Santa Fe Opry tonight.

No politics for me this weekend. I'm taking my son to see They Might Be Giants at the Santa Fe Brewing Company Sunday. If you see me there do me a favor and don't try to talk politics. back in 1992 or so I took my daughter to see TMBG in Albuquerque and I had to threaten to strangle this guy WHO WAS ON ACID and wanting to talk politics (!!!!) during the concert.

Monday, July 30, 2007

TERRELL'S SOUND WORLD PLAYLIST

Sunday, July 29, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Now Simulcasting 90.7 FM, and out new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Driftin' by The Big Ugly Guys
Trash by The New York Dolls
Gentleman in Black by Tav Falco
Nothing Works by Rich Deluxe
Thunder Girl by Go! Go! 7188
Mechanical Flattery by Lydia Lunch
Almost Black by James Chance
Angel Baby by Roky Erikson

Fear Explosion by Chocolate Helicopter
Get Your Kicks on Route 666 by Monkeyshines
Saboteur by The Mayfair Classics
Undertaker by Pussy Galore
Devil Dance by The A-Bones
Fun Time by Iggy Pop
You Lost Everything But It's Not My Fault by Hang on The Box
American Wedding by Gogol Bordello

El Incidio de Los Alamos by The Knights
Vamos Ala GoGo by The Surf Lords
El Mosquito by Eddie Dimas
Bottle of Wine by The Fireballs
Bonehead by Milo de Venus
When You Were Mine by The Morfomen
Mi Saxophone by Al Hurricane
Moonbeam by King Richard & The Knights

My Rights vs. Yours by The New Pornographers
Lost in The Supermarket by The Clash
Mohammed's Radio by Warren Zevon
God's Away on Business by Tom Waits with The Kronos Quartet
I'm Your Man by Nick Cave
Every Day I Have to Cry by Arthur Alexander
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, July 27, 2007

TERRELL'S TUNEUP: ALL HAIL KING RICHARD!

A version of this was published in The Santa Fe New Mexican
July 27, 2007


There’s a lot of history wrapped up in a modest little CD called King Richard’s Red Hot New Mexican Chile Stew-Art! (subtitled A Southwest Guitar Rock and Ranchera Instrumental Adventure) by a band called The Knights, (formerly King Richard & The Knights).

It’s a tasty little collection of surfy instrumentals influenced by Mexican and cowboy music led by guitarist (and self-crowned “king”) Dick Stewart, a 40-plus-year veteran of New Mexico rock.

I first stumbled across King Richard & The Knights earlier this year while searching eMusic for obscure ’60s garage-band music. There I found Precision, a compilation credited to “King Richard & The Knights (Plus Other ’60s Albuquerque Groups).” It’s an album, originally released on the Collectibles label, of proto-psychedelia, instrumental tunes, and early rock ballads. The title track is an instrumental that was a regional hit in the early ’60s — back when “regional hits” were popular in the world of commercial radio.

The track that slugged me in the gut was the vocal version of “Moonbeam” (there’s also an instrumental); it’s six minutes of pure, greasy soul. Six minutes was an eternity when this song was recorded, but when it pops up on my iPod, I don’t want it to end.

Upon further investigation, I discovered the Lance Records Web site, run by Stewart. The site includes a candid history of The Knights that begins in 1961. Stewart describes the early incarnation of his band as “a Ventures/Fireballs clone playing 40 to 50 instrumental guitar songs per gig with no vocals other than a Chuck Berry tune here and there to break the monotony.”

“Precision” became a hit shortly before civilization as we knew it was destroyed by The Beatles and the subsequent British Invasion. Stewart on his Web site recalls: “Of course we were pissed, as were the other American rock musicians of the early ’60s, especially when our fans swiftly dumped us for the rock bands that sang with English accents, played those hideous-looking Vox guitars (especially when compared to the Fender), and grew their hair long! I admit that The Knights performed some of the early British hits shortly before calling it quits, but it was done purely out of necessity. (We wanted to remain employed.) Nevertheless, I just couldn’t shake the lead-guitar rock styles of the early ’60s, much less develop a passion for performing the new age of rock that was completely dictated by the British. That attitude, in fact, ultimately caused the demise of the original Knights.”

The band broke up just after Stewart started Lance Records, a “little, off-the-wall indie label” in Albuquerque in the mid-’60s that featured local garage bands like Lincoln Street Exit (which later became XIT, an influential Native American rock group) and Fe-Fi-Four Plus 2, best known for its psychedelic cult classic “I Wanna Come Back From the World of LSD.”

He also began publishing a newsletter called The Lance Monthly, which had stories about acts in the Lance Records stable and other local and regional acts like Al Hurricane, The Morfomen (a Santa Fe band), and Floyd & Jerry.

Stewart spent many years concentrating on his Hispanic music label, Casanova Records. But after Collectibles released the Precision compilation and the rise of Internet marketing convinced him the Web gave indie labels “a fighting chance,” Stewart revived The Lance Monthly. (This month there’s a lengthy and somewhat bitter recollection of the West Texas band The Cavaliers — most famous for the teenage-death classic “Last Kiss” — written by former Cavalier Sid Holmes.)

And Stewart revived The Knights.

As for Red Hot New Mexican Chile Stew-Art!, there’s a fine cover of “Ghost Riders” (which previously was transformed into a surf song by Dick Dale). There’s also one called “Phantom Riders.”

Did I say there was history on this album? Until I got this album I never realized that the original name of Clovis, N.M., was Riley Switch. “Riley’s Switch” is the title of a chugging little rocker here.

Meanwhile “El Incendio de Los Alamos (When Los Alamos Burned)” sounds like it could have come out of the classic surf-music era, as does “Surfin’ the Rio Grande.”

But my favorite ones are the rancheras — “El Rancho Grande,” “Poco de Todo,” “A Medias de la Noche.” They remind me of classic tunes by Arizona Hispano instrumental rocker Eddie Dimas, whose “El Mosquito” should have been a national hit.

So here’s to King Richard Stewart. Let’s hope he keeps cranking out The Lance Monthly and keeps rocking with The Knights.

Also recommended:

*Voodoo Surf Fever
by The Surf Lords. These guys haven’t been surfing the Rio Grande for nearly as long as King Richard, but they’ve been around long enough to make three CDs.

The Lords are led by guitarist/vocalist (they’re not entirely instrumental) Tom Chism, and their sound has a definite Latin influence. The song “Voices Carry” sounds like it’s inspired by Native American music — heavy tom-toms, some subtle chanting at the beginning and end, and guitar references to The Shadows’ “Apache.”

Like the title implies, this is kind of a spooky album. The best songs here are slow and spooky. There are fine mysterioso covers of Chris Isaak’s “Wicked Game” and David Essex’s “Rock On.”

“Lost in the Bayou” is simmering swamp funk. Downright psychedelic is a spacey medley “Echoes From Neptune — Shenandoah.” Yes, “Shenandoah” is the famous Civil War-era tune, but this one is way across the wide Missouri.

Tuesday, July 17, 2007

TERRELL'S SOUND WORLD PLAYLIST

Sunday, July 15, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Now Simulcasting 90.7 FM, and out new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org


(This is the pre-recorded show I left for Sunday. Tom Adler filled in for me on The Santa Fe Opry Friday.)

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Conquest by The White Stripes
Fire Engine by 13th Story Elevators
Memos from Purgatory by The Chesterfield Kings
My Dawgy Heap by The A-Bones
Pinon Lurker by The Gluey Brothers
Come Back Baby by Rev. Beat Man & The Unbelievers
Step Aside by Sleater-Kinney
Mi Saxophone by Al Hurricane

Forty Dollars by The Twilight Singers
Big Shoe Head by Buick MacKain
Lonesome Cowboy Bill by The Velvet Underground
Ask The Angels by Patti Smith
Where Were You by The Mekons
Road Runner by Jonathan Richman & The Modern Lovers
Motorcycle Irene by Moby Grape
Violenza Domestica by Mr. Bungle

Budokan Tape Try (500 Tapes High) by The Boredoms
Moon I'm Coming Home by Pere Ubu
I'm Insane by Sonic Youth
I Live in a Split Level Head by Napoleon XIV
The Torture Never Stops by Frank Zappa

Love is All Around by The Troggs
Sad Days, Lonely Nights by James Blood Ulmer
Hookers in the Street by Otis Taylor
Hiawatha by Laurie Anderson
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, December 22, 2006

TERRELL'S TUNEUP: SOLOMON COUNTRY

A version of this was published in The Santa Fe New Mexican
December 22, 2006



It seems only natural that Solomon Burke, the under-appreciated ’60s soul man, would record a top-notch country album. After all, way back when, as he was making the transition from gospel singer to R & B star, he first charted with a cover of a country song “Just Out of Reach (of My Two Empty Arms).” And one of his early hits was a high-charged take on “Down in the Valley.”

So Burke’s new album, Nashville, is something of a homecoming for the gentle giant. Produced by Buddy Miller, this is an album of country and country-flavored rock backed by some cool pickin’ Nashville cats — including Al Perkins on steel guitar, Sam Bush on fiddle and violin, and Miller on guitar. The album features several impressive duets with the likes of Dolly Parton, Emmylou Harris, Gillian Welch, and Pattys Loveless and Griffin.

It would have been an experience to be in the same room at the same time with Dolly and Solomon, such titans of American music. But Burke isn’t the type to be overwhelmed by mere mortal guest stars. It’s his vocal delivery that carries this album.

In fact, my favorite song here is the most stripped down — the opening cut, “That’s How I Got to Memphis.” This is a classic Tom T. Hall song. There are excellent covers of this tune by Kelly Willis and Miller. But, backed only by Miller’s acoustic guitar and Byron House’s stand-up bass, Burke makes the song his own. It sounds like a lonesome prayer.

But there are other breathtaking moments. The Dolly duet “Tomorrow Is Forever” is nice and churchy. Even prettier is Welch’s “Valley of Tears.” Gillian wrote the song, but she wisely keeps her background vocals low, letting Burke make love to the melody. “Everybody wants to send me down to the valley of tears,” he sings like a condemned man contemplating the lethal-injection table.

Burke seems to be having fun on this album. “You all done went hog crazy here,” Burke exclaims at the end of a riotous version of “Ain’t Got You,” (the Bruce Springsteen Tunnel of Love song) as the other people in the studio laugh. “What the heck was going on in this place here? Is you all got religion!”

But Nashville ends like it starts — on a somber note. “’Til I Get It Right” is a smooth countrypolitan-style song, complete with a string section. It’s about love, but on another level, it could be seen as a meditation on Burke’s career. “If I try my wings and try long enough, I’m bound to learn how to fly,” he moans.

He pretty much got this right.

Also recommended:
*After the Rain
by Irma Thomas. “My house is a lonely house, but it once was a happy house,” Thomas sings on the album’s first song, “In the Middle of It All.” When she sings this song, an old Arthur Alexander tune, it’s not just a metaphor. Thomas’ New Orleans house was severely damaged last year in the big storm.

The album was recorded in Louisiana a few months after Katrina. The liner notes insist that all but one of the songs were selected before the catastrophe — despite the words of the opening track and the obvious connection in the closing number, Stevie Wonder’s “Shelter in the Rain.”

But there is a song directly about the great hurricane. This is “Another Man Done Gone,” a rewrite of an old folk song. In its original form, this was a terrifying song about kidnappings and lynchings, sung by blacks of the rural South. But Thomas created new verses. “Another storm has come, the people on the run ... the water’s at his door, he couldn’t stay no more ... I didn’t know his name, so many fled that day ... another thousand gone, running away from home.” It’s a snarling rootsy blues rocker with Sonny Landreth on slide guitar and Dirk Powell on fretless banjo.

This album is full of great songs. There’s a down-home version of Skip James’ “Soul of a Man” (featuring a guest appearance by Corey Harris on guitar); an aching country weeper written by one of my current favorites Eleni Mandell (”Another Lonely Heart”); and even a sad DWI song, “Flowers.” Written by Kevin Gordon and Gwill Owen, “Flowers” has verses concerning the victims of a drunk-driving accident and one just as sad about the family of the killer drunk.

One of my favorites here is a cover of Nina Simone’s anthemic signature “I Wish That I Knew How It Would Feel to Be Free.” This won’t replace Nina’s version in our hearts and souls, but Irma gives it her all. And that’s a lot.

(Photo of Irma Thomas from Robert Mugge's film New Orleans Music in Exile.)

*Rise by Chris Thomas King. King is another Louisiana artist personally affected by last year’s hurricanes. He lost his home in New Orleans. The album is full of tunes with titles like “Baptized in Dirty Water,” “Like a Hurricane (Ghost of Marie Laveau),” and “Flow Mississippi Flow.”

The first song — “What Would Jesus Do?” — is sung from the perspective of a man who’s seen his wife swept away in the flood. He’s starving but he’s having moral qualms about looting. “Standing outside of Walgreens with a stone in my hand, I ask myself would Jesus understand.”

King takes you right back to those days of “Brownie, you’re doing a heck of a job,” in the song “Faith.”

“President Bush flying around/Oh, looking down from us from the air/They say he pity the poor people/But does he really care?”

But the album ends on a strangely optimistic note — a sweet cover of Louis Armstrong’s pop classic “What a Wonderful World” without a trace of irony.

THROWBACK THURSDAY: Come for the Shame, Stay for the Scandal

  Earlier this week I saw Mississippi bluesman Cedrick Burnside play at the Tumbleroot here in Santa Fe. As I suspected, Burnsi...