TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 27, 2008
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
First Date (Are You Coming On to Me?) by The Fleshtones
Wild Man by The Hollywood Sinners
Black-Hearted Woman by The Standells
Hear Ya Dance by Andre William & The New Orleans Hell Hounds
Common Man by The Blasters
Nervous Breakdown by Eddie Cochran
Holiday in Waikiki by The Kinks
Sputniks Thema by Die Sputniks
Wine Head by Johnny Wright

Master Race Rock by The Dictators
Puss 'n' Boots by The New York Dolls
Stolen Kisses by Scott Kempner
Sacramento and Polk by Lenny Kaye
You Are What You Is by Frank Zappa
I Think I Smell a Rat by The White Stripes
Black Rat by Big Mama Thornton
Mickey's Son and Daughter by Bonzo Dog Band

Day Time Girl by Sky Saxon
Goin' on Down to The BBQ by Stan Ridgway
Puzzlin' Evidence by The Talking Heads
Party Weekend by Joe "King" Carrasco & The Crowns
Jefe de Jefes by Los Tigres del Norte
She's About a Mover by The Sir Douglas Quintet
Took My Lady to Dinner by King Kahn & The Shrines
I'll Be Alright by Terrence Trent D'Arby

Old Black Mattie by R.L. Burnside
As the Crow Flies by Tony Joe White
Pretty Princess Day by The Dirtbombs
T.F. Madness by Carbon/Silicone
Cool 'n' Out by Joe Strummer & The Mescaleros
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

THE SANTA FE OPRY PLAYLIST

Friday, June 27, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Foot Stompin' Friday Night by The Stumbleweeds
Do What I Say by The Waco Brothers
Border Ska by Camper Van Beethoven
Chicano Town by Joe "King" Carrasco y Las Coronas
Ordinary Fool by The Hacienda Brothers
Write About Stars by Jim Stringer
Mirage by Gary Gorence
Tennesee by The Last Mile Ramblers
What's That Tastes Like Gravy? by King David's Jug Band

Fever Dream by Nels Andrews
The Ballad of Rusty Strange by Boris McCutcheon & The Saltlicks
Hog of the Forsaken by Michael Hurley
Sorry I Let You Down by The Wilders
The Demon Ether by The Deadly Gentlemen
Twelve Gates to the City by Bethleham & Eggs
Gamblin' Dan by Cliff Carlisle

Fourth of July by Dave Alvin
Swamp Water by Tony Joe White
Before You Go by Buck Owens
Brothers of a Bottle by George Jones
Rebel Domino by The Rowdy Prairie Dogs
Lisa's Birthday by The Drive-By Truckers
The Mountain by Levon Helm
Some of Shelly's Blues by The Boxmasters
Hand of the Allmighty by John R. Butler

Me and Gillian Welch by Brad Creel
In Tall Buildings by Gillian Welch
Beyond the Pale by Scott Kempner
OGM by Loudon Wainwright III
Comet's Return by Michael Eck
Try Me One More Time by David Bromberg
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: TAKING DICTATION

A version of this was published in The Santa Fe New Mexican
June 27, 2008

This probably sounds corny, but I didn’t really start to appreciate The Dictators’ compilation Every Day Is Saturday until I heard it in my car going 85 mph (oops, I mean whatever the speed limit is) on the Interstate with my windows open.
Corny, but true. It’s that kind of album.

The Dictators’ first album was released in 1975, sometime between the point that the New York Dolls were crashing and The Ramones were gestating.

The Dics, as their fans call them, were a little more polished than the Dolls, The Ramones, and the other punk groups they inspired. You can hear a definite Who influence (check the classic Townshend riffage on “Baby Let’s Twist”).

And a little more metallic. Guitarist Ross “The Boss” Funichello later joined Manowar, and one of their early bass players later enlisted with Twisted Sister. The Dics used Blue Öyster Cult producers Sandy Pearlman and Murray Krugman (though I don’t hear the cowbell).

The Dics had that good old American trash-rock spirit — singing songs of beer, pizza, girls, pro wrestling, and other things that make this country great. Frontman Handsome Dick Manitoba was obnoxious in the best possible way (he started out as a roadie with the band); Funichello and guitarist Scott “Top 10” Kempner were loud but seemingly conscious of every note of rock history; and bassist Andy Shernoff wrote some amazing tunes.

Every Day Is Saturday, released early this year on Norton Records, is a collection of demos and rarities — there are even a few radio ads. The album should appeal to longtime fans of the band as well as to youngsters who need to be introduced to the music. There are lots of stripped-down versions of The Dics’ “greatest hits” (as if this stuff ever received decent radio play) from albums like The Dictators Go Girl Crazy, Manifest Destiny, Bloodbrothers and other inspired Dictation.

It’s mainly original material here, though there are a few cover songs like The Rivieras’ classic “California Sun” (including one lyric alteration I won’t even try to get away with in a family newspaper), The Ramones’ “I Just Want to Have Something to Do” (available on download versions only), and, yes, fellow patriots, “America the Beautiful” (although for some reason they leave out the “God mend thine ev’ry flaw” refrain).

One of my favorite tunes is “Minnesota Strip” — an ode to teenage prostitution that features a great ’70s metal riff. Then there’s “Borneo Jimmy,” a basic Chuck Berry-informed rocker about a guy “Standing by the ringside/Cheering on the bad guys.”

“Master Race” has nothing to do with Nazis. Sample lyrics: “My favorite part of growing up/ Is when I’m sick and throwing up/It’s the dues you’ve got to pay/For eating burgers every day.”
The Dictator philosophy might best be summed up by “16 Forever” — a wish for eternal teenager bliss. There are two versions of the song on Every Day Is Saturday.

Unfortunately there are some clunkers here.

I’m on the fence about “I Stand Tall” — loving and hating it. I appreciate the faux jingoism (”You can circle the globe to find a better land/Lots of movie stars if you’re a movie star fan/Lots of pizza, ice cold Coke/Johnny Carson telling jokes/And lots and lots of American good good girls.”) But unfortunately the music, with its terse piano and staid guitar parts, anticipates cheesy ’80s AOR. Could this song be the secret origin of Night Ranger?

Even worse is “Sleepin’ With the TV On,” an actual pop ballad with jangly guitar and overly sincere crooning. I dunno, it might appeal to fans of Dan Hill’s “Sometimes When We Touch.”

But that’s why God created the skip button. Every Day Is Saturday is still a good album to take out on the highway.

Also recommended
* Saving Grace by Scott Kempner. “Top 10” didn’t stay 16 forever.

Even though he still looks like a rockin’ rebel, the guy grew up. This album, his first solo record in 16 years or so, ain’t kid stuff. Most of it’s pretty mellow, though not in a sappy way. Kempner, whoal roots-rock band in the ’80s, has a rugged, world-weary voice. One critic called him an East Coast Dave Alvin. His voice isn’t nearly as deep, but that’s not a half-bad comparison.

Maybe I’ve been listening to too much Dictators lately, but my favorite songs here are “Stolen Kisses” and “The Secret Everybody Knows,” which are about the only all-out rockers on the album.

But there are some quieter gems too. Kempner co-wrote “Heartbeat of Time” with one of his heroes — Dion, with whom Kempner has worked in a band called the Little Kings. (For the record, Fern Castle also shares in songwriting credits on the song). It’s got a 1950s Latin rhythm and has the feel of some forgotten Drifters hit. Dion lends some vocals at the end of the tune.

The only cover song on the album is an acoustic ballad called “I’ll Give You Needles,” written by alt-country rocker Tommy Womack. And it’s a dandy. It’s a terrible story of a junkie friend going downhill — though the singer offers hope that the junkie will get better so he can make her understand what she put everyone through.

* We Won’t Change Our Style by Hollywood Sinners. Good old American garage rock is alive and well in Spain. These sinners, who come not from Hollywood but Toledo (holy Toledo!) prove it. It’s a guitar-bass-drums trio that sounds like it wants to conquer the world.

Nothin’ fancy here. You can hear traces of “I’m Not Your Stepping Stone” in the opening track “Wild Man” and on the last song “Tame Me” — and come to think of it, the same chord pattern is used on “Adictos al Ye-Ye” — but somehow the musicians still make it sound fresh.

They pay tribute to another Spanish band — Wau y los Arrrghs!!! — on a hopped-up cruncher called “Quiero Ser Como Wau y los Arrrghs!!!”

This album is one of the newest products from Dirty Water Records, a nifty little British label associated with a nightclub by the same name. It’s the home of Los Peyotes (an Argentine garage group) Thee Exciters, The Priscillas, and other groups.

"I AM HERE ...."

Seems like only yesterday -- actually it was today -- when I was quoting Gov. Bill Richardson saying, “Well listen, I am here and I am here to continue our agenda in New Mexico to make us strong, proud, vibrant, no matter how long it takes.”

I guess that depends on your definition of "here." This press release just came today:

Governor Bill Richardson will be honored tonight by the National Association of Latino Elected Officials (in Washington, D.C..) for his work as Governor and his distinguished public service throughout his career.

Governor Richardson will accept the Edward R. Roybal Award for Outstanding Public Service at the annual NALEO Conference. The event is the largest Latino political convention in the country.

Governor Richardson is also be meeting in Washington D.C. today with federal transportation officials about highway and Railrunner funding before heading to New York on Friday to meet with bond rating companies to make the case for increasing New Mexico’s bond rating. ...

On Sunday the Governor will attend the Democratic Leadership Council National Convention and give the keynote speech to the Rainbow Push Coalition in Chicago before heading to the Western Governor’s Association Annual Meeting in Jackson Hole, Wyoming.

ROUNDHOUSE ROUND-UP: OF MOUNTAIN SPIRITS, CZARS & THE 2014 RACE

A version of this was published in The Santa Fe New Mexican
June 26, 2008

The story about two Muslim women who weren’t allowed to sit behind Barack Obama at a Detroit rally last week reminded me of an incident in Santa Fe during the 2004 presidential campaign.

The Detroit incident involved some overzealous Obama handlers who didn’t want the world to see television footage of the women, who were wearing the Islamic head scarf known as a hijab.

The campaign aides apparently were concerned about those stupid Internet rumors that Obama is a secret Muslim. The removal of the women caused outrage in the U.S. Muslim community, including a rebuke from U.S. Rep. Keith Ellison, D-Minn., the first Muslim elected to Congress. Obama called both women last week to apologize.

Back in September 2004, John Edwards, who was Democratic presidential candidate John Kerry’s running mate, came to Santa Fe for a speech at the Museum of Indian Arts and Culture. He spoke near an 18-foot bronze statue of an Apache mountain spirit dancer that had been sculpted by San Carlos Apache Craig Dan Goseyun.

But the impressive statue wasn’t visible in any television footage of the event. Rally organizers were careful to obscure it with huge, oblong “Kerry-Edwards” signs.

A local volunteer I know who helped set up the area for the Edwards stop told me some campaign honcho had ordered the statue be hidden behind the signs. People from other parts of the country, the campaign guy told my friend, might think the hulking bronze figure was a “war dancer,” and the tablita and bullroarer the dancer holds in his hands could be interpreted as weapons — which they aren’t, according to museum officials.

The state spokesman for the Kerry campaign denied this, claiming the signs were placed in front of the statue because “it’s just good sign placement.”

Right.

I’m betting they were afraid of rumors Edwards is a secret Apache.

The rise of the czars: New Mexico already is full of Russian olive trees; now we’re starting to accumulate czars.

A spokesman for Gov. Bill Richardson said this week that the guv might soon be appointing a “corrections-reform czar” to oversee recommended changes in the state prison system.

Gilbert Gallegos says the administration has had success with its other czars.

“The czars coordinate the many varied, and sometimes redundant, services, programs and funding sources that deal with these important issues,” according to a page on the governor’s Web site. “One person in each area manages, coordinates and, most importantly, is accountable for making these efforts effective.”

For the record, there’s Behavioral Health Czar Linda Roebuck, Domestic Violence Czar Sharon Pino and the state’s longest-serving czar, DWI Czar Rachel O’Connor.

