Sunday, November 19, 2006
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Good Enough For You by The Fleshtones
It's Not Enough by Johnny Thunders & The Heartbreakers
Crack Soundtrack by The Unband
Forgotten Sex by Zvuki Mu
Caroleen by Pere Ubu
They Ride by The Twilight Singers
Loch Lomond by Richard Thompson
Country at War by X
The Skin of My Yellow Country Teeth by Clap Your Hands and Say Yeah
Rats by Sonic Youth
Feet Music by John Zorn
Technicolor by Os Mutantes
Please Send Me Someone to Love by The Persuasions
Attica Blues by Archie Schepp
Life is Like a Musical by Outkast
Skinny Legs and All by Joe Tex
The Turner Diaries by Eddie Turner
Lord Will Make a Way by Mighty Sam McClain
Not Me by The Orlons
Don't You Ever Let Nobody Drag Yo' Spirit Down by Linda Tillery & The Cultural Heritage Choir with Wilson Picket and Eric Bibb
Voice of The Turtle by John Fahey
Zu Zu Mamou by Dr. John
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
Monday, November 20, 2006
Sunday, November 19, 2006
CLUB ALEGRIA TO CLOSE
I don't have any details yet, but I just learned that Club Alegria on Agua Fria is going to close. The big question of WHY so far isn't known.
Here's the e-mail from manager Zia Cross:
*Tuesday: ''We Are The Village'' music and art benefit party for Modesto’s Huichol family’s community in Nayarit, Mexico. It is to raise money for adequate water and sanitation. Children have come down with cholera and many are sick and have open sores and lice. Performers include The Keven Zeornig Project, Ricardin, Andromeda Crash, Miquel y Thelma, Ben Joaquin, The Dixon All Star Band, The Revolutionary No Water Blues Band, Hickory Strongheart, and Bob and Jodie Arellanoand Chispa. DJ Vita
* Friday: A "Farewell party" featuring Xoe Fitgerald Time Travelling Transvestite (Joe West has something to do with that) and D-Numbers with DJ Feathericci.
* Friday, Dec. 8 Public Enemy. PUBLIC ENEMY???!!!! That's what it says, folks. Bring the noise!
I'm ashamed to say I haven't been to Alegria since Zia took it over a few months ago. I remember some great shows there in th '90s -- Mike Watt with The Geraldine Fibbers, Wilco (banc when they were a country band), Billy Joe (and Eddie) Shaver, Joe Ely, The Tragically Hip, etc. I'm sorry to see it close.
Here's the e-mail from manager Zia Cross:
She goes on to list the final three shows scheduled:Hello everyone,
It is with great sadness that I am writing to inform you all that Alegría will be closing forever.
This news came suddenly to me so I am passing it along as quickly as I can to inform you of our final shows. I hope everyone can come out one last time (or 3…).
Thank you to all who have come out and showed your support. Also much thanks to the media and especially to all of the great musicians and DJ’s who have played and tried to help make Alegría a success. We are sad to say goodbye.
Thank you, I hope to see you all soon.
Zia
*Tuesday: ''We Are The Village'' music and art benefit party for Modesto’s Huichol family’s community in Nayarit, Mexico. It is to raise money for adequate water and sanitation. Children have come down with cholera and many are sick and have open sores and lice. Performers include The Keven Zeornig Project, Ricardin, Andromeda Crash, Miquel y Thelma, Ben Joaquin, The Dixon All Star Band, The Revolutionary No Water Blues Band, Hickory Strongheart, and Bob and Jodie Arellanoand Chispa. DJ Vita
* Friday: A "Farewell party" featuring Xoe Fitgerald Time Travelling Transvestite (Joe West has something to do with that) and D-Numbers with DJ Feathericci.
* Friday, Dec. 8 Public Enemy. PUBLIC ENEMY???!!!! That's what it says, folks. Bring the noise!
I'm ashamed to say I haven't been to Alegria since Zia took it over a few months ago. I remember some great shows there in th '90s -- Mike Watt with The Geraldine Fibbers, Wilco (banc when they were a country band), Billy Joe (and Eddie) Shaver, Joe Ely, The Tragically Hip, etc. I'm sorry to see it close.
Saturday, November 18, 2006
eMUSIC NOVEMBER
Here's my allotted 90 downloads from eMusic this month:

* Why I Hate Women by Pere Ubu. Yes, Ubu's back, but this time they've fooled everyone by recording an entire album of Dan Fogelberg covers. They even brought Debbie Boone out of retirement for lead vocals on "Leader of the Band."
Just kidding ... But to find out how I really feel about this album, you're going to have to wait until Friday.

*Bloodied But Unbowed: The Soundtrack . You should already know how I feel about the music here. eMusic and iTunes are the only places where you can find the music from this excellent Bloodshot DVD. This has three live songs from The Waco Brothers, plus a few more from Langford. But I think my perverse favorite here is Sally Timms and Jon Rauhouse doing the cocktail Latino standard "Perfidia."
* Retarder by Unband. I'd never heard of this group until Lexie Shabel sent me an advance DVD of her new movie, We Like to Drink, We Like to Play Rock ‘n’ Roll, which will be shown at this year's Santa Fe Film Festival. The film is a documentary of this band of loveable losers. Musically, the Unband owes a lot to The Replacements and dozens of punk and metal bar bands too numerous to mention. Lots of fun though. Lexie is going to join me on Terrell's Sound World Nov. 26 to talk about the film and the Unband.
* L.A.M.F. - The Lost '77 Tapes by Johnny Thunders & The Heartbreakers. Johnny we hardly knew ye. This is a cool little high-charged glimpse of stripped-down New York punk rock as performed by one of the founding fathers. I still don't know how the New York Dolls could have a "reunion" without Johnny Thunders.

* (14 songs from) Presidential Campaign Songs, 1789-1996 by Oscar Brand. This 1996 album has songs for nearly all the presidents between Washington and Clinton. (Hey! Where's Chester Arthur?) I mentioned this album in passing in a recent column. I didn't feel like spending nearly half of my 90 downloads this month on one album, (most the songs are less than two minutes) but I wanted a few for my pre-election Terrell's Sound World. I couldn't resist nabbing the songs for Warren Harding, Herbert Hoover ("If He's Good Enough for Lindy") and of course Tricky Dick.
* America's Most Colorful Hillbilly Band - Vol. 1 by The Maddox Brothers & Rose. I downloaded more than half tracks from this album at the end of last month. I immediately went and picked up the remaining ones when my downloads "refreshed." One word of caution here: The track marked "New Mule Skinner Blues" actually is "I Want to Live and Love" -- which also appears here as the last track. And at this writing, they still haven't fixed it despite my alerting eMusic to it. Wonderful song, but you don't need to download it twice. (Hey eMusic, you still owe me a track!)

* John Fahey I had five tracks left over, so I decided to go for some good loooong tracks. eMusic has a good selection of Fahey, so I spent the last of my November allotment on "Voice of the Turtle" and "Mark 1:15," (both from America, plus "The Transcendental Waterfall" "What the Sun Said" and "I Saw the Light Shining 'Round and 'Round." I'd already downloaded a 13-minute "Fahey Sampler" years ago, so this will make a nice full CD.
I have deep emotional connections with Fahey. America was released about the time I started college and I remembering listening to these long, mysterious guitar excursions played frequently during the wee hours on KUNM. About this time my brother was getting serious about learning guitar, so everytime I'd go back to Santa Fe, he'd be intensely recreating hypnotic Fahey works. These indeed are immortal sounds.
* Tom Waits' "Road to Peace" and "Long Way Home." eMusic has dribbled out songs from the upcoming waits compilation Orphans, a 56-song, 3-disc affair due for release next week. (I picked up two free ones last month -- "Bottom of the World" and "You Can Never Hold Back Spring.")

* Why I Hate Women by Pere Ubu. Yes, Ubu's back, but this time they've fooled everyone by recording an entire album of Dan Fogelberg covers. They even brought Debbie Boone out of retirement for lead vocals on "Leader of the Band."
Just kidding ... But to find out how I really feel about this album, you're going to have to wait until Friday.
*Bloodied But Unbowed: The Soundtrack . You should already know how I feel about the music here. eMusic and iTunes are the only places where you can find the music from this excellent Bloodshot DVD. This has three live songs from The Waco Brothers, plus a few more from Langford. But I think my perverse favorite here is Sally Timms and Jon Rauhouse doing the cocktail Latino standard "Perfidia."


* (14 songs from) Presidential Campaign Songs, 1789-1996 by Oscar Brand. This 1996 album has songs for nearly all the presidents between Washington and Clinton. (Hey! Where's Chester Arthur?) I mentioned this album in passing in a recent column. I didn't feel like spending nearly half of my 90 downloads this month on one album, (most the songs are less than two minutes) but I wanted a few for my pre-election Terrell's Sound World. I couldn't resist nabbing the songs for Warren Harding, Herbert Hoover ("If He's Good Enough for Lindy") and of course Tricky Dick.
* America's Most Colorful Hillbilly Band - Vol. 1 by The Maddox Brothers & Rose. I downloaded more than half tracks from this album at the end of last month. I immediately went and picked up the remaining ones when my downloads "refreshed." One word of caution here: The track marked "New Mule Skinner Blues" actually is "I Want to Live and Love" -- which also appears here as the last track. And at this writing, they still haven't fixed it despite my alerting eMusic to it. Wonderful song, but you don't need to download it twice. (Hey eMusic, you still owe me a track!)

* John Fahey I had five tracks left over, so I decided to go for some good loooong tracks. eMusic has a good selection of Fahey, so I spent the last of my November allotment on "Voice of the Turtle" and "Mark 1:15," (both from America, plus "The Transcendental Waterfall" "What the Sun Said" and "I Saw the Light Shining 'Round and 'Round." I'd already downloaded a 13-minute "Fahey Sampler" years ago, so this will make a nice full CD.
I have deep emotional connections with Fahey. America was released about the time I started college and I remembering listening to these long, mysterious guitar excursions played frequently during the wee hours on KUNM. About this time my brother was getting serious about learning guitar, so everytime I'd go back to Santa Fe, he'd be intensely recreating hypnotic Fahey works. These indeed are immortal sounds.
* Tom Waits' "Road to Peace" and "Long Way Home." eMusic has dribbled out songs from the upcoming waits compilation Orphans, a 56-song, 3-disc affair due for release next week. (I picked up two free ones last month -- "Bottom of the World" and "You Can Never Hold Back Spring.")
THE SANTA FE OPRY PLAYLIST
Friday, November 17, 2006
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Wildwood Flower by Mike Ness
Muleskinner Blues by The Cramps
Medley: Ghost Riders in the Sky/Rawhide/The Ballad of Palladin by Chuck Maultsby & His Old Band
The Ballad of Thunder Road by Robert Mitchum
Wreck of the Old 97 by Johnny Cash
Over the Cliff by Jon Langford
Rockin' in the Congo by Hank Thompson
Las Vegas by The Texas Sapphires
One Meatball by Dave Van Ronk
Tomorrow is Forever by Solomon Burke with Dolly Parton
Green Green Grass of Home by Ted Hawkins
Little Old Wine Drinker Me by Miss Leslie & Her Juke Jointers
Cold, Cold World by Blaze Foley
Almost Thanksgiving Day by Graham Parker
Rambunctious Boy by John Fogerty
The Only Trouble With Me by Merle Haggard
11 Months and 29 Days by Johnny Paycheck
I Love the Way You Do It by Zeno Tornado
A Little More Cocaine Please by Splitlip Rayfield
Get Your Biscuits in the Oven by Kevin Fowler
The Pony to Bet On by The Legendary Shack Shakers
Kung Foo Cowboy by Alan Vega
Boxwine Ruth E by Ramsay Midwood
Raining in Port Arthur by The Gourds
Mean and Wicked Boogie by Maddox Brothers & Rose
I Ain't Marching Anymore by Richard Thompson
Salt Truck by Eleni Mandell
Be My Love by NRBQ
Better Word For Love by Big Al Anderson
Things Change by Lonesome Bob with Allison Mohrer
The Pilgrim Chapter 33 by Kris Kristofferson
You Should Have Wrote a Book by Dan Reeder
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Wildwood Flower by Mike Ness
Muleskinner Blues by The Cramps
Medley: Ghost Riders in the Sky/Rawhide/The Ballad of Palladin by Chuck Maultsby & His Old Band
The Ballad of Thunder Road by Robert Mitchum
Wreck of the Old 97 by Johnny Cash
Over the Cliff by Jon Langford
Rockin' in the Congo by Hank Thompson
Las Vegas by The Texas Sapphires
One Meatball by Dave Van Ronk
Tomorrow is Forever by Solomon Burke with Dolly Parton
Green Green Grass of Home by Ted Hawkins
Little Old Wine Drinker Me by Miss Leslie & Her Juke Jointers
Cold, Cold World by Blaze Foley
Almost Thanksgiving Day by Graham Parker
Rambunctious Boy by John Fogerty
The Only Trouble With Me by Merle Haggard
11 Months and 29 Days by Johnny Paycheck
I Love the Way You Do It by Zeno Tornado
A Little More Cocaine Please by Splitlip Rayfield
Get Your Biscuits in the Oven by Kevin Fowler
The Pony to Bet On by The Legendary Shack Shakers
Kung Foo Cowboy by Alan Vega
Boxwine Ruth E by Ramsay Midwood
Raining in Port Arthur by The Gourds
Mean and Wicked Boogie by Maddox Brothers & Rose
I Ain't Marching Anymore by Richard Thompson
Salt Truck by Eleni Mandell
Be My Love by NRBQ
Better Word For Love by Big Al Anderson
Things Change by Lonesome Bob with Allison Mohrer
The Pilgrim Chapter 33 by Kris Kristofferson
You Should Have Wrote a Book by Dan Reeder
CLOSING THEME: Comin' Down by The Meat Puppets
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
Friday, November 17, 2006
JERRY LAWSON IS STILL PERSUASIVE

