Wednesday, January 14, 2004

A Special Love

I just received an e-mail from a Norwegian man who has a web site dedicated to my friend, the late folksinger, martial artist, political troublemaker and former analyst for the New Mexico Legislative Finance Committee Rolf Cahn.


Alf Storrud wanted to know what happened to my old web site, where for years I had posted the article I wrote in 1994 about Rolf's life and final days. (He died the day after the story was published in The Santa Fe New Mexican.)

So I told Alf he has my permission to republish my story on his site, (which offers CDs of Rolf's music, which has been out of print for years.)

I'll also repost the story here.

Damn, I miss Rolf!


ROLF CAHN'S LONG, WILD SONG WINDS TO AN END
BY STEVE TERRELL
Originally Published July 31, 1994
SANTA FE NEW MEXICAN

Rolf Cahn-- folk music guru, martial arts teacher, author, social activist and beloved Santa Fe character--has, in the words of an ex-wife, "called in his troops."

Cahn, whose 70th birthday is next month, was diagnosed two months ago with liver cancer.

Since that terrible discovery, Cahn has played lots of music, including a public performance with his oldest son at Jackalope Pottery earlier this month.

He also completed a novel, The Immigrant, which, according to friends, is a tale of the ancient general Hannibal reincarnated and living in modern-day Santa Fe.

But shortly after completing The Immigrant, Cahn became bedridden at his home.

His three sons - Jesse, 45, Michael, 27, and Andrew, 24 - and other friends have been taking care of his needs: getting him water, juice and pain medication, helping him sit up, massaging his skin.

To those outside of the family, the sons refer to their father as ``Rolf.'' When talking to him or about him among themselves, they affectionately call him "Pop."

A Special Love
was the title song of a self-released Rolf Cahn tape in the early 1980s. It also could describe the feeling at the Cahn household in recent weeks.

Dozens of friends have come by during the past weeks to give their love to Rolf. Cree McCree, one of Cahn's former wives, flew in from New York to spend a week with him.

Eve Muir, whose late husband John Muir was one of Cahn's best friends, comes by the house frequently, bringing Cahn bottles of water.

Cahn's skin now has a yellow hue. Always wiry, he seems to have lost weight. Although those who know him will always remember how Cahn loved to talk, argue, rant and sing, it seems painful for him to talk now. The words are scarce.

Cahn is asleep much of the time, but when he wakes up to find a familiar face in his room, his eyes light up and he flashes a smile.

On Friday he smiled at a longtime acquaintance and pointed at him. "I like you," he said in a raspy voice.

"I like you too, Rolf," the friend said, holding back tears.

The phone at Cahn's home has rung frequently in recent days. His sons say he has received calls from Romania, England and Germany.

The letters have been pouring in. Eric Von Schmidt, an old Cambridge folkie who recorded an album with Cahn in the early '60s recently wrote, calling Cahn, "The born teacher. The guy with the best licks and the prettiest chicks ... You were the Cambridge/Berkeley connection before it existed."

Cahn was born into a Jewish family in Germany in 1924. In 1937, during Hitler's reign, Cahn's family fled, immigrating to the United States. The Cahns ended up in Detroit, where, Rolf always told friends and interested reporters, he learned how to box in self-defense.

Cahn enlisted in the Army during World War II and found himself in the Office of Strategic Services - the precursor to the CIA - parachuting behind enemy lines and blowing up bridges.

"I killed people," Cahn said in a 1982 interview. "No matter what euphemism you want to use, I just killed people."

Before his action in the European Theater, the OSS sent Cahn to study the Chinese language in Berkeley, said Jesse Cahn, who came from California to help his father. "That's military intelligence for you," he said. "Here's a young kid who speaks German and they send him off to learn Chinese."

However, it was during these studies that he met a Chinese k'ang jo fu aster, which began Rolf Cahn's lifelong study of martial arts, Jesse Cahn said.

Cahn himself wrote about the meeting in his 1974 book Self Defense for Gentle People. After his time in the service, Cahn returned to Detroit where he enrolled in Wayne State University.

There he became involved in labor organizing, left-wing politics and, not coincidentally, folk music. He learned guitar - both folk and flamenco - and in 1948 campaigned for Henry Wallace, a former vice president who was the Progressive Party's presidential candidate in 1948.