And this doesn’t even count Jay Czar, executive director of the New Mexico Mortgage Finance Authority.

Previously, New Mexico had a drug czar, Herman Silva. But he was transferred a couple of years ago to head the Department of Public Safety’s Special Investigations Division. The drug czar’s position has been vacant since.

So why name these program coordinators after Russian royalty? Why not “domestic-violence mandarin” or “behavioral-health sultan” or “drug duke” or “DWI kaiser”? Heck, this is New Mexico. Why not “corrections-reform jefe”?

It probably started back in the Nixon administration when William Simon was appointed “energy czar” during the 1973 Arab oil embargo. His actual title was director of the Federal Energy Administration (a precursor of the U.S. Department of Energy).

In most places, the word czar is an unofficial or informal term. For instance, John P. Walters is commonly called the national “drug czar” although his real title is director of the White House Office of National Drug Control Policy.

But here in New Mexico, under Richardson, czar is the official title. It’s even on the czars’ business cards.

Which isn’t a bad thing. Why bother with some fancy $50 title when you can use a simple one-syllable word? It saves precious ink.

Anyway, Richardson apparently is fond of the title. Back in 1999 when he was secretary of energy, he appointed a security czar (though the official title was director of the Office of Security and Emergency Operations).

And last year when he was running for president, Richardson said if elected, he’d appoint a national cancer czar.

Gearing up for ’14: You’ve got to hand it to Richardson. While most local political junkies assume the big fish wants to get out of this small pond as fast as humanly possible, he made eyeballs pop this week when he suggested in a fund-raising letter he might be interested in a third term as governor.

“I still have a lot of work to do here in New Mexico before I leave office in 2010 due to term limits, including fighting to extend health care to every New Mexican,” Richardson wrote. “And I remain actively involved with national politics because we need to change America, and every one of us has to contribute something. But who knows? Maybe I’ll even decide to run for governor again in 2014 — if something else doesn’t pop up in the meantime!”

I can’t help but wonder what Lt. Gov. Diane Denish thinks about this. If Denish has her way, she’ll be running for re-election as governor in 2014.

Richardson hinted at a long New Mexico residency at the Democratic Unity dinner this week. My Capitol bureau partner, Kate Nash, recorded his speech in which he needled state Democratic chairman Brian Colón.

“By the way, thanks Brian for trying to get rid of me. All of you ... you tell me, ‘Geez, you’d be a great so and so,’ ” Richardson said. “Well listen, I am here and I am here to continue our agenda in New Mexico to make us strong, proud, vibrant, no matter how long it takes.”

Could it be Richardson really does think governor of New Mexico is the best job in the world?

Coincidence? Just a week after the unexpected death of Meet the Press host Tim Russert, KOAT-TV, Channel 7, announced it’s moving This Week With George Stephanopoulos from its current late afternoon Sunday slot to 9 a.m. Sunday — the same time as Meet the Press.

The station’s press release doesn’t explain why This Week has been airing at 4 p.m. in the first place. Might Russert have had something to do with it?

R.I.P. GEORGE CARLIN

TERRELL'S SOUND WORLD PLAYLIST

Sunday, June 22, 2008
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
America the Beautiful by The Dictators
The Kingdom of My Mind by The Blood-Drained Cows
Bumble Bee Zombie by Roky Erikson
Bumble Bee by The Casual Dots
Sonic Reducer by The Dead Boys
Libertines in My Scene by The Dirty Novels
Summertime by Ricky Nelson
Death Wears an Overcoat by Bichos
Jolie's Nightmare by Chuck E. Weiss
Rock-a-Bye Your Baby With a Dixie Melody by Al Jolson

You Are My Sunshine by Spider & The Crabs
On the Outside Lookin' In by The Upside Dawne
Shake & Fingerpop by Tide
Crawfish Song by The Astronauts
Love Man by Otis Redding
Quiero Ser Como Wau y Los Arrrghs!!! by The Hollywood Sinners
Rey Los Tablistas by Wau y Los Arrrghs!!!
I'm Happy Too by Hubb Capp & The Wheels

Rock 'n' Soul Music by Country Joe & The Fish
Land of the Freak by King Khan & The Shrines
If You Leave Me by Andre Williams & The New Orleans Hellhounds
Everlovin' Man by The Dirtbombs
Cream by Prince
Premadawnut by Fishbone
Am I the One by The King Khan & BBQ Show

Whittier Boulevard by Los Straitjackets
Mega Bottle Ride by Joe Strummer & The Mescaleros
Yo Frankie (She's Allright With Me) by Dion
Heartbeat of Time by Scott Kempner
Who Will Lead Us by The Gutter Twins
Jesus of the Moon by Nick Cave & The Bad Seeds
Ramona by NRBQ
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

UDALL vs. PEARCE ON ENERGY

My story in today's New Mexican on the differing views on energy policy of Senate candidates Tom Udall and Steve Pearce can be found HERE. The sidebar on key energy votes can be found HERE.

This morning the Pearce camp "demanded" a debate on energy policy with Udall.

"Pearce called for the two camps to begin immediate talks to determine the location and format for the debate," the news release said.

I can't imagine Udall not agreeing to debate with Pearce before the gerneral election, but at the moment when polls show him up by 25 percentage points, I'm betting he's not in a rush.

THE SANTA FE OPRY PLAYLIST

Friday, June, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Bears in Them Woods by Nancy Apple
It'd Be Sad If It Wasn't So Funny by Lonesome Bob
Poor Little John by Roger Miller
Deisel Smoke, Dangerous Curves by Doye O'Dell
Roll Truck Roll by Laura Cantrell
Rolling Stone by Neko Case
Poisonville by Ronny Elliot
Creole Stomp (Happytown) by Steve Riley & The Mamou Playboys
Dancing Shoes by Mama Rosin

The Birth of Rock 'n' Roll by Carl Perkins
How's My Ex Treating You by Jerry Lee Lewis
Walk on Out of My Mind by Waylon Jennings
Rebel Rouser by Jim Stringer
My Eyes by Tony Gilyson
Billy 1 by Los Lobos
Senor (Tales of Yankee Power) by Willie Nelson & Calexico

Lawrence Jones by Kathy Matea
Are They Going to Make Us Outlaws Again by Hazel Dickens
Waiting For The Demons to Die by Boris & Saltlicks
The Girl on the Side by The Boxmasters
Wildwood Flower by Cedar Hill Refugees
Checkout Time in Vegas by The Drive-By Truckers
The Seeds of My Destruction by Cornell Hurd

I'll Give You Needles by Scott Kempner
Whatever Happened to Cheetah Chrome by Tommy Womack
Lonely Town by Julien Aklei
Gun Blue by Goshen
Tower of Song by Martha Wainwright
Invitation by Richard Buckner
A Whorehouse is Any House by Bonnie Prince Billy
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: SUPERGENIUS SOUL

A version of this was published in The Santa Fe New Mexican
June 20, 2008

Back in 1968, Country Joe & The Fish envisioned the concept of “rock ’n’ soul” music with an exhilarating, if tongue-in-cheek song by that name.

“Now this ain’t soul music, mind you, this is rock music. But it’s got soul to it, if you can dig that. And now the band would like to play a new riff they just learned, we call a sockin’-it-to-you.”

Forty years later that sockin’-it-to-you spirit is embodied by a Canadian guitar picker of East Indian heritage who lives in Germany — ladies and gentlemen, the mighty King Khan. As Country Joe might say, his love is like a rainbow.

Since the turn of the century, Khan has been ripping up European audiences. He released a couple of CDs with buddy Mark Sultan as The King Khan & BBQ Show, a hard-charging blues/garage duo distinguished by its love of doo-wop harmonies.

But even more impressive is Khan’s work with The Shrines, a nine-, 10-, or 11-piece (depending on which account you read) full-fledged psychedelic soul band, complete with horn section. At one point, the group included a Japanese go-go dancer named Bamboorella who, according to an early press release, “traded a life of crime, sex, and drugs for a life of rock ’n’ roll, sex, and drugs. With her salacious dances she enthuses both men and women alike.”

Khan’s is an amazing sound. But even more amazing is that until June 17, the young king hadn’t been available on any American record label.

Vice Records, the same independent label that’s home to The Black Lips, just released The Supreme Genius of King Khan & The Shrines, a best-of compilation complete with a Bollywood-style album cover and liner notes from The Black Lips’ Jared Swilley. The album features tracks from the band’s three albums — Three Hairs and You’re Mine, Mr. Supernatural, and What Is?! — plus various singles and EPs.

While you can often detect punk and garage rock influences in Khan’s grooves, and the pace of some tunes like “Land of the Freak” is closer to speed metal than to soul, Khan and the band clearly respect the traditions of soul. This is no silly parody. It’s a legitimate update of the genre.
Among my favorite tracks is “Took My Lady to Dinner,” a tune that might owe its hooks to the Beatles’ “Drive My Car.” The narrator in the song sits in horror as his girlfriend orders “15 pounds of ribs, deep fried with some burgers on the side” not to mention the ice cream for dessert. In the refrain, Khan sings, “She’s fat, she’s ugly, I really really love her.”

“Welfare Bread” has a sweet, Southern melody, though the arrangement reminds me a little of Springsteen’s “Tenth Avenue Freeze Out.” There’s even a little “Born to Run”-style glockenspiel. It’s a poor man’s love song. “You don’t have to pay your bills anymore, now/You just have to eat my welfare bread.”

Whoever compiled this album had no way of knowing that Bo Diddley would die just a few weeks before the release. So I guess it’s just righteous synchronicity that Diddley’s “Crackin’ Up” is the only cover song on Supreme Genius. Khan does it justice with his tremolo guitar and ragged vocals.

The real showstopper, though, is “Shivers Down My Spine,” a dark, bluesy, minor-key song in which Khan sounds like he’s at the end of his rope and in some kind of vampiristic relationship (”She bites me square on my neck/I say, ‘Baby, what the heck?’”) The tune features a cool, spooky organ solo by Freddy “Mr. Ovitch” Rococo (aka Fredovitch).

I’m hoping this is just the first shot fired in the King Khan & The Shrines invasion of America and that Vice releases an album of new material in the near future. Because, like Country Joe might say, “Everywhere I go, you know that it’s always understood/Rock and soul music is doggone good.”

More super sounds of soul
* Daptone 7-Inch Singles Collection, Vol. 2 by various artists. I’ve been yakking about the latest great soul revival for a couple of years now. The one record company most responsible for this delightful phenomenon is Daptone, a New York label that has been cranking out the soul for several years.

The collection features several tunes by Daptone’s two greatest stars — Sharon Jones, the corrections-officer-turned-songbird who is fast becoming the 21st-century Aretha Franklin; and Lee Fields, who’s loud and proud about his musical debt to James Brown but is a dynamic performer in his own right.

There are other acts here too, like shouter Charles Bradley, The Mighty Imperials, the Dap-Kings (who regularly back Jones and also recorded with Amy Winehouse), and Antibalas, here under its original name, Antibalas Afrobeat Orchestra. The band’s appearance almost makes up for the absence of The Budos Band, one my favorite Daptone groups, which, like Antibalas, explores the relationship between African music and American funk.

Fields shines here with the slow Stax/Volt-sounding “Could Have Been.” Shouting over a gutbucket guitar, sweet organ, and sax-led horn section, Fields sounds like Howard Tate in his prime.

The song that really stands out on this collection is Jones’ version of “I Just Dropped In (To See What Condition My Condition Was In).” Yes, that weird psychedelic pop gem that served to introduce the world to Kenny Rogers (with The First Edition), circa 1967.

The lyrics (by a young and apparently stoned Mickey Newbury) are gibberish (“I woke up this morning with the sundown pouring in/I found my mind in a brown paper bag within,” and so forth) But Jones sings it with gospel-fired intensity, and those Dap horns respond in kind.

Sorry, CD lovers, this album is only available as a download. You can find it on iTunes, Amazon or eMusic.