Friday, December 17, 2010

TERRELL'S TUNEUP: SONGS FOR THE SEASON

A version of this was published in The Santa Fe New Mexican 
December 17, 2010

Ten years ago this week, I wrote in this column a list of my Top 10 favorite Christmas songs, which may have been based on a previous version that was published about a decade before that.

Everyone’s tastes change a little through the years, but looking over that list, I’ll stand by those selections. I still play those songs at home and on my radio shows every year.

But there is lots of great Christmas music out there. So here’s a new list of my favorite Christmas songs that I cherish almost as much as the ones on the old list.

1. “Santa Doesn’t Cop Out on Dope” by Sonic Youth. The band made up of Thurston Moore, Kim Gordon, Lee Ranaldo, and Steve Shelley has never been known for its humor. So it’s not going out on much of a limb to declare that this is hands down the funniest song they ever recorded. It’s a Martin Mull tune, originally recorded by the singer-comic in the mid-’70s as a parody of smug moralists trying to use “hep lingo” to rap to the youth about drugs and such. Sonic Youth adds a few layers of absurdism, not to mention crazy noise.

2. “All For Gloria” by Elastica. This is a rock ’n’ roll reimagining of “Gloria in Excelsis Deo” by a predominantly female band that burned out way too quickly in the ’90s. The recording is from a John Peel BBC Christmas show, which ended up on an album called Elastica: The Radio One Sessions. But I bet most American fans first heard it on Just Say Noël (on which it was called “Gloria”) — the same 1996 Geffen Christmas collection that featured the Sonic Youth song mentioned above. On Radio One, Elastica also does a pretty cool version of “We Three Kings” called “I Wanna Be a King of Orient Aah.”

3. “Must Be Santa” by Brave Combo. Bob Dylan took Combo’s crazy pumped-up polka arrangement of this old kiddie song for his Christmas album last year (and made a hilarious video that was an internet sensation). I like the original better.

4. “White Christmas” by Otis Redding. Nobody should have even attempted to sing this Christmas chestnut after Redding worked it over. Like he did with practically everything he ever recorded, the man just sang his guts out.

5. “Eggnog” by The Rockin’ Guys. The Guys are a punk band from Conway, Arkansas, which I never would have discovered except for the goodwill of a former colleague who’s an Arkie expat. The song is a tender reminiscence of the singer’s “poor old peg-leg pappy” and how the family would get together at Christmas and “decorate his stump.”

6. “Blue Christmas Lights” by Chris Hillman & Herb Pedersen. Buck Owens co-wrote and recorded this sad Yuletide honky-tonker. But Hillman & Pedersen, who covered it in the ’90s, make it haunting with their harmonies.

7. “Christmas in the Trenches” by John McCutcheon. This is a touching ballad about the famous 1914 Christmas truce during World War I. British and German troops spontaneously laid down their arms to sings carols and celebrate the holiday before getting back to the serious work of killing one another the next day.

8. “Can Man Christmas” by Joe West with Mike “The Can Man” Burney. Burney — who collects aluminum cans around the Lone Butte area for recycling — narrates a couple of anecdotes involving his Santa Claus suit as West and his band play a slow, sad melody.

9. “Star of Wonder” by The Roches. Unaccompanied, sisters Maggie, Suzzy, and Terre sing otherwordly harmonies on this tune written by Terre.
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10. “Christmas Boogie” by Canned Heat with Alvin & The Chipmunks. Yes, a melding of two great bands. Guitarist Henry “The Sunflower” Vestine is amazing, even in a weird novelty like this. And Bobby “The Bear” Hite learns not to call chipmunks “mice.”


In the spirit of Christmas recycling, here’s my December 2000 Christmas Top 10.

1. “Little Drummer Boy” by Joan Jett and the Blackhearts. Jett wasn’t the first rocker to do this song. Remember David Bowie’s duet with Bing Crosby? I don’t think Der Bingle would have attempted this version.

2. “Merry Christmas From the Family” by Robert Earl Keen. A lovable if somewhat dysfunctional family — with all its addictions, prejudices, and stepchildren — sits down for a hilarious Yuletide feast.

3. “Fairytale of New York” by The Pogues with Kirsty MacColl. A saga of a love gone wrong: a boozy Irish immigrant lands in the drunk tank, haunted by the curses of his fed-up wife (“Merry Christmas, my ass. I pray God its our last!”) and the carols of a police choir.

4. “We Three Kings of Orient Are” by The Beach Boys. The Beach Boys’ Christmas Album, recorded in the early 1960s, contains some raw dreck, but the boys’ trademark harmonies on this tune are near-mystical.

5. “Old Toy Trains” by Roger Miller. This song, written for his son Dean, who was a toddler at the time, is a rare public glimpse of Miller’s sweet side.

6. “2,000 Miles” by The Pretenders. The grand finale to Learning to Crawl, the group’s last great album, “2,000 Miles” is a sad but beautiful winter song.

7. “Father Christmas” by The Kinks. Santa, bring me some class warfare!

8. “Santa Can’t Stay” by Dwight Yoakam. On one level this tune is hilarious: a drunken father dons a Santa suit and barges in on Mama and her new beau as the mystified children look on. But any divorced guy who can remember his first Christmas after the split-up can’t help but feel pangs of horror listening to this.

9. “Merry Christmas Baby” by Elvis Presley. “Blue Christmas” is much better known, but this is Elvis at his bluesy best.

10. “The Chipmunk Song” by David Seville and The Chipmunks. Dang, I can actually remember when this first came out one Christmas season in the late 1950s. It was the very first single by Alvin and his brothers, and it has a certain youthful innocence lacking in the group’s later work. After all, this was when The Chipmunks were young and hungry — before they sold out.

* The Steve Terrell Christmas Special: Hear a bunch of these songs and so much more at 10 p.m. to midnight Sunday, Dec. 19, on KSFR-FM, 101.1 FM.

* Enchiladas roasting on an open fire: More music to ruin any Christmas party! Hear my podcast Xmas special HERE

Blog Bonus: Here's three short reviews of recent Christmas music I reviewed for Pasatiempo which have been published, or will be published this month.

Angry Johnny & The Killbillies
Bang Bang Baby Bang Bang Merry Christmas (Pete’s Pig Parts)

From the darkest backwoods of Massachusetts comes Angry Johnny with a sleighfull of songs about all those things that make Christmas the most wonderful time of the year — Santa Claus, drinking, snow, depression, shopping, gunplay, jingle bells and homicide.

In other words, all the elements of a good Angry Johnny album — plus all the Christmas wrappings.
Killbilly cultists have known for a long time that the Angry one had a soft spot for the holidays. Several years ago he released a free MP3 on his Web site of a song called “Six Bullets For Christmas.” That classic is included on this album.

The basic theme of “Six Bullets” — killing a loved on Christmas Day as payment for infidelity — is revisited here on the title song. But this time there’s a twist, a happy ending of sorts, at least for most of the characters involved.

Of course, Christmas is for the children. Therefore it’s appropriate that the opening tune, “Shootin’ Snowmen” is about innocent, if dangerous youthful Yuletide tradition. “Christmas carol from both barrels and the snowman is history ...”

With songs like “Slaughter in a Winter Wonderland” and “Santa Gets His,” this album is not for the squeamish. But for those who get tired of holiday fluff, this is more fun than swatting a sugarplum fairy.

The Polkaholics
Jingle Bells, Schmingle Bells (Self released)



It’s Christmas time in Crazytown and who better to provide the soundtrack than that polka-powerpunk trio,The Polkaholics. No, this isn’t your grandfathers polka band. No accordions, no tubas. Dandy Don Hedeker, Jolly James Wallace and Stylin’ Steve Glover play frenzied guitar rock with a hopped-up oom-pah-pah beat.

With this 7-song EP, the boys infuse some holiday classics with polka culture, adding references to beer, kishka, Old Spice, sauerkraut, kielbasa and more beer. Thus we have “Yakov the Polka Reindeer” (guess why his nose is so shiny), “White Christmas” redone as “Polka Christmas” and, instead of “Jingle Bells,” The Polkaholics sing “Sausage Balls.”

And if the genre-blending isn’t enough with the polka, punk and Christmas music, “The Polkaholics Are Comin’ to Town” starts off as a surf rocker. There are other musical non sequiturs, such as the guitar riff from “Day Tripper” opening the song “Drinkin’ With Santa.” And “In Excelsis Polka” is a wild polkafied mash-up of Bach, Van Morrison, Patti Smith and — for reasons I’m still trying to understand, “Sympathy for The Devil.”

The entire EP is only 20 minutes long. But dancing to it provides quite an aerobic work-off — the better to work off all that beer and sausage.

Good news! You can download all seven songs for free until Dec. 31 RIGHT HERE!.



Crazy For Christmas (Surfdog)

Old smoothie Dan Hicks has been Christmas music for decades. He’s part of the San Francisco-based Christmas Jug, whose song “Somebody Stole My Santa Suit” appeared on Rhino Records’ wonderful Bummed Out Christmas compilation CD back in 1989. He re-recorded that one, a reimagining of “Somebody Stole My Gal” for this album, though jug fans probably will prefer the original.

Longtime Hicks fans will have a flash of familiarity when they hear the first song, “Christmas Mornin’” on this album. It doesn’t become obvious until he starts singing, but it’s a funny re-write of an already funny Hicks standard, “Where’s the Money?”

There’s plenty of Christmasizing old songs here. Louis Jordan’s hit “Choo Choo Ch’ Boogie” becomes “Santa Got a Choo Choo,” while the jugband chestnut “Beedle Um Bum” — a song Hicks performs in concert — magically transforms into “Santa Workshop,” a story of an elf named McGerkin.

And there’s some covers of Christmas classics here — “Here Comes Santa Claus,” “I Saw Mommy Kissin’ Santa Claus,” Chuck Berry’s “Run Run Rudolf” — done in the acoustic swinging Hot Licks style. My favorites of these are is “Carol of the Bells” sung scat style by Hicks and his Lickettes (The kazoos sound pretty snazzy here too) and “Cool Yule,” a song written by Steve Allen and made famous by Louis Armstrong.

Hicks make Yule sound cooler than ever. 

Here's a Hicks video featuring singing squirrels and aliens

Wednesday, December 15, 2010

Tom Russell's Border Report

He wrote it more than a year ago, but I just stumbled across singer/songwriter Tom Russell's haunting essay, "Where God and the Devil Wheel Like Vultures: Report from El Paso." It's a bittersweet, harsh funny in a dark way and weirdly poetic examination of the sad state of affairs in Cuidad Juarez as well as El Paso, where Russell has lived for the past 13 years.

It's a lament for the city now known as The Murder Capitol of The World. Strangely, it's also a celebtation.
I used to think of Orson Welles’ noir classic: “Touch of Evil,” when I walked down the bridge into Ciudad Juarez. That sinister feeling which draws the gringo-rube into web of rat-ass bars and neon caves; the nerve tingling possibility of cheap drink, violence, and sex; sex steeped in sham clichés about dark-eyed senoritas and donkey shows. It’s that heady, raw – anything goes, all is permitted, death is to be scorned- routine which informed and carved out the rank borderline personalities of John Wesley Hardin, Billy the Kid, Pancho Villa, and hundreds of Mexican drug lords. Western myth now grim reality. You craved the real west, didn’t you?

I wasn't around in the days when Sinatra played Juarez, as Russell sings about on his album Borderland. But Russell's words evoke memories of those distorted strains of Canned Heat's "One Kind Favor" and The Doors' "Riders on the Storm" coming out of jukebox of El Submarino bar off Juarez Avenue, hitting my brainwaves in perfect synch with the first jolt of tequila back in 1972.

Of cab drivers, hookers, cheesy strip-joint MCs -- "Señor, you can kiss the monkey ..." -- of cheap ham sandwiches at Fred's Rainbow Bar, 35-cent margaritas, those weird guys who use to go from club t club clicking together little metal bars (hooked up to a battery) and offering drunken gringos the chance to get the hell shocked out of them for 75 cents.

Ah the sweet daze of sleazy innocence ...

Toward the end of the piece, Russell writes:

These are the far regions and outer limits of America. La Frontera. We’ve twisted and exploited and mined the old West for those clichéd, watered-down versions of violent cowboy and Indian stories, where John Wayne kicks ass and rides away in a white hat. Now it’s the drug soldiers and assassins in baseball caps who hold court with submachine guns, which we sold ‘em. They’re the ones kicking ass. You can write it from any political angle and subtext. You can walk around leaning on the moral, self righteous crutch of whatever religion and political party or news magazines you subscribe to. The palaver don’t cut much on the backstreets of Juarez. There’s a story here, but it exists in illogical fragments, chaotic subtexts, and poverty economics cured in the meth-soaked algebra of need, greed and corruption. And eventually it all plays out in song. Folk songs, cowboy ballads and Narco-corridos. What you can’t see with your eyes you can feel in your heart. Hand me down my old guitar.
Read the entire "Where God and the Devil Wheel Like Vultures: Report from El Paso" HERE