Jerry moved to Arizona a few years ago after splitting from The Persuasions. That makes us neighbors. Kind of.
Luckily, it didn't take him long to hook up with another band, Talk of the Town.
An album is in the works and judging from the tracks on his My Space site, it's gonna be a good one. I especially like "River of Dreams." Check it out.
PILLOW TO GIVE BIRTH IN SANTA FE
Yikes!
HERE is the orginal link for information on that film. Check it out. it's got a bunch of good links I'm too lazy to re-post here.
But here's the news. The film is coming to Santa Fe as part of the Santa Fe Film Festival.
Birth of a Pillow will be screened Sunday, Dec 3, 2:00 p.m. at the Santa Fe Film Center, 1616 St. Michael's Drive in the St. Michael's Village West Mall.
TERRELL'S TUNEUP: WATCHING THE MUSIC
A version of this was published in The Santa Fe New Mexican
November 17, 2006
Here’s a bunch of music DVDs I’ve been enjoying lately, including two from some of my favorite indie record labels and two featuring ascended masters of rock ’n’ roll.
*Bloodied but Unbowed: Bloodshot Records’ Life in the Trenches This is an extensive collection of live performances, music videos, a few interviews, and assorted madness by the Chicago company that invented the concept of “insurgent country.”

Fortunately the DVD doesn’t get hung up on the actual biography of the Bloodshot label. Sticking with the spirit of the company, any commentary about Bloodshot’s history, philosophy, or influence is strictly irreverent and usually drunken.
Among the artists you’ll find here are Ryan Adams, Alejandro Escovedo, Neko Case, Wayne “The Train” Hancock, Robbie Fulks, the Old 97’s, Trailer Bride, Kelly Hogan, The Sadies, The Detroit Cobras, and those wascally Waco Brothers.
It wouldn’t be a Bloodshot party without the Wacos. There are three songs by Bloodshot’s flagship of fools, live concert and studio footage, and a bunch of stills — including some photos that look a lot like snapshots I’ve taken at various Waco shows at South by Southwest in Austin through the years.
I have to admit, part of the fun of this DVD for me is that I was at some of these performances, such as those by Jon Langford, The Meat Purveyors, and Paul Burch.
While the live stuff is the best stuff on Bloodied but Unbowed, there are some videos that, to use a Waco Brothers title, are “Out There a Ways.” One-man blues stomper Scott H. Biram has a video for his song “Hit the Road” that includes disturbing footage of auto-accident carnage. And the grainy black-and-white video for The Unholy Trio’s backwoods cover of Public Enemy’s “Bring the Noise” could almost be classified as hillbilly soft-core porn.
One of my favorite features here is the Bloodshot tribute on Chic-a-Go-Go, a Chicago dance show modeled after American Bandstand, Soul Train, and the local versions of such shows that used to pop up on Chicago-area TV stations in the ’60s and ’70s and featured lip-syncing bands and dancing teens. Case sings “Brown-Eyed Handsome Man” in a foofy blonde wig featuring a band with Sally Timms on electric guitar, and Escovedo lip-syncs Langford’s vocals on “California Blues.”
(Songs from this DVD are available through iTunes and eMusic.)
*Voodoo Rhythm: The Gospel of Primitive Rock ’n’ Roll You’ll never again think of Switzerland in terms of chocolate, cuckoo clocks, army knives, or bankers.

