Thursday, March 15, 2007

ROUNDHOUSE ROUNDUP: UNUSUAL ALLIANCES

A version of this was published in The Santa Fe New Mexican
March 15, 2007


The battle over regional housing authorities is a classic example of how unusual alliances can form in the Legislature around various issues.

Sometime after 11 p.m. Tuesday, the House Business & Industry Committee effectively killed Senate Bill 519, sponsored by Sen. Mary Kay Papen, D-Las Cruces, which would put the state’s scandal-plagued housing authorities under state Mortgage Finance Authority supervision.

It was the second time in recent days that the committee, chaired by Rep. Debbie Rodella, D-Española, had tabled such a bill.

Last week, the panel tabled a similar measure proposed by Rep. Janice Arnold-Jones, R-Albuquerque.

The committee did, however, pass a bill (House Bill 1321, sponsored by Rep. Dan Foley, R-Roswell) calling for an investigation of housing authorities by the state auditor and the Legislative Finance Committee. The attorney general already is investigating.

Papen’s bill was prompted by the Albuquerque-based Region III Housing Authority’s defaulting last year on $5 million in bonds it had sold to the State Investment Council. The council later determined the authority had misused housing funds to pay salaries and benefits, make loans and buy vehicles.

At the center of the controversy is former Region III Director Vincent “Smiley” Gallegos, a lobbyist and former legislator who stepped down after the default. Gallegos has been spotted around the Roundhouse, some lawmakers say, making a case against the housing authority bills.

The oversight bills are strongly backed by Gov. Bill Richardson and Lt. Gov. Diane Denish.

Denish especially has been vocal about the issue. In the past week, she spoke to several fellow Democrats on the committee who had voted against Arnold-Jones’ bill, trying to get them to support Papen’s bill.

But none of those Democrats — Reps. Rodella, Jim Trujillo of Santa Fe, Joe Campos of Santa Rosa, Thomas Garcia of Ocate, Richard Vigil of Las Vegas and Andrew Barreras of Tomé — changed their votes.

Denish issued a statement Wednesday that committee members, by tabling Papen’s bill, “have essentially refused to protect taxpayers’ money in the future.” The regional housing authorities, she said, have “outlived their usefulness.” None of the agencies have built a single house in the past five years, the lieutenant governor said. Denish called upon the committee and House Speaker Ben Luján, D-Nambé, to allow the bill to get heard on the House floor.

In fact, except for Democrat Dona Irwin of Deming, the only members supporting the governor-supported oversight bills were the Republicans.

So where does Luján — who normally is Richardson’s biggest helper in the Legislature — stand? Luján said last week that he supported Arnold-Jones’ bill and, in fact, was a co-sponsor. However, Luján also counts Smiley Gallegos as a friend, so many of the bills’ supporters are suspicious.

Media sweetheart: Sometimes it seems that Sen. Rod Adair, R-Roswell, thinks the press hates him. He has claimed nobody has been attacked more in the news media than he has been.

I seriously doubt if that’s true. In fact, during this session the tow-headed conservative has won a lot of hearts among the ink-stained.

During Senate floor debates on whether to open conference committees to the public, when the discussion was allowed to devolve into a bilious barrage of press-bashing, Adair stood up for the press. No, he didn’t lay on the sugar. Adair said the press makes mistakes, usually isn’t thorough and isn’t always fair. But he said reporters are human, just like senators.

Adair got some cheers from the press room the day he called on the state to spend whatever money was necessary to make the Capitol more computer friendly. Those of us who have dealt with the spotty wireless service in the Roundhouse definitely support that idea.

On Wednesday, the Senate unanimously passed Adair’s Senate Resolution 1, which will require the Legislative Council Service to post roll-call votes on the Legislature’s Web site within a day of the vote.

During floor discussion of the resolution, Adair joked that he was pushing the issue so he can find out how he voted on various bills the day before.

It’s a move toward openness and transparency in a body that doesn’t always seem to embrace openness and transparency. I only hope the House follows suit. After all, they have a computerized scoreboard and the ability to print out roll-calls within minutes of the vote.

No longer perennials: For this newspaper’s special section called The Session, published in January right before the Legislature convened, I wrote an irreverent little article titled, “The Top 10 Bills that Refuse to Die.” I looked at a number of bills that have popped up in nearly every 60-day session since I’ve been covering state government, bills for which “virtually everything that can be said — on either side — has been said.”

It looks as if I’d have to do some major revisions for such a story in the future.

I correctly anticipated this would be the last time cockfighting would be on the list. The governor signed the cockfighting ban this week.

But we’re also not going to have medical marijuana and the smoking ban to kick around anymore. And though a bill that would impose limits on payday loans hasn’t passed the Senate at this writing, a compromise bill, which the House passed unanimously, is on the Senate calendar.

Tuesday, March 13, 2007

RETURN OF THE FLOOD

HYF Bill
I heard from John Frogville that Hundred Year Flood will return to Santa Fe Friday March 30 at the Santa Fe Brewing Company. Goshen will open the show, which starts at 8 p.m.

Advance tickets are available at the Lensic box office for a mere five bucks ($10 at the door.)
HYF Felecia & Kendra
Also Hundred Year Flood will play at the Mine Shaft Tavern in Madrid the next night.

John says HYF will be going back to Texas until June. He also says Frogfest may be in June this year instead of August

Monday, March 12, 2007

TERRELL'S SOUND WORLD PLAYLIST

Sunday, March 11, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

NEW: email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
I Have Always Been Here Before by Roky Erikson
Pray for the Girls by Frank Black & The Catholics
Fight the Cuts by The Mekons
The Bluejackets' Manual by Mike Watt
Behind by Spanking Charlene
TV Set by The Cramps
99 to Life by Social Distortion
Jesus Christ Pose by Soundgarden

Highball with The Devil by Les Claypool & Holy Mackerel
Here Comes Sickness by Mudhoney
(You Must Fight to Live) On the Planet of the Apes by The Mummies
Blues For Joe by The Monsters
Demon Seed by TAD
Black Girls by The Violent Femmes
Unsatisfied by The Replacements

Porn Wars by Frank Zappa
Sharkey's Night by Laurie Anderson
Sing For Me by The Fiery Furnaces
Staring at the Sun by TV on the Radio
Gentles on My Mind by Queen Earlene

Patriot's Heart by American Music Club
The Murderer's Pub by Kult
Mamo, Snezhets Navalyalo by 3 Mustaphas 3
The Minotaur's Song by The Incredible String Band
Dad's Gonna Kill Me by Richard Thompson
Last Kiss by J. Frank Wilson
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, March 10, 2007

THE SANTA FE OPRY PLAYLIST

Friday, March 9, 2007
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

NEW: email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Take Me to the Fires by The Waco Brothers
Roots Rock Weirdos by Robbie Fulks
Let's Invite Them Over by Southern Culture on the Skids
Satan Gets the Gold by Porter Wagoner
Some of Shelly's Blues by Michael Nesmith
Blues Stay Away from Me by Charlie Louvin with Bobby Bare and Tom T. Hall
Satan is Real/Straight to Hell by Hank Williams III
Stalin Kicked the Bucket by Johnny Dilks

It Is No Secret What God Can Do by Johnny Cash
Your Red Wagon by Paul Burch & His Honky Tonk Orchestra
Ain't it Funny What Love Will Do by The Holmes Brothers
Saginaw, Michigan by John Prine & Mac Wiseman
Forever (and Always) by Lefty Frizzell
Sweet Nutty by The Gourds
Gallo de Cielo by Tom Russell

My Mary by Willie Nelson, Merle Haggard & Ray Price
These Hands by Johnny Bush
Philadelphia Lawyer by Willie Nelson & Merle Haggard
Bright Lights and Blonde Haired Women by Ray Price
Night Watch by Willie Nelson, Merle Haggard & Ray Price
Ain't Your Memory Got No Pride at All by Johnny Bush & Ray Price
Something to Think About by Willie Nelson
Sweethearts or Strangers by Merle Haggard
Born to Lose by Johnny Bush
Back to Earth by Willie Nelson, Merle Haggard & Ray Price

Lady Pilot by Neko Case
Lost Highway by Jerry Lee Lewis with Delaney Bramlett
I'm Out of My Mind by Johnny Paycheck
Dreaming My Dreams With You by Waylon Jennings
Dreamboat by Eleni Mandell
Whiskey Girl by Gillian Welch
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, March 09, 2007

TERRELL'S TUNEUP: HONKY TONK HEAVEN

A version of this was published in The Santa Fe New Mexican
March 9, 2007


If you ask me, the greatest Bush ever to come out of Texas never was president of the United States. No, not Jenna. I’m talking about Johnny Bush, the shoulda-been-a-lot-more-famous honky-tonk star.

Johnny Bush, born John Bush Shinn III, probably is best known for writing the song “Whiskey River,” which his longtime pal and former bandmate Willie Nelson has been using to open concerts for more than 30 years.

Bush should have been a star. But right at the cusp of fame in the early ’70s — shortly after he wrote “Whiskey River” — he choked. Literally. His voice just went. First he couldn’t reach the high notes. After a while he could barely speak. Doctors thought it was a psychological problem. Eventually he was diagnosed with a rare neurological disorder called spasmodic dysphonia. It drove his career right off the cliff.

Bush recovered and started recording regularly again — for small labels — in the mid-’90s. He’s revered in Texas and by lovers of Texas honky-tonk music everywhere.

But he should have been a star.

