JOE WEST IN UK

British and Scottish audiences are in for a treat. Santa Fe's Joe West is heading their way, on what he calls "A mission to spread Santa Fe poetry and country music across the world."

Says Joe, "If you have any friends in England or Scotland, please let them know of the Santa Feans that are bringing green chili to their neihborhood."

Here's the tour schedule, as sent by Joe:

Oct 24 London -The Borderline (with Chris Mills and The Havenots)

Oct 25 London -The Borderline (with Sarah Lee Guthrie/Johnny Irion and The Barker Band)

Oct 27 Southampton- Talking Heads (Note from SWT: I think that's the name of the venue, not the opening act.)

Oct 28 West Hoathly/Ardingly -The White Hart

Oct 29 Lewes -The Lansdowne Arms

Oct 30 Brighton -The Greys

Nov 2 Leicester- The Musician

Nov 3 Berwick -The Barrels Ale House

Nov 4 Aberdeen BBC Radio Scotland (2:30 show time)

Nov 4 Glasgow -The Liquid Ship-8:00PM (with Donny O'Rourke)

Nov 5 Ullapool Medicine Show Loch Broom FM 1pm

Nov 5 Ullapool -The Arch Inn

Nov 6 Inverness -Hootananny's(The Listening Room )

Nov 7 Gateshead -The Sage Arena (with Jon Dee Graham) (Note from SWT: This is one I'd love to see.)

Nov 8 Nottingham -The Maze (Forest Tavern)

Nov 9 Manchester -14 Lloyd Street

Nov 10 Swindon -The Bee-hive


If you can't make it to any of these shows, you can at least watch a fascinating video by this guy who calls himself "Dancing Butterflies."

TERRELL'S TUNEUP: STILL IN DOLLYWOOD

A version of this was published in The Santa Fe New Mexican
October 21, 2005

Dolly Parton’s Those Were the Days probably is the closest thing to an anti-war protest album you’re going to see coming from a bonafide country music icon, at least this year.

Basically this is a collection of tunes from the late ‘60s and early ‘70s -- mainly easily recognizable folk or folk-rock hits -- in which Dolly is joined by some of the the songwriters or the singers who made the songs famous as well as other guest stars. (The happy news: Most of it’s not as bad as such a project sounds like it would be.)

Many tunes here -- and I’m assuming it’s no coincidence -- are anti-war anthems. Apparently back in the ‘60s Dolly was listening Peter, Paul & Mary as well as Porter, Possum & Merle.

This wouldn’t seem so radical except for the fact that the only musical commentary on war and peace that you hear on commercial country radio is from the Toby Keith/Hank Williams Jr. blind-patriotism/America-kicks-butt variety.

There’s no way the County Music Industrial Complex is going to embrace Dolly’s peace-and-love tunes any more than they did Merle Haggard’s biting Iraq commentary “That’s the News” or Willie Nelson’s “Whatever Happened to Peace on Earth” a couple of years ago. Or any more than they embraced Earl Scruggs in the late ‘60s when he began playing anti-war rallies.

Of course, Dolly, and for that matter, Haggard and Nelson aren’t exactly tied down by the surly bonds of the C&W establishment these days. Country radio ignores them, while these entertainers continue to make fine music below Nashville radar.

Most of the anti-war tunes Dolly performs here still have power and relevance in light of the war in Iraq.

There’s Bob Dylan’s “Blowin’ in the Wind,” done here in a bluegrass/pop style with the band Nickel Creek. There’s a beautiful take on “Where Have All the Flowers Gone,” featuring Dolly’s sweet harmonizing with Norah Jones and Lee Ann Womack.

She does a heartfelt, banjo-driven version of “Turn, Turn, Turn,” (Roger McGuinn’s somewhere in the mix.)

The only one that seems rather strange is “The Cruel War.” With vocal harmonies from Alison Krauss and Dan Tyminski and guitar by Tony Rice, the song sounds heavenly. But the whole concept of the song is questionable. And I’m not even talking about the corny happy ending Dolly tacks on.

This song, which some say dates back to the American Civil War, seemed antiquated even back in the mid ‘60s when Peter, Paul & Mary had a hit with it.

“The Cruel War” is the story of a young woman who so hates the idea of her Johnny going off to war, she offers to disguise herself as a man to go with him.

“I’ll tie back my hair, men’s clothing I’ll put on/I’ll pass as your comrade as we march along … ”

Such a scheme seemed unlikely in the ‘60s. And now in the Iraq war, where some of the most famous soldiers -- from Jessica Lynch to Lynndie England -- are female, it’s irrelevant.

And, considering Dolly’s celebrated figure, it seems rather ridiculous. As one Dolly fan blogger, commenting on Dolly disguising herself as a man, put it, “Honey, you're gonna need a truck load of duct tape!!”

Not all the songs here deal with issues of war and peace.

Parton’s version of “Me and Bobby McGee,” done here with the songwriter, Kris Kristofferson, sounds so natural it‘s a wonder she’s never recorded it before. Same with the surprisingly vibrant take on the old chestnut “If I Were a Carpenter.” (Both writer Tim Hardin and singer Bobby Darrin are dead, so Dolly duets with Joe Nichols.)

While I never envisioned Tommy James & The Shondells’ psychedelic relic “Crimson and Clover” as a country song, Dolly makes it work with a fiddle/banjo/dobro/mandolin arrangement. Tommy James himself is along for this ride, making sure the song’s trademark tremolo guitar stays intact.

But my favorite track here is the title song. Dolly sings with Mary Hopkin , the Welsch waif who had the original hit with the song in 1968. There’s also an impressive chorus that includes Porter Wagoner, George Jones, Brenda Lee, Pam Tillis and country Cajun star Jimmie C. Newman, and instrumentalists including Sam Bush on mandolin, Ilya Toshinsky of the Russian bluegrass group Bering Strait, and a snippet of the Moscow Circus, recorded live in Dollywood.

It’s as much fun as it sounds.

On most guest-star heavy albums, the main star often is overwhelmed by the famous friends. Not so here. Overshadowing Dolly Parton is no easy task.

True, there are a couple of clunkers here. I’ve never liked John Lennon’s sappy “Imagine” and Dolly does nothing with it to change my mind. (As Elvis Costello once observed, “Wasn’t it a millionaire who said `Imagine no possessions’ …”) And as far as Yusef Islam/Cat Stevens’ “Where Do the Children Play?” goes, isn’t it time we declared a fatwa on ‘70s singer/songwriter wimps?

For the most part though, Those Were the Days, proves that these days are pretty good days for Dolly Parton.

Also Recommended:
*The Essential Dolly Parton: This two-disc set is a good retrospect for one of the most influential singers, songwriters and personalities of country music. It’s got Dolly’s greatest songs -- “Coat of Many Colors“ “Jolene,” “I Will Always Love You,” -- some amazing lesser-known early 80s hits -- “Single Women” and “Old Flames Can’t Hold a Candle to You” -- and some guilty-pleasure pop sclock -- “Here You Come Again,” “Islands in the Stream” (When you talk of country kitsch, Kenny Rogers’ still the king.)

But my favorite tunes here are a pair of 1967 tracks, “Dumb Blonde” and “Just Because I’m A Woman” plus a 1969 obscurity, “My Blue Ridge Mountain Boy.” How could anyone have heard these and not realized that Dolly was soon to be a giant?

ROUNDHOUSE ROUND-UP: DELAY vs VIGIL

A version of this was published in The Santa Fe New Mexican
October 20, 2005

The campaign is still very young, but by the campaign rhetoric already arising from the Heather Wilson/Patricia Madrid showdown, one might think that the 2006 First Congressional District race is a battle between Tom DeLay and Robert Vigil.

Republican DeLay stepped down as U.S. House majority leader after being indicted in his native Texas on felony charges of money laundering and conspiracy.

Democrat Vigil was indicted in federal court on 21 charges of extortion. He has refused to step down from his post, although his lawyer told the Associated Press Wednesday that Vigil “continues to weigh his options” whether he will resign because he feels the ongoing House impeachment proceedings against him are unfair.

In declaring her candidacy last week, Madrid issued a statement that spoke of “culture of incompetence, corruption and cronyism.”

“The marriage of special interest politics and the Republican leadership of George Bush and Tom DeLay and the complicity of Heather Wilson have failed New Mexicans,” Madrid said.

Even before Madrid got into the race, state Democrats were criticizing Wilson for taking nearly $47,000 from DeLay’s political action committee Americans for a Republican Majority. Wilson has returned the $10,000 she collected from DeLay’s PAC in June, but not the $36,959 she received from the PAC between 1998 and 2003.

But Republican leaders say the corruption issue could backfire on Madrid.

Enter Robert Vigil.