Every so often we Americans need foreigners to remind us how magical but dangerous rock ’n’ roll should be.
One of the craziest messengers of the power of rock ’n’ roll and one of the true modern prophets of rock’s slimy underbelly is a Swiss fanatic who calls himself the Reverend Beat-Man. Not only is he a musician — both a harsh-voiced one-man psychobilly band and leader of a fierce garage group called The Monsters; he’s a record mogul, the founding father of Voodoo Rhythm Records.
“I have to get up in the morning out of the bed and I have to play guitar,” he says in an interview in this film. “I have to go to the office and put out records that nobody buys. I just have to do it. I don’t know why.”
On the DVD you meet not only Beat-Man and his Monsters but a wide array of musical misfits on his label. There’s some country acts — Zeno Tornado and the Louisiana-born DM Bob, who, with his accordion-playing, German girlfriend, Silky, is in a band called The Watzloves. (Silky’s a visual artist who does wonderful work based on carnival freak-show art.)
My favorite new discovery here is King Kahn, a Canadian soul belter who has taken up Screamin’ Jay Hawkins’ skull scepter, fronting a noisy, horn-fortified soul/punk band that reminds me a little of The Contortions.
But the most mysterious — and most musical of all — are The Dead Brothers, a “psycho Slavic funeral orchestra.” It’s a group led by a bug-eyed Charlie Manson-looking singer that features accordion, tuba, and sometimes banjo playing spooky acoustic tunes.
My only complaint here is that director Marc Littler should have taken a cue from the Bloodshot DVD: less talk and more music would have been better. But there’s lots to love about the Voodoo Rhythm stable.

*Roy Orbison: In Dreams This is a good little documentary about the life of one of the greatest rock singers of all times. It goes back to Roy’s roots in Wink, Texas, through his rockabilly years at Sun records; his “Only the Lonely”/“Oh Pretty Woman” years of glory in the early ’60s; his lean years — a time of horrible tragedy (his wife died in a motorcycle accident, two of his sons were killed in a fire); his bad career moves (anyone remember the movie The Fastest Guitar Alive?); and his great comeback in the late ’80s, cut short by a fatal heart attack.
I wasn’t ready for the film to end. I was looking for someone to wrap up his life and bemoan the cosmic injustice of his passing. But the interviews — including plenty with Roy and fans from Johnny Cash to David Lynch — are good, and the music is great.

* Johnny Cash at San Quentin Legacy Recordings just released an expanded version of Cash’s second prison album. Along with the two CDs, there’s a DVD of a 1969 documentary about the San Quentin concert.
It’s not a concert film — there’s far too little music, and the sound quality’s pretty awful. Plus there’s an introduction by a guy with a British accent that somehow relates the myth of the cowboy loner to Cash and his prison audience.
However, some of the interviews with the inmates are eye-opening. One death-row resident tells a story of a sexual encounter with a woman who cried rape when her 12-year-old son walked in and found them on the couch. He murdered both of them.
“I don’t know why I done it,” he says.
Just to watch ’em die?
The San Quentin set and the Orbison DVD are available at http://www.legacyrecordings.com.
November 17, 2006
Here’s a bunch of music DVDs I’ve been enjoying lately, including two from some of my favorite indie record labels and two featuring ascended masters of rock ’n’ roll.
*Bloodied but Unbowed: Bloodshot Records’ Life in the Trenches This is an extensive collection of live performances, music videos, a few interviews, and assorted madness by the Chicago company that invented the concept of “insurgent country.”

