Friday, July 05, 2013

THE SANTA FE OPRY PLAYLIST


Santa Fe Opry Facebook BannerFriday, July 5, 2013 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
 OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Fourth of July by Dave Alvin
The Devil's at Red's by Anthony Leon & The Chain
Sugar Baby by Legendary Shack Shakers
Sales Tax by Great Recession Orchestra
Ain't Mad About Nothin' by The Rustlers
Yvette by The Riptones
I Still Miss Someone by John Doe & The Sadies
Under the Jail by Mose McCormack
Oh Babe by Big Al Dowling & The Poe-Cats

Shadows Where the Magic Was / Favorite Fool by James Hand
Broke Down South of Dallas by Junior Brown
Something's Gonna Get Us All by Earl Poole Ball
Polly Put the Kettle On by The Clarksdale.Bluebeats
Nitty Gritty by Doug Sahm
Union Maid by Old Crow Medicine Show
Polly Put the Kettle On by The Clarksdale Bluebeats
Honky Tonk Hardwood Floor by Sleepy LaBeef
Snake Doctor Blues by Jelly Jaw Short

Mother Blues by Ray Wylie Hubbard
Freeborn Man by Jimmy Martin
Julia Belle Swain by The Howlin' Brothers
Skilly Bom Billy Flop by The Imperial Rooster
Hey People by The Dinosaur Truckers
Voodoo Cadillac by Southern Culture on the Skids
Polk Salad Annie by Tony Joe White
Amos Moses by Jerry Reed

Worried Mind by Johnny Dowd
Stupid Boy by The Gear Daddies
Lover of the Bayou by The Byrds
Mountain Storm by Michael Martin Murphey
Indoor Fireworks by Nick Lowe & His Cowboy Suit
No Good For Me by Waylon Jennings
CLOSING THEME: Comin' Down by The Meat Puppets

Like the Santa Fe Opry Facebook page 

Subscribe to The Big Enchilada Podcast! CLICK HERE
Steve Terrell is proud to report to the monthly Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNEUP: Murph Settles Into Red River

A version of this was published in The Santa Fe New Mexican 
July 1, 2013

A lot of country singers do songs about being a cowboy. But Michael Martin Murphey doesn't just have the songs and the hat.

In a recent telephone interview, Murphey said he operates ranches in Colorado, Texas, and Wisconsin.

“They’re pretty much dedicated to horses. I’ve been involved with cattle, but I’ve decided to concentrate on horses,” said the man responsible for “Wildfire,” probably the most famous horse song of the 20th century this side of “Tennessee Stud.”

Murphey used to live in New Mexico. He moved to Taos around 1980 and stayed 20 years, he said. And now, he’s back, at least for a few months. Red River will be his base this summer. And he has a lot planned there — a series of shows plus the release of a new album, Red River Drifter.

First of all, there’s a show Saturday, July 6, at the Motherlode Saloon that he’s calling the Cosmic Cowboy Rebellion. The show also features Gary P. Nunn (most famous for writing “London Homesick Blues,” which was later used for the closing theme of PBS’s Austin City Limits), Bob Livingston, Craig Hillis, Herb Steiner, and Paul Pearcy.

“All those guys were in my Cosmic Cowboy band,” Murphey said, referring to the early and mid-1970s, when Murphey was a key figure in the progressive country scene in Austin. Murphey said the individual musicians will be playing their own solo sets as well as playing together like the old Cosmic Cowboy days.

He had a song called “Cosmic Cowboy, Part 1,” on his album Cosmic Cowboy Souvenir, which has the refrain “I just want to be your cosmic cowboy/I just want to ride and rope and hoot.” That fertile longhair redneck musical alliance included Jerry Jeff Walker, Ray Wylie Hubbard, Rust Weir, Steve Fromholz, and others. “I got sick for awhile, so the Cosmic Cowboy band started playing with Jerry Jeff and became the Lost Gonzo Band.”

Then there’s Murphey’s new amphitheater in Red River called the Rocking 3M Chuckwagon Stage. “Just three miles up Bitter Creek Road,” he explained. It’s a covered amphitheater near a small lake.

“A couple of years ago, my partner and I bought the old Lazy H Ranch, which was an old guest ranch where lots of musicians used to stay when they played Red River. Jerry Jeff Walker stayed there and Gary P. Nunn. I actually stayed there in the cabins back then.”
Murph in Placitas, May 2006

Murphey is doing a series of shows at the amphitheater beginning Friday, July 5, and he will be playing music spanning his career. “I’ll be doing my music, all my hits, a lot of cowboy songs.” And he’s not kidding about that chuck-wagon part. The concerts will feature chuck-wagon meals catered by Texas Reds Steakhouse.

Murphey said these shows will provide a real Western experience. But one thing that won’t be real — unless the drought gives us all a break later this summer — is the campfire. “It’ll be an artificial fire, unless they lift fire restrictions.”

Good idea — “Murphey sparks wildfire” would be far too tempting for newspaper headline writers across the country.

Flashback: The first time I met Murphey was in the summer of 1980 when he played a show at the Paolo Soleri Amphitheater that was great until his surprise guest Roger Miller, who had recently moved to Tesuque, came out on the stage.

Miller stepped up to the mike and said, “I live down the road apiece,” strummed a chord or two, and all of a sudden the clouds opened up. The rain refused to quit, and the show was stopped for fear of electrocution on the uncovered stage.

Miller must have been cursed. Next time he performed here — a big show with Barbara Mandrell at the Santa Fe Downs a couple of years later — it rained like crazy again.

All this and a new album too: Red River Drifter is released next week. It’s an all-acoustic album with bluegrass overtones — especially the upbeat “Peaceful Country,” which opens the CD. Like all Murphey albums in the past several years, it’s produced by his son Ryan Murphey, an accomplished songwriter and guitarist.

The best song here is a funny one, “Shake It Off,” which Murphey sings with Pauline Reese. It’s got one foot in bluegrass and one foot in the blues. It could almost be an old jug-band song from the 1920s.

“When the monkey’s on your back don’t you cut him any slack/ Buddy, won’t ya shake it off/ When the devil’s at your door, don’t you take it any more/ Buddy, won’t ya shake it off.”

“Faded Blues” is basically a western take on Thoreau’s adage, “Beware of all enterprises that require new clothes.” It tells of a poor kid whose girl leaves him for “a sharp-dressed dude, kind of a high-brow cat.” This tune has some tasty Mexican-style guitar that would make Marty Robbins proud.

Another favorite is “Mountain Storm,” a minor-key tune with some sweet fiddling and a melody that might remind you of “Poor Wayfaring Stranger.”

From the beginning, Red River Drifter is full of gorgeous melodies, the sweet, sentimental tune called “The Gathering” perhaps being the best example. It’s good to know that New Mexicans will have plenty of opportunities to hear those melodies up close this summer.

The Cosmic Cowboy Rebellion show is at 8 p.m. Saturday, July 6, at The Motherlode, 410 E. Main in Red River. Tickets are $42 (VIP tickets $60).

Murphey’s shows at the Rocking 3M Chuckwagon Stage are scheduled for 8 p.m. Friday, July 5; Tuesday, July 9; and Thursday, July 11; and continue through Aug. 31. The theater is at 178 Bitter Creek Road, Red River. Tickets are $58, $52 for seniors, and $29 for children.

Tickets for all the shows are available at www.tix.com and by calling 575-754-6280. 

UPDATE: 9:30 am Sunday The spelling of Steve Fromholz's name has been corrected.

MURPHEY VIDEO BONUS

Here's "Shake It Off" from the new album.



Here's Murph doing one of my favorite Marty Robbins gunfighter ballads




And below is a song Murph sang last year at the memorial service for our mutual friend Erik Ness. This one still chokes me up.




Thursday, July 04, 2013

HAPPY JULY 4 with the Alvin Brothers



I saw The Blasters with Phil Alvin do this song at the Hootenanny Festival near Irvine, Calif. in 2009 on July 4!

Here's Phil's brother Dave with The Blasters in 2010




And for more July 4 fun ...

Diego Mulligan's Memorial Service


The memorial service for KSFR's Diego Mulligan will be held 2 p.m. Saturday July 20, at The Commons, 2300 West Alameda.

Parking is  limited, so car pooling is encouraged.

Wednesday, July 03, 2013

James Hand Live on Terrell's Sound World

One of the coolest scores for Santa Fe Bandstand this year was James "Slim" Hand, an old-time Texas country singer whose album Mighty Lonesome Man I called "The best basic old-fashioned, honest-to-God heartache and honky-tonk country music of the year. Maybe in the last several years."