"Even then, hundreds of little Woody Guthries were running around,'' Cahn once said. "That early, and it was beginning to be a pain in the ass to listen to your fifteenth Woody Guthrie that week."

He moved to northern California and started the San Francisco Folk Music Club in the early 1950s.

In 1959, following the drowning death of a son, he moved to Cambridge, Mass., where the folk music movement was hatching. This is where the likes of Joan Baez, Bob Dylan, Jim Kweskin and Maria Muldaur got their start.

Jesse Cahn remembers Odetta - the folk singer best known for her rendition of Woodie Guthrie's "Pastures of Plenty" - as his babysitter during those years.

This era is documented in the book Baby Let Me Follow Me Down by Von Schmidt and Jim Rooney. Cahn is quoted extensively and praised reverently in the book.

"Until Rolf came, there weren't any teachers of folk or blues guitar styles around Cambridge," the authors wrote. "Eminence, rabbi, guru, whatever, Rolf could be intense and volatile or tender and charming. Like most good teachers, he was always searching and learning himself."

But when the Cambridge scene started getting commercialized and too "white bread," Cahn split, going first to Spain to study flamenco, then to New Mexico, where he first was a logger, then an analyst for the Legislative Finance Committee in Santa Fe.

He taught martial arts at night but soon learned that his folk music credentials meant little in a town known for being hard on musicians.

"The musician in Santa Fe will get his comeuppance," he said in 1982. "You'll be happy to play for tips while a bunch of rich Texans eat."

In 1971, tragedy again struck Cahn, who was living on the city's east side.

According to accounts of friends and newspaper stories at the time, masked intruders broke into the front part of his house, where his former wife and children were residing. Cahn, who was living in the back part of the house, opened fire, killing one of the burglars.

Cahn himself was shot in the arm and a bullet grazed his head.

Soon after that, Cahn left New Mexico, moving once again to California, where he worked for a Head Start program.

He returned with his two youngest sons in the late 1970s. He taught k'ang jo fu, eventually opening The Cahn School of Movement.

Occasionally he played music, trying every so often to get a scene going here, but usually ending up in frustration.

"I refuse to play while people eat, because to me music is prayer," he said in 1982.

Although in the early days he was best known for interpreting folk songs and blues, Cahn in the 1980s released two tapes of his own songs A Special Love and Midnight Sun.

His family and Eve Muir are working on releasing a tape of recently recorded songs called Fall Rain.

Cahn also remained active in social causes. He spoke at a City Council meeting against police brutality last year after the police shooting of Francisco "Pancho" Ortega.

About a year ago, his sons say, Rolf Cahn's energy level began to drop. He also began having stomach problems. But nobody thought much about it until he was diagnosed with liver cancer.

Andrew Cahn said there was never an issue about his father spending his last days in a hospital. Everyone knew it would be better for Pop to stay at home.

"It's work," Michael Cahn said. "But he spent plenty of years taking care of us. For anyone to back off because they're too busy, I just can't believe that."

Rolf Cahn is asleep again by the time his visitor leaves. Although the old, chatty guru is almost silent now, one of his songs sticks in the visitor's head.

"You'll need that special love I put on you. "

The voice is strong, and the accent thick - as if Hank Williams had been born in Prussia.

The words were initially addressed to an erstwhile wife or girlfriend, but now they seem universal.

Those who know Rolf Cahn always will remember that special love.

Tuesday, January 13, 2004

Politics and Murder

I've got a couple of things in the new issue of New Mexico Magazine.

This is the February issue, which has the theme of "Mysteries and Legends" and has a pulp-sci-fi-like cover depicting the 1964 UFO siting in Socorro reported by a state police officer.

No, that's not my story. I wrote about three unsolved homicides with severe political overtones -- the apparent assassinations of Albert J. Fountain in 1896 and Jose Francisco Chaves in 1904 and the 1949 murder of Ovida "Cricket" Coogler in Las Cruces.

Both Fountain and Chaves were Territorial-era legislators who made enemies with certain cattle rustlers with friends in high places.

Coogler was a teen-age waitress whose killing never led to a murder conviction. But the apparent cover-up eventually led to prison time for a county sheriff and state police chief and a "morals" charge against a member of the state Corporation Commission.

