Saturday, January 19, 2008

THE SANTA FE OPRY PLAYLIST

Friday, January 18, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Big Iron by Mike Ness
Honky Tonk Hell by Webb Wilder
Okie Boogie by The Maddox Brothers & Rose
Hamburgers and Popcorn by Boozoo Chavis
Zydeco Road by Nathan & The Zydeco Cha Chas
Drinkin' on the Weekend by Big Al Anderson
Call of the Wreckin' Ball by John Doe
There'll Be No Distinction There by Bare Bones
When It's Springtime in Alaska by Johnny Horton

The Man I Shot/The Purgatory Line/Checkout Time in Vegas by The Drive-By Truckers
When Garlits Raced Malone by Ronny Elliott
The Snake by Johnny Rivers
The Times They Are a Changin' by Del McCoury Band
The Hucklebuck by The Riptones
BLESS YOU, BUTCH
Don't Go by Hundred Year Flood
River Ohio by Goshen
Big Balls in Cowtown by Don Walser
We've Got to Get Ourselves Together by The Flying Burrito Brothers Minglewood Blues by John Sebastian & The J Band with Geoff Muldaur
White House Blues by Earl Taylor & The Stoney Mountain Boys
When the Good and tne Bad Get Ugly by Butch Hancock
Mental Cruelty by Buck Owens & Rose Maddox
Rub-a-Dub-Dub by Hank Thompson

Perfidia by Sally Timms & Jon Rauhouse
Down Where the Drunkards Roll by Richard & Linda Thompson
Dream Operator by The Talking Heads
When the Circus Comes to Town by Los Lobos
Take Me by George Jones & Tammy Wynette
I Do Believe by Waylon Jennings with The Highwaymen
I Wish I Was in New Orleans by Tom Waits
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, January 18, 2008

TERRELL'S TUNEUP: TRUCKING THROUGH CREATION

A version of this was published in The Santa Fe New Mexican
January 18, 2008


If anyone was wondering whether the Drive-By Truckers was a band in decline, fear not. It’s true that their last album, A Blessing and a Curse was mediocre by Trucker standards. And it’s true that they lost guitarist/songwriter Jason Isbell. But their new album, Brighter Than Creation’s Dark, scheduled for release on Tuesday, Jan. 22, shows the Truckers at full-fighting strength.

The DBTs are sounding more country than they have in years. Part of that is due to the recent return of John Neff, original Trucker and pedal-steel player. His dreamy playing on “The Opening Act” sounds as if he’s been listening to Jerry Garcia’s first solo album.

It probably should have been apparent from last year’s “The Dirt Underneath” unplugged tour (which included a show at the Lensic) that the Truckers would be aiming for a more acoustic sound emphasizing melody. Perhaps there are too many slow ones here and not enough of the crazy rockers that the Truckers built their reputation on. But mellow doesn’t have to equal weak, as this album proves.

Also contributing mightily to the sound of this album is Muscle Shoals deity Spooner Oldham, who is basically an honorary Trucker, having played a major role in the Dirt Underneath tour.

Brighter Than Creation’s Dark shows the emergence of Shonna Tucker, the band’s bassist, as a singer and songwriter.

When I heard her first song on the album, “I’m Sorry Houston,” I had to check the credits to make sure that Neko Case wasn’t guesting. Tucker’s got a sweet, husky voice and a sexy Southern accent. She only has three songs here, the other two being “Home Field Advantage,” an all-out rocker that ends in a Yardbirds/Count Five guitar explosion, and a truly lovely tune called “The Purgatory Line.”

Among the highlights here are “Goode’s Field Road,” a song by Trucker-in-chief Patterson Hood that displays the dark bluesy sensibilities heard on Bettye LaVette’s The Scene of the Crime, on which the DBTs served as the backup band.

On “Checkout Time in Vegas,” a somber little tune with Neff’s steel playing off Oldham’s electric piano, Mike Cooley sings, “Bloody nose, empty pockets, a rented car, trunk full of guns.” It’s a loser’s lullaby in which you never quite find out what’s going on. You just know it’s a bad situation.

Another cool Cooley song is “Lisa’s Birthday,” an outright honky-tonker that almost sounds like some long-lost Willie Nelson song. “Lisa’s had more birthdays than there are sad country songs,” he sings.

The effect the Iraq war on those who fight it is the subject of two Hood songs. “The Home Front,” a slow, steady tune, is the story of a woman whose husband is killed in the war.

But far more powerful is “That Man I Shot,” which is a classic hard-edged Trucker rocker. “That man I shot was trying to kill me. ... That man I shot, I was in his homeland, I was there to help him, he didn’t want me there/I did not hate him/I still don’t hate him/He was trying to kill me/I had to take him down.”

Hood’s “Monument Valley” closes the album. It’s a slow, sad, contemplative tune, sweetened by Neff’s steel and referencing two John Ford/John Wayne movies (The Searchers and The Man Who Shot Liberty Valance). “When the dust all settles and the story is told/history is made by the side of the road/by the men and women who can persevere/and rage through the storm no matter how severe.”

Brighter Than Creation’s Dark is a long album. There are 19 songs totaling more than 70 minutes. In fact, my major problem with this work is its length. At this point, however, I’m not sure which tunes I’d eliminate.

Also recommended:

* Jalopypaint
by Ronny Elliott. Here’s another ace album by one of the free world’s most unjustly overlooked songwriters. As usual, this Tampa, Florida, roots-rocker fills the disc with wonderful story songs dealing with his heroes, a few villains, and objects of his lust. There’s lots of history, a little politics, and plenty of brooding about his life and career.

The album starts off with “Red Rumor Blues,” a meditation on the McCarthy era. The song ends with Elliott listing American icons who ended up on the blacklist — including some surprising names. Edward G. Robinson? Artie Shaw? Gypsy Rose Lee, for crying out loud?

There’s a cool Jesse James song here, “Great Train Robbery.” But that’s not as much fun as “When Garlits Raced Malone,” a rowdy little tune about Tampa drag-racing hero Don “Big Daddy” Garlits driving a dragster called Swamp Rat and taking on rival Art Malone in 1963. Elliott apparently saw the race when he was 16, but he was so caught up in the excitement he confesses, “I don’t remember who won that day when Garlits raced Malone.” (For the record, according to the National Hot Rod Association Web site, “Garlits defeated Malone with an 8.26 e.t. at 186 mph.”)

“Modern History” is a reminiscence of early sexual encounters. “Staring hard through my X-ray spex/I was desperate for romance, she was peddling sex.” The song also pays homage to Marilyn Monroe. “She slept with the brothers, they just had to kill her.”
As always, Elliott’s back-up band (they used to be called “The Nationals,” but they’re not credited as that on this album) is tight and masterful. On “St. Petersburg Jail,” Alex Spoto’s fiddle and Elliott’s mandolin bounce off Harry Hayward’s martial drums.

If you’ve never had the pleasure of hearing Ronny Elliott, this album is a good one to start with. But like the opium he sings about in “Brothels in China,” it is addictive.
HUNDRED YEAR FLOOD - SAXON PUB



Groundhog Day Special: The Flood is returning! Hundred Year Flood and Goshen are playing at the Santa Fe Brewing Company on Feb. 2. It’s $10 at the door, but check HYF’s MySpace page for info on $5 tickets.

Thursday, January 17, 2008

ROUNDHOUSE ROUNDUP: TO BOLDLY GO

A version of this was published in The Santa Fe New Mexican
January 17, 2008


You must be bold to throw the word bold around as much as Bill Richardson does. He has used it liberally both at home and on the campaign trail during his recently concluded presidential run.
RICHARDSON IN CONCORD
In his State of the State address on Tuesday, he used it five times.

“In this budget session, my agenda is focused and bold.”

“It’s been said that the future doesn’t belong to the faint of heart. It belongs to the brave and it belongs to the bold.”

“No one can question we’ve taken bold initiatives.”

