Sunday, January 21, 2007

eMUSIC JANUARY

Here's my allotted 90 downloads from eMusic this month:


Out to Hunch by Hasil Adkins. I actually downloaded this while writing my review of Best of Haze a couple of weeks ago. If there was ever any dout that Adkins wasn't flying in from his own planet since his earliest career, this should put a stop to that.






The Evil One (Plus One) (Bonus Disc)
by Roky Erikson. I didn't notice when The Evil One appeared in its latest reissue form a few years ago that it included a bonus disc. Here you'll find live versions of the songs, as done on a San Francisco radio program The Modern Human Show in the late '70s, plus interview segments.





P.W. LONG




We Didn't See You On Sunday by P.W. Long. Compared with P.W.'s live show, which I saw at South by Southwest last year (and where I took this groovy photo), this one's pretty sedate -- and some are actually kinda purdy. Mostly acoustic tunes. Still enjoyable, though.







A HAWK & A HACKSAW,
Darkness at Noon by A Hawk and a Hacksaw plus other stray H&H tracks from Leaf Label compilations . Here's another album I downloaded while writing a review of another album by the artist. I like the recent one, The Way the Wind Blows, better.








Sonic Grammar by Ornette Coleman . It's just plain comforting that giants like Coleman still walk aong us. This album, recorded live in Germany in 2005 -- with a quartet that includes two basses plus Coleman's son Denardo on drums -- is an understated jewel.






Boys and Girls in America by The Hold Steady . I might have been the only critic in criticdom not to list this in my Top 10 of 2006. I dunno ... I found it very listenable, but I think Marah does the early Springsteen thing better. (Probably a good thing my comment feature is broken at this writing.)







Funky Donkey Vols. 1 & 2 by Luther Thomas. This album, recorded in a St. Louis church in 1973, is a fun little mix of free jazz and Blaxploitation funk, especially the 20-minute title track. (There's only three songs on the whole album. I'm not sure what the "volumes" thing is all about.) Saxman Thomas leads the band known as Human Arts Ensemble. Lester Bowie plays trumpet.



I had one track left over. I downloaded the song "Mr. Grieves" from Young Liars by T.V. on the Radio. I'm a brand new convert to this band, having just gotten hold of Return To Cookie Mountain. I intend to download more of them next month.

Saturday, January 20, 2007

THE SANTA FE OPRY PLAYLIST

Friday, January 19, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Catch Me a Possum by The Watzloves
Sinkhole by Drive-By Truckers
Going Nowhere by Jason & The Scorchers
Boxcar Ruth E. by Ramsay Midwood
Speed the Night Behind by Chipper Thompson
Trotsky's Blues by Joe West
Keep Looking For Tumbleweeds, Danny by NRBQ
Dollar Bill the Cowboy by The Waco Brothers

Take Me to the Water by Sally Spring
That Nightmare is Me by Mose McCormack
Rocks Into Sand by Bill Kirchen
Miller, Jack and Maddog by Wayne Hancock
Rolling Stone by Neko Case
Chicken Man by Boris & The Saltlicks
Please Don't Tell Me How the Story Ends by Joan Osbourn

Small Ya'll by George Jones
Weakness in a Man by Waylon Jennings
Lion in Winter by Hoyt Axton with Linda Rondstadt
If You Love Me (You'll Sleep on the Wet Spot) by Asylum Street Spankers
Jimmy Parker by Ed Pettersen
Aimie by Pure Prairie League
Land of the Shalako by Sid Hausman
Miss Molly by Bob Wills & His Texas Playboys
Jimbo Jambo Land by Shorty Godwin

All the Beauty Taken From You in This Life Remains Forever by Chris Whitley & The Bastard Club
Room 100 by Ronny Elliott
Still Playin' by Peter Case
I've Just Destroyed The World by Willie Nelson with Emmylou Harris
I See a Darkness by Bonny Prince Billy
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, January 19, 2007

RICHARDSON ANNOUNCES HE'S ANNOUNCING


Check my Legislature Blog

TERRELL'S TUNEUP: DEATHBED ROCK

A version of this was published in The Santa Fe New Mexican
January 19, 2007


Call it “deathbed rock.”

Warren Zevon is the master of it, having crafted his farewell album, The Wind, as he was dying of cancer. The album was released shortly before he died in late 2003. It starts with the lines, “Sometimes I feel like my shadow’s casting me/Some days the sun don’t shine” (in the song “Dirty Life & Times”), and ends with a tear-jerker called “Keep Me in Your Heart,” in which he sings, “Shadows are falling, and I’m running out of breath ...”

Then there was Joey Ramone, who recorded Don’t Worry About Me as he was dying of cancer in 2001. Most of the album doesn’t really deal with his impending departure. But the song “I Got Knocked Down (But I’ll Get Up)” expresses a resolve to recover (“Sitting in a hospital bed/I, I want life/I want my life”), and his cover of “What a Wonderful World” — for my money the finest cover of that corny chestnut in the history of the world — can only be seen as a glorious, life-affirming goodbye letter to those of us who loved him.

