Thursday, August 16, 2007

ROUNDHOUSE ROUNDUP: FLIRTING WITH EXHAUSTION?

A version of this was published in The Santa Fe New Mexican
August 16, 2007


Gov. Bill Richardson made national headlines and created a true Internet buzz last week when at a gay-issues forum in Los Angeles he said he believed homosexuality was a choice, not something a person is born with.

But the next day, while trying to explain and apologize for that answer, Richardson said something that could be even stranger.

It was on the Michelangelo Signorile Show on the gay-oriented OutQ channel on SIRIUS satellite radio. Signorile asked him if he agreed with a statement by another Democratic presidential candidate, Mike Gravel, that “love between a man and a man is love, is beautiful too.”
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Richardson agreed. “I think that gay relationships are human decency, they’re love, they promote families. I’m for gay adoption. I think it’s very healthy because there are millions of kids in this country that have no homes.”

Fair enough. But then Richardson went on: “I’m for gays having relationships with undocumented workers, and I’ve always felt that way.”

Huh?

That’s right. You can listen for yourself. (Go to http://www.siriusoutq.com/ and click on the audio clip labeled “Gay relationships are love.”)

There you’ll also hear Richardson declare, “I’ve been a Hispanic,” before he catches his mistake and says, “I am a Hispanic.”

I’m not sure what he meant by that or what “undocumented workers” had to do with anything being discussed.

Earlier in the interview, in trying to explain why he didn’t understand the question that tripped him up, Richardson told Signorile that he’d just flown all night from New Hampshire.

One has to sympathize somewhat with Richardson in one respect. Most of us puny mortals would crumble if we tried to keep up with the schedule to which Richardson is subjecting himself.

Still it raises the question: Is Richardson — whose public-relations staff for years have used the word tireless to describe him — flirting with exhaustion from the endless campaign?

Would this explain the isolated non sequiturs in his public appearances, such as his unexplained reference to “OSHA protections” in a recent debate when he was asked what he’d do to prevent factories from shutting down.

In a Salon.com profile last month, writer Walter Shapiro noted that Richardson told an Iowa audience, “My mind is mush” when he lost his train of thought while answering a question about immigration.

“It is so easy to imagine how that self-deprecatory moment would look — taken out of context — on YouTube,” noted Shapiro.

Little sympathy from public: I asked uber pundit Larry Sabato — director of the University of Virginia Center for Politics and author of the upcoming book A More Perfect Constitution, what he made of this.

“I’ve been surprised at how poorly Richardson has performed in the various debates and forums,” Sabato said in an e-mail response. “Sometimes candidates appear better than they are. Arguably, Richardson is the opposite — he’s much better than he appears. Part of it is clearly lack of preparation. One gets the sense that some of these candidates read big briefing books and have mock debates, practicing their sound-bites, while Richardson is almost winging it. (As a college teacher of 29 years, I’m good at spotting that!)”

Sabato suggested Richardson go easier on his public schedule and spend more time preparing for debates and forums.

“No doubt, the exhaustion of the campaign trail is contributing to this,” Sabato said. “At the same time, the presidency is the most exhausting office on earth, and the campaign is a measure of how well a person will bear up under the strain.”

“Over the years, staffs always attribute a poor performance by their candidate to tiredness or exhaustion. The public has little sympathy, though. Every presidential contender has asked for the job, after all.”

Well Bob, here’s your conference room: The state Treasurer’s Office is naming a conference room after the late Santa Fe newsman Bob Barth.

Somehow that seems appropriate. After the scandals at the Treasurer’s Office, you’ve got to wonder what kind of weird deals went down in that room. Now maybe the spirit of a roly-poly guy with a tape recorder will guard over that room and exorcise some of those less-than-savory spirits, at least in a metaphorical sense.

Barth, who worked for years as a reporter for the old KVSF radio station and later a long-defunct talk station called KMKE, died in 1990 at the age of 43.

He was just a few years older than me. I first met Barth when I was in high school and he was dating a woman who worked with my mother. He’s the guy who turned me on to Waylon Jennings, loaning me several albums years before most people ever heard of Waylon.

One of those albums was called Love of the Common People. I didn’t realize at that time how that title could apply to Barth’s career. He was on a first-name basis with governors and mayors, but he never forgot how to relate to everyday Santa Fe folks.

Years later, we’d cross paths again as fellow reporters. I’d always see him at City Council meetings. We’d sit together at the press table in the council chambers, Barth from KVSF, me, then from Journal North. And, yes, there was still room for Tom Day of The New Mexican.

He was a gentleman and he was a pro — even if we teased him about his habit of not editing out “Well, Bob ... ” from his audio clips of interviews. I’m convinced the politicians felt obligated to start off every interview with “Well, Bob ... ” any time Barth stuck a tape recorder in their faces.
State Treasurer James Lewis will officially dedicate the conference to Barth in a ceremony beginning at noon Tuesday at the Treasurer’s Office, 2019 Galisteo St.

Lorene Mills — widow of Barth’s radio colleague Ernie Mills — will officiate. She said former Govs. David Cargo, Bruce King and Toney Anaya will be on hand to share some Barth memories as will other assorted politicos, several old news hounds who knew him and lots of those “common people” who loved him.

Blog Bonus:
Here's Jon Stewart's take on the Human Rights Campaign debate last week, including Richardson's "choice" gaffe. Comedy Central will yank this in a few days, so enjoy it while you can.

Monday, August 13, 2007

WORLD WEEKLY NEWS


I loved the Washington Post eulogy for the soon-to-be-departed World Weekly News. Especially this quote:

"Mainstream journalists read WWN and dreamed about killing the county sewer-system story they were working on and writing about a swamp monster or a 65-pound grasshopper," says Derek Clontz, who was a Weekly World News editor for 15 years.
What can I say? It's true. Wouldn't a session of the state Legislature be a little more lively if we could throw in some stories about the Mole People living secretly beneath the Round House or reveal that Ben Lujan actually is Elvis Presley living under a new identity?

The bad thing about the WWN is that every time I'd pick up one up in line at the grocery store to check out some crazy story, someone -- sometimes a friend, sometimes a complete stranger -- would suddenly appear to rib me: "So THIS is where you get all your stories ..."

Back in the late '80s or early '90s I actually got to write an article for The New Mexican based on a WWN cover story. It was something about an underground UFO base in northern New Mexico revealed. This was based on a speech given by some "expert." I actually tracked down the guy and it turned out he was pig-biting mad at the WWN for that story. He indeed had given a speech, but he had mentioned the New Mexico base in a disparaging way. He believed in some other theory of UFOs and looked down on those who believed in the New Mexico base.

Yes, I was disappointed.

Better go. have to check out a story about zombies running a slate of candidates in Taos County.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, August 12, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Now Simulcasting 90.7 FM, and out new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Lightning's Girl by Nancy Sinatra
Pablo Picasso by Jonathan Richman & The Modern Lovers
Who's Been Driving My Little Yellow Taxi Cab by The Lincoln Street Exit
1976 by The 50 Kaitens
Jet Ninjin by Go!Go! 7188
Viva del Santo by Southern Culture on the Skids
Transcore by Chopper Sick Balls
Ravioli/Red Red Whine by The Dick Nixons

Ultimate by Gogol Bordello
Love Pipe by Zee Rok
Blind Man with a Pistol by Monsieur Verdun
Herpes Simplex by Rosa Yemen
W Czarnez Urnei by Kult
Lust Strings by Les Claypool
King Cobra by The Budos Band
Harder Than You Think by Public Enemy
Bring The Noise by The Unholy Trio

IF YOU HEAR ANY NOISE IT'S JUST ME & THE BOYS P-FUNK SET

R&B Skeletons in the Closet by George Clinton
Who Says a Funk Band Can't Play Rock?! by Funkadelic
Everything is on the Move by Parliament
Something Stank by George Clinton featuring Sativa
Mr. Wiggles by Parliament
Free Your Mind and Your Ass Will Follow by Funkadelic


Tower of Song by Leonard Cohen & U2
New Amsterdam by Elvis Costello
The Hawk by Tom Verlaine
Theo's Dream by Robert Mirabal
The Body of an American by The Pogues
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Sunday, August 12, 2007

WE WANT THE FUNK!

GEORGE CLINTON

Saturday was the second time I've seen George Clinton live. He played the Santa Fe Muzik Fest with his current line of P-Funk or whatever he's calling it these days.

The first time I saw him was the 1994 Lollapalooza in Phoenix. I remember that show as a weird and wonderful blast of funk.
GEORGE COMMANDS THE CLOUDS TO ROLL AWAY
But -- 13 years later -- Clinton's band sounded even stronger. Bootsy, Bernie, Maceo, etc. are long gone, but his current band (including greybearded long-timers like guitarists Garry "Starchild" Shider -- the guy in the diaper -- and DeWayne "Blackbyrd" McKnight) are tight but maniacal.

Clinton is the front man, though others handle most of the vocals. He's the benevolent, grandfatherly embodiment of the spirit of the band. (Speaking of grandfatherly, his granddaughter Sativa is now part of the troupe. )

Check out my photos of the Muzik Fest over on my FLICKR site. (Gobs of Clinton and Public Enemy photos.)

Saturday, August 11, 2007

ELVIS WAS A HERO TO MOST

PUBLIC ENEMY NUMBER ONE! Just about my only disappointment with Public Enemy's performance at the Santa Fe Muzik Fest last night was the fact they still have that verse, "Elvis was a hero to most" in the song "Fight the Power" and they still call him a racist.

I had read a couple of years ago that Chuck D no longer believes this. That fact is brought up in this excellent New York Times opinion piece by Peter Guralnick that Jim Terr sent me this morning.

So what's the deal with Elvis as racist? There's this nasty rumor, repeated for decades as fact that Elvis had once said something to the effect of "“The only thing Negroes can do for me is buy my records and shine my shoes” in some interview somewhere.

I first heard this back in 1976 when I was doing student teaching at Albuquerque High School. I was talking music with one of my students, a Black girl. When I mentioned Elvis her whole demeanor changed. "Why don't you like Elvis?" I asked. She told me the awful thing he supposedly said, using a stronger word than "Negroes."

As Guralnick points out, this "shine my shoes" statement never has been documented and Elvis specifically denied it.

So come on, PE, if we can forgive Professor Griff for anti-Semitic statements he really did make, let's give Elvis a break for something he likely never said.

UPDATE: I just read a 2002 interview with Griff denying he said that Jews are "responsible for a majority of wickedness in the world" or whatever he was quoted saying. I'm not sure of the truth of the matter. But he apparently doesn't agree with the alleged statement. Maybe we all should take a step back from rushing to judgement.

MORE ON RICHARDSON GAY-DEBATE "SCREW-UP"

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My story in Saturday's New Mexican on Gov. Bill Richardson's gay damage-control effort can be found HERE

His Friday interview with The Advocate is HERE

His Friday interview with the blog Queerty is HERE

20 YEARS STRONG

PUBLIC ENEMY: 20 YEARS STRONG
I missed just about everything else because of work, but I was excited to see Public Enemy at the Santa Fe Muzik Fest tonight.

They brought the noise! It was a wonderful, energetic show. i'm not even a huge hip-hop fan, but this is an example of a group making music so sublime that it truly transcends genre. Crazy, chaotic funk, sometimes angry, sometimes celebratory. Timeless and funky, an urban apocalyptic -- out at the Downs at Santa Fe.

Several times during the show Chuck D mentioned that this year is Public Enemy's 20th anniversary.

What a coincidence -- Friday, August 10 was my 20th anniversary for working at The New Mexican. Yep, I started there in 1987, same year Public Enemy was born. That;s so profound I don't know what to say.

Check out my photos of Friday's show on my FLICKR site.

Friday, August 10, 2007

RICHARDSON AT LOGO "GAY ISSUES" DEBATE



My story on Gov. Bill Richardson's "homosexuality-is-a-choice" gaffe at last night's debate sponsored by the Logo Network and The Human Rights Campaign can be found HERE.

Other video clips of Richardson at the debate can be found HERE. (and if you click around you'll find the other candidates too.)

TERRELL'S TUNEUP: LET US NOW PRAISE PETER CASE

A version of this was published in The Santa Fe New Mexican
August 10, 2007


Let Us Now Praise Sleepy John not only is Peter Case’s first album of new material in five years, it’s his strongest work in a lot more years than that.

This album — which is almost all acoustic and is named for the late Tennessee bluesman John Estes — harks back in spirit to Case’s early solo albums. You hear echoes of The Man With the Blue Post Modern Fragmented Neo-Traditionalist Guitar (which on most days I think is his greatest album) and even Sings Like Hell, his early ’90s collection of old folk songs and blues. Case sounds fresh and confident. He’s got a lot to say and feels an urgency to tell these stories.

Sleepy John is a pleasure from the first song, the Brit-folky “Every 24 Hours,” a duet with Richard Thompson, who backs him on acoustic guitar and vocals. Producer Ian Brennan fortunately doesn’t let Case get upstaged by his guest stars (who include Merle Haggard’s steel guitarist Norm Hamlet on the final song, “That Soul Twist”).
PLIMSOULS 3-16-06
The best way to listen to Sleepy John is while reading his recently published As Far As You Can Get Without a Passport, the first installment of Case’s autobiography, which deals with his busking days on the streets of San Francisco in the mid-’70s. Throughout his career Case has recalled and mythologized this cheap hotel/cheaper wine period of his life in his songs, but somehow it never sounds old.

On “The Open Road Song” he sings of his deep-rooted romance with the ramblin’ life. As a child with his father he spies a ragged man on the street. “Son, that man’s a bum,” his dad says. But the boy is fascinated. “I looked again and saw the rapt expression/’neath the floppy hat he tipped back with his thumb/The aura of a world’s ragtime adventure/I said ‘When I grow up I want to be a bum.’”

And yet that romantic notion of life on the road doesn’t cloud his sense of reality. Case, with Carlos Guitarlos harmonizing on the chorus, takes an unflinching view of the other side of bumhood on “Underneath the Stars,” describing the death of a homeless woman in a park near his home.

Although Case has never been known as a topical songwriter, one of the finest songs on this album is ripped from recent headlines. “Million Dollars Bail” is obviously based on Phil Spector’s murder trial. The singer is angry about the special justice for the rich and famous that the Spector case represents. “Every one is talking ’bout the night he spent in jail/Today he’s free out walking on a million dollars bail.”

Wisely, Case doesn’t dwell on the details of the case. He uses it as a springboard to explore deeper truths. In fact, he turns to the hope of some kind of old-fashioned divine justice. “Eternity is longer than one night inside a box/And if you’re heading toward the jailhouse, now’s the time to pick the locks/ But there’s a sentence passed on every soul, someday we all must die/ And the question’s not who pulled the switch, it’s how you lived and why.”

It’s good to know that troubadours as vital as Case are still among us.

Also recommended
* Noble Creatures
by The Gourds. Austin, Texas’, finest are still sounding mighty fine. On this album the band seems as if it’s trying to expand its happy go-lucky funky back-roads sound. There’s a horn section on the opening song, “How Will You Shine,” giving it an almost poppy feeling.
JIMMY RAISES THE DEAD
Of course the lyrics don’t sound like any Top-10 teen tune: “Jammin’ on the old cartoons with the swagger of the immune/Sleeping like a fat raccoon, diabetic on a honeymoon.”

On the next tune, “Kicks in the Sun,” a roller-rinky organ (played by accordion man Claude Bernard) dominates, aiming toward the Blood of the Ram garage-rock vibe the band took a couple of albums ago.

But there’s no mistaking this for anything but a Gourds album. “Red Letter Day” is solid roadhouse honky-tonk, with a couple of unexpected chord changes thrown in, while the banjo-driven “Flavor on the Tongue” showcases the group’s fondness for bluegrass.

“Cranky Mulatto,” which has been part of the band’s stage repertoire for years, is a good-time Cajun stomp with swampy apocalyptic lyrics like “Heaven’s radio makes a sound like a brown banjo/Opossum sittin’ in the limbs/Devil’s gonna wait for him.” Likewise the rocking “All in the Pack” is firmly rooted in the bayou.

And speaking of swampy, the song, “Spivey” is such pure Creedence/Tony Joe White swamp rock you might suspect it’s being played by Polk Salad Annie’s no-count brothers.

The band also knows how to sound sweet, soulful, and downright purdy. “Steeple Full of Swallows” (another road-tested tune) and “Promenade” are slow and emotional ballads.

Unfortunately, nothing on this album reaches the sublime level of Gourds’ tunes like “Burn the Honeysuckle”) from their last album Heavy Ornamentals) or “Ants on the Melon,” (probably my favorite Gourds song of all time.) Still it’s a Gourds record, and that’s always enough to brighten a day.

* Catch Me a Possum by The Watzloves. This is a crazed, hopped-up Euro version of country and Cajun music led by German singer, accordion player, and circus-poster artist Silky Toss (aka Silky Watzlove, aka Silke Thoss) and her boyfriend, Louisiana expatriate DM Bob, who plays drums, guitar, and sax. According to the album cover, “In real life she’s a badass truck driver and owns a fish fry and a hot-dog stand.” Lurking in the background is slide guitarist/trombonist Jakobus. It might not be “authentic,” but by the ghost of Clifton Chenier, it works!

It’s hard to find any country rock lately halfway as infectious as “Always the Same,” a duet with Silky and Bob. Only a European could get away with singing “Let’s go out tonight and get something to bite.”

NOTE: In the print version of this I said DM Bob was Silky's husband. I just doublechecked and the Voodoo Rhythm site says he's her boyfriend.

Thursday, August 09, 2007

eMUSIC AUGUST

* A Hard Night's Day by The New York Dolls. I downloaded this right after watching the DVD of New York Doll, a bittersweet documentary about the death of bassist Arthur "Killer" Kane, shortly after the 2004 Dolls reunion.

(Quick movie review: I loved it. Kane, who left the music world soon after the Dolls broke up in the '70s, lived for years in bitter alcoholic poverty. He found solace as a member of the Church of Jesus Christ of Latter Day Saints, working for the LDS Family History Library in Los Angeles. He is a damaged but endearing figure who grabs your heart. I also came away admiring the Mormons in his life. They are completely supportive and non judgemental of Kane's dream of reuniting with the Dolls. No "Devil's music" gibberish. They even raise money to get his bass out of hock. Director Greg Whiteley himself is a Mormon, which could explain this sympathetic treatment of the church, but the Mormons he interviews seem sincere in their love and support of Kane's crazy rock 'n' roll dream.)

This album consists of demos of some of The Dolls' greatest tunes -- "Personality Crisis," "Bad Girl," "Vietnamese Baby," "Jet Boy," "Pills," "Trash," "Give Her a Great Big Kiss." The sound quality is good and the energy is amazing.

*Gang War by Johnny Thunders & Wayne Kramer. I stumbled across this album last weekend while searching for an outlandish version of "These Boots Are Made for Walking" to play on my tribute to Lee Hazlewood on Terrell's Sound World.

It's a 1979 marvel Team-Up of these former New York Dolls/MC 5 icons. Kramer had just gotten out of prison and Thunders was pretty far along the Lost Highway, evident from his bitter misogynistic rant in the intro of "Ten Commandments of Love." But it's a fun listen, even if the "Endless Party" they sing about had its toll.


*NY No Wave by Various Artists. Artists here include James Chance (aka James White & The Blacks, The Contortions), Teenage Jesus & The Jerks (plus solo Lydia Lunch), Lizzy Mercier Descloux (aka Rosa Yemen), Suicide, Mars, Art/Neto (featuring Arto Lindsey.)

This is loud abrasive, sometimes even hostile sounding music, or "anti-music" as some have called it. Sometimes rays of humor shine through, though these are almost always very subtle.

This album inspired me to rent the movie Kill Your Idols, a documentary about the No Wave era that makes a good companion to this album. (You can see this month how my eMusic and Netflix accounts feed off each other.) Funny thing is, some of the icons of No-Wave come off sounding like a bunch of crotchety conservatives. "Kids these days, they don't know nuthin' ..." Fun little doc though with some bitchen footage of Lydia, Suicide, Sonic Youth and even Gogol Bordello.

*Super Taranta! by Gogol Bordello . Speaking of Gogol Bordello ...

If Shane MacGowan was a Ukrainian, if The Clash was raised in a gypsy caravan ...

Fans of Gogol's previous works won't be disappointed. Leader Eugene Hutz, a Ukrainian immigrant to the U.S. not only is a crazed performer but a good songwriter as well.

"American Wedding" is a sardonic look at a culture he finds to be repressed. "Supertheory of Supereverything" can be seen as an Eastern European take on "It Ain't Necessarily So," (which opened a whole new world of skepticism to me when I heard Cab Calloway sing it as a child.)


*The Budos Band II . This is an 11-piece band from Staten Island, N.Y. that blends African pop with soul, funk and just a spooky touch of crime jazz.

The horns and percussion dominates, but organist Mike Deller's slinky sound also stands out.

One caution: I think some of the song titles might be mixed up. I've read reviews that say "His Girl" is a remake of "My Girl." However the song labeled "Mas O Menos" sounds just like a minor key "My Girl." In fact, upon further investigation, all but the very last track appear to be scrambled. Hope eMusic fixes this soon.

Good news: The final track, "The Proposition" was FREE when I downloaded it. Last I checked, it's not but "Chicago Falcon" is, although it's mislabeled. It's actually "Deep in the Sand." Whatever you call it, it's worth trying out.


* A bunch of tracks I didn't already have from Funkadelic's first three albums (Funkadelic, Free Your Mind...And Your Ass Will Follow and Maggot Brain.) I was putting together and burning a P-Funk compilation for a friend, which set me off on one of my recurring George Clinton kicks. Then I stumble across an e-Music feature spotlight called "A User's Guide to Funkadelic." (Guess what e-Music marketing folks -- these damned things work!)

I'm sure it's weird music biz contractual stuff, but eMusic has plenty of Funkadelic albums and a handful of George Clinton titles (I downloaded a live Clinton album last month) -- but no Parliament.

These early tracks emphasize the psychedelic half of the Funkadelic equation. This was the prime era for guitarist Eddie "Maggot Brain" Hazel, who was a lot like Jimi Hendrix but crazier. Among my downloads here are three 9-10-minute acidic epics --"Mommy, What's a Funkadelic?" the song "Free Your Mind ... And Your Ass Will Follow," "Wars of Armageddon" and an alternate take on the immortal title song of Maggot Brain. The latter is not quite as developed as the "official" version, but Eddie Hazel still takes you to some strange places. There's what sounds like a kalimba solo towards the end of the track.

Plus:

I found a couple of good freebie albums this month:

* Funk/Soul Revival: Classic Tracks & the New Breed . I'm not sure there are actually any "classics" here. These nine tracks are by fairly obscure acts old and new. There's one from The Budos Band, "Chicago Falcon," (which seems to be correctly labeled here unlike the one on eMusic's version of Budos Band II.) There's also one by Clarence Reid, who some of you might recognize as the secret identity of Blowfly. "Funky Party," unlike any other Blowfly song you've ever heard, is completely clean. Not even a hand job! He does shamelessly lift several hooks from Isaac Hayes' Shaft theme. Lots of fun on this album.

* Congo by Various artists . This is a compilation of songs by Congolese bands. No big revelations here, but good solid African band music.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 28, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrel...