Friday, October 26, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
email me during the show! terrell@ksfr.org
Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
If You Don't Love Jesus by Billy Joe Shaver
Long Dark Night by John Fogerty
Party by The Collins Kids
Fannie Mae by Dizzy Elmer
Long, Long Ponytail by The Fireballs
Kissy Baby by Heavy Trash
Fugiyama Mama by Wanda Jackson
Oh Boy by The Donettes
Lover's Rock by Johnny Horton
You Better Move On by Johnny Paycheck with George Jones
Sally Sue Brown by Elvis Costello
Happy 2B Flying Away by Carolyn Mark
Smells Like Teen Spirit by Patti Smith
Trampled Rose by Robert Plant & Alison Krauss
Waymore's Blues by J.J. Cale
Sadie Green, The Vamp of New Orleans by The Nitty Gritty Dirt Band
When I Was a Cowboy by Jim Kweskin Jug Band
Gunsmoke Trail by Tex Ritter
I Still Want To Be Your Baby (Take Me Like I Am) by Bettye LaVette
Thin White Mercury by Todd Snider
Outside of a Small Circle of Friends by Phil Ochs
Society's Child by Janis Ian
Jimmy Parker by Ed Pettersen
Tombstone Blues by Tim O'Brien
I Can't Help Being Cool by Cornell Hurd
Pardon Me, I've Got Someone to Kill by Tex Edwards & Out on Parole
Green Acres by The Meatmen
Lover Let me Be by Marlee MacLeod
River Roll On by The Judds
Red Dog Tracks by Chip Taylor & Carrie Rodriguez
Ole Virginny by Bone Orchard
El Dorado by Michael Hurley
Angel Flying Too Close To the Ground by Willie Nelson
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
Saturday, October 27, 2007
Friday, October 26, 2007
RICHARDSON'S HEALTH INSURANCE PACKAGE
You can find my story on the governor's health-care proposals HERE.
My companion piece about objections from a coalition advocating a single-payer system, or something like it, is HERE.
The governor's plan and related documents can be found HERE
That Health Security for New Mexicans campaign, the coalition backing the single-payer concept, has a Web site HERE.
A more free-market plan being proposed by J.R. & Barbara Damron can be found HERE. (Note, Dr. Daron told me yesterday that there have been some amendments to his proposal. I'm not sure whether this version is up to date.)
My companion piece about objections from a coalition advocating a single-payer system, or something like it, is HERE.
The governor's plan and related documents can be found HERE
That Health Security for New Mexicans campaign, the coalition backing the single-payer concept, has a Web site HERE.
A more free-market plan being proposed by J.R. & Barbara Damron can be found HERE. (Note, Dr. Daron told me yesterday that there have been some amendments to his proposal. I'm not sure whether this version is up to date.)
TERRELL'S TUNEUP: GORE GORE GIRLS
A version of this was published in The Santa Fe New Mexican
October 26, 2007
Named after director Herschell Gordon Lewis’ classic 1972 grind-house movie — the plot of which is described on the Internet Movie Database as “ditsy reporter enlists the help of a sleazy private eye to solve a series of gory killings of female strippers at a Chicago nightclub” — The Gore Gore Girls play a basic, slightly retro, guitar-crunch rock.
Judging from their new album Get the Gore, you can tell they’ve listened a lot to Joan Jett (Kim Fowley, who discovered Jett and managed The Runaways, co-wrote one song here). But they don’t quite have the sublime snarl of L7 (I still love you, Suzie Gardner!) or the genius howl of Sleater-Kinney.
Perhaps the best comparison is with their homegirls and Bloodshot labelmates The Detroit Cobras (with whom they share bass player Carol Ann Schumacher). However, GGG frontwoman Amy “Gore” Sardu doesn’t have the slinky charisma of Cobras singer Rachel Nagy. And the Gore Gores can’t match the material of The Cobras, who specialize in covering great old forgotten rock and R & B tunes from the ’50s and ’60s, most of which are so obscure they might as well be original.
The Gore Gores do have a few cover songs here. The Crystals’ “All Grown Up,” with lyrics like “I’m all grown up and I’ll go where I wanna go, see who I wanna see, stay out late,” seems a little too cutesy and calculated. But the song “Where Evil Grows,” written by Terry “Seasons in the Sun” Jacks, is sinister in a psychedelic way. It even features a sitar. Was this song ever used in a Roger Corman or Russ Meyer movie?
The best original songs are “You Lied to Me Before,” which sounds like the early Kinks, except with female singers, and “Pleasure Unit,” co-written by Fowley. “Deep down inside I’m a selfish witch/One half tomboy and one half bitch/Breaking hearts is what I do/Getting through to creeps like you.” The Girls thunder on this one.
You can “get the Gore” at 8 p.m. Saturday, Oct. 27, when they play at the O’Shaughnessy Performance Space at the College of Santa Fe, 1600 St. Michael’s Drive. Tickets are $8 at the door.
Not recommended:
* We Are the Pipettes by The Pipettes. Like the Gore Gore Girls, this British trio has an affection for sexy ’60s retro fashion. The GGGs favor sleek, mod, go-go miniskirts while The Pipettes go for polka-dot mini-dresses.
Don’t get me wrong. I’m not complaining. But for The Pipettes, fashion — more than music — seems to be their whole reason for being. “We’re the prettiest girls you’ve ever met,” they chirp in their Monkees-like title song. Maybe I’m jaded, but I see a slightly hipper version of The Spice Girls here.
The Pipettes’ music has been likened to that of the the early ’60s girl-group era. As with that Phil Spector-dominated phenomenon, the basic sound is sweeping and bombastic. But this new, synthy “wall of sound” sounds as if it’s made of Styrofoam. The Pipettes and their producers try to make up with sheen and sleekness what they lack in heart and soul. The faux early-1960s soundtrack of the ’80ske of Little Shop of Horrors has more meat to it than this album. Maybe The Pipettes should cover “Suddenly, Seymour.”
That being said, I have to confess I do kind of like “Dirty Mind.” Not just because I have one, but because it reminds me of “Roam” by The B-52’s.
But if you want to hear a modern presentation of the spirit of the girl-group era, check out Dangerous Game, the comeback album of former Shangri-La Mary Weiss (reviewed a few months ago in this column).
And for what it’s worth, I think the Spice Girls are prettier than The Pipettes.