My other piece in the magazine is a book review of Journal of the Dead, a true-crime book by Jason Kerstan concerning the 1999 killing of a Massachusetts man by his best friend in Carlsbad Cavern National Park.

Sorry, neither of these are on the magazine's Web site. You'll have to go out and actually buy a copy. It'll be worth your $4.95.

Monday, January 12, 2004

TSW Playlist

Terrell's Sound World
Sunday, January 11, 2004
KSFR, Santa Fe, N.M.
Host: Steve Terrell


OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Give Me Some Truth by John Lennon
Piece of Crap by Neil Young
Superbabe by Iggy Pop
I'm Bigger Than You by The Mummies
Graveyard by The Yeah Yeah Yeahs
Work All Week by The Mekons
Attack on Love by Yo La Tengo
Odd Jobs by Captain Beefheart
Seven Nation Army by The White Stripes


Nixon Memorial
One Tin Soldier by The Dick Nixons
Nixon's Dead Ass by Russell Means
Blue Lake by Robert Mirabal
Mr. Bojangles by Jerry Jeff Walker
(end Nixon Memorial)
Sacrifice/Let There Be Peace by Bob Mould
The Killer by The Twilight Singers

Ghetto Music by Outkast
My Problem is You by Al Green
Sexy Ida Part 2 by Ike & Tina Tuner
Jemima Surrender by Howard Tate
Do the Rump by Junior Kimbrough
Special Rider Blues by Corey Harris
Heaven by Los Lonely Boys

Misery is the River of the World by Kazik Staszewski
Warm Beer and Cold Women by Tom Waits
Sail on Sailor by The Beach Boys
Ballad for a Loser by Just Short of Sunday
Firewalker by Rickie Lee Jones
Manitoba by Frank Black & The Catholics
Closing Theme: Over the Rainbow by Jerry Lee Lewis

Sunday, January 11, 2004

Bill Richardson Package

Finally my package on New Mexico Gov. Bill Richardson's first year (now year and 11 days ...) in office has been published in The New Mexican.

Here's the links:

Here's the main story

And this one

And this one

Also this one

Saturday, January 10, 2004

SFO Playlist

The Santa Fe Opry
Friday, Jan. 9, 2004
KSFR, Santa Fe, NM


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
The Road Goes On Forever by Robert Earl Keen
Leave Me Liquor by Hog Mawl
Interstate City by Dave Alvin
Last Hard Bible by Ben Atkins
Just For the Record by Bobby Flores
Walpole Prison Blues by Angry Johnny & The Killbillies
The End of the World by Herman's Hermits

Almost Persuaded by Merle Haggard
Clementine by The Sundowners
Cash and Tobacco by Nathan Hamilton & No Deal
C'est La Moment by Paul Burch
Jerusalem by The Letterpress Opry
Down in the Flood by Bob Dylan
My Museum Blues by Graham Lindsey
Blasckest Crown by Furnace Mountain

Crazy Way by Tom Adler
Texas Hood Song by Kell Robertson
Anything at All by Jaime Michaels
Make Love While You Have the Chance by Jerry Faires
Here in My Lonely Room/Heaven by Elliott Rogers
She Even Woke Me Up to Say Goodbye by The Last Mile Ramblers
Muley Brown by Bill & Bonnie Hearne
Blue Hearted Girl by Kim & The Cabelleros

Great High Mountain by Jack White
One More Ride by Johnny Cash
Dying From Home and Lost by The Louvin Brothers
The Cold Hard Truth by George Jones
Wilderness by Peter Case
Permanently Lonely by Willie Nelson
Presently in the Past by Dan Hicks & His Hot Licks
CLOSING THEME: Comin' Down by The Meat Puppets

Friday, January 09, 2004

Terrell's Tuneup: Frank Black, Iggy Pop, The Mummies, Just Short of Sunday

As published in The Santa Fe New Mexican, Jan. 9, 2004

Amazing fact: Charles Thompson, aka Black Francis aka Frank Black has now made more albums with The Catholics than he did with The Pixies, the band that made him famous.

Of course it’s true that none of The Catholics’ albums are even close to being as vital and influential as The Pixies’ best work. But all of Black’s post-Pixies work are good listens. He hasn’t released anything to embarrass himself yet.

His latest, Show Me Your Tears, is Black’s sixth album with The Catholics. He’s still got some of that old Pixies punch, The opening cut “Nadine,“ about a girl with “skin like a ghost,” with its Cramps-like bass hook, is something The Pixies might have tried.

But much of the album continues down the country roots road Black started on 2000’s Dog in the Sand. There’s steel guitar on lots of the tracks and the blues pops up here and there.

“New House of the Pope” sounds like a strange update of “St. James Infirmary.” “Horrible Day” sounds like country music as filtered through The Rolling Stones. “When Will Happiness Find Me Again” sounds like country filtered through Uncle Tupelo. And “Goodbye Lorraine,” with its sweet steel by Catholic Rich Gilbert just sounds like a good country song.

Black tries out some other directions too. The music of “This Old Heartbreak” sounds like an ode to Leonard Cohen or perhaps Nick Cave.

But most remarkable is the anthem-like final cut, “Manitoba.” In which Black, singing over a jangly guitar, steel and accordion (Van Dyke Parks!), declares “I have seen the face of God and I was not afraid/ I have seen the face of God and I have dearly paid.”

One great touch on this track is an instrumental coda featuring a trumpet solo butting up against a screaming guitar. This has to be the fine hand of Stan Ridgway, who produced this song and several others on Show Me Your Tears. (Most of the others were produced by longtime Black crony Nick Vincent.) Perhaps it’s the Ridgway influence, but this has to be one of the most textured Frank Black albums yet.

Also Recommended:

*Skull Ring by Iggy Pop, Like Frank Black, James Osterberg, aka Iggy Pop made a (fictitious) name for himself in a band that broke up a long time ago and even though he’s made lots and lots of album since then, and most the time they’re fun to listen to, Iggy still gets measured against his old work with his old band. And usually he doesn’t measure up.

This new album features four songs with Iggy fronting his famous old band, The Stooges (well, at least the surviving members, Ron and Scott Asheton.). It’s the first time in 30 years or so and they all sound in fine form. But this only begs a huge question: Why not a whole album with the reunited Stooges? Maybe he wanted to avoid the inevitable hype surrounding a full-blown “reunion” of that stature.

Instead there’s a revolving door of bands including Green Day, Sum 41 and Iggy’s own recent backup group The Trolls -- as well as guest spots for punkette Peaches.

Like most latter day Iggy albums, Skull Ring is mostly roaring guitar rage. Most the songs are forgettable, but whether with the Stooges or Green Day or whoever, Iggy rocks hard. You might not remember the tune in a couple of months, but Iggy tackles it as if his life depended on it.

And despite the false alarm of his Avenue B album from a few years ago -- which implied a new, toned-down, more bookish Iggy -- Mr. Pop seems determined to live up to a pledge from a song from an old album: “I Won’t Crap Out.”

*Death by Unga Bunga by The Mummies. Though their gauze-wrapped stage appearances might have given the mistaken impressions that The Mummies were a novelty act, in reality these guys were garage band gargantuans. Pharoahs of fuzz-tone. Princes of pawn-shop primitivism. (Actually, they called themselves the “Kings of Budget Rock.”)

The Mummies broke up sometime in the early ‘90s, but the tiny unknown Estrus label late last year released this 22-song compilation of glorious lo-fi wonderment. Virtually all the songs sound as if they could have come off one of the Pebbles compilations of unknown ‘60s garage music.

Among the highlights here are “I’m Gonna Kill My Baby Tonight,” “(I Should Be Lookin’ For) Dangerman,” and “(You Must Fight to Live on) The Planet of the Apes.”

*11:53 by Just Short of Sunday. These Texas high school boys are young enough to be Iggy Pop’s grandchildren. But on this 5-song EP they play their melodic brand of pop punk with true passion.

JSOS does teenage angst a lot more convincingly than older, more jaded acts. When they sing, “The worst way to miss someone is to sit right by them/And know you can never have them,” you know they know of what they speak. And for older listeners it might even bring back some bad memories of biology class.

Thursday, January 08, 2004

Not Quite The Onion

My old friend Suzanne just turned me on toThe Daily Probe

Beware the Barber of Mass Destruction!

You also might like The Chortler.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 28, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrel...