Thursday, February 19, 2004

Roundhouse Round-up: Pressure in the Halls of Power

As published in The Santa Fe New Mexican

The clock is edging toward midnight Tuesday at the Roundhouse -- and edging ever closer to the noon Thursday cutoff when the session, as mandated by the state Constitution, must end.

The vote has just been taken on the food/medical tax repeal in the Senate. An ad-hoc coalition of five Democrats and 17 Republicans has just passed a substitute bill that sponsor Sen. John Arthur Smith, D-Deming, unabashedly described as a "tactical move."

Another Democrat, Tim Jennings of Roswell, has framed the substitute as a way to send a message to Gov. Bill Richardson, who only hours before had threatened -- and that's Richardson's word -- to call a special session if he doesn't get the tax bill he wants by the session's end.

The atmosphere in the hallway between the Senate gallery and the Senate lounge is understandably tense.

Various senators wander in and out of the gallery with dazed expressions brought on by the day's seemingly endless session. Standing in the hallway with stern expressions are Richardson spokesman Billy Sparks, House Speaker Ben Luján of Nambé -- who sponsored the original House Bill 625 that just got ravaged in the Senate -- and Luján's assistant Regis Pecos.

"This isn't over yet," passers-by keep whispering to reporters in the hall.

It seemed the vote was done, but the real work had just begun.

The word is the Senate will vote to reconsider the bill. To do so, someone who had voted with the majority would have to make the motion to reconsider.

If this is going to happen, conventional wisdom said, it will be one of five Democrats who voted for the Smith substitute -- Smith, Jennings, Michael Sanchez of Belen, Linda Lopez of Albuquerque and Lidio Rainaldi of Gallup.

With the shift of just one vote, the tally would be 21-21. Lt. Gov. Diane Denish would break the tie and go against the Smith substitute.

Immediately after the vote, the focus seems to be on Rainaldi, a kindly faced, grandfatherly, retired magistrate judge who some say resembles actor Abe Vigoda.

As Rainaldi emerges from the gallery, the speaker approaches him.

As the two walk down the hall together, I overhear Rainaldi say, "Let me explain something to you," to Luján. Unfortunately that's all I hear.

"The speaker is leaning on (Rainaldi) as hard as he knows how," Smith later tells reporters.

The speaker and the senator disappear for a few minutes. When Rainaldi comes back into the hallway, Sen. Phil Griego, D-San Jose, who voted against the Smith substitute, grabs him.

"Lidio, can I talk to you for a minute?" The two go into the Senate Lounge for several minutes. I don't think they're talking about the weather.

About 20 minutes later, a weary-looking Rainaldi is seen walking briskly down the outer hall.

He's polite as I try to get a word from him. But he doesn't slow down.

"No, nobody's pressuring me," the senator says, not very convincingly.

But asked whether he'd make the motion to reconsider, Rainaldi replies, "I don't know. I don't know what the bill is going to say."

Some wags said Rainaldi voted for the Smith substitute because the original bill didn't include gross-receipts taxes on dentists. He has a son who's a dentist.

This implies some new version of House Bill 625 is in the works.

Meanwhile Smith has no allusions that his substitute bill has much of a future.

He only introduced it to put a monkeywrench in the progress of the original bill, which he vehemently opposes. "I had 22 votes tonight, but I've been here long enough to know that could slip away," he tells reporters.

By Wednesday morning, Rainaldi no longer seems like the focus of arm-twisting. Rumors now center around Lopez or possibly Sanchez as the one who'd make the motion to reconsider.

Update: Shortly after 9 p.m. Wednesday on the floor of the Senate, Rainaldi made that motion. He and Sanchez would change their votes and vote against the Smith substitute Wednesday, though their votes were offset by Sen. Leonard Tsosie, D-Crownpoint and Sen. Joe Carrarro, R-Albuquerque changing their minds and voting for the substitute on Wednesday.

Wednesday, February 18, 2004

ARCHIVES BACK UP; MORE ON THE BONNIE HEARNE LOVEFEST

For several days my January archives were missing a few weeks worth of my wisdom-filled posts. That's the bad news. The good news is that the Blogger folks acted promptly and fixed it as of this morning.

That might not seem like a big deal to most of you readers, but considering the inept and unresponsive dolts who run the free site where I used to park my old web site (that's Dreamwater. Avoid them at all costs!), this place is a Godsend. There wasn't even a way to contact the Dreamwater jerks.

So thanks, Blogger or Blogspot or whoever you are.

Bonnie Hearne Benefit
Mark Sunday, March 7 on your calendar. That's the benefit for the ever lovely Bonnie Hearne, who's been plaugued with health problems in recent months. Half of the Santa Fe musicians you've ever heard of will be playing -- including yours truly. I'll be contributing one song to the show. (Note to self: get a substitute for Terrell's Sound World that night!)

For a complete list of musicians, go to the February archives and scroll down to the Feb. 1 entry.

The show starts at 6:00 p.m. and goes on till closing. Tickets are $20 -- and remember it's a good cause.

A day and a half left of the Legislature!

swt


Tuesday, February 17, 2004

New Junior Brown CD Coming!

My old Santa Fe High locker partner, Junior Brown (local folks still call him "Jamie") just signed a new record deal.

The "Kirksville, Indiana" reference below is only part of the story. Mr. Brown moved to Santa Fe in the late '60s, attended Mid High and Santa Fe High and was in several local bands including the psychedelic Humble Harvey (they played at my first DeMolay dance!) and more importantly, The Last Mile Ramblers, an "outlaw" country band who contributed to a good deal of the soundtrack to my drunken college years.

Sorry, Jamie, but I'm going to use this opportunity to re-publish your junior year photo from the 1970 SFHS yearbook (as well as a more recent photo I took not too many years ago)


For Immediate Release

For more information, please contact
Mike Wilpizeski: 718 459 2117 or mikew@telarc.com

JUNIOR BROWN SIGNS DEAL WITH TELARC
August 2004 Debut is His First Release in Over Three Years


February 16, 2004, Cleveland, OH - Telarc International Corporation, one of the world's leading independent recording companies, today announced the signing of an exclusive deal with guitarist/singer/songwriter Junior Brown to be inaugurated with an August 24, 2004, release (title to be announced).

Michael Bishop engineered Brown's Telarc debut - his first new recording in over three years - at the Tracking Room at Emerald Entertainment in Nashville, TN, in February. The album will also be released as an SACD in 5.1 Surround Sound.

"Junior is a fabulously talented entertainer and musician with lots of fans, which was the only consideration when it came to signing him to the label," says Telarc president Bob Woods. "The more eclectic the better these days, and we're truly excited that Junior decided to work with us."

Brown says, "I think we are coming into a time where music is less dependent on categories than it used to be. I think I'm the kind of artist that can't be categorized easily, and I believe Telarc is a label that's interested in the creativity of a performer. It's that focus that many labels have chosen to ignore more and more due to their emphasis on mass marketing over substance. The Telarc folks are great and supportive - I'm thrilled to be on the label."


Playing fiery rock-guitar licks and hardcore honky-tonk with equal aplomb on his self-styled double-necked "guit-steel" - a combination electric and steel guitar - Junior Brown is regarded as one of the most talented guitar players the world. Born in 1953 and raised in Kirksville, IN, Brown first learned to play the piano from his father and became a professional musician at the end of the '60s. A dream prompted him to create an instrument fusing a six-string guitar with its steel counterpart, and in 1985, he developed the "guit-steel," a double-necked guitar combining the standard instrument with the steel.

He made his long-awaited album debut in 1993 with 12 Shades of Brown,
which featured a tribute to his biggest influence, "My Baby Don't Dance to Nothing but Ernest Tubb." Guit With It followed later in the year, and like its predecessor, was met with considerable critical acclaim.

After a five-song EP, 1995's Junior High, Brown returned in 1996 with
Semi-Crazy.

The Long Walk Back followed two years later, and Brown released his
fifth album, Mixed Bag, in 2001.

Monday, February 16, 2004

Terrell's Sound World Play List

(Sorry it's late. Blame it on the state Legislature ...)

Terrell's Sound World
Sunday, February 15, 2004
KSFR, Santa Fe, N.M.
Host: Steve Terrell


OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Electric Uncle Sam by Primus
Rope Bridge Crossing by John Parrish & P.J. Harvey
The Kid is a Witch by Stuurbaard Bakkebaard
Happy Man by Sparklehorse
Lamb by Kult
Garden of Delight by Johnny Dowd
Eternity Ahead by New Creation

The Cuban Bake by The Diplomats of Solid Sound
Nothing Lies Still Long by Pell Mell
Gritty Shaker by David Holmes
"H" is For Harlot by The Civil Tones
Jungle Drums by Esquivel
Inspector Jay From Delhi by Kalyanji & Anandji Shah
Surf Age by Jerry Cole & His Spacemen

Supa Killa by The Soul of John Black
Truck Turner by Isaac Hayes
Sweet Sticky Thing by The Ohio Players
Vibration by Terrance Trent D'Arby
Letitgo by Prince
Hide nor Hair by Ray Charles

You Only Live Twice by Nancy Sinatra
Chopper Squad by The Mekons
Staging the Plaguing of the Raised Platform by Cornershop
Make Believe Mambo by David Byrne
I'm Sorry by B.B. King & Bobby Bland
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, February 14, 2004

The Santa Fe Opry Play List

The Santa Fe Opry
Friday, Feb. 13, 2004
KSFR, Santa Fe, NM
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Special Love by Rolf Cahn
I Fall to Pieces by Patsy Cline
Why You Been Gone So Long by Bill Hearne
That's What Makes the Jukebox Play by Roy Acuff
Baby Do You Love Me Still by The Flatlanders
Writing on Rocks Across the USA by Terry Allen

Kell Robertson Live in the Studio
Broke and Hungry
Marylou (Goodtime Gal)

(3 from Cool and Dark Inside CD)
Star Motel Blues
One Shot Can Kill the Music
Song For Roxy

Mary's Bar
Madonna on the Billboard
When You Come Down Off the Mountain
Take Your Fingers Off It

(end Kell set)

Pigsville by The Waco Brothers
Explain Away by Dollar Store
Is Anybody Goin' to San Antone by Charlie Pride
Steve McQueen/Give Me Three Steps by Drive-By Truckers
Hot Dog by Buck Owens
Valentine by Marlee MacLeod

What Went Wrong by Acie Cargill
Old Smokey by Greg Brown
St. Valentine by Joe Ely
Twang on a Wire by Kate Campbell
Is This My Happy Home by Dan Hicks & His Hot Licks
I'm Leavin' Now by Johnny Cash & Merle Haggard
A Voice From On High by Ricky Skaggs
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

THROWBACK THURSDAY: Come for the Shame, Stay for the Scandal

  Earlier this week I saw Mississippi bluesman Cedrick Burnside play at the Tumbleroot here in Santa Fe. As I suspected, Burnsi...