Bush, who turned 72 last month, recently published an autobiography titled Whiskey River (Take My Mind): The True Story of Texas Honky-Tonk and recorded a CD called Kashmere Gardens Mud: A Tribute to Houston’s Country Soul. The book and the CD are basically two halves of a whole. The former tells Bush’s life story and the latter explores his musical roots.

The CD includes Texas beer-joint classics like Moon Mullican’s “I’ll Sail My Ship Alone” and Floyd Tillman’s “They Took the Stars Out of Heaven.” (There are some vocals from Tillman, who died in 2003.)

There’s a Tex-Mex tune called “Tequila and Teardrops,” with accordion by Ruben Laredo and vocals by Dale Watson (who wrote the song); there’s an instrumental “Jole Blon” (the “Cajun national anthem”) recorded in 1975 that guest-stars “Fiddlin’” Frenchie Burke; “I Want a Drink of That Water,” an original bluegrass gospel tune Bush sings with his brother the Rev. Gene Shinn; some big-band blues with “Free Soul”; and a full-on Ray Pricey horns ’n’ strings tuxedo-country version of the country-western touchstone “Born to Lose.”

Bush pays homage to another giant from Houston, Townes Van Zandt, with a cover of “Pancho and Lefty.” Nelson joins Bush on that song, as he does on the even more impressive acoustic version of “Send Me the Pillow That You Dream On,” a song by Houstonite Hank Locklin that was a pop hit for Dean Martin in the ’60s.

And Bush performs a couple of Willie Nelson songs here: the Outlaw-era “Bloody Mary Morning” and an early stab at gospel, “Family Bible.” But what ties all this together is the title song, and it’s one of the most personal pieces Bush ever wrote.

“Nothing good ever grew in Kashmere Gardens,” Bush sings of the Houston hillbilly ghetto where he grew up: “Only bitter weeds and flowers of despair.”

The song recounts the poverty he knew, the apocalyptic fears he knew as a child at the dawn of the nuclear age, the trauma of his parents’ divorce. All of this is told in more detail in Bush’s book. But boiled down to a three-minute song, it’s just devastating.

Bush has made some pretty fine little albums in recent years. Green Snakes (2001) and HonkyTonic (2004) are worth seeking out. But Kashmere Gardens Mud makes you feel like you know Johnny Bush.

Also recommended:
*Last of the Breed Vol. 1 and Vol. 2 by Willie Nelson, Merle Haggard, and Ray Price. Speaking of venerated masters of the honky-tonk, this double-disc council of tribal elders is nothing but pure delight.

Haggard and Nelson, if not at full strength these days, remain vital artists. Price, who’s a decade older at 81 (and the only one of this trio who hasn’t toured with Bob Dylan), has slowed down his recording career. But, as his work here indicates, his voice remains strong and clear.

A little history: Nelson used to play in Price’s band the Cherokee Cowboys (as did Johnny Bush, Roger Miller, and Johnny Paycheck). The California-raised Haggard, who has recorded with Nelson, is a devotee of Texas music, having recorded definitive tribute albums honoring Bob Wills and Lefty Frizzell.

Among the 22 songs on this collaboration, the three titans harmonize and trade verses on some good Wills western-swing numbers (“My Life’s Been a Pleasure,” “Still Water Runs the Deepest”); some classic Texas honky-tonk (“I Love You So Much It Hurts”); some countrypolitan hillbilly jazz (“I Gotta Have My Baby Back”); a couple of Frizzell tunes (“Mom and Dad’s Waltz,” “I Love You a Thousand Ways”); a Hank Williams song (“Lost Highway,” actually written by Leon Payne); a Kris Kristofferson song (“Why Me Lord,” with Kristofferson singing background harmonies); a Mickey Newbury gem (“Sweet Memories”); a cornball but irresistible Gene Autry chestnut (“That Silver Haired Daddy of Mine”); new material from Nelson and Haggard (“Back to Earth” and “Sweet Jesus,” respectively); and a remake of one of Price’s greatest hits (“Heartaches by the Number”).

The singers are backed by some top-notch instrumentalists, including Buddy Emmons on steel guitar and Johnny Gimble on fiddle.

No, they don’t break much new ground here. But if you’ve ever liked any of these singers, there’s no way you can listen to this without a huge smile.

The bad news is that this album won’t be released until March 20. The good news is that Willie, Merle, and Ray are appearing 7:30 p.m. Sunday night, March 11, at the Santa Ana Star Center in Rio Rancho. The backup band for this tour is none other than Asleep at the Wheel. Tickets, available at Gettix.net, range from $55 to $86.

But the Santa Fe Opry is free: Hear all these honky-tonkers on KSFR-FM 90.7 from 10 p.m. to midnight Friday. (Yes, it’s free, but the station fundraiser is coming up, so start writing those checks!)

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 28, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrel...