Thursday, May 10, 2007

ROUNDHOUSE ROUNDUP: MONEY, MUSIC, POLITICS

A version of this was published in The Santa Fe New Mexican
May 10, 2007


On Wednesday, I reported on 29 of 33 state Cabinet officials donating nearly $50,000 to Gov. Bill Richardson’s presidential campaign.

But Cabinet members aren’t the only ones who contributed. The Associated Press already has reported that New Mexico state employees gave the Richardson campaign at least $271,000. That includes the executive branch, the courts and state universities.

More than 40 state employees contributed $2,300, the maximum amount allowed by federal law.

Among those are Lt. Governor Diane Denish (whose husband, Herb, also kicked in $2,300); state budget Director Dannette Burch; Jay Czar, director of the state Mortgage Finance Authority; acting University of New Mexico president David Harris; Hillary Tompkins, chief counsel for the governor’s office; Jim Noel, director of the Judicial Standards Commission (and husband of deputy campaign manager Amanda Cooper); state Racing Commission director Julian Luna; Gary Giron, deputy director of the state Transportation Department; Ricardo Campos, Assistant Deputy Secretary of the Transportation Department; Manuel Tijerina, chief of the Risk Management Legal Bureau; and Interstate Stream Commission Director Estevan Lopez.

What about the primary states?: Richardson, according to his report filed with the Federal Election Commission last month, raised almost $2.8 million from nearly 2,000 individuals in New Mexico, nearly half of his reported $6.1 million. This state by far gave him more than any other for his White House quest.

But what about those states that might actually determine the Democratic nominee? According to PoliticalMoneyLine.com, a Web site operated by Congressional Quarterly, Richardson isn’t doing that well.

In Iowa, only six people gave him a total of $5,750 as of late March. In New Hampshire, Richardson reported $6,600 from nine individuals. He’s doing slightly better In Nevada, where he got 23 individual contributions totaling just over $32,000. In South Carolina, he picked up just shy of $20,000 from 19 individual contributions.

Richardson is doing better in Florida, which recently threw a monkey wrench into the whole selection process by moving up its primary to Jan. 29 next year (the same day as South Carolina’s). In the Sunshine State, Richardson has collected nearly $195,000 from 186 individual contributions.

However, he’s well behind the top-tier candidate there. Hillary Clinton raised more than $1.8 million, Barak Obama more than $1 million and John Edwards $499,000 from individual Florida contributors.

Musical contributions: There’s one prominent name in music on Richardson’s contributor list that will be familiar to fans of indie rock. Jonathan Poneman, co-founder of the influential Seattle label Sub Pop. Sub Pop gave the world Nirvana, and now Poneman gave the governor two contributions totaling $500.

I bet Richardson didn’t tell Poneman he’s a fan of The Eagles.

Popular Hispanic singer Darren Cordova gave Richardson’s campaign $2,300. It’s already been reported that country music star and New Mexico Music Commission member Randy Travis donated $2,300 to Richardson, as did his wife, Elizabeth, also a music commissioner.

However, there’s no record of any contribution from another celebrity music commissioner: Tony Orlando.

This proves you don’t have to contribute to the campaign to get appointed by the governor to the Music Commission. Some would argue that Orlando’s presence proves you can sometimes get an appointment for no apparent reason at all.

Speaking of the Music Commission: Executive Director Nancy Laflin said Wednesday that the commission has produced a 30-minute television show featuring performances by New Mexico musicians that will air at noon Saturday on KOAT Channel 7.

The pilot for New Mexico Southwest Sounds will feature Latin performer Ramon Bermudez, American Indian flutist Ronald Roybal, the Ben Martinez Project and The Dirty Novels (an Albuquerque band). An upcoming show will feature Tobias Rene, Daybreak Express and Jenny Marlowe.

Laflin said the plan is to produce a weekly show for state musicians.

Funny ads: There’s already been a huge reaction in political Internet circles to two new humorous television commercials the Richardson campaign plans to air in Iowa — and already showing on YouTube. The ads show Richardson at a “job interview” with what appears to be a bored potential employer, who acts disinterested while the governor discusses his lengthy résumé.

Most of the reaction I’ve seen has been positive.

“We’re sure Richardson’s opponents will say the ads are too cute by half and don’t exactly scream ‘presidential,” said Chris Cillizza of The Washington Post on his blog The Fix. “But they cut through the clutter that is surely to come. And the ads are winners in my mind simply because they are different.”

But the funniest reaction was from the blog Wonkette:

“There has never been a presidential campaign ad anything like this one. Every single campaign director and political reporter and media specialist and pollster is currently slumped in their chair, slack-jawed, wondering what it all means. Thank you, Bill Richardson. Thank you for whatever weird path you’ve just put the nation on. It will end in disaster — terrible disaster, for everyone — but it had to happen. It was our destiny.”


Wednesday, May 09, 2007

eMUSIC MAY

Funny thing about this month's list: I compile this one album at a time and save the post as a draft until all my downloads are done and I'm finished for the month. But once last week, I accidently published it instead of saving it as a draft. So for several hours and early version of this was on my blog . Thankfully a blog reader pointed it out to me. (See comments)

So here's the finished product, my allotted 90 downloads from eMusic this month:


* The Life of Riley by The A-Bones.
Like I said in last month's eMusic list, I've been on a real Norton Records kick lately. This is the band of Norton honchos Billy Miller and Miriam Linna . Pure '60s-informed rock 'n'soul.

*Vintage Voola by Esquerita. Here's another mutant Norton artist who looks like Little Richard on angel dust. eMusic's Dan Epstein explains it best: "A one-eyed, six-and-a-half-foot transvestite who taught Little Richard how to play piano (and copied Richard’s mile-high pompadour in return), the late Esquerita was simply too `out there' for mass consumption during the Eisenhower era." There's some crazy stuff here, but I'd still argue that Little Richard was even crazier and he did somehow make it in the Eisenhower years.

* Grinderman . In case you haven't heard, this is none other than Nick Cave, stripped down and raging, rocking harder than he's rocked since his days with The Birthday Party.

For a complete review, stay tuned for an upcoming Terrell's Tune-up.

For now, suffice it to say this is one of my favorite albums so far this year.


*LSD (Leary Stokes Duets) by Timothy Leary & Simon Stokes. Stokes is an unsung, obscure rocker who is responsible for one of my favorite albums of this century so far, the bitchen biker-rock masterpiece Honky. (You can find that HERE, but you have to scroll down some.) I'm not sure who this Leary guy is. (Just kidding, just kidding.) This album reminds me a lot of the other collaboration between Stokes and a counterculture ero of yore, The Radical, which Stokes produced for American Indian activist (and former New Mexico politician) Russell Means. It's a lot more polished and less raw than Honky, so I don't recommend it as highly. But it's still a lot of fun. How could Tim Leary ranting about "100 Naked Kangaroos in Blue Canoes" not be fun? But come on Simon, how about a new solo album?


*Rock En Espanol Vol. 1 by Los Straightjackets. The masked men of Memphis are joined here by three great Chicano rockers, Big Sandy, Little Wille G of Thee Midnighters and Cesar Rosas of Los Lobos. This is how I imagine a Tijuana rock club sounding in 1965.


* Your Favorite Band Live at the Great American Music Hall by The Red Elvises. The one time I got to see these guys live, I was with an old friend I hadn't seen in nearly 20 years so we talked all the way through it (I love you, Janet!) and somehow I've missed them every time they've come to New Mexico. But I do like their music and even though their Soviets-can-surf schtick is kinda campy, they're a lot of fun. I'd love to see a battle of the bands between the Red Elvises and Gogol Bordello.


*Three Hairs And You're Mine by King Khan & His Shrines. Dang, I thought I had a pretty good idea what's on eMusic, but I discover new stuff all the time. Just this month I learned that my favorite record label with a Swiss bank account, Voodoo Rhythm is represented here. They've even got that rockin' Santa Fe commie Jerry J. Nixon! But I was most excited to find Canadian soul maniac King Khan, who was one of my favorite artists featured on the Voodoo Rhythm DVD.

MONEY IN THE CABINET

GOV.  BILL RICHARDSON
My story in today's New Mexican about state cabinet officials contributing to Gov. Bill Richardson's presidential campaign can be found HERE.

I should have plugged this several days ago, but The New Mexican has launched a Richardson web site for news on his campaign. (Blogger Heath Haussamen wrote 20-some background pieces for it.)You can find The Richardson File HERE.

Monday, May 07, 2007

TERRELL'S SOUND WORLD PLAYLIST

Sunday, May 6, 2007
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

NEW: email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Sixty Three Hours by Gas Huffer
No Confidence by Simon Stokes
D is for Dangerous by The Arctic Monkees
(I'm Not Your) Stepping Stone by The Monkeys
The Devil in Miss Jones by Mike Ness
Mother Joseph by The Sinister Six
Closet Disco Dancers by The Red Elvises
Angry Generation by Dick Dale
Wiggling Fool by Jack Hammer
Whipper Snapper by Lavern Baker

One Thousand Tears of a Tarantula by Dengue Fever
Multi-Pop Indigenous (from Radio Phnom Penh)
Goodbye by Pietro Atilla & The Warlocks
Hit the Road Jack by Cat
Themes From James Bond by The Stylers
Muay Thai by Jiraphand Ong-Ard

Sacramento and Polk by Lenny Kaye
Everybody Loves Me by Charlie Musselwhite
Break This Time by Alejandro Escovedo
Black Shiny Beast by Buick MacKane
Insult Song/Spencer Must Die by The Fall
2 Kindsa Love by The Jon Spencer Blues Explosion

Shift by Puttanesca
You Know That's Cold by John Hammond
Don't Go Dancin' Down the Darktown Strutter's Ball by C.W. Stoneking
Lost Fox Train (For Joe) by Hazmat Modine
King of the Jungele by King Khan & The Shrines
You've Got to Hurt by The Soul Deacons
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Sunday, May 06, 2007

WEEKEND MUSIC IN SANTA FE

THAT'S A REAL FARFISAWhat a treat Friday night's concert at the Lensic was --the Drive-By Truckers in their not-really-unplugged "The Dirt Underneath" version and Alejandro Escovedo with a good tight band.

And what a cool show Dengue Fever put on at the College of Santa Fe Saturday despite being hampered by an act of God. I'll rave about the music, though the weird snow-in-May weather made for a terrible day for an outdoor concert.

First Friday's Lensic show:

Alejandro opened the show. I've seen him several times both in Santa Fe and in Austin at various configurations -- with his full "orchestra"; with his "string quartet"; with Richard Buckner; with Buick MacKane (!) and playing informally with various pals at Maria's Taco Xpress at the party he used to throw there at South by Southwest.

But I hadn't seen him since his comeback after his near-fatal bout with Hepatitis C. I wasn't sure what to expect. So I was very happy when I realized Alejandro's playing as strong, if not stronger than ever. Part of the credit goes to his band. Longtime cello player Brian Standerfer (from Albuquerque) has become an integral part of Alejandro's sound and he shined last night. And guitarist David Polkingham is perfect for Alejandro. He can go from breathtakingly pretty Mexican and even flamenco sounds on acoustic guitar to growling electric craziness. Somewhere in there I thought I heard some Willie Nelson licks.

Alejandro started deceptively somber. The first part of his set seemed to concentrate on tunes from his latest album The Boxing Mirror. I've got to confess, that album didn't do much for me when it was released last year, but after last night's versions of "Arizona" and "Deer Head on the Wall," I think I'd better give it a second chance.

But by the end of his time on stage, Alejandro was rocking. One of my favorite tunes he did all night was "Everybody Loves Me" (which was even better than Charlie Musselwhite's version on Por Vida, the Escovedo tribute album.) "Castanets" always is fun. And I'm willing to bet that this was the first time "Now I Wanna Be Your Dog" has ever been played in the genteel Lensic.

But my absolute favorite had to be "Rosalie," which is one of my favorite Escovedo tunes anyway. It was a slower version than I'm familiar with. It was gorgeous.

All in all a soulful performance by a great American artist.

XXXXX

I also loved the DBT's performance, though as Patterson Hood explained in my interview (scroll down a couple of posts) this was not a normal Truckers show. "The Dirt Underneath" is a stripped-down, kinder/gentler version of the usual ferocious, electric Truckers concert. Southern-soul architect Spooner Oldham played keyboards, guitarist John Neff played pedal steel on most songs and Hood and Mike Cooley played acoustic guitars.

Last night it hit me how tough it can be for a band known for its high-energy performances to try something mellower. This was illustrated when after a stunning and poignant version of "The Sands of Iwo Jima," some drunken doofus in the audience screamed out a request for "The Night G.G. Allin Came to Town." I cringed. And at one point early in the show, someone yelled, "Turn it up!" But the band played on.

Part of the reason for this tour was to try out new songs being considered for the upcoming album, which they're supposed to start recording next month. They played a few of these, though I didn't catch the titles.

The one that stood out was "Two Daughters and a Beautiful Wife," which Hood sang in memory of Bryan Harvey and his family, who were murdered in their Richmond, Va. home on New Year's Day last year. (Harvey was the singer in a cool '80s band called House of Freaks.) My brother said he couldn't make out the lyrics to the song. My problem was that it I started thinking about the murders and the horrible details (another Richmond family was murdered by the Harvey killers that same week), so I wasn't really paying attention to the lyrics. But the melody and Hood's raspy voice were haunting.

The band also reached way back to play a bunch of old tunes I've never heard them do live before. I counted at least three songs from their second album Pizza Deliverance. No "G.G. Allin" but a fantastic version of "Bulldozers and Dirt."

We also were treated to a pair of songs about Skynyrd from Southern Rock Opera -- "Shut Up and Get on the Plane" and "Angels and Fuselage."

Of course my favorite Truckers album is The Dirty South. "The Sands of Iwo Jima" is from that one. Hood's "Puttin' People on the Moon" was a rocking highlight Friday, as was Cooley's "Where the Devil Don't Stay" and "Carl Perkins' Cadillac." I wouldn't have minded hearing "Cottonseed" or "Daddy's Cup."

Ultimately I was craving the high-voltage DBT classic mode. But I'm sure there will be plenty of those shows in the future (and hopefully some will be here.) But "The Dirt Underneath" certainly was a memorable show.

One final shoutout for the DBT's favorite artist Wes Freed, who did the covers and inside artwork for the past several albums. Two of Freed's black demon-swan creatures with glowing red eyes framed the stage while an evil moon of Freed's design hung overhead.

XXXXXX

DENGUE ROCKS!
I feel for the good folks at College of Santa Fe trying to plan an outdoor concert here in May. (Organizers are saying next year's might be in September.) Three of the past four Quadstocks have been marred by foul weather, organizers said.

I had a sick kid, so I missed all the opening acts (as well as the Clovis Tornado benefit at Santa Fe Brewing Company, to which I'd also intended to drop by.)

But I wasn't going to miss Dengue Fever, one of the most original bands going today.

For those who haven't heard, this is a group based in southern California fronted by Cambodian-born singer Chhom Nimol. The band plays a hopped-up garage/psychedelic sound -- complete with a real live Farfisa organ and a funky sax -- with southeast Asian overtones, while Chhom sings mostly in her native Khmer tongue.

Much of their music, such as the mysterious "One Thousand Tears Of A Tarantula," sounds as if it's from a soundtrack of a Quentin Tarantino movie yet to be made.

Thanks to the weather, there turnout was terrible. But a couple of dozen of the faithful huddled together on the concrete slab in front of the bandstand and enjoyed a show that was spirited in spite of the cold.

Though the band seemed rather shocked to have to be bundling up in winter clothes (after one song, guitarist Zac Holtzman asked if anyone had any whiskey he cold pour on his left hand), they're pros and they gave it their all.

Several fans told band members after the show to please come back when it's warm. I fully endorse that sentiment.

TERRELL'S SOUND WORLD PLAYLIST

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