Last week on the eve of Madrid’s announcement, Marta Kramer, executive director of the state Republican Party, said the kickback scandal at the state Treasurer’s Office could bode ill for the entire Democratic ticket, but particularly Madrid.

Kramer recalled a scathing 1999 audit report on Vigil’s tenure as state auditor, which, according to the state police chief, showed “strong patterns of public corruption” at the auditor’s office during Vigil’s tenure there.

Madrid later said that the audit was “not unbiased” because of the long-standing political feud between Vigil and his successor as state auditor, Domingo Martinez. No state legal action was ever taken in the 1999 audit.

“Madrid turned a blind eye to the biggest corruption scandal in the state's history by refusing to investigate the state treasurer when called upon to do so by Gov. Gary Johnson in 1999,” Kramer said. “Madrid should first work toward ending corruption and promoting accountability in New Mexico before pointing fingers at Republican elected officials in D.C.”

Political Chatter: Some of Vigil’s thoughts about state politics were captured on tape by the FBI in conversations between the treasurer and San Diego investment counselor Kent Nelson — who was wearing a wire.

In May, while driving from the Albuquerque airport to The Quarters barbecue restaurant on Yale, campaign contributions were on Vigil’s mind. The deadline for reporting contributions was only four days away.

You’ve got to report at least some of your contributions, Vigil told Nelson, “so it'll scare some of your opponents away.”

“They gonna be scared?” Nelson asked.

“No, not that scared,” Vigil said, “but I mean it's at least it makes them think twice if you don't report anything.”

Vigil explained that it was too early at that point for opponents for the 2006 race to be coming out of the woodwork, “but if you don't have any money man, you'll get 'em lined up like hot cakes. They see a report and they see you don't have any money . . . the Governor's gotta report 2.6 million.”

He was close. Richardson actually reported $2.9 million in the May campaign finance reports a few days later.

In talking about big campaign coffers frightening off potential challengers, Nelson noted that Vigil didn’t have any Republican opponent in 2002. Vigil had a theory about that.

“Well that's because they thought I wasn't gonna win,” Vigil said. “Jan Goodwin, my opponent was being supported by the Republicans thinking she was gonna win.”

Three days later Vigil filed a campaign finance report with the Secretary of State that showed he’d collected $26,205 since the last report and had a total of $127,732 in his campaign treasury.

Something tells me that if Vigil stays in the race, this amount won’t be enough to scare off opponents.

WOULD YOU CARE TO COMMENT?

If anyone gives a hoot, I've just changed the "comments" feature of this blog.

My old comments service, Haloscan recently removed all the comments odler than, I think, three months. Didn't delete them, mind you. I could get them all back if I upgrade to their paid service.

But freeloader that I am, I decided to switch to Blogger's inhouse comments feature. (THis prompted a paranoid thought: Are Blogger and the other free blog services just getting all of us us blog junkies hooked before they lower the boom and start charging us? Will there be a crime wave of bloggers ripping off car stereos to support their habits?)

The only drawback is that all the recent posts you fine readers left are now gone. So you'll just have to make more comments from this point on.

Warning: I've been plagued recently with some of those pesky SPAM comments. ("Your blog is fantastic. Check my (stupid commerical site) at (link)") So far it hasn't been difficult just to delete 'em when I see 'em. But if it gets worse I might go to the system where comment-posters have to fill in the annoying "word verification" secret code before posting. Such is the price of freedom.

Now leave me some damn comments!

UPDATE: Since changing over this morning, I've gotten several of those accursed SPAM automated comments. I'm not talking about NewMexiKen, whose blog I encourage all to visit. I'm talking about geeks from Herbalife, free video web hosting services and other stupid advertisers. Sneaky bastards tend to post their crap on older posts in your blog, so there might be some I missed. (Please report to me any you come across. And for the love of Christ, don't click on their links or buy any of their products.)

Anywho, I've made good on my threat to use "word verification." Please don't hestitiate to use it.

MESSING WITH TEXAS

Former New Mexico journalist Walt Howerton has been exiled in Austin for a few years now.

By the looks of his new blog, apparently it's starting to get to him:

Says Walt:

"I live in Texas. I came here with my wife a few years ago because she needed to be here. I love my wife, I like my house, I like the weather, I like the music. But I do not like Texans."

So there you go ...

It should be noted that Walt loves The Drive-by Truckers and Kings of Leon as much as I do.

By the way, nice hat.