Fortunately the DVD doesn’t get hung up on the actual biography of the Bloodshot label. Sticking with the spirit of the company, any commentary about Bloodshot’s history, philosophy, or influence is strictly irreverent and usually drunken.
Among the artists you’ll find here are Ryan Adams, Alejandro Escovedo, Neko Case, Wayne “The Train” Hancock, Robbie Fulks, the Old 97’s, Trailer Bride, Kelly Hogan, The Sadies, The Detroit Cobras, and those wascally Waco Brothers.
It wouldn’t be a Bloodshot party without the Wacos. There are three songs by Bloodshot’s flagship of fools, live concert and studio footage, and a bunch of stills — including some photos that look a lot like snapshots I’ve taken at various Waco shows at South by Southwest in Austin through the years.
I have to admit, part of the fun of this DVD for me is that I was at some of these performances, such as those by Jon Langford, The Meat Purveyors, and Paul Burch.
While the live stuff is the best stuff on Bloodied but Unbowed, there are some videos that, to use a Waco Brothers title, are “Out There a Ways.” One-man blues stomper Scott H. Biram has a video for his song “Hit the Road” that includes disturbing footage of auto-accident carnage. And the grainy black-and-white video for The Unholy Trio’s backwoods cover of Public Enemy’s “Bring the Noise” could almost be classified as hillbilly soft-core porn.
One of my favorite features here is the Bloodshot tribute on Chic-a-Go-Go, a Chicago dance show modeled after American Bandstand, Soul Train, and the local versions of such shows that used to pop up on Chicago-area TV stations in the ’60s and ’70s and featured lip-syncing bands and dancing teens. Case sings “Brown-Eyed Handsome Man” in a foofy blonde wig featuring a band with Sally Timms on electric guitar, and Escovedo lip-syncs Langford’s vocals on “California Blues.”
(Songs from this DVD are available through iTunes and eMusic.)
*Voodoo Rhythm: The Gospel of Primitive Rock ’n’ Roll You’ll never again think of Switzerland in terms of chocolate, cuckoo clocks, army knives, or bankers.

Every so often we Americans need foreigners to remind us how magical but dangerous rock ’n’ roll should be.
One of the craziest messengers of the power of rock ’n’ roll and one of the true modern prophets of rock’s slimy underbelly is a Swiss fanatic who calls himself the Reverend Beat-Man. Not only is he a musician — both a harsh-voiced one-man psychobilly band and leader of a fierce garage group called The Monsters; he’s a record mogul, the founding father of Voodoo Rhythm Records.
“I have to get up in the morning out of the bed and I have to play guitar,” he says in an interview in this film. “I have to go to the office and put out records that nobody buys. I just have to do it. I don’t know why.”
On the DVD you meet not only Beat-Man and his Monsters but a wide array of musical misfits on his label. There’s some country acts — Zeno Tornado and the Louisiana-born DM Bob, who, with his accordion-playing, German girlfriend, Silky, is in a band called The Watzloves. (Silky’s a visual artist who does wonderful work based on carnival freak-show art.)
My favorite new discovery here is King Kahn, a Canadian soul belter who has taken up Screamin’ Jay Hawkins’ skull scepter, fronting a noisy, horn-fortified soul/punk band that reminds me a little of The Contortions.
But the most mysterious — and most musical of all — are The Dead Brothers, a “psycho Slavic funeral orchestra.” It’s a group led by a bug-eyed Charlie Manson-looking singer that features accordion, tuba, and sometimes banjo playing spooky acoustic tunes.
My only complaint here is that director Marc Littler should have taken a cue from the Bloodshot DVD: less talk and more music would have been better. But there’s lots to love about the Voodoo Rhythm stable.

*Roy Orbison: In Dreams This is a good little documentary about the life of one of the greatest rock singers of all times. It goes back to Roy’s roots in Wink, Texas, through his rockabilly years at Sun records; his “Only the Lonely”/“Oh Pretty Woman” years of glory in the early ’60s; his lean years — a time of horrible tragedy (his wife died in a motorcycle accident, two of his sons were killed in a fire); his bad career moves (anyone remember the movie The Fastest Guitar Alive?); and his great comeback in the late ’80s, cut short by a fatal heart attack.
I wasn’t ready for the film to end. I was looking for someone to wrap up his life and bemoan the cosmic injustice of his passing. But the interviews — including plenty with Roy and fans from Johnny Cash to David Lynch — are good, and the music is great.
* Johnny Cash at San Quentin Legacy Recordings just released an expanded version of Cash’s second prison album. Along with the two CDs, there’s a DVD of a 1969 documentary about the San Quentin concert.
It’s not a concert film — there’s far too little music, and the sound quality’s pretty awful. Plus there’s an introduction by a guy with a British accent that somehow relates the myth of the cowboy loner to Cash and his prison audience.
However, some of the interviews with the inmates are eye-opening. One death-row resident tells a story of a sexual encounter with a woman who cried rape when her 12-year-old son walked in and found them on the couch. He murdered both of them.
“I don’t know why I done it,” he says.
Just to watch ’em die?
The San Quentin set and the Orbison DVD are available at http://www.legacyrecordings.com.
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TERRELL'S SOUND WORLD PLAYLIST
Sunday, July 13, 2025 KSFR, Santa Fe, NM, 101.1 FM Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell E...

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