Bringing the Gift of Music to Juarez

Sunday, December 12, 2010

TERRELL'S SOUND WORLD PLAYLIST

Sunday, December 12, 2010
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Ain't Comin' Back by Intruders Five
No Confidence by Simon Stokes
(We're a) Bad Trip by Mondo Topless
Happy Now by Lyres
Buy a Gun, Get a Free Guitar by  Deadbolt
Lies by Johnny Dowd
Always Wanting More by Jay Reatard
Gloria by Elastica

My Kind Of Trouble by Peter Case
He's Waitin' by The Sonics
Somebody Knockin'  by  T-Model Ford
Baron of Love Part II by Alex Chilton with Ross Johnson
Corinne Died On the Battlefield by The Preservation Hall Jazz Band & Tom Waits
Wowsville by Bob Taylor
Baby You Crazy by Nick Curran and the Lowlifes
We Wish You'd Bury the Missus by The Crypt Keeper
Jingle Bells by Richard Cheese

I'm Gonna Keep Singin' by Ray Charles
You Make Your Own Heaven Right Here on Earth by The Temptations
I'm So Proud by The Impressions
Promise of a Brand New Day by Diplomats of Solid Sound
The Hold Up by Andre Williams with Diplomats of Solid Sound
Whatcha Gonna Do by Rudy Ray Moore
Soul Survivor by Wilson Pickett
Me and The Devil by Gil Scott-Heron

Pammie's On A Bummer by Sonny Bono
Bad Trip by Lee Fields
Laugh at me by The Devil Dogs
World of Tomorrow by Death
Another Lost Heartache by Gregg Turner & The Mistaken
Symbol of Heaven by Little Julian Herrera
Drinkin' With Santa by The Polkaholics
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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BIG ENCHILADA 30: 2010 Christmas Special

THE BIG ENCHILADA



Ho Ho Ho podlubbers! Here's the third annual Big Enchilada Christmas Special. Enjoy holiday cheer from Hank Ballard, Billy Childish, Sonny Boy Williamson, Mojo Nixon, The Polkaholics, New Bomb Turks, The Supersuckers, King Coleman, The Trashmen, Angry Johnny & The Killbillies and so many more.

Thank you for making The Big Enchilada part of your Yuletide tradition.

Play it here:




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Here's the playlist:

(Background Music: Santa Claus is Coming by True Light Beavers)
Poundland Christmas by Wild Billy Childish & The Musicians of The British Empire
Real Live Doll by The Trashmen
Boogaloo Santa by J.D. McDonald
North Pole Boogie by Billy Briggs
Sausage & Sauerkraut for Santa by The Polkaholics
Big Ol' Hole This Christmas by Angry Johnny & The Killbillies
Christmas in Las Vegas by Richard Cheese

(Background Music: Jingle Bells by Gene Krupa with Charlie Ventura)
Christmas Baby (Please Come Home) by New Bomb Turks
It's Christmas Time by Hank Ballard & The Midnighters
Is Santa Claus a Hippy? by Linda Cassady
Sonny Boy's Christmas Blues by Sonny Boy Williamson with Elmore James
Christmas is a Comin' (God Bless You) by The Shitbirds
Santa's Doing the Horizontal Twist by Kay Martin & Her Body Guards
(Background Music: carol of the Bells by Dan Hicks & His Hot Licks)

Even Squeaky Fromme Loves Christmas by Rev. Glenn Armstrong
Blue Grey Christmas by King Coleman
Don't Believe in Christmas by Tallboy
Call It Christmas by The Supersuckers
Christmas in Vietnam by Johnny & Jon
Go Tell It on the Mountain by Mojo Nixon & The Toadliquors
Jingle Bells by Johnny Dowd

Ghosts of Christmas Podcasts Past
2009
2008

Spend all your Christmas money at The Big Enchilada Podcast Zazzle Store.

Saturday, December 11, 2010

The Mysterious Case of Jim Sullivan

Thanks to Tom Adler for telling me about this strange little story about a musician who was last seen 35 years ago in Santa Rosa, N.M.

The story of Jim Sullivan aired on NPR Thursday. He was a singer-songwriter (whose music, honestly, isn't the type of stuff I like). He had a bit part in Easy Rider, (the commune scene, according to his sister.) By early 1975 he'd decided to leave Los Angeles to try his luck in the Nashville music game.

Sullivan recorded an album called UFO  for a small label on which some top-notch L.A. studio cats -- members of The Wrecking Crew -- played. The title song of the album has caused some of his more mystical fans to speculate that perhaps his disappearance is connected to beings from beyond.

Matt Sullivan, no relation to Jim, is owner of the Light in the Attic record company, which last month re-released UFO. In the Aquarium Drunkard blog he wrote a lengthy piece about the singer after traveling to California and to Santa Rosa seeking clues about Jim Sullivan.
La Mesa Motel, Santa Rosa NM
Jim left Los Angeles in his Volkswagen Bug sometime between noon and 1 p.m. on March 4. In the early morning hours of March 5, he was pulled over outside Santa Rosa for swerving. He was taken to the local police station for a sobriety test, which he passed. He was swerving from fatigue caused by the taxing 15-hour drive. Jim checked into the La Mesa Motel, but police reports later indicated that the bed in his room was not slept in, and the key was found locked inside the room.
Jim Sullivan's VW was found on ranch property 26 miles southeast of Santa Rosa.

Jim Sullivan has never been seen again.

Matt Sullivan writes:
We know that after he checked into the La Mesa, Jim stopped by the liquor store, bought some vodka, and drove around town. Somehow he ended up at this ranch. ... When the police found Jim’s car it was locked and the engine was dead. A number of things were found in the car, including Jim’s wallet, guitar, clothes, reel-to-reel tapes, cassettes, silver appointment book, and a box of LP’s of Jim’s 1972 self-titled album on the Playboy label.
Matt Sullivan met with Guadalupe County Communicator publisher M.E. Sprengelmeyer and veteran Santa Rosa reporter Davy Delgado.

(Weird little bit of synchronicity: I don't know Sprengelmeyer personally, but he and I have mutual friends, and one of them is named Sullivan -- my former New Mexican colleague T.J. Sullivan. I don't think he's related to Jim or Matt Sullivan.)

Matt Sullivan writes:
For more than two years, search parties were regularly convened by a number of agencies – the New Mexico State Police, Santa Rosa police, and a number of volunteer groups.

What happened to Jim Sullivan probably never will be known. Just another bizarre unsolved case from New Mexico.



Photo of La Mesa motel by John Hartnup on FLICKR, Creative Commons license.

Friday, December 10, 2010

THE SANTA FE OPRY PLAYLIST

Friday, December 10, 2010
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org


OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
The Party's Over by Willie Nelson (for Dandy Don)
What Go Around Come Around by Rev. Peyton's Big Damn Band
Tupelo County Jail by Webb Pierce
Birmingham Jail by Johnny Bond
Dirty Dog by Jimmie Revard & His Oklahoma Playboys
Your Friends Think I'm The Devil by The Imperial Rooster
Humpty Dumpty Heart by  Hank Thompson
A Fool Such As I by Marti Brom
I've Gotta Lotta Livin' To Do by Cornell Hurd

Ian Tyson Tribute Set
Wild Geese by Bill & Bonnie Hearne
Four Strong Winds by Neil Young with Nicolette Larson
Navajo Rug by Tom Russell
Summer Wages by David Bromberg

Is Santa Claus A Hippy  by Linda Cassady
Slaughter in a Winter Wonderland by Angry Johnny & The Killbillies
Feliz Navidad by  Billy Joe Shaver & Flaco Jimenez

TWISTED TALES FROM THE VINYL WASTELAND set

Beatin' on the Bars by The Travelin' Texans
The Voo-Doo Man by  Johnny Perry
Marijuana, The Devil Flower by Johnny Price
The Hep Old Frog  by  Jimmy Stayton 
Out In The Smokehouse Takin' A Bath by Leroy Pullins 
Excorcism by Tommy Scott & Scotty Lee
Jesus is My Pusher by Margie Singleton
Mother Trucker by Lloyd Hugo
The Girl on Death Row by Lee Hazelwood
Nudist Colony by Kirk Hansard

Wide Stance by Buddy
I'm Playin' It Cool by Neal Jones
Troubles by Tara Nivens & Moontree Sinqua
Xmas Ornament by The Defibulators
The Virginian by Neko Case
On A Christmas Day by C.W. Stoneking
One Endless Night by Jimmie Dale Gilmore
CLOSING THEME: Comin' Down by The Meat Puppets


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TERRELL'S TUNEUP: WHAT LURKS INSIDE THE RAY CHARLES VAULTS

A version of this was published in The Santa Fe New Mexican 

December 10, 2010

So you thought Ray Charles died in 2004? To that I say, “But wait a minute!” — as Charles sometimes used to exclaim in the middle of a song. Here’s Rare Genius: The Undiscovered Masters, a brand-new collection of 10 Charles songs that sound like they could have been recorded this year.

Actually, some of the instrumental tracks on this album were recorded fairly recently. They’re built around vocal tracks discovered in the vaults of Charles’ recording studio.

Whenever I read about “lost” recordings uncovered “in the vaults,” I get this image of Indiana Jones making his way through some dank underground labyrinth protected by pygmy warriors and venomous reptiles beneath the streets of Beverly Hills.

Producer John Burk, who was at the helm for Charles’ last studio album, Genius Loves Company, probably wasn’t wearing a pith helmet or wielding a machete when he came across these forgotten tracks. But it had to be a rush for him.

The songs span the decades, going back to the 1970s. Some of them were basically finished and required no further work — such as the blues-drenched “It Hurts to Be in Love.” Some were just demos. Burk whipped them all into shape, calling in studio musicians to add final touches to some of the tunes.

By the end, he created a unified work that would have made Charles proud. Except maybe the song “I Don’t Want No One But You,” the sole clunker here, the album doesn’t sound overproduced, which can’t be said of all the records Charles made when he was alive.

I can’t imagine why “It Hurts to Be in Love” was never released. It sounds like a classic Charles tune, with a prominent bass and a big horn section that punctuates Charles’ vocals without overwhelming the song. There’s a lengthy fade-out as Charles plays with the tune, “crying” in falsetto, pleading, jiving, and generally having fun despite the “hurt” in the title.

Even more fun is the funky “I’m Gonna Keep on Singin’,” which also was a finished work. Charles begins with a simple command: “Y’all listen!” There’s some fine call and response with his lovely Raelettes and a spoken-word segment in which Charles talks to the creator of the universe:

“Friends, I told the Lord himself this morning, I said ‘Lord, you know I don’t mean a bit of harm in the world. ...’ ”

It reminds me of Charles’ old song “Understanding,” which also featured some spoken-word segments. There are some great instrumental solos here, too — vibes, sax, and trumpet.

Brother Ray also gets down and bluesy on the slow and soulful “There’ll Be Some Changes Made.” This is one that features overdubbing. Keb Mo’ plays guitar, but the standout is the organ work by Bobby Sparks.

Charles’ love for country music is well documented. It comes out on Rare Genius with “A Little Bitty Tear,” a Hank Cochran song that was a hit in the 1960s for Burl Ives. It’s sparsely produced, with Charles and his piano out front. “She’s Gone” sounds even more country: “The love affair is all over, but the heartaches just began.”

Charles does a duet with another biopic subject, Johnny Cash, on Kris Kristofferson’s “Why Me Lord?” which was produced in Nashville by Billy Sherrill (this one’s from the Sony Music vaults, which is guarded by different pygmies). I suspect it was recorded for a Cash album because Charles mainly sings background and plays some tasty electric piano.

Something tells me there’s a lot more treasure from the genius in those vaults, so don’t be surprised to see volumes two and three in the future. But as a die-hard fan, what I would like to see would be a collection of the raw tapes without new overdubs. Maybe call it “Ray Charles in the Rough.”

Also recommended:

*   What Goes Around Comes Around by The Diplomats of Solid Sound. Once again, The Diplomats prove that there’s more than corn in Iowa. Here’s a new crop of funky soul from Iowa City.

The Diplomats started out as an instrumental band. A few years ago they served as Andre Williams’ backup band on Aphrodisiac. Then with their 2008 album, Diplomats of Solid Sound Featuring the Diplomettes, female vocals became part of the Diplomatic mix. Two of the three Diplomettes — Sarah Cram and Katharine Ruestow — are back for this album. And so are the Brothers Basinger — sax dude David and keyboard guy Nate.

One of my favorites here is “Back Off” — a protest song of sorts, though I don’t think telling the cops or the military to “back off” is necessarily effective. Then there’s “Gimme One More Chance,” which features some soul violin by guest Diplomat Hannah Drollinger, doing her best to sound like Don “Sugarcane” Harris.

The title song has a blaxploitation-movie-soundtrack feel, with punchy horn riffs, while “Can’t Wait for Your Love,” subtitled “Pistol Allen,” is apparently an ode, in spirit at least, to the late Motown drummer Richard “Pistol” Allen. It sounds almost like a lost Martha and the Vandellas tune, embellished with sweet, almost otherworldly chimes.

WACKY WEDNESDAY: Albums Named for Unappetizing Food

O.K., I'll admit this is a pretty dumb idea.  It came to me yesterday after I ran into my friend Dan during my afternoon walk along the ...