Recommended:
*Balboa Island by The Pretty Things. Despite their name, these aren’t the prettiest boys you’ve ever met. These guys probably are the closest thing we have to a real-life Spinal Tap. They’ve been around just about as long as The Rolling Stones. Guitarist Dick Taylor actually played in an early version of The Stones with Mick Jagger, Keith Richards, and Brian Jones.
The Pretty Things have broken up and reformed a few times. Some members have come one and come back again. Recently they’ve had to live with the indignity of knowing that a whole generation of potential fans might mistake them for a bunch of young whippersnappers who call themselves “Dirty Pretty Things.”
But the good old clean Pretty Things still have original members Taylor and singer Phil May as well as Jon Povey (keyboards), Wally Waller (bass), and Skip Alan (drums), all of whom first joined the band before the ’60s were over.
And the new album is surprisingly vital and strong — at least most of it. The first song, “The Beat Goes On” (no, not the Sonny & Cher hit) is a memory-lane look at the stardom they nearly had. “Way back in 1964, we came a-crashing through the door,” May sings as the drums pound and the guitar tension builds. This song even name-checks that other band. “So now the Dirty Pretty Things are fixing up with broken strings. ... There’s no more fame, the beat goes on, you have your day, and your day is done.”
The next several numbers are almost as riveting. “Buried Alive” sounds as if Keith Moon came back from the dead. And the eight-minute “(Blues for) Robert Johnson” is hypnotic. Maybe it goes on a little too long for most listeners, but I find myself not wanting it to end.
But The Pretty Things come from the pre-CD days when the album was much shorter. By the end of Balboa Island, the songs begin to fade. There are a couple of straight blues tunes (the best being a Percy Mayfield-influenced tune called “Freedom Song”) and a couple of Beatlesesque numbers that frankly aren’t that interesting. Finally, there’s the title song, a dirge about a highway accident that never seems to go anywhere.
October 26, 2007
Named after director Herschell Gordon Lewis’ classic 1972 grind-house movie — the plot of which is described on the Internet Movie Database as “ditsy reporter enlists the help of a sleazy private eye to solve a series of gory killings of female strippers at a Chicago nightclub” — The Gore Gore Girls play a basic, slightly retro, guitar-crunch rock.
Judging from their new album Get the Gore, you can tell they’ve listened a lot to Joan Jett (Kim Fowley, who discovered Jett and managed The Runaways, co-wrote one song here). But they don’t quite have the sublime snarl of L7 (I still love you, Suzie Gardner!) or the genius howl of Sleater-Kinney.
Perhaps the best comparison is with their homegirls and Bloodshot labelmates The Detroit Cobras (with whom they share bass player Carol Ann Schumacher). However, GGG frontwoman Amy “Gore” Sardu doesn’t have the slinky charisma of Cobras singer Rachel Nagy. And the Gore Gores can’t match the material of The Cobras, who specialize in covering great old forgotten rock and R & B tunes from the ’50s and ’60s, most of which are so obscure they might as well be original.
The Gore Gores do have a few cover songs here. The Crystals’ “All Grown Up,” with lyrics like “I’m all grown up and I’ll go where I wanna go, see who I wanna see, stay out late,” seems a little too cutesy and calculated. But the song “Where Evil Grows,” written by Terry “Seasons in the Sun” Jacks, is sinister in a psychedelic way. It even features a sitar. Was this song ever used in a Roger Corman or Russ Meyer movie?
The best original songs are “You Lied to Me Before,” which sounds like the early Kinks, except with female singers, and “Pleasure Unit,” co-written by Fowley. “Deep down inside I’m a selfish witch/One half tomboy and one half bitch/Breaking hearts is what I do/Getting through to creeps like you.” The Girls thunder on this one.
You can “get the Gore” at 8 p.m. Saturday, Oct. 27, when they play at the O’Shaughnessy Performance Space at the College of Santa Fe, 1600 St. Michael’s Drive. Tickets are $8 at the door.
Not recommended:
* We Are the Pipettes by The Pipettes. Like the Gore Gore Girls, this British trio has an affection for sexy ’60s retro fashion. The GGGs favor sleek, mod, go-go miniskirts while The Pipettes go for polka-dot mini-dresses.
Don’t get me wrong. I’m not complaining. But for The Pipettes, fashion — more than music — seems to be their whole reason for being. “We’re the prettiest girls you’ve ever met,” they chirp in their Monkees-like title song. Maybe I’m jaded, but I see a slightly hipper version of The Spice Girls here.
The Pipettes’ music has been likened to that of the the early ’60s girl-group era. As with that Phil Spector-dominated phenomenon, the basic sound is sweeping and bombastic. But this new, synthy “wall of sound” sounds as if it’s made of Styrofoam. The Pipettes and their producers try to make up with sheen and sleekness what they lack in heart and soul. The faux early-1960s soundtrack of the ’80ske of Little Shop of Horrors has more meat to it than this album. Maybe The Pipettes should cover “Suddenly, Seymour.”
That being said, I have to confess I do kind of like “Dirty Mind.” Not just because I have one, but because it reminds me of “Roam” by The B-52’s.
But if you want to hear a modern presentation of the spirit of the girl-group era, check out Dangerous Game, the comeback album of former Shangri-La Mary Weiss (reviewed a few months ago in this column).
And for what it’s worth, I think the Spice Girls are prettier than The Pipettes.
Recommended:
*Balboa Island by The Pretty Things. Despite their name, these aren’t the prettiest boys you’ve ever met. These guys probably are the closest thing we have to a real-life Spinal Tap. They’ve been around just about as long as The Rolling Stones. Guitarist Dick Taylor actually played in an early version of The Stones with Mick Jagger, Keith Richards, and Brian Jones.
The Pretty Things have broken up and reformed a few times. Some members have come one and come back again. Recently they’ve had to live with the indignity of knowing that a whole generation of potential fans might mistake them for a bunch of young whippersnappers who call themselves “Dirty Pretty Things.”
But the good old clean Pretty Things still have original members Taylor and singer Phil May as well as Jon Povey (keyboards), Wally Waller (bass), and Skip Alan (drums), all of whom first joined the band before the ’60s were over.
And the new album is surprisingly vital and strong — at least most of it. The first song, “The Beat Goes On” (no, not the Sonny & Cher hit) is a memory-lane look at the stardom they nearly had. “Way back in 1964, we came a-crashing through the door,” May sings as the drums pound and the guitar tension builds. This song even name-checks that other band. “So now the Dirty Pretty Things are fixing up with broken strings. ... There’s no more fame, the beat goes on, you have your day, and your day is done.”
The next several numbers are almost as riveting. “Buried Alive” sounds as if Keith Moon came back from the dead. And the eight-minute “(Blues for) Robert Johnson” is hypnotic. Maybe it goes on a little too long for most listeners, but I find myself not wanting it to end.
But The Pretty Things come from the pre-CD days when the album was much shorter. By the end of Balboa Island, the songs begin to fade. There are a couple of straight blues tunes (the best being a Percy Mayfield-influenced tune called “Freedom Song”) and a couple of Beatlesesque numbers that frankly aren’t that interesting. Finally, there’s the title song, a dirge about a highway accident that never seems to go anywhere.
Thursday, October 25, 2007
LOTS OF CANDIDATES SAY THEY REPRESENT CHANGE
Mekah Gordon really does.
On Monday, after sending a press release to The New Mexican announcing her candidacy for the District 25 state Senate seat, Gordon, who would be the state's only openly transgendered legislator, decided instead to run for the District 47 state House of Representatives seat.
Here's the link to my story.
On Monday, after sending a press release to The New Mexican announcing her candidacy for the District 25 state Senate seat, Gordon, who would be the state's only openly transgendered legislator, decided instead to run for the District 47 state House of Representatives seat.
Here's the link to my story.
ROUNDHOUSE ROUNDUP: INVESTIGATION COMPLETE
A version of this was published in The Santa Fe New Mexican
October 25, 2007
Last week when Attorney General Gary King announced an investigation of a Public Service Company of New Mexico lobbyist working for Gov. Bill Richardson’s administration during the last session of the Legislature was completed and no evidence of wrongdoing was found, a spokesman for the governor basically said, “I told you so.”
“It is unfortunate that the attorney general had to take the time to respond to these outrageous allegations that were designed to advance one person’s agenda,” Gilbert Gallegos told The Associated Press.
Gallegos might have been referring to Ben Luce of the watchdog group Break the Grip, which called for the investigation. Luce contends PNM lobbyist Art Hull helped Richardson win Republican votes to pass the Renewable Energy Transmission Authority bill. While the bill is supported by some environmentalist groups, Break the Grip claims the administration during the last session weakened the renewable-energy requirements in the bill, and the legislation will make it easier to transmit electricity generated by nuclear plants and coal-fired facilities.
But not to worry. Apparently the attorney general didn’t spend an outrageous amount of energy investigating the “outrageous” allegations.
Correspondence released by the Attorney General’s Office last week seems to indicate the AG basically is taking the governor’s chief of staff at his word that Hull did not lobby for energy bills that could affect PNM while he worked for PNM’s “loaned executive” program between November and April.
If I ever get in trouble, I hope I’m investigated this thoroughly.
Chief of Staff James Jimenez argued in his letter to the AG that because the state didn’t compensate Hull — PNM paid his salary — there was no violation of the state anti-donation clause. All Hull got from the state were a desk with a phone and computer, business cards, a badge and a parking space in the Capitol.
Those of us who had to trudge several blocks through the January snow to cover the Legislature might argue that a parking space shouldn’t be considered a nothing. But that’s a different story.
Jimenez in his letter said Hull was directed to not actively lobby on any matters that presented a possible conflict of interest.
“The only exposure Mr. Hull had to any energy-related matters was when he was approached by individuals such as legislators who had factual questions or wished to convey questions to the Governor’s Office,” Jimenez wrote.
Apparently some Republicans did have questions.
“With regards to the Renewable Energy Transmission Authority, there were a number of members of the House Republicans who had serious concerns about the legislation,” House Republican Leader Tom Taylor and House Republican Whip Dan Foley wrote in an opinion piece in The New Mexican in July. “Mr. Hull is an expert regarding transmission of electricity and was very familiar with the legislation. ... He discussed the concerns of our members and helped them see the protections in the legislation for the state of New Mexico, its citizens and the existing electrical infrastructure.
“He did not act as lobbyist by advising or recommending how to vote on the issue,” Taylor and Foley wrote. “He only provided factual explanations of what the bill contained.”
Let me get this straight: The House Republicans had concerns. Hull told them about the “protections” in the bill. Then they voted for it.
And that’s not lobbying, the Republican leaders and the Governor’s Office insists.
Maybe it’s only considered lobbying if you buy lunch for the legislators. According to secretary of state records, Hull spent only a modest $163 on food and beverages during the session. You call that lobbying?
Play ball!: Last week in this column, I pondered the possibility that in the event of a Colorado Rockies/Boston Red Sox World Series, would Richardson — a professed Sox fan, but the only Western governor in the presidential race — be in the position of rooting against our neighbors, the Major League Cinderella story of the year, the Rockies?
Richardson already got into hot water this year on Meet the Press by saying he’s a fan of both the Red Sox and the New York Yankees, which devotees of both teams say is nearly the equivalent of saying you love God as well as Satan.
But now it’s official. Asked Wednesday who the governor is for, a spokesman said in an e-mail, “After moving to (Massachusetts) to go to school, Richardson became a die-hard Red Sox fan and will be rooting for Boston to win.”
That’s probably a wise answer. Giving any props to the Rockies could be construed as a flip-flop. Besides, as I pointed out last week, the state of New Hampshire, home of the first presidential primary, is a hotbed of Soxmania.
So Richardson can sit back, enjoy the series and be glad he’s not Rudy Giuliani, whose hometown papers are running huge headlines proclaiming the former New York mayor to be a “Traitor!” and “Redcoat!” for saying he’s rooting for the Red Sox.
Plame on!: Outed spy Valerie Plame Wilson and her husband, former Ambassador Joe Wilson, will make their New Mexico television debut on Lorene Mills’ Report from Santa Fe this Saturday.
Though the Santa Fe couple recently has been on several national shows to discuss her new book, Fair Game: My Life as a Spy, My Betrayal by The White House, the show, which was taped last week in the Capitol television studio, will be their first time to be interviewed by a local television host. Mills promises that, unlike Larry King, she didn’t refer to her guest as “Valerie Flame.”
The program airs 6 a.m. Sunday on KNME, Channel 5.
October 25, 2007
Last week when Attorney General Gary King announced an investigation of a Public Service Company of New Mexico lobbyist working for Gov. Bill Richardson’s administration during the last session of the Legislature was completed and no evidence of wrongdoing was found, a spokesman for the governor basically said, “I told you so.”
“It is unfortunate that the attorney general had to take the time to respond to these outrageous allegations that were designed to advance one person’s agenda,” Gilbert Gallegos told The Associated Press.
Gallegos might have been referring to Ben Luce of the watchdog group Break the Grip, which called for the investigation. Luce contends PNM lobbyist Art Hull helped Richardson win Republican votes to pass the Renewable Energy Transmission Authority bill. While the bill is supported by some environmentalist groups, Break the Grip claims the administration during the last session weakened the renewable-energy requirements in the bill, and the legislation will make it easier to transmit electricity generated by nuclear plants and coal-fired facilities.
But not to worry. Apparently the attorney general didn’t spend an outrageous amount of energy investigating the “outrageous” allegations.
Correspondence released by the Attorney General’s Office last week seems to indicate the AG basically is taking the governor’s chief of staff at his word that Hull did not lobby for energy bills that could affect PNM while he worked for PNM’s “loaned executive” program between November and April.
If I ever get in trouble, I hope I’m investigated this thoroughly.
Chief of Staff James Jimenez argued in his letter to the AG that because the state didn’t compensate Hull — PNM paid his salary — there was no violation of the state anti-donation clause. All Hull got from the state were a desk with a phone and computer, business cards, a badge and a parking space in the Capitol.
Those of us who had to trudge several blocks through the January snow to cover the Legislature might argue that a parking space shouldn’t be considered a nothing. But that’s a different story.
Jimenez in his letter said Hull was directed to not actively lobby on any matters that presented a possible conflict of interest.
“The only exposure Mr. Hull had to any energy-related matters was when he was approached by individuals such as legislators who had factual questions or wished to convey questions to the Governor’s Office,” Jimenez wrote.
Apparently some Republicans did have questions.
“With regards to the Renewable Energy Transmission Authority, there were a number of members of the House Republicans who had serious concerns about the legislation,” House Republican Leader Tom Taylor and House Republican Whip Dan Foley wrote in an opinion piece in The New Mexican in July. “Mr. Hull is an expert regarding transmission of electricity and was very familiar with the legislation. ... He discussed the concerns of our members and helped them see the protections in the legislation for the state of New Mexico, its citizens and the existing electrical infrastructure.
“He did not act as lobbyist by advising or recommending how to vote on the issue,” Taylor and Foley wrote. “He only provided factual explanations of what the bill contained.”
Let me get this straight: The House Republicans had concerns. Hull told them about the “protections” in the bill. Then they voted for it.
And that’s not lobbying, the Republican leaders and the Governor’s Office insists.
Maybe it’s only considered lobbying if you buy lunch for the legislators. According to secretary of state records, Hull spent only a modest $163 on food and beverages during the session. You call that lobbying?
Play ball!: Last week in this column, I pondered the possibility that in the event of a Colorado Rockies/Boston Red Sox World Series, would Richardson — a professed Sox fan, but the only Western governor in the presidential race — be in the position of rooting against our neighbors, the Major League Cinderella story of the year, the Rockies?
Richardson already got into hot water this year on Meet the Press by saying he’s a fan of both the Red Sox and the New York Yankees, which devotees of both teams say is nearly the equivalent of saying you love God as well as Satan.
But now it’s official. Asked Wednesday who the governor is for, a spokesman said in an e-mail, “After moving to (Massachusetts) to go to school, Richardson became a die-hard Red Sox fan and will be rooting for Boston to win.”
That’s probably a wise answer. Giving any props to the Rockies could be construed as a flip-flop. Besides, as I pointed out last week, the state of New Hampshire, home of the first presidential primary, is a hotbed of Soxmania.
So Richardson can sit back, enjoy the series and be glad he’s not Rudy Giuliani, whose hometown papers are running huge headlines proclaiming the former New York mayor to be a “Traitor!” and “Redcoat!” for saying he’s rooting for the Red Sox.
Plame on!: Outed spy Valerie Plame Wilson and her husband, former Ambassador Joe Wilson, will make their New Mexico television debut on Lorene Mills’ Report from Santa Fe this Saturday.
Though the Santa Fe couple recently has been on several national shows to discuss her new book, Fair Game: My Life as a Spy, My Betrayal by The White House, the show, which was taped last week in the Capitol television studio, will be their first time to be interviewed by a local television host. Mills promises that, unlike Larry King, she didn’t refer to her guest as “Valerie Flame.”
The program airs 6 a.m. Sunday on KNME, Channel 5.
Tuesday, October 23, 2007
BEYOND BORDERS
Monday, October 22, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Mondays Mountain Time
Guest Host: Steve Terrell
Substituting for Susan Ohori
Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org
Babulu Music by Desi Arnaz (Weird Al remix)
Porry by Sorry Bamba
It Calls Me by Hazmat Modine with Huun-Hurr-Tu
Ah Ya Assmar El Lawn vy 3 Mustaphas 3
Fists of Curry by Anandji & Kalyanji Shah
Virginia by Os Mutantes
A Little Fez by Kalesijski Zvuci
Fever, Fever, Fever by Kult
Oh Agony, You Are So Sweet Like Sugar I Must Eat You Up by Frank London's Klezmer Brass All Stars
Itkin by Vartttina
Martha Cecilia by Andres Landeros
Meow by Cat
On the Road Again by Istanbul Blues Kumpanyasi
Hero by Lucky Dube
Hasabi by Thsomh Meteku
Zobi la Mouche by Les Negresses Vertes
Lessons Learned from Rocky 1 to Rocky 3 by Cornershop
The Shadow by Garaj Mahal
Cactos Erectos by Cabruera
All Hail the Power of Jesus' Name by Joseph Spence
World Twang Set
Fraulein by Bobby Helms
Made in Japan by Buck Owens
Lost to a Geisha Girl by Skeeter Davis
Spanish Two Step by Merle Haggard
Cagey Bea by Junior Brown
Lost Highway by Sabah Habas Mustapha
Kaw-Liga by Silver Sand
Keys to the Kingdom by Ralph Stanley with Jadoo
Cler Achel by Tinariwen
I'm Your Mom by Flamenco A Go-Go
Heart in Me by Cordero
Forks and Knives by Beirut
Menyekse by Atomic Bomb Zigoto
Tokyo Surf by Stuurbaard Bakkebaard
Tu Veux Ou Tu Veux Pas by Brigitte Bardot
The Body of an American by The Pogues
Ode Le'eeli by Ofra Haza
One Thousand Tears of a Trantula by Dengue Fever
Oi Bori Sujie by Animal Collective vs. Kocani Orkestar
Chaje Shukarije by Esma Redzepova
The Carrier by David Byrne & Brian Eno
Somewhere Over the Rainbow/Wonderful World by Isreal Kamakawiwo 'ole
Hey, I think the last time I did this show was way back in 2004
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Mondays Mountain Time
Guest Host: Steve Terrell
Substituting for Susan Ohori
Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org
Babulu Music by Desi Arnaz (Weird Al remix)
Porry by Sorry Bamba
It Calls Me by Hazmat Modine with Huun-Hurr-Tu
Ah Ya Assmar El Lawn vy 3 Mustaphas 3
Fists of Curry by Anandji & Kalyanji Shah
Virginia by Os Mutantes
A Little Fez by Kalesijski Zvuci
Fever, Fever, Fever by Kult
Oh Agony, You Are So Sweet Like Sugar I Must Eat You Up by Frank London's Klezmer Brass All Stars
Itkin by Vartttina
Martha Cecilia by Andres Landeros
Meow by Cat
On the Road Again by Istanbul Blues Kumpanyasi
Hero by Lucky Dube
Hasabi by Thsomh Meteku
Zobi la Mouche by Les Negresses Vertes
Lessons Learned from Rocky 1 to Rocky 3 by Cornershop
The Shadow by Garaj Mahal
Cactos Erectos by Cabruera
All Hail the Power of Jesus' Name by Joseph Spence
World Twang Set
Fraulein by Bobby Helms
Made in Japan by Buck Owens
Lost to a Geisha Girl by Skeeter Davis
Spanish Two Step by Merle Haggard
Cagey Bea by Junior Brown
Lost Highway by Sabah Habas Mustapha
Kaw-Liga by Silver Sand
Keys to the Kingdom by Ralph Stanley with Jadoo
Cler Achel by Tinariwen
I'm Your Mom by Flamenco A Go-Go
Heart in Me by Cordero
Forks and Knives by Beirut
Menyekse by Atomic Bomb Zigoto
Tokyo Surf by Stuurbaard Bakkebaard
Tu Veux Ou Tu Veux Pas by Brigitte Bardot
The Body of an American by The Pogues
Ode Le'eeli by Ofra Haza
One Thousand Tears of a Trantula by Dengue Fever
Oi Bori Sujie by Animal Collective vs. Kocani Orkestar
Chaje Shukarije by Esma Redzepova
The Carrier by David Byrne & Brian Eno
Somewhere Over the Rainbow/Wonderful World by Isreal Kamakawiwo 'ole
Hey, I think the last time I did this show was way back in 2004
Monday, October 22, 2007
TERRELL'S SOUND WORLD PLAYLIST
Sunday, October 21, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
with special guests Chuck McCutcheon, Liisa Ecola and Scott Gullett
Now simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Timothy by The Buoys
Gimme Dat Harp Boy by Captain Beefheart
Misery Goats by Pere Ubu
Duplexes of the Dead by The Fiery Furnaces
Where Evil Grows by The Gore Gore Girls
Slum Goddess by The Fugs
Tijuana Hit Squad by Deadbolt
The Whole Thing Stinks by Rico Bell
I Have Been To Heaven And Back by The Mekons
Roll In My Sweet Baby's Arms by Deadmen's Hollow
Ghost Song/Dawn's Highway/Newborn Awakening by Jim Morrison & The Doors
Morrison by Robert Mirabal
Alabama Song by Kazik Staszewski
Wreck on the Highway by The Waco Brothers
Back Door Man by The Doors
Hulkster in Heaven by Hulk Hogan
The Cutester Patrol by The Grandmothers
Comin' Around the Mountain by Hound Dog Taylor & The Houserockers
Feast of the Mau-Maus by Screamin' Jay Hawkins
Shoot Your Shot by Junior Walker
All Night Lover Man by Swamp Dogg
Dozin' and Droolin' by Root Boy Slim & The Sex Change Band
Banana Split for My Baby by Louis Prima
Sensitive New Age Guys by Christine Lavin
La-Ti-Da by Marcia Ball
Whatever Happened to P.J. Proby by Van Morrison
Niki Hoeky by P.J. Proby
El Rebelde by Al Hurricane
The Man in Paper Hat by Eleni Mandell
So Long Baby Goodbye by Jo-El Sonnier
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
with special guests Chuck McCutcheon, Liisa Ecola and Scott Gullett
Now simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Timothy by The Buoys
Gimme Dat Harp Boy by Captain Beefheart
Misery Goats by Pere Ubu
Duplexes of the Dead by The Fiery Furnaces
Where Evil Grows by The Gore Gore Girls
Slum Goddess by The Fugs
Tijuana Hit Squad by Deadbolt
The Whole Thing Stinks by Rico Bell
I Have Been To Heaven And Back by The Mekons
Roll In My Sweet Baby's Arms by Deadmen's Hollow
Ghost Song/Dawn's Highway/Newborn Awakening by Jim Morrison & The Doors
Morrison by Robert Mirabal
Alabama Song by Kazik Staszewski
Wreck on the Highway by The Waco Brothers
Back Door Man by The Doors
Hulkster in Heaven by Hulk Hogan
The Cutester Patrol by The Grandmothers
Comin' Around the Mountain by Hound Dog Taylor & The Houserockers
Feast of the Mau-Maus by Screamin' Jay Hawkins
Shoot Your Shot by Junior Walker
All Night Lover Man by Swamp Dogg
Dozin' and Droolin' by Root Boy Slim & The Sex Change Band
Banana Split for My Baby by Louis Prima
Sensitive New Age Guys by Christine Lavin
La-Ti-Da by Marcia Ball
Whatever Happened to P.J. Proby by Van Morrison
Niki Hoeky by P.J. Proby
El Rebelde by Al Hurricane
The Man in Paper Hat by Eleni Mandell
So Long Baby Goodbye by Jo-El Sonnier
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Sunday, October 21, 2007
BOB EDGAR
One of the nost interesting people I've met on the job lately was Bob Edgar, the new president and CEO of Common Cause.My preview of a speech he gave in Albuquerque Saturday can be found HERE.
In addition to his new job, Edgar has been a Congressman, a candidate for U.S. Senate, the head of the National Council of Churches, and a Methodist pastor.
Edgar was in the news back in 2000 when, with the NCCC went to Cuba to bring the grandmothers of Elian Gonzales to the U.S. in an effort to bring the child back to his homeland and his father. (Don't get me started on that issue. As a divorced father who went through a custody battle in the '80s, it's pretty obvious where my sympathy was. Besides I thought it was pretty ironic that the same people screaming about "family values" all the time were the ones who wanted to keep Elian away from his dad.)
But the part of Edgar's resume that fascinated me the most was the fact that he was a member of House Select Committee on Assassinations, which in the mid-'70s investigated the killings of President Kennedy and the Rev. Martin Luther King Jr.
Although that wasn't the topic of his speech, or the reason Common Cause set up the interview with me, I couldn't resist asking him about the assassinations.
“I interviewed James Earl Ray,” Edgar said. He said he believes that Ray shot King, but if he was aided it was by members of his own family, who, Edgar said might have been interested in collecting a $50,000 bounty offered by white supremists who wanted King dead.
As for the JFK assassination, Edgar said he dissented on the committee’s conclusion that the president was killed by a conspiracy based on police radio recordings of apparent gunfire. Improved accosutic technology, he said, has since cast doubt on the committee’s consclusion, Edgar said.
“If there was a conspiracy, I believe it might have been related to Jack Ruby and Lee Harvey Oswald,” he said. “I don’t think it was a Mafia hit. Some Mafia higher-ups wanted Kennedy dead. But if they did it, they would have hired a pro, not someone like Oswald.”
Saturday, October 20, 2007
THE SANTA FE OPRY PLAYLIST
Friday, October 19, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
email me during the show! terrell@ksfr.org
Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
The Wreck on the Highway by Roy Acuff
Reason to Believe by The Nitty Gritty Dirt Band
Crows by Ray Wylie Hubbard
Ain't I'm A Dog by Ronnie Self
Red Necks, White Socks and Blue Ribbon Beer by Johnny Russell
Back to Black by Terry Allen with Lucinda Williams
Polk Salad Annie by Sleepy LaBeef
Where the Rio de Rosa Flows by Carl Perkins
Creedence Song by John Fogerty
Bad Moon Rising by The Seldom Scene
Drunk By Noon by The Handsome Family
Boney Fingers by Hoyt Axton
Call Me Shorty by Martha Scanlan
Georgia in a Jug by Eugene Chadbourne
Oklahoma Trooper by Acie Cargill
Skip a Rope by Henson Cargill
Ramblin' Man by Clothesline Revival with Tom Armstrong
This Train I Ride by Snakefarm
Keys to the Kingdom by Ralph Stanley with Jadoo
Sex Crazy Baby by Hasil Adkins
LSD Made a Wreck of Me by Tex Edwards & Out on Parole
Double Line by Heavy Trash
Dirty On Yo Mama by James Luther Dickinson
Cool and dark Inside by Kell Robertson
I can't Stop Loving You by Van Morrison with The Chieftains
Iowa City by Eleni Mandell
That Nightmare is Me by Mose McCormack
Wish I'd Have Stayed in The Wagon Yard by U.S. Sen. Robert Byrd
The Club by Nick Lowe
Midnight Sun by Rolf Cahn
Green Green Rocky Road by Dave Van Ronk
I Tremble for You by Johnny Cash
A Long Journey by The Holy Modal Rounders
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
email me during the show! terrell@ksfr.org
Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
The Wreck on the Highway by Roy Acuff
Reason to Believe by The Nitty Gritty Dirt Band
Crows by Ray Wylie Hubbard
Ain't I'm A Dog by Ronnie Self
Red Necks, White Socks and Blue Ribbon Beer by Johnny Russell
Back to Black by Terry Allen with Lucinda Williams
Polk Salad Annie by Sleepy LaBeef
Where the Rio de Rosa Flows by Carl Perkins
Creedence Song by John Fogerty
Bad Moon Rising by The Seldom Scene
Drunk By Noon by The Handsome Family
Boney Fingers by Hoyt Axton
Call Me Shorty by Martha Scanlan
Georgia in a Jug by Eugene Chadbourne
Oklahoma Trooper by Acie Cargill
Skip a Rope by Henson Cargill
Ramblin' Man by Clothesline Revival with Tom Armstrong
This Train I Ride by Snakefarm
Keys to the Kingdom by Ralph Stanley with Jadoo
Sex Crazy Baby by Hasil Adkins
LSD Made a Wreck of Me by Tex Edwards & Out on Parole
Double Line by Heavy Trash
Dirty On Yo Mama by James Luther Dickinson
Cool and dark Inside by Kell Robertson
I can't Stop Loving You by Van Morrison with The Chieftains
Iowa City by Eleni Mandell
That Nightmare is Me by Mose McCormack
Wish I'd Have Stayed in The Wagon Yard by U.S. Sen. Robert Byrd
The Club by Nick Lowe
Midnight Sun by Rolf Cahn
Green Green Rocky Road by Dave Van Ronk
I Tremble for You by Johnny Cash
A Long Journey by The Holy Modal Rounders
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
Friday, October 19, 2007
TERRELL'S TUNEUP: SCATTERED ON DAWN'S HIGHWAY
A version of this was published in The Santa Fe New Mexican
October 19, 2007
Brad Durham, a novice filmmaker from McMinnville, Tenn., believes that the traffic fatality that occurred 60 years ago on N.M. 30 as it traverses San Ildefonso Pueblo is “the most important accident in rock ’n’ roll history.” Says Durham, “It didn’t kill a rock star. It created one.”
Those familiar with the history and mythology of The Doors singer Jim Morrison know his story about seeing the accident. “Indians scattered on dawn’s highway bleeding/Ghosts crowd the young child’s fragile eggshell mind,” Morrison recites on his song “Peace Frog.” In the 1991 movie The Doors, Oliver Stone turns this incident into a recurring motif. The accident victim, played by Floyd Red Crow Westerman, is a mystical shaman whose spirit tries to guide Morrison through his troubled life.
But if what Durham has uncovered is true, Morrison’s childhood memory of the wreck on the highway is not quite accurate. In fact, even though that stretch of road runs through Pueblo land, the “Indians scattered” might not have been Indians at all.
Durham, who earns a living as a fundraiser for a high-school sports team, believes that seeing this wreck was a turning point in Morrison’s life, making an impression on his young mind that helped lead to his life as a poet — a death-obsessed poet many would say — a musician, and something of a shamanic figure himself.
As if he, too, were touched by some mystic spirit guide, Durham set out to research the accident. He’s read countless biographies of Morrison and The Doors (I saw about 20 books on the singer in Durham’s motel room in Santa Fe when I recently spoke with him). He’s interviewed Morrison’s friends, including Frank Lisciandro, whose recording of Morrison’s account of the incident appears on the album An American Prayer.
