Thursday, March 26, 2009

TERRELL'S TUNE-UP: PLAY IT AGAIN, SAHM

A version of this was published in The Santa Fe New Mexican
March 27, 2009


Keep Your Soul
Ten years ago this November, Douglas Wayne Sahm checked into the Kachina Lodge in Taos. Shortly thereafter he checked out of this earthly plane.

It was a loss felt by all true fans of Texas music — and by that I mean country, blues, Tex-Mex, rock ’n’ roll, and all the wonderful blends of those ingredients that Sahm loved so much and performed so well. His work with his bands — going back to the mid-’60s with the Sir Douglas Quintet and later with the Texas Tornados — and in his solo projects is nothing short of timeless.

It’s not quite as exciting as, say, a discovery of never-released lost Sahm recordings, but there’s a new record that Sir Doug fans shouldn’t be without. Keep Your Soul: A Tribute to Doug Sahm — released this week — was lovingly put together by a team led by Sahm’s son Shawn Sahm.

This isn’t the first tribute album for the man. There was Songs of Sahm by the Bottle Rockets back in 2002. That was a fine effort worth seeking out. And some of the Sahm obscurities on the Bottle Rockets’ effort — like “Lawd, I’m Just a Country Boy in This Great Big Freaky City,” “Stoned Faces Don’t Lie,” and “You Can’t Hide a Redneck (Under That Hippy Hair)” — aren’t on the new tribute.

But there’s a lot more Texas on the new one, including numbers performed by Sahm’s old band mates, friends, family, and contemporaries. The two surviving Texas Tornados, accordion master Flaco JimĂ©nez and organist Augie Meyers, reunite on a song called “Ta Bueno, Compadre.” Sung by Nunie Rubio and featuring the West Side Horns’ Al Gomez on trumpet and Louie Bustos on tenor sax, this is an upbeat Tex-Mex stomper. (The fourth Texas Tornado, Freddy Fender — the mayor of Milagro — joined Sahm in rock ’n’ roll heaven in 2006.)

Meyers — Sahm’s main sidekick, whose Vox organ was one of the most recognizable components of the SDQ — also pops up here on “Adios, Mexico,” a rocking Tornados tune performed by Joe “King” Carrasco. Carrasco was perhaps Sahm’s most important disciple in the early 1980s, playing a hopped-up version of the basic SDQ sound he called “Nuevo Wavo.”

This wouldn’t be a proper Doug tribute without those contemporary Sahm disciples, The Gourds. The Austin band displays Sahm’s (and its own) Mexican and Cajun influences on the song “Nuevo Laredo.”

Santa Fe’s Terry Allen is spotlighted doing a bluesy Sahm tune called “I’m Not That Kat Anymore.” Terry’s joined by his usual gang, known as the Panhandle Mystery Band, led by Lloyd Maines on guitar. And that’s Joe Ely on background vocals. Even more bluesy is Jimmie Vaughan, who does a Sahm shouter called “Why Why Why,” complete with a horn section and Sahm’s longtime drummer George Rains.

Little Willie G., from the 1960s East L.A. band Thee Midnighters, kicks off the album with the Sir Douglas Quintet’s first hit “She’s About a Mover.” (According to legend, the SDQ tried to pass itself off as English to cash in on the British Invasion. But after listening to this song for more than a couple of seconds, nobody but a drooling moron could mistake Doug Sahm for a limey.) Ry Cooder produced and plays a great grating electric guitar on this track. And we stay in East L.A. for the next tune, “It Didn’t Even Bring Me Down,” a suave little mellow song performed by Los Lobos with Cesar Rosas on lead vocals and Steve Berlin shining on sax.
TEXAS TORNADOS 1996
Most of the artists on the CD — including Dave Alvin, Alejandro Escovedo, and Delbert McClinton, all of whom provide worthwhile interpretations — are no big surprise. But somehow I’ve never associated the music of Greg Dulli (The Afghan Whigs, The Twilight Singers) with the music of Doug Sahm. So Dulli’s contribution, “You Was for Real” is the big surprise of the album. Even though there’s steel guitar (Greg Leisz) and fiddle (Amy Farris), it’s unmistakably Dulli. He’s played with the melody of the song — originally a cry-in-your-beer honky-tonker — and turned it into a dark, minor-key slow-burner. You might call the sound “Twilight Tornado.” It’s truly one of the tribute’s highlights.

But speaking of being for real, my very favorite song on Keep Your Soul is “Be Real” by Freda and the Firedogs. This group, led by long, tall Marcia Ball, was an Austin staple back in the day when Sahm was inventing the concept of the “cosmic cowboy.” Sahm would perform with the Firedogs. Ball, reunited with her old bandmates, sings Sahm’s two-stepper with unpretentious grace, class and emotion.

Somewhere, Sir Doug has to be smiling.

I’ll be Doug-gone: Friday night on The Santa Fe Opry I’ll do a proper tribute of my own to Mr. Sahm, playing tracks from Keep Your Soul, other Sahm covers, and of course, tons of Doug’s own stuff. The Opry starts at 10 p.m. Mountain Time, and the Sahm segment starts right after the 11th hour. That’s KSFR-FM 101.1 FM and streaming live at ksfr.org.

Sunday, March 22, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, March 22, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
101.1 FM
email me during the show! terrell@ksfr.org


OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Leave the Capitol by The Fall
Garbage Man by The Cramps
The Boogie Disease by Dr. Ross
Freezer Burn by Edison Rocket Train
Kick Boxer Girl by Black Smokers
American Beat by The Fleshtones
Loan Shark by Guana Batz
Wynonna's Big Brown Beaver by Primus
In Jail in Jacksonville by Root Boy Slim & The Sex Change Band

Preacher and the Bear by The Big Bopper
Love Special Delivery by Thee Midnighters
The Strip by The Upsetters
Debra Lee by BBQ
Pachuko Hop by Chuck Higgens
Pachuco Boogoe by Don Tosti's Pachuco Boogie Boys
WPLJ by The Mothers of Invention
Burn Baby Burn by Stud Cole
Tijuana Affair by Manic Hispanic

The Sky is a Poisonous Garden by Concrete Blonde
Young Girl Sunday Blues by Jefferson Airplane
Long Day's Flight (til Tomorrow) by The Electric Prunes
Today is a Good Day by Mudhoney
Undertaker by Thinking Fellers Union Local 282
Mysterious Friends by The Grifters
Polish Work Song by The Dex Romweber Duo
The Blood of God by Kult

I'll Fly Away by Isaiah Owens
God's Mighty Hand by The Rev. Utah Smith
He's Got the Whole World in His Hands by Brother Williams Memphis Sanctified Singers
The Ball Game by Sister Wyona Carr
I Know I've Got Religion by The Staple Singers
Walk Around by The Rev. Lonnie Farris
City of Refuge by Alvin Youngblood Hart & The Carolina Chocolate Drops
The Church Needs Good Deacons by Washington Phillips
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, March 21, 2009

Best Music Deal of the Day

LOS WACOSI couldn't see the Waco Brothers this year because I couldn't make it to SXSW (thank you New Mexico Legislature!), but here's the next best thing.

The lovely and talented Deano Waco (that's him on the far left of the photo) is offering free downloads of 14 songs with the fabulous Meat Purveyors.

You can find that HERE.

Don't be a freeloading scumbag. Use the Paypal button to leave a little dough for Deano. As the man says, "Think of it like I'm your bartender and I've just given you a round on the house!"

I'm listening now and it sounds cool.

Friday, March 20, 2009

TERRELL'S TUNE-UP: THIS IS WEIRD

For some reason, my column this week did not appear in Pasatiempo.

However, it did show up on The New Mexican's Web site.

You can check it out HERE.

Somehow a story I did for the Legislative page in today's paper got held also. Maybe I've been fired.

UPDATE:
Looks like this is going to be a "Web Only" Tune-up. It was actually based on several short reviews in recent e-Music monthly reports published on this blog. You can find those HERE.

XXXXX

By the way, Tom Adler will be filling in for me tonight on The Santa Fe Opry on KSFR. It's the last night of the Legislature (THANK GOD!), so I'll be stuck at the Roundhouse. But Tom always does a great job, so tune in at 10 p.m. on KSFR, 101.1 FM or on the Web.

Sunday, March 15, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, March 15, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
In Praise of Sha Na Na by The Dead Milkmen
Big Black Baby Jesus of Today by The Black Lips
Hey Sailor by The Detroit Cobras
Rosalyn by The Pretty Things
Marie by The Alarm Clocks
Samson and Delilah by Edison Rocket Train
Smokes by Question Mark & The Mysterians
Don't Try It by The Devil Dogs
I Couldn't Spell !!*@! by Sam the Sham & The Pharoahs
Love Letters by Dex Romweber Duo with Chan Marshall
Johnny's Jive by Johnny Little John & Guitar

Back Street Girl by Social Distortion
Out the Door by Les Sexareenos
Tina Louise by The Dirtbombs
It Ain't the Meat by The Swallows
Oh Sweet Susanna by The Mooney Suzuki
Your Love Has Got to Me by Don Covay
Red Rose Tea by The Marquis Chimps
Andre by L7
I Love Mean Girl by Pan Ron & Im Yeng
Cheerful Angels Commercial by Isaiah Owens

Cold Night for Alligators by Roky Erikson
El Perversio by Deadbolt
Unemployment by Demon's Claws
Wine Head by Johnny Wright
Rock and Roll by The Velvet Underground
Woman Train by Hank Davis
Midnight Stroll by The Revels
Selena by Kult
My Man Stands Out by Julia & Her Boyfriends

Hold My Hips by Dengue Fever
California Tuffy by The Geraldine Fibbers
Black John by The Soul of John Black
Bring it on Home to Me/I'm in Love Again by Rudy Ray Moore
Shapes of Things by The Yardbirds
The Parting Glass by The Clancy Brothers
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, March 13, 2009

THE SANTA FE OPRY PLAYLIST

Friday, March 13, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Foot Stompin' Friday Night by The Stumbleweeds
Whatcha Gonna Do Now by Tommy Collins
Where a Rat's Lip Have Touched by Phil Lee
I'm a Gonna Kill You by T. Tex Edwards & Out on Parole
I Wanna Be Sedated by Two Tons of Steel
Walking Bum by Heavy Trash
Disconnect You by Mike Neal
Cowboys are Frequently Secretly Fond of Each Other by Willie Nelson
Things We Like to Do by NRBQ

Tribute to Tribute Albums
It Didn't Even Bring Me Down by Los Lobos
Hot Dog by Toni Price
Hot Dog That Made Him Mad by Carolyn Mark & The Room-Mates
Before All Hell Breaks Loose by Asleep at the Wheel
Truckin' by Dwight Yoakam
Harper Valley PTA by Syd Straw & The Skeletons
I've Always Been Crazy by Carlene Carter
Poor Little Critter on the Road by Trailer Bride
Trouble in Mind by The Pine Valley Cosmonauts with Jimmie Dale Gilmore

Death Penalty Set
Send Me to the 'lectric Chair by David Bromberg
25 Minutes to Go by Johnny Cash
Sing Me Back Home by Merle Haggard
Sam Hall by Richard Thompson
Green Green Grass of Home by Kelly Hogan
Hangin' Johnny by Stan Ridgway
Miss Otis Regrets by Jenny Toomey
Ellis Unit One by Steve Earle & The Fairfield Four

After We Shot the Grizzly by The Handsome Family
Quietly by Fred Eaglesmith
They Don't Rob Trains Anymore by Ronnie Elliott
I Can't Get Used to Being Lonely by Amber Digby
Someday by Blaze Foley
Four Strong Winds by Neil Young
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: ROMWEBER ROMP

A version of this was published in The Santa Fe New Mexican
March 13, 2009


The weird phenomenon of punk/blues duos — which bore commercial fruit in the early part of this decade with The White Stripes and The Black Keys — owes debts untold to a North Carolina twosome called The Flat Duo Jets. Led by guitarist/shouter Dex Romweber, the Jets burned out by the end of the '90s. While they never quite grabbed the brass ring, the Jets earned a certain reverence in rock's underground corners, a respect that continues to this day.

Romweber has lain low for the last few years, but now he's back with another duo — his sister Sara Romweber (formerly of a band called Let's Active) taking Chris "Crow" Smith's place behind the traps set.

If you only heard a couple of tracks, such as "Pictures of You" and "Gray Skies," you might think the Dex Romweber Duo was Flat Duo Jets Mach II. But that's definitely not the case.

The new album, Ruins of Berlin, features the Romweber siblings collaborating with other musicians. Several songs include a bassist, while saxophone and even a cello pop up here and there. Rick Miller of Southern Culture on the Skids shows up for a guitar showdown with Dex. And there's a bevy of female guest vocalists, including Exene Cervenka, Neko Case, and Chan Marshall.

They are employed well. "Lonesome Train," in which Cervenka comes in on the second verse, is a wistful little minor-key ditty with a simple refrain, "Make love to me as we listen to the lonesome train ... out there in the lonesome rain." It's the type of tune that might have been crooned by the radiator lady in Eraserhead.

And speaking of David Lynch movies, I do believe my favorite track here is "Love Letters." When, as a grade-school kid, I used to hear the smoky blues torch-song original by Ketty Lester on my transistor radio, it seemed like a seductive invitation into some sexual netherworld. Years later, when Lynch used it in the soundtrack of Blue Velvet, it took on overtly sinister tones. ("Don't be a good neighbor anymore to her. I'll have to send you a love letter! Straight from my heart.") Neither Marshall's nor Dex's vocals come close to Lester's. But in this version, there's a subtle hint of menace to evoke disturbing memories of Frank Booth's evil joy ride.

Some of the selections here have a pronounced European feel. That's especially true of the instrumental "Polish Work Song," written by Dex and featuring Bob Pence on saxophone. Similarly, the title song — a Marlene Dietrich tune, for the love of Elvis! — has a jaunty little beat, but the melody is extremely similar to the slinky jazz song "Kiss of Fire."

Some of the best tunes here are the rocked-out instrumentals. "Lookout," which opens the album, is a surfadelic little cruncher featuring Miller as well as sax man Pence. Pence comes back for "Cigarette Party," a song where sister Sara gets to show her stuff on bongos.

The album ends with a simple country song, "It's Too Late," which Dex dedicates to a friend in North Carolina. It's not even a duo — just Dex playing an acoustic guitar and singing. It seems like the perfect coda for an understated but worthwhile album.

Also recommended:

200 Million Thousand by The Black Lips. These guys have taken some flak in the garage/punk community recently for allegedly getting too big for their metaphorical britches, so I approached their latest album with some reservations. I'm happy to report that even if it's true that these boys from Georgia are getting swelled heads, this record is swell.


You can still hear the basic Black Lips sound in here — basic guitar snot rock with frequently off-key singalong verses that remind me of The Dead Milkmen of yore. But somehow they seem to be expanding their sound without sacrificing their raw, rough, amateur-hour appeal.

"Drugs" is a basic rocker that sounds almost like a lost Dictators song. "Trapped in a Basement" is a minor-key stomper that reminds me a little of The Beatles' "I Want You (She's So Heavy)." "Drop I Hold" is an experimental, lo-fi, almost trip-hoppy piece that doesn't sound like anything else this has ever done, showing an artsy side we never knew they had.

On some songs, The Black Lips sound as if they've been listening to another "Black" band —The Black Angels. Psychedelic sludge colors tunes like the faux-bordello "Body Combat" and "Big Black Baby Jesus of Today."

Sometimes you wonder whether The Black Lips are idiot savants or just idiots. Take the track called "I Saw God." It starts off with a child talking about "religious experience," followed by a spoken-word piece over a slow-churning guitar. Next thing you know, someone starts fooling with the tape speed and loud beeps begin to "censor" the speaker's increasingly volatile (if incomprehensible) rant. The music pounds and swells like some deranged anthem before slowing down and puttering to a finish.

One track I found irritating was "I'll Be With You." Not that the song's bad. I like the Mickey-and-Sylvia tremolo guitar. But we've heard it before on a previous Black Lips tune, "Dirty Hands." The band is obviously going for new directions elsewhere on the album, so it's strange that with this song they basically copy themselves.

I have not heard the complete album. For reasons best known to the band and its record company, the final track, "Meltdown," isn't available for download on eMusic (where I got the rest of 200 Million Thousand), Amazon, or iTunes. So if "Meltdown" is bad enough to bring down the rest of the album or good enough to make the whole thing Top-10-of-the-year worthy, I just don't know.

Thursday, March 12, 2009

CAN'T KEEP POLITICS OFF THIS BLOG

Why is Bowzer, formerly of Sha Na Na, pushing a bill through our state Legislature?

(Hint: He's not going to run for lieutenant governor on the same ticket as Val Kilmer.)

Check out this week's Roundhouse Roundup column on my political blog.

Meanwhile, dig this strange cover of a Dead Milkmen's song:

Monday, March 09, 2009

NEPOTISM CORNER

As I've said before, I'm from Santa Fe where it's not what you know. It's not even who you know. it's who you're related to.

So indulge me in devoting a little blog space to a real cool project my brother, Jack Clift, did with John Carter Cash (son of Johnny & June.) Pale Imperfect Diamond by The Cedar Hill Refugees is a fusion of music from Uzbekistan -- specifically Jack's Uzbek band Jadoo -- and country music from the American south. Performing on the album are greats like Ralph Stanley, Marty Stuart, John Cowan, The Peasall Sisters and more. Here's a video about the project:


OUTTAGEAR in your dadgum ear!
For more info go HERE.

Meanwhile, my son Anton and his band OuttaGear, which grew up in my garage, just recorded a bunch of original songs. You can find three of them HERE.

Sunday, March 08, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, March 8, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
I Like My Baby's Puddin' by Wynonie Harris
Waking Up by Elastica
Laredo (Small Dark Something) by Jon Dee Graham
The Clown of the Town by The Rev. Beat-Man
Butcher Pete Part 1 by Roy Brown & His Mighty Mighty Men
Trapped in the Basement by The Black Lips
Native Girl by The Native Boys
Psykick Dancehall by The Fall
I Wish I Could Shimmy Like My Sister Kate by The New Orleans Feetwarmers

Cigarette Party by The Dex Romweber Duo
Foxy Brown by The Moaners
Let Your Light Shine by The Rev. Peyton's Big Damn Band
Genocide by Link Wray
Andre Williams is Moving by Andre Williams
Midnight Boogie by Billy Miles Brooke
Wake Me Shake Me by Isaiah Owens
Magical Colors (31 Flavors) by The Jon Spencer Blues Explosion
Butcher Pete Part 2 by Roy Brown & His Mighty Mighty Men
If You're a Viper by Bob Howard & His Boys

Ethiopium by Dengue Fever
I'm 16 by Ros Sereysothea
Hasabe by Ayalew Mesfin
California Uber Alles by Kazik
Into the Go-Go Groove by Little Gerhard
Acid Rock by The Funkees
I'm All Skinny by Sin Sisamouth

Shady Grove by Quicksilver Messenger Service
The Lowlands Low by Dan Milner
English Civil War by The Clash
Three Time Loser by Don Covay
Death of a Clown by The Kinks
Unchained Melody by Vito & The Salutations
Hell Yeah by Neil Diamond

CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, March 07, 2009

eMUSIC MARCH


* Rockin' n Reelin' in Aukland, New Zealand by The Cramps: Papa Satan's in Heaven! Long live Lux Interior!

This live set was one of the few Cramps album I didn't have. And it's good and crazy. Recorded about the same time as their 1986 album A Date With Elvis, there's lots of songs from that album here -- "Cornfed Dames," "The Hot Pearl Snatch," "What's Inside a Girl," etc.

And Elvis shows up for this date, at least in spirit. The Cramps put their stamp on "Heartbreak Hotel" and a true Elvis cheese classic "Do the Clam," which actually was a hit from his 1965 movie Girl Happy.

Lux is with Elvis now. Maybe The King is teaching Mr. Interior the words to "Queenie Wahini's Papaya."

* Funky Yo Yo by Don Covay: Here's an obscure 1977 album from soul master Covay.

Despite the fact it came from the dawn-of-disco era, the album is free of '70s gloss. In fact, some songs are downright minimalist.

My favorite song here is "I Don't Think I Can Make It," which sounds almost like a long-lost Percy Sledge meditation with a sweet organ coloring heavy drums. But the best part is the spoken word segment: "You might your find yo' love with the trash man, the ice man, sometimes the undertaker. But wherever you find it, baby, I want you to hold on to dear life."


* Impala Play R&B Favorites: Impala was (is?) an instrumental group from Memphis that played a basic surfy sound sometimes augmented by a crazy sax.

It was a song called "Taos Pueblo" -- which sounds a lot like the surf classic "Apache" that made me download this 1998 effort. But there's other tracks that make this album a real joy. There's a greasy, sleazy tunes including a cover of Henry Manacini's "Experiment in Terror" (this might even be better than the version by The Blue Hawaiians, which came out about the same time) and Link Wray's "Vendetta."

The song "Makin' It" sounds like the stuff they had to have played in Jack Ruby's Carousel Club. And no, "Hell of a Woman" is NOT the lame Mac Davis hit. It's even darker and more menacing than "Experiment in Terror."

* Burn, Baby, Burn by Stud Cole: Yikes! This is some of the most intense stuff I've heard in awhile. If you're looking for labels, "psychedelic rockabilly" is about the closest I can come up with.

There's a mad apocalyptic feel to many of these songs. "The Devil's Coming" sounds particularly acid damaged, aided by some cheap recording effects.

But that's just a little crazier than "Stop the Wedding" in which Stud's voice sounds as if he might really burst into the church and interrupt the ceremony.

And in "Black Sun" Cole sounds like some swamp shaman railing against the elements. Then songs like "I'm Glad" and "It Ain't Right" sound right out of the '50s.

I really don't know much about Cole. Crusing the Internet for information about his life has been frustrating. Some sources say his real name is Patrick Tirone (there's a track here that's a radio jingle for a Tirone Real Estate!) and he originally was from Buffalo, N.Y. He moved to L.A. to try to make it in the music biz. Supposedly this is his only album and he only pressed 100 copies. I'm glad Norton Records rescued this from obscurity.


* 200 Million Thousand by Black Lips: You can still hear the basic Black Lips sound in here — basic guitar snot rock with frequently off-key sing-along verses that remind me of The Dead Milkmen of yore.

But somehow these wild-eyed Southern boys seem to be expanding their sound without sacrificing their raw, rough amateur-hour appeal.

On some songs The Black Lips sound as if they’ve been listening to another “Black” band — The Black Angels. Thumping psychedelic sludge colors tunes like the faux-bordello “Body Combat” and “Big Black Baby Jesus Of Today.”

Sometimes you wonder whether The Black Lips are idiot savants or just idiots. Take the track called “I Saw God.” This sounds like some deranged anthem that teeters between ridiculous and sublime.

But here's a complaint. For reasons best known to the band and its record company, the final track “Meltdown" isn’t available for download on eMusic. I was willing to spend a buck on Amazon or iTunes, but it's not available for download there either. Sorry, Black Lips. Due to this brilliant marketing strategy, you just lost a dollar.



* Satan's Little Pet Pig by Demon's Claws: This album is the musical equivalent to the the plague of feral hogs the New Mexico state Legislature is trying to battle.

The music of this Montreal band is basic garage punk (The Black Lips are among their top MySpace friends) with some metallic overtones. There's also a distinct country feel on some of the songs, especially "That Old Outlaw" which almost sounds like it came from Bob Dylan's Basement Tapes.

And do I hear an echo of early Replacements on "Tom Cat"?


*Hully Gully Fever by Rudy Ray Moore: This is Rudy Ray before he became Dolomite.

I only had enough tracks left to get a dozen of these songs. I'll get the rest when my account refreshes next week.

I actually owe Cornell Hurd for leading me to this album. Cornell covers "I'm Mad With You" on his latest album American Shadows: The Songs of Moon Mullican. Cornell pointed out how cool it was that Mullican, a country star in the '40s and '50s, would record a tune by Rudy Ray Moore. I started Googling to try to find Rudy's original, and low and behold, it was right here on eMusic.

Friday, March 06, 2009

THE SANTA FE OPRY PLAYLIST

Friday, March 6, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Puddin' Truck by NRBQ
I Like to Sleep Late in the Morning by David Bromberg
Dixie Fried by Carl Perkins
Deisel Smoke, Dangerous Curves by The Last Mile Ramblers
TV Party by Ayslum Street Spankers
Home on the Range by St. Dominic's Trio
Muswell Hillbilly by Southern Culture on the Skids
Be Real by Freda & The Firedogs

Shake a Leg by Kim Lenz & Her Jaguars
Drugstore Rock 'n' Roll by Janis Martin
Hillbilly Fever by Little Jimmy Dickens
Mr. Undertaker by Angry Johnny & The Killbillies
Junkyard in the Sun by Butch Hancock
Cajun Joe (Bully of the Bayou) by Doug & Rusty Kershaw
Dancing Shoes by Mama Rosin
Fan It by Willie Nelson & Asleep at the Wheel
One Sweet Hello by Merle Haggard
Stoney Mountain Boogie by The Stoney Mountain Boys

Brennan on The Moor by The Clancy Brothers with Tommy Makem
Mississippi by Bob Dylan
Wild Little Willie by Ronnie Hawkins & The Hawks
Night Train to Memphis by Roy Acuff
Steamboat Whistle Blues by John Hartford
Desert Rose by Chris Hillman
In My Dreams by Emmylou Harris
You Can't Outplay the Blues by Chris Darrow
Sam Hall by Tex Ritter

Asphalt World by Blonde Boy Grunt & The Groans
The Wrong Kind of Girl by Roger Miller
Follow Me Down by Guy Davis
Southern Girl by John Egenes
Truly by Hundred Year Flood
LaLa Land by Gary Heffern
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, March 05, 2009

TERRELL'S TUNE-UP: MY LATEST FAVORITE MUSICAL INTERNET TIME-WASTERS

A version of this was published in The Santa Fe New Mexican
March 1, 2009


Collage of my LAST.fm library

After more than a decade as a hopeless Internet addict, I realized things might have gotten really out of hand when, last Saturday, I felt compelled to Twitter from the electronic-junk-recycling collection site on Siler Road.

Was it all those piles of discarded computers, monitors, printers, scanners, and keyboards that fed my compulsion to start tapping on my cellphone, holding it as if it were some security blanket? Hard to say. All I know is that the compulsion was there, and when I thought about it, it seemed pretty pathetic.

A couple of music sites have been taking up an embarrassing amount of my attention lately — as if I needed more excuses to waste time on the Internet.

One, which I’ve been using for several weeks, is called Last.fm. More recently, I’ve been spending lots of time fooling around with Blip.fm. Both provide ways to enjoy lots of free music (sorry, musicians) without downloading anything — and encourage the use of nonsensical baby-talk words that make me cringe every time I write, say, or — especially — think them. Let’s do this one at a time.

I’ll go first with Last:

Somebody’s watching what songs I play on my computer! I’ve got to admit, the concept of Last.fm sounds pretty creepy when I think about it. When you sign up, you give this UK-based site access to what songs you play on your computer’s primary media player. You can also set it up to get the songs you play off your iPods and cellphones. This is called “scrobbling” — a much nicer word than “spying.”

With this group of songs, Last.fm creates a personal library for each user. Many, though certainly not all, of the songs you play end up in your library. (You also can manually add tracks you see scattered around the Last.fm realm.) That means you can use any computer that has Internet service to access a nice chunk of your music collection — without having to lug around external hard drives or crates of CDs.

When you press “Play your library” it starts playing tracks you have in shuffle mode, which is what I like anyway. In the last few minutes, as I worked on this column, it has played tracks by Bo Diddley, Dinosaur Jr., the Yeah Yeah Yeahs, and Graham Parker.

And it gave me the Willies — “Whiskey River” by Willie Nelson was followed immediately by “Pain in My Heart” by Willie Dixon.

And yes, there’s a skip button if the Last.fm library player comes up with something you’re not in the mood for.

Another cool thing: sometimes the version of the song played is different from the version you have in your computer. And sometimes it comes up with something comically wrong. For instance, a few minutes ago, it played what it claimed was “Birth of the Boogie” by Bill Haley. But instead, the song playing was some yodeling cowboy. I liked it, but it wasn’t Bill Haley.

I also find it interesting to keep track of my own musical tastes. Last.fm keeps a running tab of your most-played artists. Here’s my Top 10 as of last Saturday afternoon: The Fall (429 plays); The Cramps (408 — and yes, they were high on my list even before Lux Interior died); Captain Beefheart (356); The Mekons (346); The Jon Spencer Blues Explosion (313); Tom Waits (290); Otis Taylor (256); The Fleshtones (251); The Dirtbombs (232); and Andre Williams (215).

(Update: Sometime before Friday night, The Cramps had overtaken The Fall in my never-ending Last.fm rat race.)

Actually, Andre would be higher, but many of the tracks I have by him list whatever band he’s playing with — Andre Williams & Green Hornet, Andre Williams & The Sadies, Andre Williams & The New Orleans Hellhounds, etc.
Joe West with Santa Fe All Stars
And you can listen to the music libraries of others. Last.fm is also a social network, though I admit I don’t use it much that way. Most of my 10 friends are people I know from other music sites or from “real life” (whatever that is). One new friend, a fellow New Mexican, dropped me a line saying, “anyone who digs Joe West and the Mummies is a friend of mine.”

Everyone’s a DJ: I’ve been more active recently on Blip.fm, which some of my buddies from the GaragePunk Hideout turned me on to.

On Blip, you look for songs or artists, and when you find one you like you “blip” it, making a comment if you so desire. Users create their own “stations.” You can choose your “Favorite DJs,” which is a good way to discover music you like — and you don’t have to sign up to hear the songs.

If you’re on Twitter, your blips go out as tweets. (I can’t believe I just wrote that sentence.) And if you’ve set up your Twitter to go to other points in your Internet stomping grounds, those blips/tweets will appear with your comment and a link to the song.

For instance, someone following me on Twitter or reading my music blog or checking out my Facebook profile on Saturday afternoon would know that I blipped “Daddy Was A Preacher, Momma Was A Go-Go Girl” by Southern Culture on the Skids and “Guacamole” by the Texas Tornados — and would be able to click and listen to those tunes. (There’s also a widget to embed your Blip.fm station on your sites.)

However, I think I might have arrived at this party a little late. According to a Feb. 12 story in The Wall Street Journal, Jeff Yasuda, founder and chief executive of Blip.fm’s parent company, the San Francisco-based Fuzz Artists Inc., plans to shut down the Fuzz Web site for economic reasons.

WSJ notes that Yasuda is keeping Blip.fm going. But you’ve got to wonder how’s he going to keep the lights on at the free service when his main business has folded.

Until that dreary day, check out my Blip.fm station at blip.fm/steveterrell and my last.fm at last.fm/user/robotclaw. You can follow my Twitter at twitter.com/steveterrell.

Wednesday, March 04, 2009

SONGS LUX LOVED


With the passing of Lux Interior, Jersey City radio station WFMU has made 13 hours of his favorite music available for downloading.

You'll find it HERE

I've already downloaded a couple of volumes and will be doing more.

Also you can hear the original versions of "Goo Goo Muck" and "Primitive" on my latest podcast.

Sunday, March 01, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, March 1, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Jezebel by The Mummies
Werewolf by Southern Culture on the Skids
Blank Generation by Richard Hell & The Voidoids
Cornfed Dames by The Cramps
You Shake Me Up by Andy Anderson
Get Out of Here, Pretty Girl by Billy Childish
Caroline by Pierced Arrows
Taos Pueblo by Impala
Death of an Angel by The Kingsmen

Pray for Pills by The Dirtbombs
Eat My Weiner by Lothar
Patches Rode the Rail by Deadbolt
Frightened by The Fall
Cecile Lemay by Demon's Claws
Stalking My Woman by Howard Tate
Punk Slime by The Black Lips
Blind Man's Penis by John Trubee & The Ugly Janitors of America

Bad Trip by Lee Fields
Death Ray Boogie by Pete Johnson
You Make Your Own Heaven and Hell Right Here on Earth by The Temptations
Screaming Night Hog by Steppenwolf
Back When Dogs Could Talk by Wayne Kramer
Let Me Come Home by Rudy Ray Moore
100 Days, 100 Nights by Sharon Jones & The Dap Kings
Gray Skies by The Dex Romweber Duo

TV Party Tonight by Henry Rollins
Florentine Pogen by Frank Zappa
The Chastising of Renegade by Primus
Arabia by Pere Ubu
Four Wheeling by Elastica
Bummer in the Summer by Love
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

MY LUCKY 7 PODCAST: TERRELL'S SOUNDWORLD FAVORITES VOL. 2

My latest podcast!
CLICK HERE to download the podcast. (To save it, right click on the link and select "Save Target As.")

CLICK HERE to subscribe to my podcasts (there will be more in the future) and HERE to subscribe on iTunes.

You can play it on the little feedplayer below:




My cool BIG feed player is HERE.

Here's the play list:

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
El Jefe/Mucho Trabajo by Lone Monk
Ubangi Stomp by Jerry Lee Lewis
Way Down in the Congo by Ike & Bonnie Turner
Penny & The Young Buck by The Gluey Brothers
Little Red Riding Hood by The Big Bopper
Bird Guy by Qu'an & The Chinese Takeouts
(Background Music: QB by The Fuzzy Set)

Everybody's Got the Devil Inside by Thee Butchers' Orchestra
Boooooogie by Stinky Lou & The Goon Mat with Lord Bernardo
One Kind Favor by Canned Heat
Goo Goo Muck by Ronnie Cook & The Gaylads
Primitive by The Groupies
Pappa Satan Sang Louie by The Cramps
(Background Music: Makin' It by Impala)

Pardon Me, I've Got Someone to Kill by The Rockin' Guys
Bloody Mary by Barrence Whitfield & The Savages
Nut Sundae by The Fabulous Tempoes
Ooba Gooba by The Charts
Not Me by The Orlons
Pack Your Pistols by The Dirty Novels
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, February 27, 2009

THE SANTA FE OPRY PLAYLIST

Friday, February 27, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Living with the Animals by Mother Earth
My Favorite Record by The Asylum Street Spankers
Wishing For You by The Sir Douglas Quintet

BUTCH HANCOCK LIVE IN THE STUDIO

BUTCH HANCOCK Wishing for You (alternative version)
Road Map for the Blues
No Place to Fall
Waitin' Around to Die
Pinecone
Dangling Diamond
(end live set)
Morning Goodness by Butch Hancock & Robert Earl Keen

Turn it On, Turn it On, Turn it On by Tom T. Hall
Liquor Store by The Meat Purveyors
The Way You Can Get by The Gourds
You Snap Your Fingers (And I'm Back in Your Hands) by Amber Digby
If You Should Come Back Back Today by Johnny Paycheck
She's My Neighbor by Zeno Tornado & The Boney Google Brothers
Bright Lights and Blonde-Haired Women by Ray Price
Bip a Little, Bop a Little by Joe Penny
Honky Tonk Kind by Charlie Feather
Did Boy Dig by Freddy Hart

Keep a Light in Your Window by Cornell Hurd
Wide River to Cross by Buddy Miller
You're the Nearest Thing to Heaven by Johnny Cash
Out of My Head by Blonde Boy Grunt & The Groans
Cool and Dark Inside by Kell Robertson
West Texas Waltz by Emmylou Harris with Flaco Jimenez
Someday by Blaze Foley
Be My Love by NRBQ
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: SPANKER TIME

A version of this was published in The Santa Fe New Mexican
February 27, 2009


They call themselves “God’s favorite band.” I’m not sure if the god they’re talking about is Dionysus or some jungle deity whose name cannot be spoken.

But even agnostics should be able to appreciate The Asylum Street Spankers, a good-time crew from Texas that has been spreading its gospel of old-timey acoustic sounds, radical politics, reefer madness, dirty jokes, and general wackiness.
Los Spankers
The Spankers have a new — well, pretty new — double live CD, What? And Give Up Show Biz? And they’re coming to Santa Fe. (Actually, according to the Spanker Web site, brassy belter Christina Marrs is on maternity leave, so the upcoming show will be an all-male revue. As the Web site says, “While the lady is with child, the dudes are going wild.”)

For those not familiar with the ASS, this live album, recorded in January 2008 at New York’s Barrow Street Theater, is a good place to start. Show Biz includes tunes spanning the band’s career — dope songs, dirty songs, children’s songs, a political-conspiracy song (“My Baby in the CIA”), and a perfectly lovely version of Harry Nilsson’s “Think About Your Troubles.”

This is one of the only bands I know that would release a record that includes a vaudeville classic like “Everybody Loves My Baby” and a Black Flag cover, “TV Party.” There is also a cool, quick medley of instrumental TV-show themes, including those of The Simpsons, Jeopardy, and Bonanza.

And like Black Flag, the Spankers have a punk-rock heart, despite their strict adherence to a no-electricity credo. Their Betty Boop-ish version of Tampa Red’s “Tight Like That” includes a quick detour to The Jim Carroll Band’s “People Who Died.”

Less successful is the band’s fusion of country music and rap with a song called “Hick Hop.” The Gourds’ version of Snoop Dogg’s “Gin and Juice” set the standard for endeavors like this.

Lots of musicians of any note who’ve been around for a few years have certain songs that they’re sick of but the masses demand. (Ask Loudon Wainwright III about “Dead Skunk” or Ray Wylie Hubbard about “Redneck Mother.”) The Spankers have an answer for this — a less-than-three-minute “Medley of Burned Out Songs.” It’s a fun track, but newcomers to Asylum Street should seek out the full version of “Lee Harvey,” a sympathetic look at the late Mr. Oswald.

A lot of the album consists of between-song stage patter and shaggy-dog tales. Even though this kind of live-album stuff starts to get old after a few listens, the Spankers are better at it than most — mainly because they’re funnier. And some of these throwaway tracks have their own charm. Take the dumb, dirty-minded, a cappella ditty “My Country’s Calling Me,” which sounds like it’s straight from the playground. That reminds me of a weird little song from my own youth that starts out, “There was a miss/Who went to piiiiiiiiiiiiick some flowers” (actually an old high school teacher taught me that one).

In addition to the laffs, the Spankers are memorable because of their musicianship. Even at their silliest, they are, as Tampa Red would say, tight, tight like that.

The Asylum Street Spankers play at 7:30 p.m. on Tuesday, March 3, at Santa Fe Brewing Company, 37 Fire Place, 424-3333. Tickets are $17 in advance, from the Lensic Performing Arts Center, 988-1234, or $20 at the door.

Also recommended:

* American Shadows: The Songs of Moon Mullican by The Cornell Hurd Band. “He was one of the fathers of rock ’n’ roll, kid. Yes, he was.”
CORNELL'S INFOMERCIAL
That’s what Hurd says in the introduction to this album, on which he, his magical band, and guest stars pay tribute to Aubrey Wilson Mullican, a piano-playing Texan best known as a country singer in the 1940s and ’50s.

But Cornell ain’t lying about the rock ’n’ roll. Mullican embraced rockabilly, as “Moon Rocks” and “Seven Nights to Rock” prove. Those songs are included in the tribute, as are his hits like “I’ll Sail My Ship Alone” (sung by Tommy Alverson) and “Cherokee Boogie” (sung by Brad Moore).
Two of my favorites here are duets — “Southern Hospitality” and the mighty pretty “Mighty Pretty Waltz” — by Maryanne Price (former Lickette with Dan Hicks) and Chris O’Connell (ex-Asleep at the Wheel).

And here’s some pretty amazing musical trivia. Mullican recorded a song by none other than the late pimperiffic R & B master Rudy Ray Moore — yes, Dolomite himself — “I’m Mad With You,” sung here by Hurd. “The fact that Moon recorded a Rudy Ray Moore song puts him in a class by himself,” Hurd says in the liner notes. Cornell’s pretty much in a class of his own as well.

Note: After I wrote and submitted this column, Paul Skelton, guitarist for The Cornell Hurd Band died. He was a heck of a picker. His obit is HERE

BLESS YOU, BUTCH
Life’s a Butch: Butch Hancock is coming to town. Not only is he playing at 7 and 8:45 p.m. on Saturday, Feb. 28, at Gig Performance Space (1808-H Second St.; tickets, $29, are available at the Lensic Performing Arts Center, 988-1234), he’s also playing live Friday night, Feb. 27, on my radio show The Santa Fe Opry. That’s at 10 p.m. on KSFR-FM 101.1 and streaming live at ksfr.org.

Sunday, February 22, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, February 22, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Celluloid Heroes by The Kinks
New Age by The Velvet Underground
No Business Like Show Business by Ethel Merman
She Looks Like a Woman by The Fleshtones
Mean and Evil by The Juke Joint Pimps
Burn, Baby Burn by Stud Cole
Big Game Hunter by Andy Anderson

Drinking With Jesus by The Red Elvises
The Leather by The Oblivions
People, Places and Things by The Dex Romweber Duo with Exene Cervenka
Jungle Music by Simon Stokes
Rey de Tablistas by Wau y Los Arrrghs!
Walking on My Grave by Dead Moon
Unemployment by Demon's Claws
The Itch by Chuck Higgens
Jill Used to Be Normal by Jesus H. Christ & The Four Hornsmen of the Apocalypse

Makin' It by Impala
I'm Mad With You by Rudy Ray Moore
Strolling Beale # 1 by Rufus Thomas
Sweet Little Rock 'n' Roller by The Flamin' Groovies
Sloe Gin by Billy Miles Brooke
Time Passes By by Lone Monk
My Little Problem by The Replacements with Johnette Napolitano
Girls Are Mad by The Ettes
Mad Daddy by The Cramps

Rockabilly Monkey-Faced Girl by Ross Johnson
Just Want Your Love by Big Maybelle
Two Wings by Alvin Youngblood Hart
He's a Mighty Good Leader by Joe Lastie & The Lastie Family Gospel
Ordinary Night by The Mekons
My Beloved Movie Star by Stan Ridgway
Porpoise Mouth by Country Joe & The Fish
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

SUNDAY MORNING

BUTCH HANCOCK at 2007 Thirsty Ear Festival
First some news. One of America's greatest living songwriters, the incomparable Butch Hancock has agreed to play live next Friday on The Santa Fe Opry.

That's 10 pm on KSFR, Santa Fe Public Radio, 101.1 FM. It'll stream live on the Web too. Click on the link back there.

Butch is playing two shows Saturday night at The Gig Performance Space. ($29 General Admission. Tickets at Lensic Box Office 505-988-1234.) It's brought to you by Southwest Roots Music, (which this year has moved the Thirsty Ear Festival up to June.)

xxxxxxx

I've been fooling around with my favorite recent Internet time-waster, Blip.FM. (For this I blame my GaragePunk Hideout pals Kaiser, Martha and Kopper.) It's been cluttering up my Twitter feed and Facebook, but it's pretty cool, providing a direct link to some of the crazy music I like.

So check out my Blip.FM page. Press play on a song you like and when that one's over, the next song on the list will begin. And if you're so inclined, sign up and set up your own station. It's easy as pie and lots of fun.

(By the way, Kaiser and Kooper have two of the most bitchen podcasts in the Free World, RadiOblivion and Savage Kick. Click the links and check those out.)

XXXXXX

One of my favorite country artists, Buddy Miller had triple bypass surgery Friday. Reportedly he's recovering well. Here's a news story from The Nashville Tennessean.

We're pulling for ya, Buddy.

XXXXXXX

Terrell's Sound World, home of freeform weirdo radio, is tonight on KSFR. Starts at 10 p.m., please tune in. And you Twitterheads, gimme a tweet.

Friday, February 20, 2009

SANTA FE OPRY PLAYLIST

Friday, February 20, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Wickedest City by The Waco Brothers
That's What Makes the Jukebox Play by Roy Acuff
Big Harlan Taylor by Roger Miller
The Moon Is High by Neko Case
Honky Tonk Man by Johnny Horton
That Little Honkey Tonk Queen by Moe Bandy & Joe Stampley
Parchman Farm by Ray Condo & His Ricochets
The Girl on Death Row by T. Tex Edwards & Out on Parole
I Don't Want to Go by Stud Cole
La Delaysay by The Pine Leaf Boys
Make Friends by Cornell Hurd

Tight Like That/People Who Died by The Asylum Street Spankers
Sin Away by The Grevious Angels
Poon-Tang by Deke Dekerson with The Treniers
Walking Bum by Heavy Trash
Bottle of Wine by Angry Johnny & The Killbillies
Be Real by Freda & The Firedogs
Let Me Be The Judge by Amber Digby
Catch 'em young, Treat 'em Rough and Tell 'em Nothing by Hank Penny
Sweet as the Flowers in Maytime by The Carter Family

Mustang Kid/Fuzzy Stuff by Andy Anderson
I Can't Find the Doorknob by Jimmy & Johnny
Shortnin' Bread Rock by The Collins Kids
Red Hot by Billy Lee Riley
Trucker From Tennessee by Link Davis
I'm Comin' Home by Sleepy LaBeef
Hillbilly Music by Jerry Lee Lewis
Honey Hush by Johnny Burnette & The Rock 'n' Roll Trio
Johnny Valentine by Andy Anderson

Don't Buy a Skinned Rabbit by Blonde Boy Grunt & The Groans
Cool and Dark Inside by Kell Robertson
One More Down by John Egenes
Grinding Wheel by Hundred Year Flood
Tiny Island by Leo Kottke
You Coulda Walked Around the World by Butch Hancock
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: A ROLLING STONE IN TAOS?

A version of this was published in The Santa Fe New Mexican
February 20, 2009


Bet you didn't know that one of the original Rolling Stones used to live in Taos.

No, not Mick or Keith or any of those other limeys who popped up in the '60s. I'm talking about Andy Anderson, the founder of a first-generation rockabilly band by that name, which sprang out of Clarksdale, Mississippi, in the mid-1950s; he sang songs like "Johnny Valentine" and "Tough, Tough, Tough." He never sold a fraction of the records the latter-day Stones did. But Mick Jagger can't say he helped build a New Mexico state fish hatchery, now can he?

I recently received a package of CDs with a personal note from Andy. "Many of these songs were written when we lived in Taos. Many great memories from Santa Fe and the area." He went on to write that he lived in Taos between 1976 and 1988.

The CDs he sent are all titled One Man's Rock & Roll. My favorite is subtitled The Early Years 1955-1965. The other two, which also include some dang good tracks, are more recent recordings. They are subtitled Anthology Vol. 1 and Anthology Vol. 2: Party Down.

Like many ascended masters of the blues, Anderson grew up on a Mississippi plantation. One big difference: he wasn't a sharecropper. His parents owned the plantation. The liner notes for The Early Years say that as a child he actually went to live shows featuring the likes of Howlin' Wolf, John Lee Hooker, and B.B. King.

Anderson formed The Rolling Stones during his college years at Mississippi State University. A 2005 interview with The Clarion-Ledger in Jackson, Mississippi, quotes the singer talking about his early years with The Stones: "Nobody drank. We were clean livin' rock 'n' rollers, good old boys who just wanted to make music and took everything for granted. We didn't want a million dollars, we wanted more gigs."

Clean living? That doesn't sound like the Rolling Stones most of us know.

The group cut a lot of records, even some at Sun Studio with Jack Clement as producer. Alas, those songs have yet to be released. The Early Years, however, is a great sampler of Anderson's Rolling Stones years and of his work with his next band, The Dawn Breakers (from 1959 on).

Though you never hear them on oldies radio, Anderson had some extremely cool tunes. There's "Johnny Valentine" — three versions of which are included in this collection — a song about a rockin' Romeo who "goes out with the girls all of the time/He's in love with 'em all; he goes out every night/He's got about a hundred; he likes to hold 'em tight." "I-I-I Love You" is simple and greasier than Kookie's comb. And "Tough, Tough, Tough," is a punchy little rocker that lives up to its name.

Unlike the golden gods of rockabilly whose names we all cherish, Anderson had some regional hits, but he never quite caught on. He kept his day job as manager of an electrical- supply store and kept recording through the late '60s. The later songs on The Early Years show Anderson progressing beyond rockabilly, incorporating elements of soul, R & B, and country.

He worked the business end of the music biz too. During a stint in California in the late '60s, he was part of a management company whose clients included Jefferson Airplane, The Seeds, and Canned Heat. Anderson had all but given up on music by the early 1970s. But then he hooked up with a songwriter named J.J. Hettinger and started a band called The Eagle and the Hawk. The group relocated to New Mexico in the mid-'70s — perhaps because they heard our music industry was for the birds.

Not only did Anderson play music in Taos, he also sold real estate. And though he didn't mention it in his note to me, he spent some time in Albuquerque building custom homes. Shortly after moving to Taos, Anderson lost a finger in a mishap with a hydraulic lift. That was the end of The Eagle and the Hawk. Anderson started a construction company called Big Valley Land & Construction.

According to his biography in the Rockabilly Hall of Fame Web site, the company was subcontracted to help build the state fish hatchery near Questa. But Anderson's hard luck continued. "The general contractor on the project went bankrupt," the Web site says. "This cost Andy his profit from the job and forced him to liquidate his company to pay off all of his debts."

By this time, Anderson was doing some gigs and even some recording with local musicians. But he returned to Mississippi by the end of the '80s, reportedly so he could work with hard-core Southern rockers.

The two anthologies are from his post-New Mexico period. While they aren't as much fun as the '50s and '60s recordings on The Early Years, there are some great blues-drenched boogie stompers here. These include "Wichita Watchita Omaha Cowboy," "Red Dog Cider," "Sweet Imogene," and "Damned Old Ford." Then there's "Fuzzy Stuff," which starts out "I went on down to the fabric store." Anderson's voice has gotten rougher and gruffer with age, and it suits these songs well. Never has a trip to the fabric store sounded more fun or nastier.

Unfortunately, too many slow ballads on these albums are sappy. Andy's more convincing as a tough old rocker than an old softie.

Wednesday, February 18, 2009

THE PLANT-KRAUSS COLLABORATIVE MODEL


I've got to post this one in both my blogs, music and politics.

In her column at The Ventura County Star, Beverly Merrill Kelley says politicians could learn a lot from the Grammy-winning collaboration between former Led Zep wailer Robert Plant and modern bluegrass princess Allison Krauss.

I don't think much of the Grammys, but it's still a worthwhile column.

You can read it HERE.

Thanks to Deborah Baker at the Associated Press for showing me this.

Sunday, February 15, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, February 15, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Do the Clam by The Cramps
Spreading the Love Vibration by 27 Devils Joking
Hate You Baby by The Marshmellow Overcoat
Sonny Could Lick All Those Cats by Chuck E. Weiss
Kingdom of My Mind by The Blood-Drained Cows
Primitive by The Groupies
You Talk, I Listen by Ross Johnson
House of Pain by Johnny Dowd

Outta Gear by Los Straitjackets
Spastica by Elastica
The Golden Road (To Unlimited Devotion) by The Grateful Dead
Occurance on the Border by Gogol Bordello
Where the Flavor Is by Mudhoney
Somebody in My Home by John Schooley
Picture of You by The Dex Romweber Dup
City Hob Goblins by The Fall
Tallahassee Lassie by The Flamin' Groovies
Let That Liar Alone by Sister Rosetta Tharpe

Things Are Movin' Way Too Fast by Hasil Adkins
An Ugly Woman (Is Twice as Sweet) by Don Covay
Pachuca Hop by Mad Mel Sebastian
The Monkey Song by The Big Bopper
Baby by Marty Roberts & His Nightriders
Money (That's What I Want) by Paul Revere & The Raiders
I'm the Wolf by Howlin' Wolf
Boom Chank by The Reverend Peyton's Big Damn Band
Goo Goo Muck by Ronnie Cook & The Gaylads
Bacon by The Jon Spencer Blues Explosion

I'm Watching You by Jay Reatard
The Piston and The Shaft by Thinking Fellers Union Local 282
My Hat by Pere Ubu
Broken World by Shemekia Copeland
Miss Beehive by Howard Tate
Longtime Jerk by The Clash
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, February 13, 2009

THE SANTA FE OPRY PLAYLIST

Friday, February 13, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Funnel of Love by Wanda Jackson with The Cramps
Sucker for a Cheap Guitar by Ronnie Dawson
Wild and Free by Hank Williams III
Out There a Ways by The Waco Brothers
Hesitation Blues by Willie Nelson & Asleep at the Wheel
Tough Tough Tough by Andy Anderson
White Trash Girl by Candye Kane
Adios Mexico by Joe "King" Carrasco & Texas Tornados
Dallas Alice by Doug Sahm

California Blues by Alejandro Escovedo with Jon Langford
21 Days in Jail by The Blasters
Give That Love to Me by Ray Campi
Why I'm Walkin' by Johnny Paycheck
Crazy Mixed Emotions by Rosie Flores
Firewater Seeks Its Own Level by Butch Hancock & Jimmie Dale Gilmore
Deep as Your Pockets by Amber Digby
Handyman by C.W. Stoneking
Beer by Asylum Street Spankers

How Can a Poor Man Stand Such Times and Live by The Del-Lords
Brother Can You Spare a Dime by Dr. John with Odetta
Hollis Brown by Thee Headcoats
Busted by Ray Charles
Artificial Flowers by Cornell Hurd featuring Blackie White
Going Down This Road Feeling Bad by Doc Watson
Why Do You Bob Your Hair, Girls? by Ann Magnuson

Tangled Up in Love by The Rifters
Willie the Weeper by The Nitty Gritty Dirt Band
Lucille by The Beat Farmers
Loudmoth Cowgirls by Kim & The Cabelleros
Magnificent Seven by Jon Rauhouse
Green Green Grass of Home by Ted Hawkins
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, February 12, 2009

TERRELL'S TUNE-UP: MUSICAL STIMULUS PACKAGE

A version of this was published in The Santa Fe New Mexican
February 13, 2009


You want a silver lining for this economic crisis? Here's one: hard times often produce great songs. This is a Top 10 list of my favorite tunes about poverty and economic stress.

Steve Terrell's musical stimulus package

1. "Brother, Can You Spare a Dime?" This Great Depression classic (also known as "Buddy Can You Spare a Dime?"), written in 1931 by Yip Harburg and Jay Gorney — who used a melody based on a Russian lullaby — is the story of a down-and-out World War I veteran. "Half a million boots went slogging through hell, and I was the kid with the drum." Bing Crosby's is the best-known version, but Rudy Vallee also had a hit with it about the same time. But for my dime, the greatest version ever was a bluesy one done in 1992 by Odetta and Dr. John on a charity compilation CD called Strike a Deep Chord: Blues Guitar for the Homeless. Harburg, by the way, went on to write all the lyrics for the songs in The Wizard of Oz.

2. "Busted." The first line tells it all: "My bills are all due and the baby needs shoes, and I'm busted." Harlan Howard wrote it, and Johnny Cash was the first to record it, but the most glorious bust of all was Ray Charles' big-band version in 1963. I'm also fond of the Hazel Dickens hillbilly version on her album Hard Hitting Songs for Hard Hit People.

3. "Inner-City Blues (Make Me Wanna Holler)." This was the angriest song on Marvin Gaye's masterpiece What's Going On. It's the last song on the album, a five-plus-minute cry of frustration about poverty, war, and "trigger-happy policemen."

4. "How Can a Poor Man Stand Such Times and Live?" This song was written and recorded in 1929 by West Virginia singer Blind Alfred Reed. According to legend, Reed died of starvation in 1956. Ry Cooder covered this song on his first album, as did Bruce Springsteen just a couple of years ago. But the best version is the rocked-up rendition by The Del-Lords in the '80s.

5. "The Ballad of Hollis Brown." Back in the early '60s, Bob Dylan ripped this murder-suicide from the headlines. I don't know the true story, but in the song, farmer Brown is driven to the desperate deed by starvation. "You looked for work and money/And you walked a rugged mile/Your children are so hungry/That they don't know how to smile." The original version is probably the best, but also worthwhile are covers by the Neville Brothers, Thee Headcoats, and The Pretty Things.

6. "Artificial Flowers." Bobby Darin had a hit in 1960 with this song from a Broadway musical called Tenderloin by Jerry Bock and Sheldon Harnick — who would become famous for Fiddler on the Roof. Tenderloin is about a crusading minister in 1890s New York, and this song tells of the need for some serious crusading.

"With paper and shears, with some wire and wax/She made up each tulip and mum/As snowflakes drifted into her tenement room/Her baby little fingers grew numb. ... They found little Annie all covered in ice/Still clutchin' her poor frozen shears/Amidst all the blossoms she had fashioned by hand/And watered with all her young tears."
Darin turned it into an upbeat swing that belied the horrible story, perhaps to emphasize the "happy ending," in which Annie goes to heaven and gets to wear real flowers.
Stephen Foster
7. "Hard Times Come Again No More." Stephen Foster wrote this in 1854. Hard times, he says, have "lingered around his cabin door." He also admonishes the well-off not to ignore the poverty around them. "While we seek mirth and beauty and music light and gay/There are frail forms fainting at the door." This tune has been recorded by Dylan, Cash, and Mavis Staples. But my favorite is by a bunch of New Mexico misfits, the Bubbadinos. Mark Weber croaks it with soul, as the Bubbas, backing him on guitar, banjo, tuba, and clarinet, sound like a Salvation Army band in the drunk tank. The overall effect is oddly dignified. It's on the album The Band Only a Mother Could Love. (Check out zerxpress.blogspot.com and click on "The Bubbadinos.")

8. "Rag Doll." Not only is this haunting tune by The Four Seasons one of the finest — if indeed not the finest — single ever produced in the history of popular music, the story of how the song came to be is stirring. In his online column "Classic Tracks," Dan Daley quotes Four Seasons member and songwriter Bob Gaudio:

"I was driving into [Manhattan] for a session and I got stopped at Eleventh Avenue, which back then seemed like the longest traffic light in the world, like three minutes long. ... If you got stopped there, you'd have these homeless people come up and try to wash your windshield for spare change. I saw this hand come up to my windshield and connected to it was a woman whose clothes were all tattered and who had this dirty face, like something out of Oliver. .. I didn't have any change on me. All I had was a ten-dollar bill, so I gave it to her. I drove off and saw her in the rearview mirror just staring at it. That image stayed with me."


9. "I'm Goin' Down the Road Feelin' Bad." Woody Guthrie is often credited for this song, which plays on the archetype of the happy-go-unlucky hobo. But there are versions that go back to the 1920s — and, I suspect, further. My favorite version is Doc Watson's 1973 take, in which the protagonist is plagued by hard luck, cruel jailers, shoes that don't fit, and climates that don't fit his clothes. He's determined though, and he "ain't gonna be treated this way."

10. Sorry, I can only afford nine.

Sunday, February 08, 2009

TERRELL'S SOUND WORLD PLAYLIST

Sunday, February 8, 2009
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Bless You by The Devil Dogs
Lover's Gold by The Dex Romweber Duo
Preacher and the Bear by The Big Bopper
Rebellious Jukebox by The Fall
If I Had a Son by Lone Monk
Coffee Date by Wild Billy Childish & The Musicians of the British Empire
Wildcat Tamer by John Schooley & His One-Man Band
One Monkey Don't Stop No Show by Big Maybelle
Cleo's Mood by Junior Walker & The All-Stars
Dead on Arrival by Jay Reatard
Vanity Surfing by Jesus H. Christ & The Four Hornsmen of the Apocalypse

My Soul is a Witness by Alvin Youngblood Hart with Sharon Jones
Death Trip by The Stooges
Lap Dance by The Jon Spencer Blues Explosion with Andre Williams
Nudist Camp by Ross Johnson
Madhouse by Barrence Whitfield & The Savages
Dog Meat by The Flamin' Groovies

LUX INTERIOR TRIBUTE
All songs by The Cramps unless otherwise noted
R.I.P. Lux Interior
Zombie Dance
Garbage Man
Voodoo Idol
Riot in Cell Block #9 by Wanda Jackson with The Cramps
Bend Over I'll Drive
Shortnin' Bread by The Ready Men
Papa Satan Sang Louie
Can Your Pussy Do the Dog by The Rockin' Guys

Rockin' Bones
Thee Most Exalted Potentate of Love
Green Fuz by Green Fuz
TV Set
Can't Hardly Stand It by Charlie Feathers
She Said by Hasil Adkins
Sunglasses After Dark
Miniskirt Blues by The Cramps with Iggy Pop
Bikini Girls With Machine Guns
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, February 06, 2009

THE SANTA FE OPRY PLAYLIST

Friday, February 6, 2009
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Muleskinner Blues by The Cramps
I'm Not That Kat Anymore by Terry Allen
Daddy Was a Preacher, Mama Was a Go Go Girl by Southern Culture on the Skids
We love Jean Arthur
Jean Arthur
Marie by Martin, Bogan & Armstrong
I'll Sail My Ship Alone by Cornell Hurd with Tommy Alverson
Mustang Kid by Andy Anderson
Soakin' Wet by Amber Digby
That Little Ol' Winedrinker Me by Miss Leslie
Jean Arthur by Robbie Fulks
You're the Reason Our Kids are Ugly by Conway Twitty & Loretta Lynn

Changing All Those Changes by Buddy Holly
Crying, Waiting, Hoping by Marty Stuart & Steve Earle
Skip a Rope by The Kentucky Headhunters
All the Way to Jericho by The Gourds
Time Bomb by The Old 97s
The Golden Inn Song by The Last Mile Ramblers
Junkyard in the Sun by Butch Hancock
Ruby Don't Take Your Love to Town by Walter Brennan

Mud/Another Bottle by Rev. Payton & His Big Damn Band
My Baby in the CIA by The Asylum Street Spankers
Sharon by David Bromberg
T'es Pas La Meme by The Pine Leaf Boys
Pine Grove Blues by Mama Rosin
Girl Called Trouble by The Watzloves

Waiting Room by Zeno Tornado & The Boney Google Brothers
Sweet Mary Alice by Possessed by Paul James
I'm Happy by Rev. Beat-Man
Ghost of Hollywood by John Egenes
She Even Woke Me Up to Say Goodbye by Jerry Lee Lewis
Another Place I Don't Belong by Big Al Anderson
Hank Williams' Ghost by Darrell Scott
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, February 05, 2009

TERRELL'S TUNEUP: AL & SONNY ON FILM

A version of this was published in The Santa Fe New Mexican
February 13, 2009



Robert Mugge has been making documentaries about his favorite musicians since the mid-’70s. His first was George Crumb: Voice of the Whale, a portrait of the American avant-garde composer. That was soon followed by a movie about Alabama’s most famous space alien, Sun Ra: A Joyful Noise.

The thing I like best about Mugge docs is that the music is never shortchanged. He often lets an entire song play, allowing the music to speak for itself. And while he gives his subjects lots of leeway to tell their stories, Mugge’s interview segments go straight to the core.

Two long out-of-print Mugge movies from the 1980s about very different titans of American music were recently released on DVD by Acorn Media: Gospel According to Al Green (the 25th-anniversary edition) and Sonny Rollins: Saxophone Colossus.The Green movie is one of the finest musical biographies I’ve ever seen.

It opens with Green in a recording studio, picking a guitar, and playfully toying with a song that mainly consisted of the lyrics, “I love you ... I love you with all my heart.” He grins as he reaches the high notes, subliminally invoking the ghost of Sam Cooke. He makes it look so easy. Viewers can’t help but be mesmerized.

The scene shifts to Bolling Air Force Base in Washington, D.C., where a tuxedo-clad Green is escorted to the stage by military personnel, and with full band and backup chorus, leads the crowd in a hallelujah gospel stomp. After cutting away for an interview segment, we return to the base, with Green putting his stamp on The Impressions’ “People Get Ready.” He works the crowd and brings down the spirit.

In a 2005 interview, Mugge told me that “the sacred-secular conflict clearly represents both the heart and the soul of Al Green. ... This is a film about love, about the connections between soul music and gospel, and about a man who flew too close to the sun, got his eyeballs burned, and has been singing ever since with fire coming out of his mouth.” (Mugge repeats this almost word-for-word in a director-reflections feature on the new DVD.)

The singer’s conflicts between his big-time soul-star lifestyle and his religious upbringing were starting to tear at him by the mid-’70s. Green’s experience with this battle culminated in violence — on a hellish night in 1974 when a spurned girlfriend threw a pot of boiling grits in his face as he was bathing, causing second-degree burns. She then went into a bedroom and shot herself. Following the suicide, Green became an ordained minister. By the end of the ’70s, he had turned his back on secular music.

Mugge told me that his filmed interview with Green was one of the first times Green publicly talked about some of his darker times.

“Some of his longtime musicians were in the control room of his studio, basically standing there with their mouths hanging open,” the director said. “I learned from them afterward that Al had spoken to me of things that, to their knowledge, he had never discussed with anyone. Naturally, the so-called ‘hot-grits incident’ was, for him, the most painful subject for him to address. But I had the sense that he really did want to talk about it that day — to get the matter out on the table, to let people know exactly what had happened, and then to be done with it.”

But Mugge wouldn’t let his movie become a glorified version of VH1’s Behind the Music. Remember, “gospel” means “good news,” and Gospel According to Al Green is the story of a man who has become comfortable with his contradictions. He laughs when talking about crowds of women trying to rip off his clothes in his early days. He does a version of his hit “Let’s Stay Together” with no hint of compromise. (Those who have seen Green’s shows in recent years know he freely mixes his secular hits with his gospel music.)

Toward the end of the movie, Mugge takes us to Green’s Full Gospel Tabernacle church in Memphis, where Green still preaches — and if this film is any indication, gives amazing musical services — most Sundays.

The new DVD features the above-mentioned Mugge interview, plus an audio version of Mugge’s complete interview with Green, some concert excerpts, and more than an hour of an Al Green church service.

As a film, Sonny Rollins: Saxophone Colossus doesn’t quite measure up to the Green documentary, which was made just a couple of years before. Mugge spends too much time with a trio of near-worshipful jazz critics who don’t shed much light on Rollins’ music. And he spends way too much time on Rollins’ collaboration with the Yomiuri Nippon Symphony in Tokyo.

About the last half of the film deals with the world premiere of the sax man’s Concerto for Tenor Saxophone and Orchestra on May 18, 1986. I guess this is just a little too highfalutin for my taste. I’d much rather watch performances like the 15-minute “G-Man” that opens the movie. Shot at an outdoor concert in upstate New York, this footage — and to a lesser extent the excepts from “Don’t Stop the Carnival,” shot at the same show, that end the film — inspired me to seek out Rollins’ album G-Man, which features some of the performances here.

In general, I’d much rather see and hear Rollins in a red sweater backed by a small combo (Clifton Anderson on trombone, Mark Soskin on piano, bassist Bob Cranshaw, and drummer Marvin Smith) in a park than Sonny all gussied up in a tux with a full orchestra in a concert hall.

A December 2005 profile of Robert Mugge I wrote can be found HERE.

TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 28, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrel...