THE SANTA FE OPRY PLAYLIST

Friday, September 18, 2015
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org
Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
Crazy Arms by Van Morrison & Linda Gail Lewis
Honky Tonk Merry Go Round by The Stumbleweeds
A-Town Blues by Wayne Hancock
Henry by New Riders of the Purple Sage
Mean Mean Man by Wanda Jackson
Feudin' and Fightin' by Marti Brom with the Cornell Hurd Band
Dirty Mouth Flo by Robbie Fulks
Hello Walls by The Malpass Brothers
Whose Gonna Take Your Garbage Out by Rosie Flores & The Pine Valley Cosmonauts
When the Whiskey Turns to Tears by Cornell Hurd
Southern Eyes by Joe Ely

Five Brothers by Marty Robbins
Don't Remember Me by The Misery Jackals
Out on the Highway by Mose McCormack
Meet You Down South by The Reverse Cowgirls
MisAmerica by Legendary Shack Shakers
The Wheels Fell Off the Wagon by Johnny Paycheck
John Law Burned Down the Liquor Sto' by Chris Thomas King
Front Porch Trained by Reverend Peyton's Big Damn Band

Madness, Murder, Mayhem Set
Psycho by Jack Kittell
Pardon Me I've Got Someone to Kill by Lonesome Bob
Dolores by T. Tex Edwards & Out on Parole
The Rubber Room by Porter Wagoner
Postcard from Jack by Ronny Elliott
Knoxville Girl by The Louvin Brothers
I'm a Nut by Leroy Pullens
Crazy by Willie Nelson

Something Stupid by The Mavericks with Trish Yearwood
I Never Go Around Mirrors by Lefty Frizzell
Your Hearty Laugh by The Defibulators
Ballad of Terri McGovern by Joe West & The Sinners
Never Cold Again by The Imperial Rooster
Between a Rock and Heartache by Rex Hobart & The Misery Boys
CLOSING THEME: Comin' Down by The Meat Puppets

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Joe Ely and The Mavericks Live on The Plaza Saturday

Joe Ely playing with The Flatlanders
Thirsty Ear Festival, Santa Fe 2007

Just in case you haven't heard (because you live in a cave and only read this blog), there's a free show on The Santa Fe Plaza Saturday night (tomorrow! Sept. 19) featuring Joe Ely and The Mavericks.

And yes, I said FREE.

The show starts with Ely's set at 6:30 p.m. The Mavericks come on at 8 p.m.

This event is part of  St Vincent’s Hospital Foundation's 150th Anniversary. Hey, it's better than a night in the hsopital (and lots cheaper).

Also Saturday night, don't forget The Sons of Royalty are playing right down the street at Skylight, 139 W. San Francisco St. starting at 7 p.m. I wrote about this in last week's Terrell's Tuneup. Tickets are $20 and it's a benefit for  La Luz de Santa Fe Family Shelter.

Here's a video of Ely doing a Robert Earl Keen song on Austin City Limits.

THROWBACK THURSDAY: "... it was Roy Acuff, then God."

One hundred twelve years (and two days) ago in the tiny town of Maynardville, Tennessee, the Great Speckled Bird delivered a baby boy named Roy Acuff, who would grow up to become virtually synonymous with The Grand Ol' Opry ... and Hell, synonymous with country music itself for many years.

Of Acuff, Hank Williams was quoted saying,  "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds. For drawing power in the South, it was Roy Acuff, then God."

I bet even God didn't mind playing second fiddle to Roy Acuff.

Here is a video tribute to Roy, who, with his band, The Smokey Mountain Boys, helped make a great music even greater.

Let's start with one of his best known songs, "The Wabash Cannonball."



"Mine heritage is unto me as a speckled bird, the birds round about are against her; come ye, assemble all the beasts of the field, come to devour." (Jeremiah 12:9)



I'm more familiar with Little Jimmy Dickens' version of this next one. But Roy's version is nice too.



Here's a team-up with Red Foley on another Acuff classic.



Roy frequently turned his stage over to band members, who sometimes called themselves "Roy Acuff's Jug Band."

Finally, here's a weird musical connection: In the early days of the Acuff Jug Band, a young black kid played the jugs and spoons with the group. That might have been a goofy gig, but the kid, a Nashville native named Bobby Hebb, grew up to be a serious singer who had a huge hit in 1966 with a wonderful song called "Sunny." In the '70s Hebb cut a rocking soul version of Acuff's "Night Train to Memphis."



Hat tip to T. Tex Edwards for alerting me to Roy Acuff's birthday via a Google Plus post.

WACKY WEDNESDAY: In Praise of The Dead Milkmen

Yesterday I saw an item on the Dangerous Minds blog about a "feud" between The Ramones and Sha Na Na. That in itself would make a good Wacky Wednesday. But they had it first.

While reading the post I couldn't help but notice an air of condensation on the part of writer Christopher Bickel toward Bowzer and the boys.