“My agenda is bold and focused.”

“Now is no time to retreat from bold action.”

No question. The governor is focused on being known for being bold.

Bold Web site: Though Richardson dropped his presidential quest and returned to the best job in the world, he’s not officially seeking the vice presidency, but not ruling it out, if anyone invites him to that dance.

However, a Washington state Democratic activist and Richardson supporter has taken it upon himself to push for such an invitation.

Ken Camp, who helped run an independent “Washington for Richardson” blog (not affiliated to the campaign), last week started a “draft Richardson” blog.

“I whole-heartedly support Governor Bill Richardson, but I will delete this blog and the corresponding petition if asked to by Governor Richardson or any of his senior staff,” Camp wrote in his initial post. “I know the Governor has said he isn’t interested in being Vice-President, and if asked to cease my activities, I will.”

However, on Wednesday Camp said he hadn’t heard from Richardson or any of his staff so far, despite some buzz about his project in New Mexico blogdom.

There’s a link on the blog to an online petition Camp started. It touts Richardson’s experience and says: “We call on the Democratic nominee for President to make Bill Richardson his or her Vice-President.”

Camp said he’d collected “42 signatures as of a minute ago. Many of them are names I recognize as grass-roots supporters of Governor Richardson.”

Former Richardson campaign manager Dave Contarino, asked Wednesday about Camp’s Web said, “You can’t stop the people.”

Adair vindicated: The American Civil Liberties Union has dropped a lawsuit against state Sen. Rod Adair, R-Roswell.

Last year, the ACLU filed the suit on behalf of Virgil Beagles — a Roswell man who has written letters to newspapers criticizing Adair — who claimed he was barred from a legislative committee meeting last year. (Click HERE and scroll down for my original report on the lawsuit.)

As part of the settlement, the ACLU released a statement saying, “The parties acknowledge each other’s First Amendment Rights, including the right to comment upon the lawsuit and settlement. The ACLU of New Mexico acknowledges that Senator Rod Adair is a strong supporter of the U.S. and N.M. Constitutions. The parties mutually release each other from any and all claims arising from lawsuit.”

Adair reacted with typical humility (and perhaps slightly tongue-in-cheek), issuing a news release reporting he’d “won a historic victory.”

The release stated: “Adair acknowledged the clear and total victory in the case. ‘The statement they released concerning my well-known commitment to civil rights for everyone contradicts, word-for-word, the frivolous complaint they had filed,’ he said. ‘I cannot imagine a more complete surrender by anyone in any case in New Mexico history.’ ”

Adair’s original settlement offer demanded the ACLU donate $10,000 to the Boy Scouts in Roswell, but that didn’t happen.

“They clearly indicated that would be a humiliation that would embarrass them nationally,” Adair wrote. “Observers believed that given the ACLU’s fanatical opposition to the Boy Scouts, they would bring in perhaps up to a dozen more lawyers from around the country to fight that provision of the settlement. ‘My counsel indicated that it might be best for the taxpayers in the long run to accept the ACLU’s offer of unconditional surrender as it was.’ "

The ACLU has opposed government funding for the Boy Scouts because the organization does not allow gays.

State ACLU spokeswoman Whitney Porter, asked to comment on the Adair statement, said, “The ACLU feels the point was made that all citizens have the right under the First Amendment to access the legislative process.”

UPDATE: (Friday, Jan. 18, 2008) I changed the Richardson petition link, which, as Ken Camp informed me, has been combined with two other independent "draft Richardson" petitions that sprang up last week.

Tuesday, January 15, 2008

MY LEGISLATURE BLOG

It's Legislature time, so once again I'm going to become a two-fisted blogger.

I'll be posting my Legislature news, etc. on Steve Terrell's NM Legislature Blog. My columns (music and political), radio play lists, and various rants will still end up on this blog.

My new Capitol Bureau partner Kate Nash is blogging too. She started yesterday. She's way ahead of me. Kate's blog, Green Chili Chatter, can be found HERE.

Monday, January 14, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, January 13, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
The End by Buick McKane
Waves of Fear by Lou Reed
D's Diner by The Les Claypool Frog Brigade
Honky's Ladder by Afghan Whigs
Goddamn Rock 'n' Roll by The Cramps
I'm Fried by The Stooges
Married, Two Kids by The Fall
Later That Night by Ruben & The Jets

All the Nation's Airports by The Archers of Loaf
Pretty Beat by The Pretty Things
Double SHot by Southern Culture on the Skids
Part of Your Plan by The Oblivions
Murder in the Graveyard by Screaming Lord Sutch
Stumblin' Man by TAD
Legs by PJ Harvey
Pinon Lurker by The Gluey Brothers

Not a Crime by Gogol Bordello
Tijuana Hit Squad by Deadbolt
Sick Boys by Social Distortion
Square One Here I Come by The Hives
Pick Me Up by Dinosaur Jr.
God is a Bullet by Concrete Blonde
Rooster Blues by Sleepy LaBeef

Pull My Daisy by David Amram
Humble Me by Sharon Jones & The Dap-Kings
America is Bleeding by Swamp Dogg
I Still Want to Be Your Baby (Take Me Like I Am) by Bettye LaVette
Stop the Train by Mother Earth
She Sang Angels to Rest by Richard Thompson
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, January 12, 2008

THE SANTA FE OPRY PLAYLIST

Friday, January 11, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

email me during the show! terrell@ksfr.org

Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
The Road Goes on Forever by Robert Earl Keen
Take Me to the Fires by The Waco Brothers
Jericho Road by Steve Earle
The Ballad of Speedy Atkins by The Legendary Shack Shakers
Texas Me by James Luther Dickinson
Watergate Blues by Tom T. Hall
John Brown's Body by Marah
Drinking Wine Spo-Dee-O-Dee by Johnny Burnette & The Rock 'n' Roll Trio
I Want to Be Hugged to Death by You by Waycross

Bob/Home Field Advantage by Drive-By Truckers
You Win Again by Mother Earth
Secrets to the Grave by Ronny Elliott
Airline to Heaven by Wilco
All the Time in Airports by The Handsome Family
Silver Wings by Merle Haggard

Hot Burrito #1/Hot Burrito #2 by The Flying Burrito Brothers
$1000 Wedding by The Mekons
A Song For You by Whiskeytown
Wheels by The Coal Porters
Hickory Wind by Bob Mould & Vic Chestnut
Sin City by The Flying Burrito Brothers

The Thunderer by Dion
Angel of the Morning by Chip Taylor & Carrie Rodriguez
Fare Thee Well Sweet Malley/Return No More by Robin Williamson
A Place to Hang My Hat by Porter Wagoner
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Friday, January 11, 2008

TERRELL'S TUNEUP: BURRITO DREAMS

A version of this was published in The Santa Fe New Mexican
January 11, 2008


All of us who loved the original Flying Burrito Brothers should be taken aback by the billing on the new double CD, Live at the Avalon Ballroom 1969. It's credited to Gram Parsons with the Flying Burrito Brothers.
True, the late Parsons was the greatest talent in the band, but Chris Ethridge, "Sneaky" Pete Kleinow, and Chris Hillman (especially) were no mere sidemen. I suppose this album's billing was necessary because the late Kleinow kept the band alive for years and years cranking out increasingly generic country rock, almost as if Ringo had called his various touring groups the Beatles instead of his "All-Starr Band."

But make no mistake; this is the original Burrito Brothers in all their ragged glory, captured live in two San Francisco shows in April 1969 when the Burritos opened for the Grateful Dead.

No, these tracks, recorded by Dead pal and LSD guru Owsley Stanley, won't displace The Gilded Palace of Sin — the Burritos' classic debut album. The sound quality is lo-fi, and the harmonies of Parsons and Hillman often are seat-of-the-pants.

But, containing some of the only live recordings of this influential band in its most creative period, Avalon Ballroom 1969 is essential for Parsons/Burritos fans.

There are lots of Gilded Palace tunes here — "Dark End of the Street," "Sin City," "Do Right Woman," "Hot Burrito #1," and "Hot Burrito #2." In fact, the latter two are included on both discs. (I'm still trying to figure out who's the uncredited organist playing like crazy on the "Hot Burrito" tunes.)

There are some of the band's good-time country stompers ("Close Up the Honky-Tonks," "You're Still On My Mind," "You Win Again"). And years before the hip world glommed onto Willie and Waylon, they covered Nelson's "Undo the Right" and Mel Tillis' "Mental Revenge," which was a hit for Jennings. And there are some cool rockers: Little Richard's "Lucille" and a hopped-up take on Roy Orbison's "Dream Baby."

In addition to the Avalon concerts, a couple of previously unreleased demos are ied here. The version of The Everly Brothers' "When Will I Be Loved" is basically a mess. But "Thousand Dollar Wedding," which years later would emerge on Parsons' final solo album, Grievous Angel, is stunning. It's just Gram banging a piano. But all the pain is there.

Even after two discs, I'm hungry for more. I wish the Brothers had done a version of "Christine's Tune," and — oh Mama, sweet Mama — where's "Juanita"?

Unfortunately, there's just not that much live Parsons-era Burrito material that made it to tape, so I'm just thankful for what we've got here.

Also recommended:

* Son of Skip James by Dion. They called him The Wanderer, but after this, they should call him The Thunderer.

This veteran rocker's new record is a pleasant and credible collection of (mostly) blues covers. It's loaded with too many familiar standards — "Hoochie Coochie Man," "My Babe," a couple of Robert Johnson tunes, and, of course, one by Skip James, "Devil Got My Woman."

But on this record, God trumps the devil for sheer rock 'n' roll power. I'm talking about a strange little tune called "The Thunderer," which is based on a poem by Phyllis McGinley (1905-1978) about the life of St. Jerome (not "a plaster sort of saint," McGinley and Dion tell us). Dion put the poem to music. He gave it thunder.

"God's angry man, his crotchety scholar/Was St. Jerome, the great name-caller/Who cared not a dime for the laws of libel/And in his spare time translated the Bible/Saint Jerome the Thunderer," Dion sings. "Quick to disparage all joys but learning/Jerome liked marriage better than burning/But didn't like women's painted cheeks/Didn't like Romans, didn't like Greeks/Hated pagans for their pagan ways/Yet doted on Cicero all of his days."

Dion's one of the only rockers tough enough to sing about doting on Cicero and get away with it.

It's a spare, minor-key song featuring Dion on acoustic guitar with Rick Crive. This is one of the strongest examples of religious rock since Bob Dylan's Slow Train Coming.


* Pull My Daisy ... and Other Jazz Classics by David Amram Quartet. The cover of this re-issued album is misleading. Above the title are the names Jack Kerouac and David Amram. However, this was recorded in the late '80s, about 20 years after Kerouac hit that great road in the sky.

But his spirit definitely is present in the title song, with lyrics written by Kerouac, Allen Ginsberg, and Neal Cassady. Jazzbo Amram, a singer, multi-instrumentalist and Kerouac pal, put the poem to music. It ended up as the theme song to a 1959 short film that became
a Beat Generation underground touchstone

The song is a jaunty little jazz number. Amram leaves out the dirty verses, but it's fun just the same.

"Pull my daisy/Tip my cup/All my doors are open/Cut my thoughts for coconuts/All my eggs are broken."

He improvises some new verses about how out-of-sight it is to be playing for the good foia. ("If Jack himself were here, he'd be sitting on conga drums and sharing in this cosmic cheer.")

The rest of the album consists of standards: "Take the 'A' rain," "Summertime," "Red River Valley." Not bad background music. But not on the same level of cosmic joy of the title song.

ONE NM GUV OUT, ANOTHER IN?

Highly unlikely, but one libertarian who is disenchanted by Ron Paul is looking toward the Land of Enchantment. CLICK HERE.

RICHARDSON'S EXIT

Gov. Bill Richardson made his departure from the presidential race official Thursday.
CAUCUS NIGHT IN IOWA
My story in the New Mexican can be found HERE .

My new Capitol Bureau partner, Kate Nash did a story pondering what's next for the governor. You can find that HERE .

Richardson's withdrawal was expected. But one surprise today was how he treated the New Mexico press corps. Before Richardson appeared in the Rotunda, his chief campaign flack Pahl Shipley announced that Richardson would not answer questions after his announcement. That in itself isn't exactly surprising. While I was in Iowa and New Hampshire the past few days, practically the only thing that Richardson spokesman Tom Reynolds ever said to me was "The governor's not taking any questions."

But where did Richardson go immediately after his speech? To the Capitol television studio to do interviews on Fox News and CNN.

Watch Matt Grubbs' report on KOAT -- specifically the last part. You'll see campaign aide Katie Roberts telling local reporters to "please show respect" for the governor as he goes about his "official business."

Official business meaning holing up in the television studio for an hout and a half so he could be on national t.v.

After chatting it up with Wolf Blitzer and Neil Cavuto, Richardson left the studio, not saying a word to New Mexico reporters, surrounded by aides who hustled him up a nearby stairwell. That's also shown in the KOAT report.

This made me think of a recent interview with a political science professor in Iowa who told me that Richardson "seemed to be playing to the national media that's here and not Iowans."

A few hours later, while Kate and I were working on our stories, Richardson once again went to the capitol studio which is next to our office. He shouted playfully, "I snubbed you guys" before going in the studio.

When he was finished (and we still were slaving away on our stories), Richardson tapped on our window. I asked, "Why did you snub us, governor?" He just smiled and kept walking. Like it was a big joke.

Thursday, January 10, 2008

ROUNDHOUSE ROUNDUP: NEW HAMPSHIRE TIDBITS

A version of this was published in The Santa Fe New Mexican
January 10, 2008


THE MERRIMACK RESTAURANT, MANCHESTER, NH

MANCHESTER, N.H. — When on the morning of the New Hampshire primary you eat in a cafe that has large painted caricatures of presidential contenders of yore on an outside wall, you might run into some real live candidates.

That was the case Tuesday when I decided it wouldn’t be a New Hampshire election trip without a breakfast at the Merrimack Restaurant.

Located on Elm Street, downtown Manchester’s main drag, the unpretentious diner is a mandatory drop-in spot for presidential candidates.

On Tuesday morning, two New Hampshire radio stations plus a CBS network radio crew were broadcasting live from the Merrimack.

WSMN-AM of Nashua, N.H., was using the booth right beside mine. And while I was making my way through my “international” omelet, not one, but two presidential candidates showed up to be interviewed.

First was libertarian Republican Ron Paul, who had just flown in from Los Angeles after an appearance on The Tonight Show with Jay Leno the night before. “I had to come back to do this show,” the Texan quipped.
DR. PAUL ON THE RADIO
Before Paul finished, the next guest arrived — Democratic Rep. Dennis Kucinich of Ohio. The two congressmen greeted each other by their first names before Kucinich took the booth. Paul made his way toward the front of the restaurant, perhaps for a quick chat with one of the other stations.
DENNIS
Kucinich, whose local campaign headquarters was located in an office above the Merrimack, later settled into another booth for some breakfast.

On beyond Gravel: OK, Paul only pulled about 8 percent of the Republican ballots in New Hampshire (and, for the record, got a few thousand more votes than Gov. Bill Richardson) and Kucinich only got 1 percent of those who voted as Democrats, but at least you probably know their names. But that may not be the case for a majority of the candidates who appeared on the New Hampshire ballot.

There were 13 Democrats and 13 Republicans who never were included in any of the televised debates.
Go ahead and hate your neighbor
One of the Democrats is Tom Laughlin, the actor who starred in the Billy Jack hippie action-hero movies in the 1970s. One of the Republicans is a character called Vermin Supreme, who apparently views politics as performance art. He had ominous signs on Elm Street that said “Lies for Less.”

I met one of the unknown Republicans on Sunday night after finishing dinner at the Red Arrow Diner in Manchester. “I’m Mark Klein and I’m running for president,” said a white-haired older gentleman who handed me a full-color campaign pamphlet. Klein is a psychiatrist from Oakland, Calif.

I asked him why he was spending money pursuing such a long-shot candidacy.

“Because I’m an adult, I’m a parent and a grandparent,” he said.

I dunno. I think Billy Jack might have a better argument.

Coffee with Chelsea: I decided to get some caffeine while waiting for Richardson to show up at the Breaking New Grounds coffee house in downtown Portsmouth on Monday. There were two young women looking at the pastry counter who I thought might be waiting to place an order. I asked if they were in line. “No, sir, go ahead.” So I got my coffee and went to a place where I could watch the front door for the governor of New Mexico.

Waiting beside me was a woman with a reporter’s notebook. I assumed she was there for the same reason I was, so I asked her who she worked for. She said she was with the Boston Globe. I was surprised. Except for his appearance on the ABC News debate, Richardson’s free media attention seemed to be drying up more every day. But actually she wasn’t there for Richardson. She said she was part of a pool following around Chelsea Clinton.

CHELSEA
Chelsea was there? It turned out she was one of the women by the pastry counter.

(I didn’t realize it at the time, but just a few blocks away and a few minutes before, Chelsea’s mom had choked up while speaking to undecided voters at another Portsmouth coffee house, creating one of the most discussed New Hampshire political moments of the young year.)

A few moments later, Chelsea began working the crowd. She extended her hand and introduced herself and made a pitch for her mom.

I couldn’t resist. Having read about the incident in Iowa in which Chelsea told a 9-year-old “kid reporter” from Scholastic News, “I’m sorry, I don’t talk to the press and that applies to you, unfortunately. Even though I think you’re cute.”

So I said, “I’m a reporter, so you’d better not talk to me.”

Chelsea just smiled. “Oh well, I can still say hi.”

I thought that was pretty classy. But I would have felt better had she said I was cute.

Older New Hampshire memories: Richardson isn’t the only New Mexican who ran for president but made a disappointing showing in New Hampshire. However, when former U.S. Sen. Fred Harris ran in 1976, he was an Oklahoman.

On Tuesday, Harris didn’t want to say whether or when he thought Richardson should throw in the towel if he came up short in the Granite State. Harris, a Richardson campaign contributor, is a former New Mexico Democratic Party chairman.

“Every campaign, every candidate is different,” Harris said.

In his presidential campaign, Harris said, he came in third in Iowa and was expected to do well in New Hampshire. But that year, there was a presidential caucus in Oklahoma — the state he’d represented in the U.S. Senate — between Iowa and New Hampshire. “The governor of Oklahoma was strongly backing Jimmy Carter, so I had to put all my resources there instead of New Hampshire,” Harris said.

Harris came in fourth in the New Hampshire primary. Raising money became next to impossible, and news coverage of his campaign quickly dried up, Harris recalled. “It became clear to me and my closest people that it was out of the question that I could win,” Harris said. “I knew in my own mind it was over.”

Still, his campaign went on.

“I couldn’t pull out,” he said. “The Service Employee International Union, which had endorsed me, wanted me to stay on at least until the Wisconsin primary. And I was waiting for my (Federal Election Commission) matching funds, which had been held up in the courts.” The federal funds were necessary to repay campaign debts — including a mortgage on his house.

When he lost New Hampshire, Harris, unlike Richardson — who acted as if his 5 percent showing was a victory — acknowledged he’d been beaten. In one of the funniest concession speeches ever, Harris said he lost because the “little people” he’d been fighting for in his campaign “couldn’t reach the voting levers.”

Harris moved to New Mexico not long after that race.

VERMIN SUPREME

WACKY WEDNESDAY: Albums Named for Unappetizing Food

O.K., I'll admit this is a pretty dumb idea.  It came to me yesterday after I ran into my friend Dan during my afternoon walk along the ...