Tuesday, June 21, 2011

The Mekons Return

Those lovable Mekons are releasing a new album, Ancient & Modern in late September on their reconstituted label Sin Records.

Their friendly publicist said it's cool to share this Mp3, "Space in Your Face" from the album. CLICK HERE to play (right-click to download).

Here's the press release:

On Ancient & Modern, Mekons bring you an “album” just like albums used to be; cardboard things filled with cheeky, chunky 78rpm shellac. Just take a look at the cover of Ancient & Modern and you’ll know what we’re talking about! Let the band take you for a walk down memory lane, to the world as it was just before the First World War ... to the Edwardian Era, to the Naughty Naughties a hundred years ago, a cozy nostalgic world: cricket on the village green, punting down the river in a striped blazer and boater, off with the hounds, picnic hampers, community singing, mistresses and wives, mysticism, secret societies, dangerous poetry, radical modern art, Freud, national strikes, revolution, anarchists, bombers, British concentration camps ... oops, is that really a hundred years ago?!? Mekons travel back/forward to a world unaware that it’s waiting for the pistol to CRACK CRACK CRACK in Sarajevo, plotting their singular course through the digital tsunami of contemporary sounds that blare tinnily from your mobile phone or spin at 78rpm in His Master’s Voice from the horn of your exquisite Gramophone.

Despite the talk of 78 shellac, I'm assuming it will be on CD as well.


Sunday, June 19, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, June, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Susquehanna Hat Company by Too Much Joy
Red Cobra #9 by The Mummies
Raw Meat by Black Lips
Midnight To Six Man by The Pretty Things
Hell Ain't What it Used to Be by Nashville Pussy
Sweet Talk by The Naughty Ones
Dog Food by Iggy Pop
Washing in the Blood (of Rock and Roll) by The Professor and His One Man Dirty Rhythm and Blues Explosion
Rollin' and Tumblin' by Canned Heat
Cause I Sez So by New York Dolls
Give Him A Great Big Kiss by The Shangri-Las

The Flame that Killed John Wayne by The Mekons
Run Away From Me by Movie Star Junkies
Born With a Tale by The Supersuckers
Cosmic Belly Dance by The Monsters
Shaggy Dog by Lightnin' Hopkins
My Baby Got Drunk by Paul "Wine" Jones
Nobdy Gets Me Down by T-Model Ford
Racoon City Limits by Black Smokers
Neat Neat Neat by The Hickoids

Merry Go Round/My Name Is Larry by Wild Man Fischer
Don't Shake Me Lucifer by Roky Erikson
I'm Weak by New Bomb Turks
Question My Sanity by L7
Motorhead with Me by Nobunny
Sinister Kid by Black Keys
Schrodinger's Puss by Crappy Dracula
Shave Your Beard by Ros Sereysothea

Standing on the Verge of Getting It On by Funkadelic
Stepchild by Solomon Burke
All You Can Eat and You Can Eat it All Night Long by Candye Kane
Land of Hope and Dreams by Bruce Springsteen
The Way We Were Wild Man Fischer with Mark Mothersbaugh
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Saturday, June 18, 2011

R.I.P Larry "Wild Man" Fischer

Wild Man Fischer is dead. He was 66. His name was Larry.

The mentally ill street musician "discovered" by Frank Zappa died of a heart attack in Los Angeles on Thursday.

His New York Times obituary is HERE.

The Los Angeles Times remembers him HERE.

Like other  musicians who have struggled with mental illness -- Roky Erikson, Daniel Johnston, Wesley Willis, Brian Wilson, Sid Barrett -- watching or listening to Wild Man Fischer made you uncomfortable. Are we laughing with him or at at him? Are we exploiting the poor guy? Are we feeding his demons when we laugh and cheer him on?

And yet who could be unaffected when, hearing him sing "My Name is Larry," by his recreation of conversations with his family, most of whom he portrayed as patronizing him, trying to ignore him, fearing him? And how can you not feel the raw spirit in his manic performance?

Below are a couple of videos by which to remember this troubled soul, as well as a trailer for the documentary dErailRoaDed.








Friday, June 17, 2011

THE SANTA FE OPRY PLAYLIST

Friday, June 17, 2011
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Stop the Train by Mother Earth
You Only Kiss Me When You Say Goodbye by Cornell Hurd
Ruby Jane by Big Sandy & His Fly-Rite Boys
Let's Do Wrong Tonight by Simon Stokes & The Heathen Angels
Hootin'-Nanny Papa by The Buchanan Brothers & The Georgia Cats
The Gal Who Invented Kissin' by Hank Snow
Rocky Top by Rose Maddox
Yankee Taste by Jayke Orvis
Viva Sequin / Do Re Mi by Ry Cooder

The Ballad of Maria and Fred/ The New Jesse Davy by Guy Standard
Road Movie by Zeno Tornado & The Boney Google Brothers
Yes, Sir by The Great Recession Orchestra
Prince Nez by The Squirrel Nut Zippers
Me and Me Girl by The Pussywarmers
Pink Burrito by R. Crumb & His Cheap Suit Serenaders
Pussy by Harry Roy & His Bat Club Boys
Glad It's Dark by Jimbo Mathus
Beatin' On The Bars by T.Tex Edwards & Out On Parole

London Zydeco by Mama Rosin & Hipbone Slim & The Knee Tremblers
Still Believe by Sean K. Preston
Last Call at the Old Ponderosa by Paul Rhae McDonald
Kohrn Sirrup Sundae by The Imperial Rooster
Another Wreck on the Highway by Angry Johnny
I'm Gonna Take You Home And Make You Like Me by Robbie & Donna Fulks
Sittin' on Top of the World by Gal Holiday
Old Black Joe by Jerry Lee Lewis

Cat from the Rain by Gary Heffern with Carla Togerson
Bad News by Whitey Morgan
Facebook Page by John Egenes
Here We Are Again by Wanda Jackson
Time Out for the Blues by Levon Helm featuring Teresa Williams
Don't Forget Me, Love by Toni Brown
Big Black Dog by Emmylou Harris
CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNEUP: Zydockabilly, Exotica Obscura

A version of this was published in The Santa Fe New Mexican
June 17, 2011


Remember those stupid Reese’s Peanut Butters Cup commercials in which one dorky kid eating a jar of peanut butter while walking down the street bumps into another? “You got your peanut butter in my chocolate,” the first kid says. “You got your chocolate in my peanut butter,” the other responds.

Instead of being mauled by a pack of rabid dogs like they deserve, the two discover a great new taste sensation.

I don’t bring this up to indicate an association with or sponsorship by Reese’s — nor do I intended to disparage the company’s fine products. But when I first saw the new album Louisiana Sun by Mama Rosin and Hipbone Slim & the Knee Tremblers, I thought about that ad.

“Hey! You got your Swiss zydeco in my British neo-rockabilly.”

Indeed, Mama Rosin, named for a classic Cajun tune best known for the version by Zachary Richard, is a three-man group from Geneva that plays a hopped-up, rocked out version of Cajun and zydeco music.

Hipbone Slim & The Knee Tremblers
Hipbone Slim, also known as “Sir Bald Diddley,” is a London rockabilly boy. What the two bands have in common, besides their history of appropriating their respective styles of American roots music to their own weird ends, is their affiliation with Voodoo Rhythm Records, which is always keen on subverting roots music just for kicks or thrills.

For the most part, it works. This album was recorded partly in England, partly in Italy, but its heart is in the American South.

There are several tracks that sound more “zydeco” (“Citi Two-Step,” “London Zydeco”) or more “rockabilly” (“Quel Espoir?,” “The Cat Never Sleeps”). My favorite ones are those in which both elements combine into something new and threatening.

Such is the case with the first song, “Voodoo Walking,” described on the album cover as “a classic Charles Sheffield number in a new dress.” Though it’s sung in French by Mama Rosin’s Cyril “Jeter” Yeterian, you can hear the influence of Louisiana R & B shouter Sheffield’s early ’60s regional hit “It’s Your Voodoo Working” as well as the main hook from Howlin’ Wolf’s “Smokestack Lightning.” It’s noirishly swampy, with a spooky melodeon solo by Yeterian.

“Swamp Water” lives up to its name. Hipbone Slim handles the vocals here. There’s strong drumming by Rosin’s Xavier Bray on this percussion-heavy song, while Yeterian’s Cajun licks on the melodeon keeps it right in the bayou.

 “Killing Two Birds With One Stone” and “Gettin’ High” have a basic John Lee Hooker stomp-boogie sound, but with zydeco overtones. “Princess Havana” takes a Caribbean detour, while “Trouble Ain’t So Never Far Away,” sung by Hipbone, sounds like a tribute to New Orleans piano-dominated soul ballads.

And then there’s the title song, a re-working of The Rivieras’ “California Sun” (later covered by The Ramones), now a zydeco-drenched, banjo embellished pan-national anthem of summer fun.

I don’t want to get too corny here and babble about how music is the international language or some such hogwash. The main thing on this album is that it sounds like both bands had a lot of fun making it.

Also recommended:


* The Chronicles of the Pussywarmers. Last week, reviewing Jimbo Mathus’ new album, Confederate Buddha, I lamented the fact that there’s nothing on the album that sounds anything like the music of Jimbo’s best-known band, the Squirrel Nut Zippers. Just a couple of days after I wrote that, I received this new album by the Pussywarmers, a band led by singer-guitarist Fabio “Pozzo” Pozzorini, from the Italian speaking part of Switzerland.

The label touts the group as an “exotica obscura freak show varietease sea cruise orchestra” that plays Weimar Republic-era jazz (the musicians’ lives must be a cabaret, old chum). And it’s true, this band has a distinct Euro vibe.

But I hear a lot of the Zippers’ neo-vaudeville/Dixieland craziness in there, too. In fact the first song, “Me and Me Girl” a jazzy calypso romp, could almost be the sequel to the Zippers’ “Hell.” Further into the album “La nen la Bambele,” with its muted trumpet and bluesy melody sounds like some long-lost Cab Calloway song, kidnapped by Europeans.

Virtually every song here is a mysterious musical adventure. “Chanson d’amour (Ce n’est pas pour moi),” sung in French, reminds me of the music of the band’s Voodoo Rhythm labelmates The Dead Brothers, especially when the song changes into a waltz with a musical saw providing a ghostly response to the guitar and piano solos.

“La marcia dell’amor negato” could almost be a polka. And the near-five-minute “Broken Mirror,” featuring drumming straight out of Burnt Weeny Sandwich/Weasels Ripped My Flesh-era Frank Zappa, reminds me of psychedelic version of Brecht and Weill’s Three Penny Opera.


Two of the three photos used here were stolen from Brother Panti-Christ's Myspace page.

Sunday, June 12, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 12, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
It Should Be Me by Billy Childish & Musicians of The British Empire
Just Moved In by Barrence Whitfield & The Savages
Wine, Wine, Wine by The Classics 5
Throw That Girl Away by The Dwarves
It's Great by Wau & Los Arrrgs!!!
Modern Art by The Black Lips
FM Receiver by The Brimstones
Berlin by Dickey B. Hardy
Endsville Eddie by The Weird-ohs
Night of the Sadist by Larry & The Blue Notes
Davy, You Upset My Home by Joe Tex
The Ugly Side of the Face by Hang in the Box

Periodically Double or Triple by Yo la Tengo
Swamp Water by Mama Rosin & Hipbone Slim & The Knee Tremblers
My Guitar Wants to Kill Your Mama by Frank Zappa
I Need Somebody by ? & The Mysterians
Your Love by The Reigning Sound
Pokin' Around by Mudhoney
Drinkin' Wine Spo-Dee-O-Dee by Jerry Lee Lewis
Faster Pussycat, Kill Kill by The Bostweeds

American Triology by Unknown Elvis Impersonator
Sky Language by Prolly
Call the Doctor by Sleater-Kinney
I'm Alright by The Hipshakes
Mini-Skirt Blues by Simon Stokes & The Heathen Angels
Why Don't You Give It to Me? by Nathaniel Mayer
Stumblin' Man by TAD
Priscilla foi pra Toquio by Horror Deluxe

Buke E Kripe Ne Vater Tone/Kalaxhojne by by Three Mustaphas 3
Future Kings by Gogol Bordello
La Marcia Del Amor Negato by The Pussywarmers
Weiner Dog Polka by Polkacide
Please Warm My Weiner by Bo Carter
Bad Attitude by Lisa Germano
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Subscribe to The Big Enchilada Podcast! CLICK HERE

Friday, June 10, 2011

THE SANTA FE OPRY PLAYLIST

Friday, June 10, 2011 
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Ophelia by Levon Helm
Shadow My Baby by Ray Condo and the Ricochets
Brain Cloudy Blues by Gal Holiday
Go-Go Truck by The Defibulators
Voodoo Walking by Hipbone Slim & The Knee Tremblers with Mama Rosin
Lonesome Side Of Town by Johnny Dilks And His Visitacion Valley Boys
Okie's in the Pokie by Jimmy Patton
Jimmie the Kid by Hank Snow
Crazy as a Junebug by Paula Rhae McDonald
Bad Blood by Bonzo Dog Doo-Dah Band
Still Drunk, Still Crazy, Still Blue by Scott H. Biram

I Like the Way by The Imperial Rooster
Some Happy Days by The Rev. Peyton's Big Damn Band
Oh Honey Baby Doll by Bloodshot Bill
I'm Lonesome Without You by Hazeldine
I'm A Hobo by Danny Reeves
I Wanna Hot Dog For My Roll by Butterbeans & Susie

Leash My Pony by Jimbo Mathus
Loco by DM Bob & The Deficits
Meet Me in the Alleyway by Steve Earle
I Got Me a Woman by Andy Anderson
Laundrymats and C-Saws by Black-Eyed Vermillion
Streamlined Mama by Buddy Jones
It Won't Hurt When I Fall From This Barstool by The Sweetback Sisters
Lil Liza Jane by Bob Wills & His Texas Playboys
Dancing Days by Bad Livers

Crazy Sons of Bitches by John Egenes
Across the Wire by Calexico
Joy by Joe Ely
I Found A Million Dollar Baby by The Boswell Sisters
Must Be Somethin' in the Water by Rachel Brooke
It Takes An Old Hen To Deliver The Goods by Cliff Carlisle
Tennessee Waltz by Sally Timms
CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, June 09, 2011

TERRELL'S TUNEUP: Southern Storytellers Jimbo & Levon

A version of this was published in The Santa Fe New Mexican
June 10, 2011


Jimbo Mathus covers a lot of Southern-music ground in his new solo album Confederate Buddha. With his band, The Tri-State Coalition, Mathus romps through blues, honky-tonk, and Allmanesque boogie. The influence of gospel music is apparent on some tracks, and there are even some Southwestern sounds in the Mexican-influenced ballad “Aces & Eights.”

There is just about everything but the neo-Dixieland/ vaudeville sounds of the Squirrel Nut Zippers, the band that launched Mathus’ career in the ’90s. As a SNZ fan, I would have liked some of that, but hey, it’s his album.

Most of my favorites here are the simple country and blues songs. “Leash My Pony” is a hearty blues, starting off with an acoustic guitar lick. The band is nice and loose.

“Town With No Shame,” a honky-tonk lament with a mournful steel guitar, sounds like something Ry Cooder would have pitched to The Rolling Stones. “Glad It’s Dark” shows the influence of Doug Sahm. It’s a country weeper, but instead of fiddles and steel, it features an electric organ.

Where Mathus excels is in the great tradition of Southern storytelling. “Jimmy the Kid” (not to be confused with the Jimmie Rodgers song of similar title) is an old-fashioned outlaw ballad — rock ’n’ roll style. Perhaps it’s an “autobiography” of ol’ Jimbo in a fanciful kind of way. “He went back East and he came out West/A .45 pistol strapped to his chest./Down in Texas he robbed the Alamo/The poor boy was stranded in a herd of buffalo.”

“Aces & Eights” is about the killing of Wild Bill Hickok by the coward Jack McCall, who inspires the wisdom, “There’s nothing worse than a desperate man who holds a grudge.” The title of the tune refers to the cards Hickok was holding when McCall shot and killed him — according to legend, a pair of aces and eights — which became known as the “dead man’s hand.”

One little puzzle:the Mexican music is historically inaccurate, as Hickok was killed in Dakota Territory (as Deadwood fans all know.) Maybe the mariachi touches were to give the song a Marty Robbins feel. Whatever the case, it works.

The final song, “Days of High Cotton,” reminds me of The Band’s “King Harvest (Has Surely Come).” It’s a sad tale of economic ruin coming to the South told by a narrator who has seen much better times.

The only trouble with this record is that sometimes the music drifts into a generic late-’70s Southern rock sound like you might hear on an old Dickey Betts solo album — a little overproduced, a little uninspired. I’m thinking of tracks like “Wheel Upon Wheel” and “Walks Beside.” These songs aren’t bad; they’re just not as ear-opening as the others.

Also recommended:

* Ramble at the Ryman by Levon Helm. Levon Helm is basically all we have left of The Band. Rick Danko is dead. Richard Manuel is long dead. Robbie Robertson hasn’t made music that sounds like The Band — or is nearly as good as The Band — in decades. I don’t know what Garth Hudson is doing.

So Helm is it, and dang if he still doesn’t make you smile when he opens his throat and sings songs like “Ophelia” and “Rag Mama Rag.” These songs and other Band classics are ancient and I’ve heard them a million times, but Helm and his current group showed at this 2008 show in Nashville that they still live and breathe.

No, Helm’s voice isn’t what it was way back when. He’s had struggles with throat cancer, and there were a few years when he couldn’t sing a note. So he’s helped out by a small army of guest stars including Buddy Miller, John Hiatt (who trades verses with Helm on “The Weight”), and Sheryl Crow, who sings the Emmylou Harris part on “Evangeline.”

Actually though, my favorite guest vocalists are the lesser-known ones. A guy called Little Sammy Davis sings a couple of songs, the best being a blues tune called “Fannie Mae.” Then there’s Teresa Williams, one of Helm’s background singers, who rages during her solo number “Time out for the Blues.”

Undoubtedly the prettiest song here is “Anna Lee,” a song from Helm’s 2007 album Dirt Farmer. Helm sings accompanied only by Larry Campbell on fiddle and his daughter Amy Helm and Williams singing harmonies.

My only complaint here is that Dylan’s “Blind Willie McTell” isn’t included in this show. Helm and crew have been known to do the song in recent years, as evidenced by a handful of substandard audience videos on YouTube. (Pardon me. I already ranted about my love for this song a couple of weeks ago in this column.)

A film of Ramble at the Ryman was broadcast on PBS and has been released as a DVD.

Enjoy some videos, kids:



Upcoming Santa Fe Music Gigs Worth Your While

Lotsa cool music coming up in Santa Fe this month.

This weekend is the 12th Annual Thirsty Ear Festival, now relocated to various spots around now, but mostly at the venue formerly known as the Santa Fe Brewing Company, now called Santa Fe Sol. I'm especially looking forward to Calexico Saturday night at Sol. It'll also be cool to see Cederic Burnside's band. I haven't seen him since the last time he was through town drumming with his late grandpappy, R.L. Burnside.

Also worth noting is a cool punk/garage show coming to The Underground (The basement of Evangelos') on Friday June 24 featuring The Hickoids, The Blood-Drained Cows and Manby's Head. Hometown boy Tom Trusnovic will be drumming for The Hickoids, whose latest album I reviewed a couple of weeks ago. (He's also drummer for BDCs).

In the meantime, here's a couple of videos from The Imperial Rooster, who are playing right before Calexico Saturday at  Thirsty Ear. These are songs doing songs from their new album Decent People. They did these for the prestigious Couch by Couchwest , which Rooster drummer Dusty Vinyl said was "was a Twitter joke about bands who couldn't make it to SXSW ..." It was recorded on the porch at International Imperial Rooster Corporation Headquarters, which apparently is near a very busy highway.



Sunday, June 05, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 5, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM


email me during the show! terrell(at)ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Ready for Action by Mexican Moustache
Pictures of Lily by The Hickoids
Chimp Necropsy by The Scrams
Something Else by The Nobles
The Ballad Of Beebo Bull by The Screamin Yeehaws
Foggy Notion by Rocket from the Tombs
Graveyard in your Memory by Nekromantix
Love Your Money by Lolita #19
Have a Ball by The Montesas
Fat Mama by Barrence Whitfield & The Savages
Beautiful Zelda by The Bonzo Dog Doo-Dah Band

Alcohol by Gogol Bordello
Family Business by Dengue Fever
Taxidermy Porno by The Hex Dispensers
Greyhound Part 2 by Jon Spencer Blues Explosion (Killa Priest Remix)
Roll The Cotton Down by The Zipps
Seven Days of Cryin' by The Cavaliers
Crazy Dreams by Ding Dongs
Heart Attack and Vine by Screamin' Jay Hawkins

I Wanna See You Bellydance by The Red Elvises
Istanbul (Not Constantinople) by They Might Be Giants
Turkish Song Of The Damned by The Pogues
Mustafa Sandal by Kalmadi
Telephone Call From Istanbul by Tom Waits

Ouh Poo Pah Doo by Ike & Tina Turner
The Boogie Man by The Curlee Wurlee!
Pontiac Flannagan by Churchwood

Land of 1,000 Dances by The Thyme
Like A Rolling Stone by Johnny Thunders & Wayne Kramer
Dig It by The Beatles
Liar Liar by The Castaways
Sporting Life Blues by Champion Jack Dupree
Treme Second Line by Kermit Ruffins
I'll Take Care Of You by Gil Scott-Heron
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Subscribe to The Big Enchilada Podcast! CLICK HERE

eMusic June

* Revelator by Coco Robicheaux.  Longtime and loyal fans of my Sunday night radio show, Terrell's Sound World might recall that 10 or 12 years ago, back when KSFR was having trouble with the administration of Santa Fe Community College, I did a "radio voodoo ceremony" to cast away the evil spirits that seemed to be haunting the station. It wasn't a real serious thing. I just played 30 minutes of Dr. John and songs like The Talking Heads' "Papa Legba," Junior Wells' "Hoodoo Man" and some novelty songs about Voodoo.

Whatever, it worked. It took a couple of years, but those evil spirits vanished.

I might have burned a voodoo candle that night, which in itself probably broke station rules. But I promise, I didn't sacrifice a live chicken in the studio that night.

Which leads us to Coco Robicheaux.  I learned of this guy through the HBO show Treme. He's the singer  who slit the throat of a live chicken during a performance at a troubled public radio station. I felt a certain kinship with the guy as well as the DJ  Davis McAlary, Steve Zahn's character, who got fired over the incident.

 Robicheaux doesn't actually sing much. He recites the lyrics in his deep raspy drawl over smokey jazz or blues riffs. Comparisons with Dr. John, from his Night Tripper days are inevitable. (And like the good doctor, Coco has done commercials for Popeye's Chicken.)  But I hear more Nighthawks at the Diner era TomWaits.

The album kicks off with an ominous reading of the old Chambers Brothers hit "Time Has Come Today." This is one of several here, incluidng "Fortune Teller," "Crossroads" and a beatnik  bluegrass take on "I Am a Pilgrim" featuring Coco on banjo.

But my favorite is "Memo From Turner," an old Mick Jagger song (yes, it originally was released as a Jagger solo single) from the 1970 movie Performance. Jagger's version has more punch, but Coco adds a new level of sinister to it.

I mentioned this last week, but it's worth mentioning again: Coco Robicheaux is playing the Plaza for free, August 9 as part of the Santa Fe Bandstand program.

* Dengue Fever Presents Electric Cambodia. Had Mick, Keith, and the boys ever released a compilation called “The Rolling Stones Presents Chicago Blues Favorites,” it would have been to them what this collection is to Dengue Fever. The music here represents the basic DNA of the band.

Electric Cambodia, released last year, contains 14 Cambodian rockers from the late ’60s and early ’70s. The sound is lo-fi, because the original recordings — as well as the original artists — were destroyed by the genocidal Khmer Rouge regime that ruled that country in the mid-to-late ’70s. The only surviving recordings were on old cassette tapes kept and hidden by fans.

I recently reviewed this collection in Terrell's Tune-Up, along with Cannibal Courtship, thee fine new album by Dengue Fever themselves. CLICK HERE.

Plus:

BARRENCE WHITFIELD & THE SAVAGES
BW & Peter Greenberg in Santa Fe last year
"Built Like A Rock" and "I Love Her So" by Barrence Whitfield & The Monkey Hips. Barrence has been very prolific lately.

 Late last year he saw the re-release of his first album with The Savages in a deluxe edition including a bunch of great bonus tracks (It's an import from the Ace label but available on Amazon and I assume elsewhere at a reasonable price).

And even more bitchen he recorded a new album with original Savages Peter Greenberg and Phil Lenker. Savage Kings already has been released in Europe and it's coming out in these United States this month on Shake It Records. Watch my Terrell's Tuneup column for more on that.

Meanwhile, these tunes I downloaded were recorded with The Monkey Hips, a band he's played with in recent years. They might not be the original Savages, but they're a rocking little outfit that fits with BW's sound. My favorite moment here is near the end of  "Built Like a Rock" when Barrence shouts, "It's Clobberin' Time!" Indeed it is.

Here's a video of BW and this band doing a Screamin' Jay classic.



* 10 tracks from Nothin' But Trash . I rented the DVD of the same title from Netflix a few weeks ago. It features videos and live footage of acts like Wau y Los Arrrghs, Gun Club, Link Wray, The Monsters, The Tall Boys, the Mighty Lightning Beat-Man and a whole mess of Billy Childish-related acts -- Milkshakes, Headcoats, plus Thee Headcoatees and Sexton Ming.

Most of the bands are ones I hadn't heard of before -- The Tikitiki Bamboos, Saturn V, Squares, Bad KArma Beckons, Empress of Fur (featuring a sexy Bettye Page impersonator) and more.

Mainly they're European groups, though there's live clips of Link Wray as well as The Gun Club.  Mostly of the live videos were shot in London at various clubs and at the Wild Weekend festival in Spain .

I was very excited to find the soundtrack of the darn thing on eMusic. I nabbed 10 of the 32 tracks and I'll probably go back for more.



* The 14 tracks I didn't get last month from  The Day The Earth Met The Rocket From the Tombs In case you forgot, these are lo-fi live recordings by the Cleveland band that included David Thomas of Pere Ubu and Cheetah Chrome of The Dead Boys not to mention the late punk wild man Peter Laughner.

This has future Ubu standards like "30 Seconds Over Tokyo," "Life Stinks" and "Final Solution."

But one of the best here is an upbeat Velvet Underground rocker, "Foggy Notion."

I'm no audiophile. I can appreciate this music in spite of the poor sound quality.(Sometimes I think these tracks were from cassettes that survived the Cambodian genocide.)  But I can't help but think how powerful this band would have sounded in a decent studio.

Friday, June 03, 2011

THE SANTA FE OPRY PLAYLIST

Friday, June 3, 2011
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrel(at)ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Wild Wild Friday Night by Hasil Adkins
See Willy Fly by by The Waco Brothers
Froggy by Danny Dell & The Trends
May the Bird of Paradise Fly Up Your Nose by Little Jimmy Dickens
Sam's Place by Buck Owens
There Stands the Glass by Gal Holiday
I Couldn't Believe It Was True by The Maddox Brothers and Rose
The Seeds of My Destruction by Cornell Hurd
I'm Going To Bring A Watermelon To My Girl Tonight by The Bonzo Dog Doo-Dah Band
PETER CASE
Peter Case in Los Alamos 2010

(Give Me) One More Mile by Peter Case
Old Part of Town by James McMurtry
New Old Blue Car by Peter Case
Steel Strings by Peter Case
Horse and Crow by Ronnie Elliot
Monday Morning Blues by Dave Alvin & Peter Case
Coulda Would Shoulda by Peter Case

Lonesome On'ry and Mean by Waylon Jennings
Town With No Shame by Jimbo Mathus
Screamin' Mimi Jeannie by Mickey Hawks
Green River Blues by Rev. Peyton's Big Damn Band
Don't Let Me Rock You Daddy-O by Cranes Skiffle Group
Lost John by Van Morrison, Lonnie Donegan & Chris Barber
Freight Train by Chas McDevitt Skiffle Group with Nancy Whiskey
I Don't Worry by Rachel Brooke
Suzie Anna Riverstone by The Imperial Rooster
Because of LSD by Bud Freeman

Time Has Come Today by Coco Robicheaux
Stuck Inside Of Mobile With The Memphis Blues Again by North Mississippi Allstars
Hitch Hooker by Terry Diers
Ophelia by Levon Helm
The Burial Of Wild Bill by Norman Blake
That'll Never Happen No More by Howard Armstrong
CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Tennessee Criminalizes "Password Sharing"

Even though there are far more pressing issues facing our brave nation (like maybe human/animal hybrids), the Tennessee state Legislature has passed and  the governor has signed -- a bill that would clamp down on people sharing passwords to music download sites.

from the Associated Press:

NASHVILLE, Tenn. (AP) — State lawmakers in country music's capital have passed a groundbreaking measure that would make it a crime to use a friend's login — even with permission — to listen to songs or watch movies from services such as Netflix or Rhapsody.The bill, which has been signed by the governor, was pushed by recording industry officials to try to stop the loss of billions of dollars to illegal music sharing. They hope other states will follow.The legislation was aimed at hackers and thieves who sell passwords in bulk, but its sponsors acknowledge it could be employed against people who use a friend's or relative's subscription.While those who share their subscriptions with a spouse or other family members under the same roof almost certainly have nothing to fear, blatant offenders — say, college students who give their logins to everyone on their dormitory floor — could get in trouble.

Who's beind this? You guessed it -- the Recording Industry Association of America.

The thing is, I bet that some of the lawmakers who voted for this are some of the same folks who go to Tea Party rallies and bellow about the loss of "liberty."

TERRELL'S TUNEUP: On the Case

A version of this was published in The Santa Fe New Mexican
June 3, 2011


About a year ago, Peter Case released a hard-punching, minimalist, blues-soaked album called Wig!, considered by at least one major Peter Case fan (Steve Terrell) as the singer’s strongest effort in more than a decade. If Wig! had Case fans longing for more, his new album, The Case Files, will satisfy at least some of that hunger.

Subtitled "Demos, Outtakes, One Live Shot & Other Rarities," this compilation reaches all the way back to the 1980s, right after Case’s best-known band The Plimsouls broke up and he began his long haul as a solo singer-songwriter; it includes material from as recent as 2009. “These tracks are some favorites gathered together from tapes in closets, boxes, garages, attics, and suitcases as well as from more recent sessions,” the artist writes in his liner notes.

And if his filing system is a little chaotic, so are the best tracks on the album. As on Wig!, the most powerful songs here are those in which Case’s rock ’n’ roll tendencies overshadow his folk/troubadour sensibilities. Paradoxically, most of these are performed with Case backed by his acoustic guitar and not much else.

Such is the opening cut, a frantic little rocker called “(Give Me) One More Mile,” featuring a nasty guitar hook — that’s Case on 12-string — some desperate-sounding harmonica honking, and bass and drums. I knew it sounded familiar and indeed it was. Though it’s been remastered for Case Files, the same recording appeared on a self-released, limited-distribution 2001 album called Thank You, St. Jude, which consisted mainly of songs from Case’s early solo albums rerecorded with violinist David Perales. “One More Mile” deserves a good revival. It helps set the tone for the rest of the album.

The same rough-hewn blues approach is found on Case’s cover of Kokomo Arnold’s classic “Milk Cow Blues.” Case is playing electric guitar on this live 2005 number, backed only by bass and drums. Also rocking is “Round Trip Stranger Blues,” recorded in 1989 with the late Stephen Bruton playing some piercing electric slide.

PETER CASE
Case in Los Alamos last year,
Baird Banner on drums
Case gets political on a few cuts. With his L.A. pal Stan Ridgway adding some subtle Wall of Voodoo touches, “Let’s Turn This Thing Around” is a good early-21st-century protest song about stolen elections, liberties lost, and economic injustice. Some of the lyrics reappear in “The Ballad of the Minimum Wage,” in which Case speaks rather than sings the lyrics behind an electronic beat while an organ and guitar create sinister disjointed fills.

Recorded at the same time in 2005 is another spoken piece, “Kokomo Prayer Vigil.” The refrain is “America comes in two great flavors of angry voices on the radio/This is Preacher Bob callin’ on election eve/For a prayer night vigil in Kokomo.” He paints a portrait of a country losing its spirit. Case recalls a Border Patrol stop near El Paso when, because of some misunderstanding, an officer aimed a gun at Case’s head. Another verse talks longingly about an anti-war rally in Washington, D.C., that Case attended as a youth. “I was 15 and the world seemed wide compared to what I see here now.”

There are some dandy cover tunes on Case Files. Case does a commendable job on Alejandro Escovedo’s “The End,” which sounds like a slightly shorter version than the one he did on the 2004 Escovedo tribute album Por Vida. Picking up his 12-string again and overdubbing some honky-tonk piano, he does a fine gutbucket take on a Rolling Stones obscurity, “Good Times, Bad Times,” a Wig! outtake. Even more fun is Bob Dylan’s “Black Crow Blues.” Case bangs the piano while his friend Ron Franklin responds on harmonica.

One of the best songs from Case’s first solo album is “Steel Strings.” A demo of that song appears here. I see the Case Files version as an indictment of the 1980s. After hearing the demo, with Case backed by T Bone Burnett on electric guitar and percussion, it’s hard to listen to the original, which was all gussied up with yucky ’80s synths and whatnot by producers Burnett and Mitchell Froom. Yes, back in the Reagan era even scruffy singer-songwriters got glossy overproduction. I’m glad Case made this soulful underproduced version available.

Also recommended:

Scott H. Biram
Biram in Santa Fe 2011
* No One Got Hurt: Bloodshot Records 15th Anniversary @ The Hideout, Chicago. The label that invented “insurgent country” quietly turned 15 years old in September 2009. Well, not really quietly. This album, recorded live at a Chicago club, is a rowdy blast, featuring acts from the current Bloodshot stable as well as some returning veterans.

Moonshine Willy, which was the first band to release a single-act album on Bloodshot, reunited for this show. But an even more impressive homecoming was that of Alejandro Escovedo, who does a scorching “Castanets” and a moving version of “I Was Drunk.”
WACKY WACOS
Waco Brothers Kicking Rump

Newer Bloodshot acts like Deadstring Brothers and The Scotland Yard Gospel Choir do themselves proud (though the former wear their Stones influence a little too obviously and the latter remind me of The Decemberists, which gives me mixed feelings).


But these are no match for one-man wacko Scott H. Biram (especially on his hopped-up “Truckdriver”) or Bloodshot’s flagship band The Waco Brothers, who do rousing versions of “See Willy Fly By” and “Red Brick Wall.” The Wacos also back Mekons squeeze-box man and one-time Bloodshot artist Rico Bell.

It’s a limited-edition album, so hurry to Bloodshot to get yours.

And speaking of Bloodshot compilations, there's a new FREE one over at Amazon.com . It's called Bloodshot Records Spring Cleaning Sampler. It's full of old Bloodshot favorites like Robbie Fulks, Trailer Bride, The Meat Purveyors, former Santa Fe resident Rex Hobart, and of course The Waco Brothers.

Here's a promo video for The Case Files.

Wednesday, June 01, 2011

New Potatoheads Widget and Music Page

I've added a separate page for my own tacky recordings, including one and only CD, Picnic Time For Potatoheads ( and Best-Loved Songs From Pandemonium Jukebox) 

It features my dandy new CD Baby widget for this highly-prized cult classic.


I've made dozens of dollars over the Internet on this album. This little gizmo should rake in even more!

And I've included my ReverbNation player so you can here complete versions of some of the Potatoheads/Panda-Juke songs. And just for laffs, my dynamic Soundclick player for a handful of rarities.

You can find it HERE and there's a link right up at the top of the right-hand column.

The CD Baby widget is posted below too. Check it out:

Tuesday, May 31, 2011

In Honor of Philadelphia Beer Week

I'm not from Philadelphia. And the band that sent me this, Jesus H. Christ & The Four Hornsmen of the Apocalypse, is from New York, not Philadelphia. And the video was shot in Massachusetts, not Philadelphia.

But what the Hell. It's Philadelphia somewhere.




Here's some info Risa from JHC sent me. I normally hate press release stuff, but I liked this.


"Alcoholics In My Town" is Jesus H Christ and The Four Hornsmen of The Apocalypse’s take on an ode to small town life, crossed with a great American drinking song that actually calls out the alcoholism looming under both genres.

“Let’s party like we’ll never get old,” the message seems to be, “And then let’s run our van into a guardrail on the way home and become paralyzed from the waist down and not have health insurance.”

The band wanted to write a song that celebrated small town life, in the vein of John Cougar Mellencamp and Bruce Springsteen: songs about the people they grew up with: the good times and the good buddies.

But, growing up in small towns, they knew, from personal experience, that most of these Good-Time-Charlies-and-Charlenes were usually alcoholics. The band doesn’t condemn, or exclude themselves, from this state of affairs- they just wanted to be medically accurate.

Mose Allison Plays This Year's SF Bandstand

It's true. The great Mose Allison will play on the Plaza for free Tuesday July 19 as part of the Santa Fe Bandstand program.

Zimbabwe music giant Thomas Mapfumo also is part of the program this summer, as is Cracker, who I saw do a fantastic show in Albuquerque a couple of years ago.

And for you fans of Treme,  New Orleans voodoo blues badass Coco Robicheaux is scheduled for Tuesday August 9. (Will he sacrifice a rooster on stage? You'll just have to wait and see.)

Also on board are loads of my favorite local groups. there's zydeco, Cuban music, western swing, jazz, blues, mariachi, reggae, native American music and more.

The schedule is below.

Sf Bandstand 2011

Sunday, May 29, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 28, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Little Girl by The Syndicate of Sound
Willie Mehan by Barrence Whitfield & The Savages
Harm's Way The Ugly Beats
Second Coming by Alice Cooper
Dont Mess With My Mind by The Stomachmouths
Haunted by God by Lonesome Ghost
New Twist by Numbskull Action
Final Solution by Rocket From the Crypt
Turkeys by The Bonzo Dog Doo Dah Band
More Messages by Neil Innes

Gil Scott-Heron Tribute

(all songs by GSH)
New York Was Killing Me
Winter in America
H20 Gate Blues
The Bottle
Me And The Devil
The Revolution Will Not Be Televised



Dengue Fever/Cambodian Rock Set
SAX SOLOCannibal Corpse by Dengue Fever
Give Me One Kiss by Dara Chom Chan
I'm 16 by Dengue Fever
Snaeha by Pan Ron
Tiger Phone Card by Dengue Fever
Family Business by Dengue Fever
Eyes Like Diamonds by Sinn Sissamouth

You're Breaking My Heart by Nillson
Ways Of A Man by Guitar Shorty
Waves of Fear Lou Reed
It's All Over Now, Baby Blue by 13th Floor Elevators
You Don't Love Me Yet by Bongwater
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Subscribe to The Big Enchilada Podcast! CLICK HERE

Friday, May 27, 2011

THE SANTA FE OPRY PLAYLIST

Friday, May 27, 2011
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrel(at)ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Rag Mama Rag by Levon Helm
Monkey Business by Eddie Bond
You Win Again by Mike Ness
White Lightning by The Waco Brothers
Turn the Lights Down Low by Moonshine Willie
Everything I Ever Wanted To Do by Legendary Shack Shakers
Lay Me Down by The Perreze Farm
Fortune Teller by Coco Robicheaux

One of Those People by Neil Innis
The Beasts on the Backs of our Children by The Imperial Rooster
The Iliad by Ed Sanders & The Hemptones
Baby He's A Wolf by Werly Fairburn
Fan it by The Great Recession Orchestra
Honey, You Had Me Fooled by The Defibulators
Joy by Nilsson

The Ballad of the Minimum Wage by Peter Case
Honky Tonk Nighttime Man by Merle Haggard
Don't Think Twice by Gal Holiday
Subterranean Homesick Blues by Dan Hicks & The Hot Licks
Buckshot by The Riptones
Meanest Man In Town by The Maddox Brothers and Rose
Beauty Meets Beast by Angry Johnny
Wolverton Mountain by Claude King
Moonshine Man by Alford's Band of Bullwinkles

Zoot by Tery Diers
I'm Walking the Dog by Webb Pierce
Heavy Breathin' by Cornell Hurd
Parallel Bars by Robbie Fulks (with Kelly Willis)
Beatin' My Head by Jayke Orvis
Wasp's Nest by Ray Wylie Hubbard
That'll Never Happen No More by Howard Armstrong
24 Hour Store by The Handsome Family

CLOSING THEME: Comin' Down by The Meat Puppets

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Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

R.I.P. GSH

I just learned of the death of Gil Scott Heron.

NPR, which first reported his death, says he died Friday afternoon in New York at the age of 62.

The influential poet and musician is often credited with being one of the progenitors of hip-hop, and is best known for the spoken-word piece "The Revolution Will Not Be Televised."
His 2010 album I'm New Here was one of my favorites of the year. I reviewed it HERE 

I'll do a special set for Gil Sunday night on Terrell's Sound World.

TERRELL'S TUNEUP: An Outbreak of Dengue Fever

A version of this was published in The Santa Fe New Mexican
May 27, 2011


Whenever a band is based on an unusual concept — say, re-creating and building upon a suppressed style of music from several decades ago from a faraway land — there are inherent dangers.

First of all, said band might become too stuffy and scholarly, drifting away from being a creator to being a curator. Or, such a band might get a whiff of success and yield to the temptation of distancing itself from its original mission. And, of course, with any musical act there’s always the danger that what sounded fresh and innovative a couple of years ago will eventually sound dated and stale.

I’m happy to report that my favorite psychedelic Californian/Cambodian band Dengue Fever has avoided all those pitfalls. Dengue’s latest album, Cannibal Courtship, is a glorious blast from start to finish.

Short primer for newcomers: Dengue Fever came about after a trip to Cambodia in the ’90s by keyboardist Ethan Holtzman, who became an enthusiast of the crazy, psychedelic music that flourished there in the pre-Pol Pot years. Returning to his native California with cassette tapes of this music, Holtzman and his guitarist brother Zac got a band together to play it. But the sound wasn’t complete until they found Cambodia-born singer Chhom Nimol, who had a gig at a joint called the Dragon House in the Little Phnom Penh area of Long Beach.

The title song, which kicks off the album, starts as a slow soul groove. But the music slowly builds up in volume and intensity and, by the time Nimol is shouting the refrain, “Be my sacrificial lamb!” listeners know this album is going to a wild ride.

The next tune, “Cement Slippers,” is a funny dialogue song between Nimol and Zac Holtzman that reminds me of “Tiger Phone Card” on Dengue’s previous studio effort, Venus on Earth. “My girlfriend loves everything at the beach/Except the water, the sand, and the sun,” Holtzman sings. Nimol responds, “My boyfriend loves everything about me except the endless hours of therapy.”

THAT'S A REAL FARFISA
Dengue in Santa Fe 2007
But the best part of this song is a maniacal, it, sax solo by horn man David Ralicke. Nimol reverts to her native tongue, Khmer, in the following song, the slow-moving, exotic “Uku.” Ethan Holtzman’s Farfisa organ shines on this one.


Actually, I wish the song “2012 (Bury Our Heads)” was sung in Khmer or some other language I don’t understand. I think the group is actually making fun of the New Age-y reading of ancient Maya prophecies that next year will bring the end of the world. After the recent “rapture” idiocy, I’m getting tired of this doomsday crap. But the song is a decent little rocker, so not all is lost.

A better topical tune is “Family Business,” which is about a girl caught up in some weapon-merchant business — it sounds like a Nicolas Cage movie in the making. The instrumental “Kiss of the Bufo Alvarius” reminds me of Henry Mancini’s score for the early ’60s John Wayne flick Hatari. I can’t listen to it without images of rhinos chasing jeeps haunting my brain.

Cannibal Courtship will probably induce lots of crazy visions for listeners.

Also recommended:


*Dengue Fever Presents Electric Cambodia. Had Mick, Keith, and the boys ever released a compilation called “The Rolling Stones Presents Chicago Blues Favorites,” it would have been to them what this collection is to Dengue Fever. The music here represents the basic DNA of the band.

Electric Cambodia, released last year, contains 14 Cambodian rockers from the late ’60s and early ’70s. The sound is lo-fi, because the original recordings — as well as the original artists — were destroyed by the genocidal Khmer Rouge regime that ruled that country in the mid-to-late ’70s. The only surviving recordings were on old cassette tapes kept and hidden by fans.