And he’s spent hours at the New Mexico Commission of Pubic Records office poring over newspaper accounts of highway wrecks that happened during the short time the Morrison family lived in New Mexico. Durham’s research forms the basis for his documentary Dawn’s Highway. He hasn’t completed it yet; he was recently filming at the accident site.
As Durham discovered, Morrison’s father, George Stephen Morrison, a U.S. Navy officer who eventually became an admiral, worked in Albuquerque at the Sandia and Kirtland bases from February 1947 to February 1948. Jim was 3 when the Morrisons moved to New Mexico; they lived on Williams Street near the downtown area. The family moved to Mountain View, Calif., in 1948 when George Morrison was reassigned. They returned to Albuquerque in 1955, where Jim attended seventh and eight grades at Monroe Junior High School.
Durham (pictured at right, at the spot where he believes the accident took place) has not proved beyond all doubt that the N.M. 30 wreck is the one that young Morrison saw. He has not been able to locate the accident report for the San Ildefonso crash.
Peter Olson of New Mexico’s Department of Public Safety said fatal-accident reports are kept for up to 20 years, so there’s no known record of the Morrisons being at the scene of the accident. “But I challenge anyone to find any other accident that matches this description,” Durham said.
The wreck on the highway
The big story on Page 1 of The Santa Fe New Mexican on Oct. 17, 1947, was a boring piece about the state government and highway funds. Apparently there was a lull in the news for a few days. On other days during October 1947, there were some big headlines like “FBI Nets 2 in A-Bomb Threat,” “Arabs Move Troops Along Border to Seal Off Palestine From the World,” and stories about Reds infiltrating Hollywood.
But near the bottom of Page 1 on Oct. 17 was a headline: “Mishaps Take Two Victims Over State.” The report was from that morning (The New Mexican was an afternoon paper back then): “Bacilio Quintana, who is survived by his wife and seven children, died as a result of a broken neck. The officer said an inquest may be held some time today either in Española or Santa Fe.” (The paper misspelled Quintana’s first name twice in the story. His name was "Basilio," Durham learned.) Quintana was about to retire as a janitor at Los Alamos National Laboratory, Durham said.
There was another fatal accident with musical import reported in that day’s paper. Elizabeth Garrett, described as a “blind composer and daughter of the sheriff who killed Billy the Kid,” died in Roswell the night before when she fell on the street and struck her head on a curbstone. Her Seeing Eye dog, Tinka, was at her side. The story said Pat Garrett’s daughter, who wrote New Mexico’s state song, “O Fair New Mexico,” frequently said, “My father had to bring harmony with a gun in the early days. I tried to do so by carrying a tune.”
The next day, the paper reported that the inquest for the San Ildefonso wreck did occur. It was revealed that the accident happened because a commercial bus apparently struck Tony Montoya’s converted truck while trying to pass it in a no-passing zone.
Bus driver Ruben F. Vasquez of Chamisal said he was trying to pass the other vehicle, which he said swerved to the left. The paper also reported that Ernesto Montoya, father of the truck driver, had suffered a fractured skull in the accident and was hospitalized.
Durham has located Tony Montoya, now 80, as well as Montoya’s friend Willie Quintana, 75, of San Pedro (no relation to Basilio), who went to the scene of the accident soon after it happened. “They were scattered all over,” is how Willie Quintana described the scene to Durham. Quintana is not familiar with Morrison or Doors lore, Durham said.
Basilio Quintana did not consider himself an Indian, Durham said. He was Hispanic and living in the village of San Pedro. State historian Estevan Rael-Gálvez, who has helped Durham with his film, said he can see how people not familiar with New Mexico’s cultures might believe they saw Indians at the crash when they really saw Hispanics. “Identity is a complex thing,” he said.
The West is the best
One big question is why the Morrison family, living in Albuquerque, would have been traveling along a two-lane highway south of Española. Durham said he has no definitive answer to that.
As it does now, tourist literature of the ’40s encouraged people to visit Indian pueblos.
George Morrison is on record as saying that the family was driving to Taos when they saw the accident. N.M. 30 is not the main road to Taos. But in his movie, Durham quotes historian David Kammer, who says that for someone wanting to see pueblos, N.M. 30 would have been an “enticing detour.”
The road goes through San Ildefonso and Santa Clara pueblos and affords a great view of Black Mesa — considered sacred by Pueblo Indians — and also offers a chance to see Otowi Bridge, one of three suspension bridges in the state at the time.
When the music’s over
Durham has loved The Doors’ music ever since he heard “Hello, I Love You” in high school. But don’t call him a fan of Jim Morrison. “Britney Spears, Justin Timberlake, people like that, they have fans,” he said. “His music, his words speak to us still today. That’s why I like him.”
Surprisingly, The Doors aren’t even his favorite band. That would be The Who.
But Durham said he’s fascinated by the things that shape the minds of the artists he loves, the events that lead artists to find their creativity. In the case of Morrison, Durham said, that event occurred on a lonesome road in the shadow of Black Mesa.
October 19, 2007
Two accidents this morning, one four miles south of Española, the second near Tucumcari, killed two persons, state police reported. ...
Vasilio Quintana, 67, of San Pedro, met death on State Road No. 30, State Police Captain A.B. Martinez said, when a truck driven by Tony Montoya, also of San Pedro, left the road at a dip and overturned. The officer said the truck had been converted to carry workers to Los Alamos from the Española area. ...
Martinez said nine other persons were riders, four of which received minor injuries and were given treatment by an Española physician.
The Santa Fe New Mexican, Oct. 17, 1947, Page 1
Me and my, uh, mother and father and a grandmother and a grandfather were driving through the desert, at dawn, and a truckload of Indian workers had either hit another car, or just — I don’t know what happened — but there were Indians scattered all over the highway, bleeding to death. So the car pulls up and stops. That was the first time I tasted fear. I must have been about 4 — like a child is like a flower, his head is just floating in the breeze, man. The reaction I get now thinking about it, looking back — is that the souls of the ghosts of those dead Indians ... maybe one or two of em ... were just running around freaking out, and just leaped into my soul. And they’re still in there.
Jim Morrison from “Dawn’s Highway” on An American Prayer,
music by The Doors
Brad Durham, a novice filmmaker from McMinnville, Tenn., believes that the traffic fatality that occurred 60 years ago on N.M. 30 as it traverses San Ildefonso Pueblo is “the most important accident in rock ’n’ roll history.” Says Durham, “It didn’t kill a rock star. It created one.”
Those familiar with the history and mythology of The Doors singer Jim Morrison know his story about seeing the accident. “Indians scattered on dawn’s highway bleeding/Ghosts crowd the young child’s fragile eggshell mind,” Morrison recites on his song “Peace Frog.” In the 1991 movie The Doors, Oliver Stone turns this incident into a recurring motif. The accident victim, played by Floyd Red Crow Westerman, is a mystical shaman whose spirit tries to guide Morrison through his troubled life.
But if what Durham has uncovered is true, Morrison’s childhood memory of the wreck on the highway is not quite accurate. In fact, even though that stretch of road runs through Pueblo land, the “Indians scattered” might not have been Indians at all.
Durham, who earns a living as a fundraiser for a high-school sports team, believes that seeing this wreck was a turning point in Morrison’s life, making an impression on his young mind that helped lead to his life as a poet — a death-obsessed poet many would say — a musician, and something of a shamanic figure himself.
As if he, too, were touched by some mystic spirit guide, Durham set out to research the accident. He’s read countless biographies of Morrison and The Doors (I saw about 20 books on the singer in Durham’s motel room in Santa Fe when I recently spoke with him). He’s interviewed Morrison’s friends, including Frank Lisciandro, whose recording of Morrison’s account of the incident appears on the album An American Prayer.
And he’s spent hours at the New Mexico Commission of Pubic Records office poring over newspaper accounts of highway wrecks that happened during the short time the Morrison family lived in New Mexico. Durham’s research forms the basis for his documentary Dawn’s Highway. He hasn’t completed it yet; he was recently filming at the accident site.
As Durham discovered, Morrison’s father, George Stephen Morrison, a U.S. Navy officer who eventually became an admiral, worked in Albuquerque at the Sandia and Kirtland bases from February 1947 to February 1948. Jim was 3 when the Morrisons moved to New Mexico; they lived on Williams Street near the downtown area. The family moved to Mountain View, Calif., in 1948 when George Morrison was reassigned. They returned to Albuquerque in 1955, where Jim attended seventh and eight grades at Monroe Junior High School.
Durham (pictured at right, at the spot where he believes the accident took place) has not proved beyond all doubt that the N.M. 30 wreck is the one that young Morrison saw. He has not been able to locate the accident report for the San Ildefonso crash.
Peter Olson of New Mexico’s Department of Public Safety said fatal-accident reports are kept for up to 20 years, so there’s no known record of the Morrisons being at the scene of the accident. “But I challenge anyone to find any other accident that matches this description,” Durham said.
The wreck on the highway
The big story on Page 1 of The Santa Fe New Mexican on Oct. 17, 1947, was a boring piece about the state government and highway funds. Apparently there was a lull in the news for a few days. On other days during October 1947, there were some big headlines like “FBI Nets 2 in A-Bomb Threat,” “Arabs Move Troops Along Border to Seal Off Palestine From the World,” and stories about Reds infiltrating Hollywood.
But near the bottom of Page 1 on Oct. 17 was a headline: “Mishaps Take Two Victims Over State.” The report was from that morning (The New Mexican was an afternoon paper back then): “Bacilio Quintana, who is survived by his wife and seven children, died as a result of a broken neck. The officer said an inquest may be held some time today either in Española or Santa Fe.” (The paper misspelled Quintana’s first name twice in the story. His name was "Basilio," Durham learned.) Quintana was about to retire as a janitor at Los Alamos National Laboratory, Durham said.
There was another fatal accident with musical import reported in that day’s paper. Elizabeth Garrett, described as a “blind composer and daughter of the sheriff who killed Billy the Kid,” died in Roswell the night before when she fell on the street and struck her head on a curbstone. Her Seeing Eye dog, Tinka, was at her side. The story said Pat Garrett’s daughter, who wrote New Mexico’s state song, “O Fair New Mexico,” frequently said, “My father had to bring harmony with a gun in the early days. I tried to do so by carrying a tune.”
The next day, the paper reported that the inquest for the San Ildefonso wreck did occur. It was revealed that the accident happened because a commercial bus apparently struck Tony Montoya’s converted truck while trying to pass it in a no-passing zone.
Bus driver Ruben F. Vasquez of Chamisal said he was trying to pass the other vehicle, which he said swerved to the left. The paper also reported that Ernesto Montoya, father of the truck driver, had suffered a fractured skull in the accident and was hospitalized.
Durham has located Tony Montoya, now 80, as well as Montoya’s friend Willie Quintana, 75, of San Pedro (no relation to Basilio), who went to the scene of the accident soon after it happened. “They were scattered all over,” is how Willie Quintana described the scene to Durham. Quintana is not familiar with Morrison or Doors lore, Durham said.
Basilio Quintana did not consider himself an Indian, Durham said. He was Hispanic and living in the village of San Pedro. State historian Estevan Rael-Gálvez, who has helped Durham with his film, said he can see how people not familiar with New Mexico’s cultures might believe they saw Indians at the crash when they really saw Hispanics. “Identity is a complex thing,” he said.
The West is the best
One big question is why the Morrison family, living in Albuquerque, would have been traveling along a two-lane highway south of Española. Durham said he has no definitive answer to that.As it does now, tourist literature of the ’40s encouraged people to visit Indian pueblos.
George Morrison is on record as saying that the family was driving to Taos when they saw the accident. N.M. 30 is not the main road to Taos. But in his movie, Durham quotes historian David Kammer, who says that for someone wanting to see pueblos, N.M. 30 would have been an “enticing detour.”
The road goes through San Ildefonso and Santa Clara pueblos and affords a great view of Black Mesa — considered sacred by Pueblo Indians — and also offers a chance to see Otowi Bridge, one of three suspension bridges in the state at the time.
When the music’s over
Durham has loved The Doors’ music ever since he heard “Hello, I Love You” in high school. But don’t call him a fan of Jim Morrison. “Britney Spears, Justin Timberlake, people like that, they have fans,” he said. “His music, his words speak to us still today. That’s why I like him.”
Surprisingly, The Doors aren’t even his favorite band. That would be The Who.
But Durham said he’s fascinated by the things that shape the minds of the artists he loves, the events that lead artists to find their creativity. In the case of Morrison, Durham said, that event occurred on a lonesome road in the shadow of Black Mesa.
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