Neil Young reportedly was thinking in that direction, writing most of his songs for Prairie Wind (2005) as he was undergoing treatment for a brain aneurysm. Fortunately, however, Young did us all a favor and didn’t die.

Bob Dylan had already beaten the Reaper when he recorded the melancholic Time Out of Mind (1997). But many of the songs there are melancholic meditations on mortality, so it could be considered an honorary deathbed rock album.

Lee Hazlewood — the crusty-voiced cowpoke who wrote most of Nancy Sinatra’s ’60s hits and costarred on several Lee-and-Nancy classics — late last year released Cake or Death, advertised as his last album because he’s dying of kidney cancer.

And now comes Chris Whitley, whose last album, Reiter In, apparently was meant as a defiant middle finger in the face of smiling Sgt. Death. Whitley, a Texas guitar slinger who died of cancer in November 2005, didn’t give up the ghost until after making one final recording with a group of friends he dubbed The Bastard Club.

Whitley basically was a “cult artist” who had several influential friends — among them, Daniel Lanois and Malcolm Burn — and won lots of critical praise during his 15-year recording career, though, as is the case with most of the people I listen to these days, he never achieved much commercial success.

I never was a true devotee of the Whitley cult. A friend gave me a couple of his ’90s albums a few years ago (his Burn-produced debut Living With the Law and the dark, acoustical, and superior Dirt Floor), which I enjoy, though neither really twisted my head off.

But the new one does twist my head off. And it’s not because of any sentimentality over Whitley’s death. It’s just a strong album, indeed a tough album, that’s more about his life than his leaving.

By the very first song, you know Reiter In isn’t going to be any maudlin affair. With grungy, rumbling guitars and a proud thud-thud-thud of the drums, Chris and his Bastards roar though a spirited take on the Stooges’ classic “I Wanna Be Your Dog.” (This song also has been covered by Whitley’s fellow Texas roots rocker Alejandro Escovedo. Escovedo does a baroque version, with violin and cello, that he usually introduces with an obscene story about Iggy Pop and Béla Bartók in a cheap motel room. But Whitley’s “Dog” has more metallic bite.)

From Iggy, Whitley goes straight to Willie — Dixon, that is — with “Bring It on Home,” a rough-edged, swaggering electric blues. Whitley seems on top of his game here. His vocals are raspy, but he sings with the confidence of a voodoo priest.

Though many have sung the praises of Whitley’s blues-guitar talents, “Bring It on Home,” “I Go Evil” (“Come on, man! It’s cornball but cool,” Whitley proclaims at the end of this one), and the seven-minute “All Beauty Taken From You in This Life Remains Forever” aren’t hotshot Stevie Ray-wannabe, ax-man workouts. They sound more like Mudhoney reincarnated as a blues band.

“All Beauty” (whose title would look great on a tombstone) is groove infested and mainly acoustic with a call-and-response harmonica, tasty fiddle flourishes, and mysterioso Angelo Badalamenti-like vibes.

Reiter In features several covers from surprising sources. Whitley does an intense, slow-burning, and — yes — bluesy take on an old Flaming Lips song called “Mountain Side.” And he does a bouncy, snarling-guitars version of “Are Friends Electric?” written by New Wave “Cars” salesman Gary Numan.

Though the strongest tunes here are electric, there are examples of Whitley’s acoustic side. The sadly beautiful instrumental “Inn,” featuring interplay between guitar and violin, sounds as if Whitley spent some time in the motel room with Bartók.

And there’s the lo-fi country waltz “Cut the Cards,” written around a poem by Pierre Reverdy. It’s one of the few places on the album where Whitley deals with his impending fate. “Death could happen/What I hold within my arms could slip away,” he recites.

And, in a more vague and symbolic manner, there’s the title song in which Whitley’s longtime companion, Susann Buerger, reads an unknown poem in both German and English. “As the one who sits on the horse, the rider is the ghost that leaves the body,” she says as the band plays a slow, menacing instrumental behind her.

In short, this is deathbed rock at its finest. Whitley’s ghost can ride in pride.

Thursday, January 18, 2007

ROUNDHOUSE ROUNDUP: VISITING YOUR SENATORS

A version of this was published in The Santa Fe New Mexican
January 18, 2007


A local antiwar activist says New Mexico’s two U.S. senators have different standards when it comes to listening to points of view contrary to their own.

Pat Getz, a 20-year Santa Fe resident who has worked as a therapist and real estate agent, was part of a group of about 60 people opposed to U.S. military actions in Iraq who visited local offices of Sens. Pete Domenici and Jeff Bingaman last week. Their goal was to express concern about President Bush’s plan to send 21,000 more troops to Iraq.

At the office of Bingaman — a Democrat who opposes the president’s approach regarding Iraq — Getz said they were allowed to come in and, in groups of five to seven, talk with a Bingaman assistant who “listened to each of our statements and took notes.”

However, later that day at the Santa Fe office of Domenici — a Republican who has been more supportive of the president’s policies — the antiwar group got a different reaction.

At the federal building where Domenici’s office is located, they were met by several police officers and security guards, Getz said. They were told by Maggie Murray, Domenici’s office manager, that only one person from the group would be permitted to come into the office.

The group chose Ken Mayers, president of the local chapter of Veterans for Peace.

“He went to the office flanked by two burly federal guards,” Getz said.

Noting the ages of the antiwar group, she said, “Most of us there were in our 50s or 60s, some in their 70s.”

Getz said she began to wonder if the different reactions to her group had anything to do with political views.

So she telephoned Domenici’s office, “using my best Texas accent,” and claimed to be part of a group that supports the escalation of troop levels. “Maggie asked when we could come and said we could bring five people,” Getz said.

“I hate lying, and I don’t want to have people think I do this all the time,” Getz said. “I’m a senior citizen and not out there to create a problem for anyone.”

Out of fairness, she said, she also called Bingaman’s office, claiming to be with a pro-war group. Bingaman’s office also agreed to meet with the group, Getz said.

However, Murray at Domenici’s office denied Wednesday that the senator’s staff has a double standard about meeting with pro-war and antiwar groups. “That’s just not true,” she said.

She said she agreed to meet with as many as five supposed pro-war people “because she called in advance.”

The visit by the antiwar group, Murray said, wasn’t arranged in advance.

Bully for bolos: Back in 1987, the state Legislature named the bolo tie the “official state tie or neckwear of New Mexico” in a memorial that declared that those who wear bolos “shall be welcomed at all events or occasions when the wearing of a tie is considered if not mandatory, then at least appropriate.”

However, the lonesome bolo is not listed in the same section of state law that lists the official state bird, state animal, state reptile, state butterfly, state question, state cookie, etc.

That could change if lawmakers approve Senate Bill 19, introduced Wednesday by Sen. Steve Komadina, R-Corrales.

However, it’s not clear whether the passage of the bill would mean that senators could legally wear bolos on the floor of the House. Two years ago, when trying to get into a joint session, a bolo-sporting Sen. Jack Ryan, R-Albuquerque, was stopped by sergeants at arms, who informed him he was violating House rules and would have to change into a cloth tie.

It’s not a session until ... I know the state constitution provides that the legislative session starts on the third Tuesday in January.

But those who have weathered a few sessions know there are other factors that determine when a session is really under way.

So in that spirit, it’s not really a session until ...

* The governor threatens to veto the budget bill.

* House members complain the Senate isn’t passing House bills or vice versa.

* Sen. John Pinto sings “The Potato Song.”

* A committee meeting goes past midnight.

* You need a “Guest of the Speaker” badge to go anywhere on the Capitol’s first floor.

* A lawmaker dramatically asks during a floor debate, “What kind of message are we sending to the children?”

* The governor threatens to call a special session.

* Sen. Joe Carraro sings “That’s Amore.”

* The governor threatens to run for president. (This session only.)

Some of you surely have others. E-mail them to me, and I’ll publish the best in a future column.

UPDATE: Here's the answer to my bolo question from the Associated Press:
The House has changed its rules for joint sessions only, and
Ryan wore a bolo to Gov. Bill Richardson’s opening address on
Tuesday.

Monday, January 15, 2007

BRUSH WITH A CRIMINAL?


DSCF2542.jpg
Originally uploaded by fist city.
My daughter and a friend went to Denny's in Albuquerque on Christmas Eve. (Yes, that's weird, but it's like something like I would have done at her age, so blame the genes.)

There they met this homeless guy named Scott, who showed them his sketchbook. He seemed like a nice guy, she said.

Today she recognized the guy from a t.v. news story. Turns out he's wanted in New York on murder charges. He's accused of beating his 82-year-old grandmother to death.

Oh the people you'll meet ...

Sunday, January 14, 2007

TERRELL'S SOUND WORLD PLAYLIST

Sunday, January 14, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell


OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
The Curse of Milhaven by Nick Cave
Jack Pepsi by TAD
Puke + Cry by Dinsosaur Jr.
Hypno Sex Ray by The Cramps
Two-headed Dog (Red Temple Prayer) by Roky Erikson & The Aliens
Cubby Bear by The Moggs
Man in the Box by Alice in Chains

Chill Out Tent by The Hold Steady
Kentucky Slop Song by NRBQ
Do You Believe in Rapture? by Sonic Youth
Shady Lane by Pavement
English Civil War (Johnny Comes Marching Home) by The Clash
Greatest Show on Earth by Outkast with Macy Gray
Sometimes I Wish I Had a Gun by Mink Stole

Mooney by The Kilimanjaro Yak Attack
I Go Evil by Chris Whitley & The Bastard Club
Puttin' on the Dog by Tom Waits
Two Dogs and a Bone by Los Lobos
River City by The Dwarves
Thunder on the Mountain by Bob Dylan
Goodbye Sweet Pops by Archie Schepp
All I Can Do Is Cry by Ike & Tina Turner

Keep on Pushing by The Impressions
Why? (The King of Love is Dead) by Nina Simone
Letter From a Birmingham Jail by Ronny Elliott
A Change is Gonna Come by Sam Cooke
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

TERRELL'S SOUND WORLD PLAYLIST

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