Hand is playing on the Plaza Monday, July 8 It's free, part of the annual Bandstand program. The music starts at 6 p.m. and Hand goes on at 7:15 p.m.

And the night before, he's playing on my Sunday night radio show, Terrell's Sound World on KSFR, Santa Fe Public Radio 101.1 FM. He'll be playing some tunes and talking about his life and music. That show starts at 10 p.m.
James Hand at The Moose Lodge in Austin Tx, March 2012

Hand's management just sent me a bunch of autographed copies of Mighty Lonesome Man CDs as well as autographed copies of his previous album Shadows Where the Magic Used to Be.

I'll be giving those away this weekend on Sound World as well as on my hillbilly music show, The Santa Fe Opry (Friday night, same time,same station)

In fact, I'm in a good mood, so I'll give away a few right now. I'll give an autographed CD to the first three people who email me at stephenwterrell (at) gmail.com . Make sure you give me your mailing address and which of the CDs you prefer. ( UPDATE: 3:23 pm. We have winners for those first three CDs, but tune in Friday and Sunday for chance to win the others)

Here's a video for a James Hand song used in a Breaking Bad episode:







Monday, July 01, 2013

The Latest Big Enchilada Podcast Episode Has Arrived!



Consider the Big Enchilada a roadside souvenir shop. Among the jackalope antlers, prickly pear candy, rattlesnake balls and authentic Indian headdresses made in China are some crazy musical curios for the easily excitable and the wild at heart.



Here's the playlist:

(Background Music: The Wild One by Shorty Rogers & His Orchestra)
Vato Peron by Pinata Protest
You Keep Around by The Copper Gamins
Scratch That Itch by The Go Wows
I'll Make You Happy by The Ugly Beats
Spittin' Fire by Sons of Hercules
Maze Fancier by Thee Oh Sees

(Background Music: Marianna by Fanfare Ciocarlia)
On The Run by The Gories
No Respect Rev. by The Fall
Living in Squalor by Chump
I am a Girlfriend by Nobunny
Call the Police by The Oblivians

(Background Music: Dum Maro Dum by What Cheer? Brigade)
I Want Money by Figures of Light
Mad Dog Blues by Don Covay & the Jefferson Lemon Band
Hangman's Token by Barrence Whitfield & The Savages
One Hand Loose by Ray Condo
Pretty Boy by Johnny Dowd
Take it Away by Pietra Wexstun & Hecate's Angels

Play it below:

Sunday, June 30, 2013

TERRELL'S SOUND WORLD PLAYLIST


Terrell's Sound World Facebook BannerSunday, June 30, 2013 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

 OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Too Many Bills, Not Enough Thrills by Figures of Light
Voodoo Moonshine by Deadbolt
Weed Eye by Churchwood
Strawberry Soda by Bastard Winos
Laugh it Off by The Fleshtones
Loving Cup by The Oblivians
What Hath God Wrought by The Soledad Brothers
Thank God for Sinners by Ty Segal
Parade of the Horribles by The Circle Jerks
Baby Let's Play House by Arthur Gunter
Sunshine Death Mask by The Barbarellatones

Bagboy by The Pixies
Nancy Sinatra by Johnny Dowd
Lightning's Girl by Nancy Sinatra
Apocalypse Girl by Simon Stokes
Adult Acid by Thee Oh Sees
Big Mistake by Royal Crescent Mob
Western Plain by Van Morrison

Vato Perron by Piñata Protest
Citizen CIA by Dropkick Murphys
Turn Your Damper Down by Barrence Whitfield  & The Savages
We're Laughing by The Psychedelic Aliens
Sail On by T Model Ford
I'm Horny, I'm Stoned by The Doors
Two Steps from the Blues by Bobby "Blue" Bland
Strange Things Are Happening Every Day by 68 Comeback
Benny & The Jets by The Hickoids
God Loves The Hickoids by The Grannies

Ship Arriving Too Late to Save Drowning Witch by Frank Zappa
The Blues Don't Knock by Don Covay & The J. Lemon Blues Band
When the Boys Come Out to Play by Pietra Wexstun & Hecate's Angels
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Like the Terrell's Sound World Facebook page

Subscribe to The Big Enchilada Podcast! CLICK HERE

Friday, June 28, 2013

THE SANTA FE OPRY PLAYLIST

Y
Santa Fe Opry Facebook BannerFriday, June 28, 2013 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
 OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Home With My Baby by Wayne Hancock
Barstool Mountain by Johnny Paycheck
Huntsville by Merle Haggard
Johnson to Jones by The Waco Brothers
Okie Boogie by Johnny Fox & The Hunters
Junkyard in the Sun by Butch Hancock
Please Me When You Can by James Hand
Fist City by Loretta Lynn
No Good Robin Hood by Delbert Barker

That's What I Like About the South by Hank Thompson
Gotta Make Her Mine by Ronny Wade
Jesus Was a Wino by Lydia Loveless
Dumb Blonde by Dolly Parton
Baby He's a Wolf by Werly Fairburn
Honeysuckle Vine by Mose McCormack
Hesitation Blues by The Nitty Gritty Dirt Band
Burn the Place to the Ground by The Dinosaur Truckers
No Swallerin' Place by June Carter
Pretty Polly by Estil C. Ball

Nitty Gritty by Southern Culture on the Skids
Down the Line by Earl Poole Ball
Freight Train Boogie by The Maddox Brothers & Rose
Shake It Off by Michael Martin Murphey with Pauline Reese
Kansas Women by Two Ton Strap
Boll Weevil by Blind Willie McTell
Blind Willie McTell by The Band

Tennessee Blues by The Howlin' Brothers
Saving My Love by The Stumbleweeds
Trip to Roswell, New Mexico by Joe West
Waltz Across Texas by Ernest Tubb
Houses on the Hill by Whiskeytown 
The Lost Cause by Legendary Shack Shakers
The End of The World by Skeeter Davis
Empty Bottle by The Calamity Cubes
CLOSING THEME: Comin' Down by The Meat Puppets

Like the Santa Fe Opry Facebook page 

Subscribe to The Big Enchilada Podcast! CLICK HERE
Steve Terrell is proud to report to the monthly Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, June 27, 2013

TERRELL'S TUNEUP: Gargon Does the Dowd

A version of this was published in The Santa Fe New Mexican 
June 28, 2013

I never would have thought that in 1998 when I first heard Johnny Dowd’s first album, Wrong Side of Memphis — which at the time I wrote was one of the “strangest albums of the ’90s” — that he would be making another album twice as strange 15 years later.

But that’s exactly what he’s done with his latest, Do the Gargon which will be available in early August. It’s a concept album of sorts, dealing with a mysterious character who might not even be human.

Born in Fort Worth and raised in Memphis and Pauls Valley, Oklahoma, Dowd started a successful moving company in Ithaca, New York, before he began making albums. He was 50 years old when Wrong Side of Memphis came out.

It gives me a certain faith in humanity that regular working guys might have bizarre musical ideas like these “Gargon” songs bouncing around in their heads as they’re moving your furniture. That’s what makes America great.

So who or what is this Gargon? “Gargon was a character that we ran into on the road several different times,” Dowd recently told his local paper, the Ithaca Journal. “The first time was in Denver, when we opened for a heavy-metal band that was dressed as trolls with scythes and robes. They all seemed sort of Gargon-ish, to use it as an adjective.

“I also was thinking of the Frankenstein movies — inside, he was a nice person, with the exterior of a monster. But in these songs, does Gargon appear as a monster with a soft heart or does he appear normal with a monster’s heart?”

As Dowd writes on his website, “All I can say is: look around, look in the mirror, look at me. He is the beast within who got his feelings hurt (boo hoo), he is the boy left at a filling station in the great state of Nebraska in 1953. He says ‘rock and roll will never die,’ and he is a pretty good dancer. That’s why mother married him.”

(Some deep Dowd trivia here: Dowd’s website bio says that his mom married his dad because of his dancing skills. And in the Ithaca Journal interview, Dowd talks about being accidentally left behind at a gas station during a family vacation at the age of 4 or 5. He mentions that story in the title song of this album as well as “Gargon’s Disco Balls.”)

Dowd sings or mostly talks, and he plays guitar here, backed by longtime musical cronies Michael Stark on keyboards and Brian “Willie B” Wilson on drums and bass pedals. Most of the tracks feature an electro-boogie-beat musical backdrop — think a less slick version of “Sharp-Dressed Man”-era Z.Z. Top.

The opening track, “Gargon Gets All Biblical,” starts out with what sounds like a distorted, mutated, synthesized Creedence Clearwater Revival riff. Finally, Gargon speaks. “Wherefore art thou? … Hast thou no mercy ?… On my birth date there was darkness and no breast to suckle. … I am forsaken.” Later in the song, Gargon addresses a woman. “Oh my damsel, so sweet, so fair/My misery with you, I’d love to share.”

This is followed by three and a half minutes of rocking Dowdian madness in a song called “Shaquille.” No, I haven’t quite figured this one out yet as some of the lyrics are incomprehensible.

Gargon reappears in a song titled “Nancy Sinatra.” Here, we learn about another side of the character. “Gargon has a miniskirt he wears to places fancy/In a pair of go-go boots he borrowed from Nancy Sinatra/Gargon is a beast, walkin’ kind of prancy/Like a robot ballerina down the Strip with Nancy Sinatra.”

Dowd reveals more aspects of the title character. In the slow, spooky dirge from the dark dimension called “Girl in the Suitcase,” we learn that Gargon was once in love with a red-headed girl from a shantytown. At the tune’s end, Dowd sings, “All things pass/It’s only memories that last/She’s in his suitcase, his only memory that lasts/He’s in love, in love.” A listener is left wondering if there are human remains in that suitcase.

Then in “Touch Her Cheek,” which has a bluesy hook similar to that of Frank Zappa’s “I’m the Slime,” we find out that Gargon has a tender side. “Gargon would cut off his arm just to touch your cheek/With his other arm, he would touch your cheek.”

The first half of the nearly six-minute” Butterflies and Unicorns” sounds like a weird marriage between Black Sabbath and ’70s jazz fusion. But then the tempo slows down, and Dowd’s guitar gets psychedelic, with hints of Funkadelic’s “Maggot Brain.” Meanwhile, Dowd recites more Gargon tales: “Gargon with his iron lung/He says that every single song has been sung.”

Not all of the songs deal directly with Gargon. For instance, “Pretty Boy” is a comical look at a sharp-dressed man. “I want to kiss myself, ’cause I’m so pretty,” Dowd declares. “I’m a big-town playboy out of Oklahoma City.” I’m betting this tune has its origins in an obscure early ’60s cat called Lord Sundance, whose songs “Pretty Lord Sundance” and “The Return of the Pretty One” tell the story of another guy who wants to kiss himself. (The narrator of “Shaquille” wants to kiss himself too. Coincidence?)

Musically, this is one of Dowd’s most rocking records. However, I miss the concise storytelling found on his previous works. Earlier albums showed that Dowd has the ability to deliver deep and disturbing sagas of small-time criminals, humiliated lovers, stalkers, and various other kinds of outcasts wrapped in neat three- or four-minute packages.

This album is a look at one character, the enigmatic Gargon, from a variety of angles. It’s an interesting experiment, but I hope Dowd hasn’t completely abandoned the elements of his songcraft that made us love him in the first place.

Video time ...






Did the above song come from the one below?

Wednesday, June 26, 2013

I'll Be Playing Some Songs at Julesworks Follies





For reasons best known to Stephen Jules Rubin, I've been asked to play some tunes at the Julesworks Follies, a monthly variety show taking place at the Aztec Cafe, 7 pm Saturday Night. It's one of my increasingly rare musical performances, so come check it out.

According to the event's Facebook page, the show will feature  The Julesworks Monty Python Recreation Brigade Squadron Posse UnDead Frog will perform the Python sketch of the Australian Bruces with the sing-a-long "Philosopher’s Song." Also you'll see their first attempt at the famous scene from Monty Python and The Meaning of Life of the man who exploded after eating too much in the restaurant.

From the comedy Airplane! there will be reenactments of the cockpit scenes and "a very special presentation of the famed `Jive Brothers'.” The cast for these homage rip offs includes Rubin, Stephen Rommel, Leticia Cortez and Tom Sibley.

Other returning performers are: author Leticia Cortez, storyteller Patrick Chavez and bellydancer extradionaire Chandler Rhinehart. Amy Johnson promises to offer a surprise 3 minute set. (Oops. Guess it's not a surprise now.)

And, yes, there will be puppets!  Daryl Wellington and his new puppet troupe “Sun Pulling Freak Puppet Theater” will present their “Puppet Therapy." (Hope my dressing room is bigger than the one for the puppets.)

And of course, Henry the Horse dances the waltz.

THROWBACK THURSDAY: Come for the Shame, Stay for the Scandal

  Earlier this week I saw Mississippi bluesman Cedrick Burnside play at the Tumbleroot here in Santa Fe. As I suspected, Burnsi...