TERRELL'S SOUND WORLD PLAYLIST

Sunday, January 30, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Piece of Crap by Neil Young
My Life is Starting Over Again by Teenage Fanclub with Jad Fair
Inside Looking Out by Eric Burdon & The Animals
Mongoloid by Devo
Do the Romp by Entrance & Cat Power
Tortures by Kazik Staszewski
Attacked by Monsters by The Meat Puppets

New Wave Jacket by Polysics
In Door Fu Chiken by Fuzzy Control
Alligator Night by Thee Michelle Gun Elephant
Tribe by The Mad Capsule Markets
Soul Food by Understatements
Mama Brain by The Boredoms
Born to Be Wild by Petty Booka

Mark Lanegan Set
All songs by Mark Lanegan except where noted
Wedding Dress
I Nearly Lost You by The Screaming Trees
Waiting on a Train
Shooting Gallery
Song For the Dead by Queens of the Stone Age
Where Did You Sleep Last Night?
Number Nine by The Twilight Singers

Robot Parade by They Might Be Giants
There is Beauty by Richard Thompson
Less Than You Think by Wilco
Waiting on a Friend by The Rolling Stones
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

THE SANTA FE OPRY PLAYLIST

Friday, January 28, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Ram Bunk Shush by Cornell Hurd
Condi, Condi by Steve Earle
Milk and Pancakes by Fortytwenty
If You Don't, Somebody Else Will by The Ranch Girls & The Ragtime Wranglers
Cool Drink of Water by Vassar Clements
Pearly Lee by Billy Riley
No More War by Ronny Elliott
Sweet Virginia by The Rolling Stones

Uncle Frank by Drive-By Truckers
You're Humbuggin' Me by Ronnie Dawson
Living in the U.S.A. by Acie Cargill
Oh Christy by The Moaners
Favorite by Neko Case
Black Iron Bridge by Rex Hobart & The Misery Boys
Five Minutes of the Latest Blues by Justin Trevino with Mona McCall
Nobody Knows You When You're Down and Out by Pine Top Smith

Yonder Mountain by Raising Cane
Cry by Lynn Anderson
What Would You Give in Exchange by Bill Monroe
Back in the Goodle Days by John Hartford
White Trash Wedding by The Dixie Chicks
Nashville Cats by Del McCoury Band
Teddy Bear's Picnic by Jerry Garcia & David Grisman
Down in the Willow Garden by The Osborne Brothers
Brain Damage by The Austin Lounge Lizards

Just the Other Side of Nowhere by Kris Kristofferson
I'll Sign My Heart Awayby Merle Haggard
When the Last Curtain Falls by George Jones
Each Night at Nine by Floyd Tilman with Willie Nelson
Hate to Be Lonely by ThaMuseMeant
Her by Richard Buckner
I Do Believe by The Highwaymen
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNEUP: MUSIC FOR 4 A.M.

As published in The Santa Fe New Mexican
January 28, 2004

These CDs have been out for several months now. But I just recently laid my hands on the first one, while the second one took awhile to grow on me.

To paraphrase Orson Welles, I will review no album before its time.


*Bubblegum by Mark Lanegan. This ain’t your father’s “bubblegum” music. Lanegan doesn’t chirp, “yummy yummy yummy, I’ve got love in my tummy.” Not even once.

“When I’m bombed I stretch like bubblegum/And look too long straight at the morning sun,” Lanegan sings on a deceptively quiet, acoustic tune called “Bombed.” This duet with Wendy Rae Fowler is barely over a minute along.

It sounds like a funeral dirge. It sounds as if someone could get killed at any minute.

Like Lanegan‘s best solo work, Bubblegum is a testament of pain, druggy desire, and 4 a.m. lonely ache. It’s a blues-drenched, ghostly, dark-night-of-the-soul meditation that’s not ashamed to be pretty but not afraid to wake the neighbors with furious clatter when the spirit says “roar.”

Lanegan was the singer with long-defunct Washington state grunge warriors the Screaming Trees. He’s also served stints with Queens of the Stone Age and with Greg Dulli’s Twilight Singers. He also deserves at least a footnote in the history of rock ‘n’ roll for being the guy who introduced Kurt Cobain to Lead belly’s “Where Did You Sleep Last Night.”

The record is billed as being by “Mark Lanegan Band,” and indeed he’s got an impressive, revolving gaggle of sidemen on Bubblegum. P.J. Harvey sings with Lanegan on two songs, here. Dulli and QOTSA members appear on some cuts, as do Izzy and Duff from Guns n' Roses. And Texas-born psychedelic blues wizard Ian Moore and keyboardist Bukka Allen (Terry and Jo Harvey Allen’s son) lend their talents to one tune.

But Lanegan himself is the driving presence here on every single cut. The dark vision is all his. The constant that runs throughout is his voice, a gravelly, whiskey ravaged -- and probably worse-things-ravaged -- baritone that sounds like the moans of a hobo prophet halfway between a trance and a righteous rage.

Drug addiction, that grim subtext of so much classic Seattle music, is a theme in several tunes here. It’s obvious in songs like “Methamphetamine Blues,” a crunching workout with clanking industrial percussion and screaming guitar (by Alain Johannes). And Lanegan rocks even harder and the chemical desperation is even more frantic in the crazed “Can’t Come Down.”

But the drug life even more disturbing in the song called “Wedding Dress,” a somber, synth-driven tune where Lanegan croons, “Will you walk with me underground and forgive all my sicknesses and my sorrows?/Will you be shamed if shake like I’m dyin’/when I fall to my knees and I’m cryin’?” The tune ends with a line borrowed from “Jackson,” the comic Johnny Cash/June Carter (or Nancy Sinatra/Lee Hazelwood) song of marital strife. But here the words “We got married in a fever” take on ominous connotations.

Lanegan explores the dark side of the blues with “Like Little Willie John” He invokes the name of the tragic R&B pioneer, who died in a Washington state prison in 1968. Here, the ghost of Little Willie hovers over the singer’s troubling memories of losing a lover.

“All she ever knew was trouble/And for much I was to blame/But when I heard the news that night/I went down like a satellite/ And when my world stood still that night/I dropped like a satellite … Where’s Willie John?”

Lou Reed once pointed out that had he personally done all the things he sang about, he’d have been dead years before. I suspect this probably is true of Lanegan as well. But his voice is authoritative as his stories are compelling. And his music, whether soft and smoky or loud and dissonant, is irresistible.

*Dents and Shells by Richard Buckner. This is a guy who makes strange, but undeniably beautiful music. What can you say about a guy who did a whole album based on Edgar Lee Masters’ small-town gothic Spoon River Anthology? (not separate songs, mind you, but one 34-minute track!)

Buckner’s melodies are mournful, his delivery low-key, his lyrics introspective and often obscure. His voice is a slightly raspy drawl that often colors and embellishes the notes. His songs sometimes seem like snippets from a notebook, not quite finished, but refusing to stay put.

In many ways this album reminds me of the first Buckner CD I heard, the magnificent Devotion + Doubt. That mid-90s effort -- still my favorite Buckner album and a fan favorite in the then-blooming alternative country scene -- was produced by Lubbock Mafia chieftain Lloyd Maines and featured members of Calexico.

Like Devotion, Dents and Shells features lots of fine steel guitar, especially on the songs “A Chance Counsel” and “Her” -- though the latter tune also is distinguished by a catchy one-finger piano.

Some song arrangements here border on the surreal. “Charmers” for instance is a tense minor-key funeral march in which most the instruments seem to melt into a low rumble behind Buckner’s vocals Butthole Surfer King Coffey’s over-caffeinated drums. This almost could be a Will Oldham/Palace song.

“As the Waves Will Always Roll” is a sad dirge that features what sounds like a roller rink organ and downright crazy drumming from Coffey.

Buckner’s music is pretty enough to appeal to singer/songwriter fans and odd enough to satisfy those looking for more experimental sounds.

ROUNDHOUSE ROUND-UP: BOLOS A NO-NO?

As published in The Santa Fe New Mexican
January 27, 2004

A sergeant-at-arms stopped freshman Sen. Jack Ryan, R-Albuquerque, from entering the floor of the House on Monday to hear a speech by U.S. Rep. Steve Pearce, R-N.M., made before a joint session of the House and Senate.

At first, Ryan assumed he was being stopped because the sergeant-at-arms didn't recognize him. After all, there are several new faces among the legislators this year.

But that wasn't the problem. Ryan was in violation of a rule he knew nothing about.

He was wearing a bolo tie.

No, the House hasn't hired former Santa Fe Police Chief Don Grady - who made national headlines in 1995 when he forbid plain-clothes officers from wearing bolos.

The House Dress Code requires all males on the floor of the House to wear jackets and regular ties. No bolos, chief Sergeant-At-Arms Gilbert Lopez told me this week.

"The Senate allows bolos, but the House doesn't," Lopez said. "It's been that way since I've been here." Lopez said he's worked for the House for 15 years.

The rule is ironic considering that in 1987 the state Legislature named the bolo the "official state tie or neckwear of New Mexico" in a memorial that declared that those who wear bolos "shall be welcomed at all events or occasions when the wearing of a tie is considered if not mandatory, then at least appropriate."

Of course, a memorial has no force of law. Curiously, the "official state tie" is not listed in the same section of state law that lists the official state bird, state animal, state reptile, state cookie, etc.

Bolos, of course, are common on state officials. Gov. Bill Richardson has been known to occasionally sport a bolo.

Ryan, who was wearing a conventional tie Wednesday, said when he initially was stopped, the sergeant-at-arms tried to help him find a tie that would be allowed. "I finally borrowed one from a (bill) analyst," he said.

Soon after the incident, Ryan said he was approached by leaders of both parties in the Senate, who told him it was wrong for him to have been denied entrance to the House.

"It was a misunderstanding," Lopez said. "Senators who come in for joint sessions will be allowed to wear bolo ties."

However, if it's not a joint session, visiting senators going into the House will have to wear a regular tie, he said. "We've got some ties we can lend them."

(For the record: The scorpion tie pictured above is not the one Ryan was wearing.)

In the lobby: Former state Sen. Roman Maes might have lost the Democratic primary to freshman Sen. John Grubesic, D-Santa Fe, last year, but that didn't keep him away from the Roundhouse for long.

According to the Secretary of State's web site, Maes, former chairman of the Senate Corporations and Transportation Committee, is now a registered lobbyist for Microsoft, Valor Communications, St. Vincent Hospital and Santa Fe County.

Maes joins a long list of lawmakers who have joined the ranks of lobbyists. Other recently departed legislators seen around the Roundhouse lately are former Senate President pro-tem Richard Romero and former Rep. Joe Thompson.

The University of New Mexico announced that Democrat Romero and Republican Thompson would be lobbying for the school. But the Secretary of State's web site lists Romero's clients as Arena Management and Construction and Isleta Pueblo, while Thompson's only client listed is Jemez Pueblo.

Balls of Fire: Forty-five years ago this Sunday, a band of high school kids from Raton appeared on American Bandstand. This was The Fireballs, who would become even more famous in a few years when their song Sugar Shack hit No. 1 on the charts. It was the top-selling single of 1962.

The Fireballs are still around and includes two original members - guitarist George Tomsco and bassist Stan Lark. Rep. Hector Balderas, D-Wagon Mound, has introduced House Joint Memorial 19, which would declare Sunday "The Fireballs Day" in New Mexico.

"It's a pleasure to introduce this because they're from my district," Balderas said. Asked if he was a Fireballs fan, the 30ish lawmaker said, "They were in their prime before I was born."

Unfortunately there are no current plans to have The Fireballs play at the Legislature - though Tomsco last week was in the Rotunda, playing behind playwright/actor Charles Pike performing his play Elephant Murmurs, which concerns the "lost years" of Bill Richardson.

SYNDICATION, GEORGIE ANGEL, ETC.

I've been working so much on my Legislature blog, (not to mention my more-than- fulltime job covering the Legislature for The New Mexican, you might think I've been letting this one go to Hell.

Well, that's not completely true. I the past couple of days, I've put this blog on the road to content syndication. So for those of you who use news aggregators or blog readers like Bloglines or Newsgator, have at it.

Plug: If you get a chance check out The Georgie Angel Blues Band at Fox's on St. Michael's Drive 9 p.m. Friday. I mainly wanted to plug the gig because I like George's graphic he e-mailed to me.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, January 23, 2005
KSFR, Santa Fe, N.M.
Now Webcasting
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Bad Moon Rising by Creedence Clearwater Revival
Eve of Destruction by The Dickies
Steppin' Out by Paul Revere & The Raiders
Hard to Be Human by The Mekons
Don't Break Me Down by The Donnas
Burn in Hell by The Ponys
Can't Stand to See Your Face by Holly Golightly
Johnny Carson by The Beach Boys

Dead Lover's Twisted Heart by Daniel Johnston
Walking the Cow by T.V. on the Radio
Wrong Place, Right Time by The Fall
Home and Garden by Pere Ubu
Squeeze Me Macaroni by Mr. Bungle
Twenty Small Cigars by Frank Zappa
Willie Nelson (Take 2) by Miles Davis
Gentleman's Lament by Thinking Fellers Union Local 282

Night of the Thumpasorus Peoples by Parliament
Female Troubles by Bootsy's New Rubber Band
Pop That Thang by The Isley Brothers
Wifesitter by Swamp Dogg
Your Love is So Doggone Good by Isaac Hayes
The Real Story by David Holmes

Bottle of Wine by The Fireballs
The Mercy Seat by Kazik Staszewski
Who Are You by Tom Waits
Nuts in My Family Tree by Napoleon XIV
Dust 2 by Elvis Costello
Wedding Dress by Mark Lanegan Band
True Love by Tiny Tim & Miss Sue
My Little Corner of the World by Yo La Tengo
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

THE SANTA FE OPRY PLAYLIST

Friday, January 21, 2005
KSFR, Santa Fe, NM
Now Webcasting
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Cowboy in Falmes by The Waco Brothers
Demonic Possession by Drive-By Truckers
Creek Cats by The Legendary Shack Shakers
Flannery Said by The Moaners
Walk to the End of the World by Ronny Elliott
The Rubber Room by Porter Wagoner
Moonshiner's Child by Tammy Faye Starlite

Deep as Your Pocket by Tres Chicas
Fist City by Loretta Lynn
Loretta by Neko Case
Rocky Top by Lynn Anderson
Someone to Give My Love To by Big Al Anderson
The Good Ain't Gone by Rex Hobart & His Misery Boys
Slide Off of Your Satin Sheets by Johnny Paycheck
11 Months and 29 Days by Dave Alvin
It Won't Be Long (and I'll Be Hating You) by Rex Hobart & His Misery Boys

Rock-a-Billy Fever by Wanda Jackson
Right or Wrong by Kelly Hogan
Hot Dog That Made Him Mad by Wanda Jackson
Rock Your Baby by Candye Kane
Fujiyama Mama by Trailer Bride
Lovesick Blues by Wanda Jackson
Hot Dog by Rosie Flores
This Train by Sleepy LaBeef

Tonight She Hits the Honky Tonks Again by Justin Trevino
Worried Man Blues by George Jones
Something Stupid by The Mavericks with Trisha Yearwood
Drinkin' Thing by Gary Stewart
The Snakes Crawl at Night by Charlie Pride
Between Lust and Watching TV by Cal Smith
Stoned to the Eyes by Miranda Brown
Like a Monkey in the Zoo by Vic Chesnutt
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNEUP: A TRIBUTE TO TRIBUTE ALBUMS

As published in The Santa Fe New Mexican
January 21, 2005

No matter how harshly critics dismiss tribute albums, the dang things keep proliferating. Someone out there must like ’em. And despite my own grumbling from time to time, in more than a few cases, I like ‘em too.

So here’s my idea: A tribute to tribute albums. Here a batch of “various artists” would do their interpretations of other various artists’ interpretations on a variety of tribute albums.

For example, Alejandro Escovedo could do his version of Elvis Costello’s version of “Ship of Fools” from Deadicated, the Grateful Dead tribute, while Tom Waits could do his take on Los Lobos’ version of “Midnight Shift” on Not Fade Away: Remembering Buddy Holly. Guided by Voices and Beck would have to fight over who covered the Bongwater rendition of “You Don’t Love Me Yet” from the Roky Erikson tribute Where the Pyramid Meets the Eye. The possibilities nearly are infinite …

Meanwhile here’s a bunch of recent tribute albums I’ve been enjoying.

The Late Great Daniel Johnston: Discovered Covered. This is a double-disc set featuring a various-artist tribute on the first disc and the original versions by Johnston on the second. This format actually is a great idea, particularly for an artist as obscure as Johnston. Some of the tunes on Disc Two, namely the ones that originally were released on self-recorded, lo-to-no-fi cassette tapes, are pretty hard to find.

For the uninitiated, Johnston, a Texas resident, is a cult hero of the indie rock world. He's got a history of mental problems, many of which are addressed on his painfully sincere songs of unrequited love, loneliness and rejection.

Many of the interpretations on Disk One emphasize the pretty melodies, which sometimes are obscured by tape hiss on Johnston's early works. This especially is true on "Go," a collaboration between Sparklehorse and The Flaming Lips, Mercury Rev's down-home take on "Blue Clouds" and "Dream Scream" by Death Cab For Cutie, which is more dreamy than screamy.

There are a couple of stripped-down primitive Johnston interpretations, like frog-voiced Calvin Johnson's "Sorry Entertainer," (just vocals and percussion) and "King Kong," which, as done by Tom Waits is a disturbing chant that sounds like an outtake from Waits' recent Real Gone.

But the true standout here is Vic Chesnutt's mournful "Like a Monkey in the Zoo." It already arguable was Johnston's saddest song, but Chesnutt makes it even sadder.

*Hard-Headed Woman" A Celebration of Wanda Jackson. The word "celebration" is right on the mark here. Just about every track on this record sounds like the various artists took to heart the command in Jackson's signature: "Let's Have a Party."

Jackson, for those deficient in rock history credits, was an important rockabilly pioneer. Starting out as a protégé of country star Hank Thompson, she was one 1950s country singer who had no trouble adapting to rock 'n' roll. She's well into her 60s now, but she's still touring.

Not surprisingly, this album is dominated by female singers. Rosie Flores, who helped revive Jackson's career last decade, sings a swingy "In the Middle of a Heartache," that has a lot of Patsy Cline in it. Meanwhile, the indomitable Neko Case rips it up on "Brown-Eyed Handsome Man," Candye Kane is as brassy on "Rock Your Baby" as Laura Cantrell is wide-eyed innocent on "Wasted."

Meanwhile, Jackson's country side is well-represented by Kelly Hogan's smoky "Right or Wrong," Ana Fermin's heartbreaking "The Box it Came In" and Jesse Sykes' sweet moan on "Weary Blues From Waiting."

But Jackson's music isn't just for women. Cornell Hurd's droll vocals on "This Gun Don't Care Who It Shoots," Robbie Fulks' earnest version of "Tears at the Grand Ol' Opry" and Wayne Hancock's rendition of the classic "Let's Have a Party" all are highlights.

But my favorite here is the most radical reworking of a Jackson song, Trailer Bride's surreal take on Jackson's first rockabilly hit "Fujiama Mama." There's heavy drums and monster-movie organ as Melissa Swingle tosses off the lyrics in a carefree way. When she sings "I'm a Fujiama Mama just about to blow my top," it sounds like you'd better get out of her way. It's contributions like this, which take familiar songs to new territory, that make tribute albums worth it.

*Touch My Heart: A Tribute to Johnny Paycheck. Robbie Fulks produced this tribute to the legendary hell-raiser Paycheck, so you know it's going to be tasteful. Fulks rounded up an impressive gaggle of various artists including stars of traditional country (George Jones, Gail Davies, Johnny Bush), alternative country (Neko Case, Mike Ireland, Jim Lauderdale) and beyond.

Mavis Staples does a take on the title song that completely blurs the lines between soul and country. Former NRBQ guitarist and part-time (Santa Fe resident) Big Al Anderson does much the same on "Someone to Give My Love To."

As usual, Hank Williams III sounds like the ghost of his granddaddy on "I'm the Only Hell My Daddy Ever Raised."

And baritone belter Dave Alvin is even more impressive than usual with his tough, bluesy "11 Months and 29 Days."

The saddest part of this record though is the fact that Buck Owens' voice, which has been ravaged by throat cancer, is unrecognizable on "Take This Job and Shove It," where he shares vocals with a rather strange line-up: Wilco's Jeff Tweedy, Bobby Bare and Radney Foster. It's a fun tune, it's just disturbing to hear Buck that way.

ROUNDHOUSE ROUND-UP: REPUBLICANS FOR LUJAN

As published in The Santa Fe New Mexican
January 20, 2005

Nobody doubted that Democrat Ben Lujan would be officially re-elected as House Speaker when the Legislature convened this week. After all, the Ds outnumber the Rs 42-28 in the House.

What was surprising was that he received four votes from House Republicans, who on Tuesday chose him instead of House Republican Leader Ted Hobbs of Albuquerque.

The dissenting four were Reps. Jeanette Wallace of Los Alamos, Sandra Townsend of Aztec, Janice Arnold-Jones of Albuquerque and Dan Foley of Roswell.

It’s obvious the nomination of Hobbs was symbolic, just like the nomination of Sen. Joe Carraro, R-Albuquerque for Senate president pro-tem. (Carraro lost to Democrat Ben Altamirano of Silver City Tuesday on a straight party vote.) Minority parties in both chambers do such things to show solidarity.

So why would four Republicans buck their leader?

Both Wallace said Townsend said they did it partly because Lujan was assured of victory.

“Ben is my neighbor,” Wallace said, referring to the fact that Lujan’s Santa Fe County district is next to hers. “I enjoy working together with my neighbors. Sometimes we put up (challengers) just to be antagonistic.” Republicans should save confrontations for more important issues, she said.

“It was nothing to do with Rep. Hobbs,” Townsend said.

But the two others who voted for Lujan said it was because of Hobbs.

“I vote for the one who could do the best job,” Arnold-Jones said. “I have no big political agenda. I have no desire to hurt Ted. But I have serious questions about his leadership style and the lack of communication.”

Foley, who made an unsuccessful bid for Republican whip several weeks ago, said, “The leadership team is trying to get me moved off my committees. It was hard for me to vote for someone who was trying to cut me off at the knees.”

Hobbs on Wednesday denied he had tried to get Foley removed from the Judiciary and Business and Industry Committees.

“When I submitted my recommendations to the speaker, I basically asked for 99 percent of what my members had asked for,” he said. The speaker of the House has the authority to appoint all House committee members.

When Lujan announced the appointments Wednesday, Foley was off both his old committees.

Hobbs said he doesn’t think the four votes against him indicates any serious divisions among House Republicans.

“I don’t think there are insurmountable problems,” he said. “I don’t twist arms and I never have questioned a member’s vote.”

What was the governor reading? Tuesday’s State of the State address represented a technological milestone of sorts. It’s the first time a governor used an electronic teleprompter to read his speech.

Richardson spokesman Billy Sparks said such machines frees up a speaker from having to look down on the podium to read a text. Instead, the speaker can look directly at the crowd — and directly into a television camera.

“Most major speeches these days are done with teleprompters,” Sparks said.
The machine itself belongs to the state Film Office, Sparks said. “The speech was a training event for them,” he said.

I blog, therefore I am: Don't forget, for the next two months, in addition to my regular legislative coverage, I’ll be keeping a web log concerning the festivities at the session. For anecdotes, observations and wisecracks concerning the Legislature, check it out.

FUNNIEST BUCK OWENS REVIEW I EVER READ

Here's just a taste:

"I pulled the sharpened keno pencil from my neck where I had attempted to puncture my jugular vein after witnessing Buck Motherfucking Owens doing a Shania Twain number and began writing out MY request ..."

CLICK HERE for the whole thing.