And the first thing to cross my mind was I know a band who would disagree ...

 That of course is The Dead Milkman, whose song "In Praise of Sha Na Na" has been a favorite of mine since I first heard it 25 years ago.

Sha Na Na were the kings of Woodstock

You know, it's true deep in your heart

Greasy guys in gold lame

If only Hendrix had been so smart

And remember ...

You can move to Montana

And listen to Santana

But you still won't be

As cool as Sha Na Na

So take that, Dangerous Minds! 

Of course this got me thinking about what an under-appreciated band The Dead Milkmen is.

The Dead Milkmen can wear my fez ...

These Philadelphia group got together in the early '80s, playing a light-hearted, if often fierce brand of punk rock. They rose, they thrived for awhile, and they even played the old TAC Club in Santa Fe sometime in the mid '80s. (Another storied local show I missed!) They broke up in 1995 but reformed, with three of the four original members, back in 2007 or '08.

 Here's a song that actually got played a lot on MTV in the late '80s. (I still think it's cool rhyming "punk rock girl" with "Minnie Pearl," but it took me a couple of years to learn to overlook the fact that "California Dreamin' " is not a Beach Boys song.)

 Here is another early Milkmen classic

Here's one from their latest album, Pretty Music for Pretty People. In case you don't know who the Black Dahlia is, get thee to an Ellroy novel!

 And , oh yeah, here's that song about Sha Na Na ...

 

OK, I'll Play: My Perfect 10 Songs for a 90's Alt Rock Cover Band

True story: This cover got TAD sued and they
had to replace it with something less interesting

One day last week while eating lunch and wasting time reading strange stuff on my iPhone, I clicked on this recent list called "What would make the perfect 10 song set list for a 90's alt rock cover band." 

The early '90s grungequake  remains one of my favorite periods of rock 'n' roll. Sure there was a ton of crap, and yes "Alternative Rock Radio" quickly became as pathetic as Top 40 pop or Hot New Country.

But still, it was a time of many great bands and exciting albums. And that was the period that inspired me to want to do my own radio shows.

To be honest, I wasn't all that impressed with the list by Julie Anne Exter. Too many useless bands like Bush and Stone Temple Pilots and too many obvious choices like "Jeremy" and "Smells Like Teen Spirit."

You know me I usually shoot for more obscure and more obnoxious sounds.

But Exter's piece got me thinking ... So here, in no particular order, are the top 10 songs I would choose for this theoretical '90s Alt Rock cover band. I'd definitely pay the cover charge to see any band that did decent versions of the following;

1 "Man in the Box" by Alice in Chains. This is the only song that Exter and I have in common. It's the first Alice in Chains song I ever heard and for my money, the best thing they ever did.



2 "Jack Pepsi" by TAD. As stated above, the original cover of 8-Way Santa got TAD sued. And this song, the best track from that fine album (and, in fact, the greatest of TAD's career) got the group a nice cease and desist from Pepsi Cola because they decided to use a version of the soft drink's logo when they released the song as a single.



3 "Jesus Christ Pose" by Soundgarden. I know "Black Hole Sun" was their big hit. But that dreary dirge sounded better by Steve & Eydie.  This was Soundgarden at their fiercest.




4 "Jesus Built My Hotrod" by Ministry (with Gibby Haynes) Another song for the Lord ...



5 "Andres" by L7. This was Suzi Gardner's greatest moment with this band. I always wanted to know what exactly the "problem" was with long-haired Andres.



6 "Papa Won't Leave You, Henry" by Nick Cave. This is like a grim update of Bob Dylan's "A Hard Rain's Gonna Fall." But it makes Dylan's tune seem like a quaint little political morality play by comparison. There is no "Ban the Bomb" message here. It's a young man cast into a world of "lynch mobs, death squads, babies being born without brains ..." The bittersweet refrain of "Papa won't leave you, Henry" seems like nothing more than a broken promise remembered in bitter nostalgia. But the damned kid keeps going on down that road.



7 "The Wagon" by Dinosaur Jr. When this band was rocking, they sounded like an explosion that never stopped.




8 "My Name is Mud" by Primus. Les Claypool's bass-centric band created rock 'n' roll's answer to Deliverance.



9 "Buckskin Stallion Blues" by Mudhoney & Jimmie Dale Gilmore. A couple of years before anyone was talking about "alternative country," Mudhoney teamed up with Texas singer Jimmie Dale Gilmore for a split EP with Mudhoney doing a Gilmore song, Gilmore doing a Mudhoney song and the two acts teaming up on this old Townes Van Zandt tune. Made me proud to be an American.



10 "Serve the Servants" by Nirvana 'Teenage angst has paid off well. Now I'm bored and old ..." When I first heard these lyrics, the first line of the first song from In Utero -- Nirvana's much anticipated follow to Nevermind -- I though Kurt Cobain had weathered whatever psychic typhoons he'd had to endure with grace and humor .

A few months later he killed himself.