But you have to love the basic sound of the electric organ playing off the fuzzy guitars (sometimes straying off into the same cosmic territory Carlos Santana pioneered) and the singers who seamlessly bring together Cambodian folk melodies, Asian pop, and American rock ’n’ soul of the ’60s.

All but two of the selections here are by the three biggest stars of Cambodian rock — female singers Pan Ron and Ros Serey Sothea and a man named Sinn Sisamouth, who was such a super-stud, he recorded duets with both Ron and Sothea. “Jasmine Girl,” a Sisamouth/Ron duet, is a soft romantic tune that starts off sounding almost like an Asian bossa nova.

A couple of these songs were covered by Dengue Fever on its first album in 2003. There’s the slinky, sexy “Flowers in the Pond” by Sothea (Dengue did a slower version, just calling it “Flowers,” on its own album). And even better is “Shave Your Beard,” another Sothea song.

“Snaeha” has a melody you might recognize. Sung by Ron, it’s a Khmer version of the old Cher hit “Bang Bang (My Baby Shot Me Down).”

This album is available from the usual online places. And if you like these old songs, let me also recommend the Cambodian Rocks series, currently available on the Khmer Rocks label. At least three of the four volumes are available from Amazon at reasonable prices.

BLOG BONUS:

Enjoy "Cement Slippers"


Cement Slippers (official) from DENGUE FEVER on Vimeo.

Sunday, May 22, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 22, 2011
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell (at) ksfr.org

BOB DYLAN 70th BIRTHDAY PARTY!!!!!!
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Baby Let Me Follow You Down by Bob Dylan
Maggie's Farm by The Blue Giant Zeta Puppies
Highway 61 Revisited by Johnny Winter
Dear Landlord by Janis Joplin & The Kozmic Blues Band
A Simple Desultory Philippic by Simon & Garfunkel
Absolutely Sweet Marie by C.J. Chenier
Isis by Bob Dylan

Mixed Up Confusion by Bob Dylan
My Back Pages by The Magkoro Brothers
The Wicked Messenger by The Black Keys
Ballad Of Hollis Brown by Thee Headcoats
Million Miles by Alvin Youngblood Hart
Like A Rolling Pin by The Replacements
Wallflower by Doug Sahm with Bob Dylan

Every Grain Of Sand by Giant Sand
Blind Willie McTell by The Band
I Pity The Poor Immigrant by Richie Havens
Bob Dylan's 300 Game by Emily Kaitz
Señor (Tales Of Yankee Power) by Willie Nelson & Calexico
Billy 1 by Los Lobos

Shake Mama Shake by Bob Dylan
Saved by The Mighty Clouds of Joy
Gotta Serve Somebody by Mavis Staples
Royal Jelly by Dewy Cox
You're Going to Make Me Lonesome When You Go by Mary Lee's Corvette
Death Is Not the End by Nick Cave & The Bad Seeds

Subscribe to The Big Enchilada Podcast! CLICK HERE

Saturday, May 21, 2011

SADDLE UP FOR THE NEW BIG ENCHILADA! SWEATHOG OF THE RODEO!

THE BIG ENCHILADA



Alright you rodeo clowns! Come ride this wild bull of a podcast. Get in the saddle and enjoy some fine honky tonk, rockabilly and cowpunk melodies. Don't get bucked off!

DOWNLOAD | SUBSCRIBE| SUBSCRIBE TO ALL | FACEBOOK | ITUNES

Here's the playlist:

(Background Music: Back in the Saddle Again by Gene Autry)
Let's Rodeo by The Gibson Bros. & Workdogs
Tennessee by The Last Mile Ramblers
Anything Goes at a Rooster Show by The Imperial Rooster
Mean Kind of Blues by Rachel Brooke
Truck Driver by Scott H. Biram
Jug Town by Neil Hamburger
The Devil, My Conscience and I by Billy Barton

(Background Music: Number 111 by J.E. Mainer's Mountaineers)
Midnight Rodeo by Cordell Jackson
Rock 'n' Roll Granny by Nancy Apple
Get Lost You Wolf by Hylo Brown & The Timberliners
Rollergirl Gail by The Misery Jackals
The Ballad of Candy Barr by George McCoy & The Balladeers
I Miss My Boyfriend by Folk Uke with Shooter Jennings

(Background Music: Blue Steel Blues by Ted Daffan's Texans)
Big Dwarf Rodeo by Rev. Horton Heat
Yes Ma'am by Gal Holiday & The Honky Tonk Revue
Scrap Collecting Man by Crankshaft & The Geargrinders
One Foot in the Grave by Black Eyed Vermillion
You Turned Your Back by Toni Brown
EZ Ridin' Grumblers by Sanctified Grumblers

Play it here:



You like this hillbilly stuff? If so, then you'll probably like some of my previous episodes like:

Episode 31: Below Tobacco Road
Episode 26: Hillbilly Pigout
Episode 22: Honky in a Cheap Motel
Episode 16: Hillbilly Heaven
Episode 10: More Santa Fe Opry Favorites
Episode 8: Santa Fe Opry Favorites Vol. 2
Episode 2: Santa Fe Opry Favorites

Also, check out the country craziness at Give Me My XXX

Friday, May 20, 2011

THE SANTA FE OPRY PLAYLIST

Friday, May 20, 2011
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell (at) ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Fried Chicken and Gasoline by Southern Culture on the Skids
She'll Be My Baby by The Hormonauts
Don't Touch My Horse by Slackeye Slim
God Has Left the Building by The Imperial Rooster
Big Iron by Mike Ness
Code Of The Road by The Band of Blackie Ranchette
Sixteen Tons by Homer & Jethro

The Lonesome River by Bob Dylan & Ralph Stanley
Little Emperor by Steve Earle
Treat Me Right by Suzette Lawrence & The Neon Angels
Shake It and Break It by Rev. Peyton's Big Damn Band
Everybody's Girl by Eddie Spaghetti
Did You See the Devil, Uncle Joe by Wade Ward & Charlie Higgens
Dig Boy Dig by Freddie Hart
Move it On Over by George Thorogood & The Destroyers
Honky Tonk Queen by Whitey Morgan & Teh 78s
Empty Bottles on a Broken Shelf by Jayke Orvis

Tombstone Blues by Tim O'Brien
I'm Gonna Dig Up Howlin' Wolf by Mojo Nixon & Skid Roper
Romp Stompin' Boogie by Jaycee Hill
Black Crow Blues by Peter Case
Sally's Got a Wooden Leg by Sons Of The West
Let the Teardrops Fall by Gal Holiday
Chunky by Terry Diers
Like A Rolling Stone by Drive-By Truckers

Girl From The North Country by Bob Dylan & Johnny Cash
Don't Forget Me When I Die by Rachel Brooks
You've Never Been This Far Before by Conway Twitty
I Wish It Would Stop Raining by Exene Cervenka
Sad Milkman by Sally Timms & Jon Langford
The Pale Horse & His Rider by Hank Williams
CLOSING THEME: Comin' Down by The Meat Puppets

Subscribe to The Big Enchilada Podcast! CLICK HERE

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, May 19, 2011

TERRELL'S TUNEUP: Happy Birthday, Old Man Zimmerman!

A version of this was published in The Santa Fe New Mexican
May 20, 2011



Bob Dylan turns 70 years old on Tuesday, May 24.

Seventy years old.

I’m not going to gush here about what Old Man Zimmerman’s music has meant to me — how hearing the riddle-ridden, six-minute “Like a Rolling Stone” and The Byrds’ version of “Mr. Tambourine Man” on AM radio in Oklahoma in 1965 was like hearing the call of oracles; how hearing him sing “Girl From the North Country” with Johnny Cash in 1969 filled me with optimism for a divided nation; how the bartender used to always play “Baby Let Me Follow You Down” by Bob Dylan and The Band every Sunday at the end of my set when I used to play in a local bar called Faces in the late ’70s; how spooky it felt the time I walked into the old Lincoln County courthouse and someone was playing an instrumental song from Dylan’s Pat Garrett and Billy the Kid soundtrack; how I laughed when Dylan had to cut short a show in Albuquerque because dozens of teenagers, including my daughter, spontaneously joined him onstage to help him with the chorus, “Everybody must get stoned.”

Naw, I’m not going to get into all that.

I’m just going to say happy birthday, Bob, and share my list of a dozen of my favorite Dylan covers by a whole mess of artists who surely have their own Dylan stories to tell.

The Dylan dozen: my favorite Bob covers

1. “Blind Willie McTell” by The Band. This is one of Dylan’s greatest tunes. A wise critic once wrote that it’s “one of those weird Dylan tunes that, a listener might suspect, contains the entire mystery of America secretly encoded in its lyrics.” Originally recorded for his 1983 Infidels album (and left off, perhaps because it didn’t fit the level of mediocrity Dylan was shooting for with that record), it wasn’t released until his first Bootleg Series box set in 1991. Three years later it appeared on The Band’s first album without Robbie Robertson, Jericho. New Orleans blues great “Champion” Jack Dupree sat in on piano while Levon Helm and Rick Danko shared lead vocals.

2. “Every Grain of Sand” by Giant Sand. Dylan released a higher percentage of crap in the ’80s than he did in any other decade. But there were some jewels among the garbage, and this song, from his 1981 album Shot of Love, is one of them. Howe Gelb and his Arizona cohorts are known for getting goofy, but here, backed by the band Poi Dog Pondering, Howe played it straight with this near-8-minute gospel-tinged opus, and it’s nothing short of soulful.

3. “It’s All Over Now, Baby Blue” by The Byrds. Dylan covers made up a huge chunk of the early Byrds’ repertoire. Their first hit was an abbreviated version of “Mr. Tambourine Man.” And their version of “You Ain’t Goin’ Nowhere” is the definitive version. But their greatest Dylan song was “Baby Blue.” They did a jangly folk-rock version in the early days, but they got it right with the slow, mournful take on their unjustly overlooked Clarence White-era 1969 album The Ballad of Easy Rider. (Runners-up on this song: 13th Floor Elevators, Them.)

4. “Stepchild” by Solomon Burke. “Anything you ask, I’m willin’, I just can’t beat Bob Dylan,” Burke ad-libs in this song on the late soul giant’s 2002 masterpiece Don’t Give Up On Me. I bet Dylan disagrees. This Dylan blues rarity never appeared on any of his own releases.

BILLY'S HEADSTONE
5. “Billy 1” by Los Lobos. This song, originally on Pat Garrett and Billy the Kid, becomes a drunken cantina stomp in the hands of David Hidalgo and the boys. You can find it on another soundtrack album, the I’m Not There soundtrack, which is full of fine Dylan covers. This track is a good companion for “Señor (Tales of Yankee Power),” another Mexican-marinated song on that soundtrack, performed by Willie Nelson and Calexico.

6. “Absolutely Sweet Marie” by Jason and The Scorchers. This is country rock with an emphasis on the rock. A close runner-up is C.J. Chenier’s zydeco-flavored take on this song on Blues on Blonde on Blonde.

7. “I Pity the Poor Immigrant” by Richie Havens. Backed by a sweet steel guitar, Havens pours his guts into this song. Nobody, including Dylan, ever did it better. It’s on the long-out-of-print album Richard P. Havens, 1983 (which was actually released in 1969.)

8. “Saved” by The Mighty Clouds of Joy. I didn’t appreciate Dylan’s much-reviled late ’70s-early ’80s “born again” era until I heard the excellent 2003 compilation Gotta Serve Somebody: The Gospel Songs of Bob Dylan. The Clouds’ contribution is probably the most energetic track on the album.

9. “Like a Rolling Stone” by Johnny Thunders and Wayne Kramer. Ex-New York Dolls Thunders teamed up with former MC5 member Kramer (who was fresh out of prison on a drug rap) to form a punk-rock supergroup. They made this Dylan classic bleed. Runner-up: the version by Drive-By Truckers.

10. “Lily, Rosemary and The Jack of Hearts” by Mary Lee’s Corvette. Back in 2002, this New York roots-rock band performed all the songs from Dylan’s Blood on the Tracks from start to finish and released it as a CD. This 10-minute romp captures the spirit of the original. On the first verse singer Mary Lee Kortes let a drunken audience member do a bad Dylan impersonation. She wisely took back the mike.

11. “My Back Pages” by The Magokoro Brothers. Yes, Dylan is big in Japan. This tune, sung in Japanese, is from the Masked and Anonymous soundtrack.

12. “Wallflower” by Doug Sahm. This country waltz is a highlight from the 1973 country-rock classic Doug Sahm and Band. Sir Doug is joined by Dr. John on organ, David Bromberg on dobro, and Dylan himself on harmony vocals and lead guitar.

Oh, did I mention that this is a baker’s dozen?

13. “All Along the Watchtower” by Jimi Hendrix. This one’s so obvious I almost didn’t list it. Dylan liked Hendrix’s version better than his own. I do too.

* My own Dylan birthday tribute: Hear some of the music mentioned above and more. A whole lotta Bob! 10 p.m. Sunday night on Terrell’s Sound World, Santa Fe public radio, KSFR-FM 101.1 and streaming live at www.ksfr.org

UPDATE: My former colleague Jason, who's even more learned in Giant Sandlore than I am, pointed out that it's the group Poi Dog Pondering backing Howe Gelb on "Every Grain of sand." So I added that above.

BLOG BONUS!


Here's some Dylan covers that didn't make my list and which you won't hear on my radio show (unless I get in a twisted mood.)





And the undisputed King of the Golden Throats ...

Start Off Your Thursday With Some Root Boy Slim

This should brighten your mood ring.

There's a cool article in Crawdaddy about the late Root Boy & His Sex-Change Band, whose first album was doomed from the start because it was released on Warner Bros. on the same day as the first Van Halen.

In a just world ...

Here's a cool clip from Mr. Mike's Mondo Video:

Tuesday, May 17, 2011

Tuvan Group's Instruments Stolen In Albuquerque



How's this for western hospitality. Some cowardly prick (or pricks) in Albuquerque smashed into the van being used by the band Alash -- Tuvan throat singers in town for the Festival of Asian Cultures. The thief or thieves stole instruments, passports and costumes. This happened on Sunday.

Here's from the group's website:

Alash's instruments and costumes were stolen in Albuquerque, New Mexico, on Sunday, May 16, just before the band was to appear at the Festival of Asian Cultures. Some of their passports, visas, and clothes were also taken. The missing instruments are all handmade, and some are quite old. Although devastated by the loss, the group performed at the Festival, using only their voices. One fan wrote of the performance, "This was one of the most amazing moments in my life. These men, the depth of the talent, were inspiring."


Despite their successful performance at the Festival, the band needs instruments to continue their tour. And authentic Tuvan instruments are hard to come by outside of Tuva. Luckily, a friend and supporter in the U.S. has a few to lend. So Alash will be able to make all their concert dates, albeit with a few changes to the repertoire. The musicians are taking it in stride. Sean Quirk, their manager and interpreter says, "We can use this as an opportunity to push our creativity."


Anyone who wants to help can contact the group at alashensemble@gmail.com or the webmaster at jbb@kovitzsystems.net.

Here's a story in the Albuquerque Journal.

And here's Alash in action in Texas a few years ago.

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