Friday, December 16, 2011

TERRELL'S TUNEUP: Let's Spend Some Time Together

A version of this was published in The Santa Fe New Mexican
Dec. 16, 2011



Sunday, Oct. 25, 1964. It was just eight months after The Beatles had turned the U.S.A. on its head with their appearance on The Ed Sullivan Show. And now another musical act from overseas was on the very same stage before an audience of screaming teenagers, appearing to be headed for pop immortality.
The Fabulous Kim Sisters

The Kim Sisters! Two sisters from South Korea (Sue and Aija Kim) and their cousin Mia Kim, wearing sexy, sparkly black dresses, came out and sang the hell out of an American gospel song, “Joshua Fit the Battle of Jericho.”

Then they did a medley of bagpipe tunes, starting out, for reasons I’m still not sure of, with “This Old Man” and finishing with “The Marines’ Hymn.” By the end of the number, they were backed by a kilted piper band from Long Island.

It’s all on a new Sullivan Show DVD set. That night on Sullivan in 1964 was a star-studded occasion. In addition to The Kim Sisters, there were classical violinist Itzhak Perlman and a one-legged tap dancer named “Peg Leg” Bates. There were some major comics of the day —  Phyllis Diller, Jerry Stiller and Anne Meara, and London Lee. Laurence Harvey read “The Charge of the Light Brigade.” And, of course, there were some amazing acrobats: the fabulous Berosinis from Austria.

And, oh yeah, the band that performed right before The Kim Sisters — a group from England called The Rolling Stones.

Don’t get me wrong. I love The Stones as much as the next guy, especially the period documented in the new two-disc DVD set All 6 Ed Sullivan Shows: The Rolling Stones.

But even though technically, Mick Jagger and company are the stars of these discs, for me the real treat is watching entire the episodes of Sullivan’s “really big show” with all the Borscht Belt comedians, jugglers, Shakespearean thespians, puppets, brassy belters, Romanian folk dancers, opera singers, circus animals, and so on.

Just like the Sullivan DVD set starring The Beatles, which was released a few years ago, entire episodes are shown — with commercials.

(Consumer alert! There is a slightly cheaper DVD set called 4 Ed Sullivan Shows: The Rolling Stones, released just a few weeks before All 6 Ed Sullivan Shows, which, for reasons only known to some marketing genius, leaves out the first and last shows. Avoid it.)

Sullivan, a former boxer who later became a sportswriter and entertainment columnist for a few New York papers, ran his show like a slightly upscale vaudeville venue. Though the Sullivan Show was the best of its time, it was the norm for variety shows of the ’50s and ’60s to actually feature variety. Before the demographic goons took over prime-time network television, Sullivan and other shows like his actually attempted to have something for everyone in the family.

As seen on The Rolling Stones discs, many popular-music giants appeared on Sullivan’s show: Ella Fitzgerald was on the same evening as The Stones in 1969.

A few years before, they were on the same program as Louis Armstrong. I always wondered if Satchmo talked with Jagger, Keith Richards, or maybe jazz fiend Charlie Watts backstage.

(Of course, I wondered the same thing about the group of 44 Benedictine nuns from Pennsylvania who sang “Kumbaya” on the same 1967 show in which The Rolling Stones sang “Ruby Tuesday” and something called “Let’s Spend Some Time Together.” Did the Stones try to spend some time with the singing nuns?)

There were early appearances by Jim Henson and some pre-Piggy Muppets. When he appeared on a 1966 show, Sullivan introduced him with these words: “Jim Newsom and his puppets.”

And in 1969, Rodney Dangerfield got some respect on the same show in which The Stones sang “Gimme Shelter” and “Honky Tonk Women.”

"Now about those lyrics, Mr. Jagger..."
Jamming with Edward (Sullivan): My favorite Stones performances on these DVDs are the earliest ones, that 1964 show and the one from May 2, 1965 (which also included appearances by soulful Brits Dusty Springfield and Tom Jones). Both of these programs captured in living black-and-white The Stones’ gritty blues, soul, and early rock sounds.

Among the tunes they performed on these shows were Chuck Berry’s “Around and Around” (though I prefer The Animals’ version from the same period), Irma Thomas’ “Time Is on My Side” (the first Stones song I ever heard), and a hearty version of Howlin’ Wolf’s “Little Red Rooster” with Brian Jones playing slide.

In the later shows, some of The Stones’ performances were pre-recorded, and I strongly suspect some of the music was too. For instance, when they did “Gimme Shelter” on that 1969 show, you hear Merry Clayton, or some similar background singer doing Clayton’s part. But you don’t see her. And on “Ruby Tuesday,” you can clearly hear an acoustic guitar, but nobody is playing guitar on stage. Jones is playing a recorder, Richards appears to be playing harpsichord, and bassist Bill Wyman is on cello.

The Jan. 15, 1967, show is the infamous performance in which some squeamish producer or nitwit network suit demanded the group change the lyrics of “Let’s Spend the Night Together” to “Let’s Spend Some Time Together.”

The Stones complied. Jagger sarcastically rolled his eyes when he sang the bowdlerized lyrics, and The Stones ripped into the song like jackals making a kill. Despite the clean lyrics, the version performed that night on TV was far more intense than the recorded version.

And after that, there was a Geritol commercial.

The Stones didn’t do the Sullivan Show for nearly three years after that. When they returned in Nov. 1969, Brian Jones was dead, replaced by guitarist Mick Taylor.

It’s great that these shows are available after more than 40 years. But consider this: The Kim Sisters appeared on Sullivan 20 times. I’m waiting for that DVD set.

Blog Bonus:
How I love ya, how I love ya!

 

Sunday, December 11, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, December , 2011 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Mind Eraser by The Black Keys
Laptop Dog by The Fall
Knock Me Off My Feet by The King Khan Experience
Hills of Pills by Kid Congo & The Pink Monkey Birds
Linda Lou by Augie Rios
Corn Foo Fighting by The Hickoids
Hit Me by The Fleshtones
Poison by Hundred Year Flood
Willie the Pimp by The Jim & Jack Show

T-Model Boogie by Rosco Gordon
Raised Right Men by Tom Waits
Georgia Slop by Barrence Whitfield & The Savages
Boob Scotch by Bob Log III
Drinkin' by Freddie Coaster With Standels
Rockin' Renegades Roll by The Frontier Circus
Can't Stay Here by Howlin' Wolf
Everything I Do Is Wrong by The Reigning Sound
Black Beard by The Universals
When I'm Grown Up by The Monsters


Howard Tate Tribute
Ain't Nobody Home
Jemima Surrender
Don't Need No Monkey on My Back
Little Volcano
Stalking My Woman
Look at Granny Run, Run
She May Be White But She Be Funky
She's a Burglar
Get It While You Can

Cardiac Party by Jack Mack & The Heart Attack
One Reason to Stay by The Revelations Featuring Tre Williams
How'd Ya Like to Be King by The Civil Tones
Hell of a Woman by The Impalas
For Your Precious Love by Jerry Butler
Tight Spot by Paul & The Four Most
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
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Friday, December 09, 2011

THE SANTA FE OPRY PLAYLIST

Friday, December, 2011 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Why Baby Why by Willie Nelson
Wild Hog Hop by Bennie Hess
Drinkin' With My Friends by Honky Tonk Hustlas
Moonshine by Montie Jones
Gothenberg Train by Dale Watson
Shadow My Baby by Ray Condo & The Ricochets
Roll Me a Song by Artie Hill
Your Friends Think I'm the Devil by The Imperial Rooster
Over My Head in Blue by Rick Brousard & Two Hoots and a Holler
I'm Buggin' Out Little Baby by Donny Lee Moore

Shotgun by Anthony Leon & The Chain
Freight Train Boogie by Doc & Merle Watson
Cut Across Shorty by Eddie Cochran
Red Velvet by The Kirby Sisters
Go Away Don't Bother Me by The Collins Kids
A Girl Don't Have to Drink to Have Fun by Jane Baxter Miller & Kent Kessler
If You Play With My Mind by Cornell Hurd
Dollar Dress by The Waco Brothers
More Time With My Family by Jim Terr

Nashville Casualty and Life by Kinky Friedman & His Texas Jewboys
Before All Hell Breaks Loose by Asleep at the Wheel
Broken Engagement by Webb Pierce
Bright Lights & Blonde Haired Women by Ray Price
Memories of You Sweetheart by Scott H. Biram
I Wish I Could Shimmy Like My Sister Kate by The Hoosier Hot Shots
Beedle Um Bum by The Jim Kweskin Jug Band
The Laughing Song by Dan Hicks & The Hot Licks
I Told a Secret by Delaney Davidson

Alotta Guns by Ugly Valley Boys
Does My Ring Burn Your Finger by Solomon Burke
I'm Not Drunk Enough by Rex Hobart & The Misery Boys
We Three (My Echo, My Shadow And Me) by Wayne Hancock
Luxury Liner by Jeff Lescher & Janet Beveridge Bean
Moonglow, Lamp Low by Eleni Mandell
Kiss At The End Of The Rainbow by Mitch & Mickey
CLOSING THEME: Comin' Down by The Meat Puppets

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TERRELL'S TUNEUP: HONKY TONK TALES

A version of this was published in The Santa Fe New Mexican 
Dec. 10, 2011


By the time The Pistol, the Bottle, and Shaded Pastures was released earlier this year, fans of Anthony Leon & The Chain were familiar with most, if not all, of the songs on the group’s first CD. But that’s OK. It’s great to have these tunes available to play any time you want.

Leon, a native of Virginia, has only been in New Mexico a few years. But it didn’t take him long to become a local favorite. For this album, not only did Leon have a batch of great songs under his arm, he gives an intense live performance, greatly aided by his crack rhythm section — Carlos Rodriguez on bass and drummer Daniel Jaramillo.

Sometimes the Chain gang is joined by other superb local musicians who add new dimensions to the sound. But that trio of Leon, Rodriguez, and Jaramillo provides an unbeatable foundation.

Santa Fe has lots of good bands playing country and country-flavored music, but what sets Leon & The Chain apart is the huge rockabilly influence that permeates much of the group’s material. No fake Happy Days nostalgia here, just a tough strain of American music that informs the band’s sound. As the first song on the album says, he’s a brand new model honky-tonk man.

Anthony Leon & The Chain
At Frogfest 2010
When I first got my hands on this CD, I skipped to “Shotgun,” the fifth track. Leon has several tunes that hang around in my head, but this one’s my favorite. It’s a rocker about a jealous man warning some funky dude messing with his woman. It’s got a memorable refrain: “I’ve got a shotgun; tell you what I’m going to do/I’m gonna stick this 3-inch mag right up your wazoo.”

What can I say? I’m a sucker for poetry.

Almost as good is “White Dress,” another fast-paced song about a jealous lover. His ire is directed at his philandering sweetie, who’s got “10 other boys just like me cursing your sins.”

Another standout is “Uncle Sam,” a rockabilly choogler about a kindly dope peddler. I love when the beat slows down to a gospel-like bridge in which Leon and guest singer Felecia Ford sing, “Oh doctor, won’t you please ... his prescription for me,” over a heavy organ (played by Gary Miller).

My only complaint is that one of my favorite Leon and Chain songs (I forget the title, but it has to do with the devil and a saloon called Red’s), wasn’t included. The only consolation is that the band’s version of “Rudolf, the Red-Nosed Reindeer,” which the group performed live last week on KSFR’s The Twisted Groove, also wasn’t included. Sorry, guys!

Leon — without The Chain — opens for Kinky Friedman at Santa Fe Sol Stage & Grill (37 Fire Place on Saturday.

More noises from the country:
*  Double Down by Ugly Valley Boys. The debut album by this Salt Lake City duo (singer/ guitarist/drummer Ryan Eastlyn and standup bassist Braxton Brandenburg) is a doozy.

The first song, “Pappy,” is a celebration of a moonshiner. It sounds like Eastlyn, who has a low, gruff voice, has been drinking his pappy’s product since he was a baby. “Sure did his best to keep the town from going dry,” he sings. “Cops said, ‘Hell, that’s the fastest man alive.’” It’s not quite in the same league as Robert Mitchum’s “The Ballad of Thunder Road,” but it’s one of the better moonshiner songs in recent decades and a good way to set the tone for the rest of the album.

There are several songs overflowing with Johnny Cash chunka-chunka and outlaw attitude. One of my favorites is “Clickity Clack,” an upbeat minor-key tune about a guy who has upset his girlfriend and perhaps everyone around him: “If you won’t get out of the way, I won’t step aside/If you got something to say, well get in line.”

“Ugly” might be in the group’s name, but these guys write some really pretty melodies. “Alota Guns” is about a man who brags that he has, well, a lot of guns — at least symbolically. The refrain (“Oh-oh, I gotta lotta guns and each one’s loaded with a different memory”) is an irresistible hook that will stick in your mind.

And even better is the melody of “Power Lines,” a lonesome-road tune with a happy if world-weary melody.

I don’t think Eastlyn and Brandenburg have fired all their guns yet. I’m looking forward to more. And, hey guys, New Mexico’s not that far from Utah. Come on down!

Honky Tonk Hustlas
*  South of Nashville by Honky Tonk Hustlas. When I first saw this band’s name I feared it might be some crappy alt-country/hip-hop fusion group. But then I heard one of Honky Tonk Hustlas’ songs on Outlaw Radio Chicago and realized these guys, who come from Montgomery, Alabama, sound a lot more like Wayne “The Train” Hancock than they do Cowboy Troy.

And actually, they sound a bit like the Ugly Valley Boys. too. Like the UVB, the Hustlas is a two-man band — except when others join in. The permanent members are singer and guitarist T. Junior and Stemp on standup bass. The sound is acoustic-based traditional country with lots of fiddle, mandolin, and dobro.

Even if country radio still played good country music (and it doesn’t), it would never play the Hustlas. That’s not just because of the band’s occasional use of profanity, or because the song “Corporate Man” might hurt the feelings of the soulless suits who run commercial radio. It’s because the lyrics to some of the songs are so dark and stark. “My Worst Enemy,” “Pray I Won’t Wake Up,” and even the upbeat “Never Gonna Quit” deal frankly with self-destructive urges. And the chilling “Death’s Cold Sting” reminds me a lot of Hank Williams’ “Alone and Forsaken” — which wasn’t exactly a big radio hit for Williams.

Not all the Hustlas’ songs are grim. The title song is a fiddle-driven toe-tapper, while “Drinkin’ With My Friends” is just a good honky-tonk tune.

However, in the context of some of the other songs, you might worry that after a night of drinking with his friends, the narrator could end up sitting on the edge of his bed in a lonely room with a gun in one hand and a whiskey bottle in the other singing “Death’s Cold Sting.”

Thursday, December 08, 2011

R.I.P. HOWARD TATE

Soul singer Howard Tate died last week at the age of 72 following a bout with cancer.

I loved the man's music.

I'm not sure what it was back in the summer of 1975 that led me to buy that LP by a soul singer I'd never heard before in the bargain bin of some Albuquerque discount store. The singer's cool pompadour probably had something to do with it. And the 79-cent price tag sealed the deal.

But I bought that album by Howard Tate and it quickly became a favorite. At the time I didn't even realize that this was original version of Janis Joplin's swan song, "Get it While You Can." There was no copyright date, so I mistakenly assumed he was covering Janis.

There were some songs I associated with B.B. King — “Every Day I Have the Blues, ” “How Blue Can You Get?” and “Ain’t Nobody Home” as well as other electric blues like the song “Part Time Lover.”

But the basic sound was horn-driven, gospel-rooted soul. The Georgia-born, Philadelphia-raised singer had more in common with Sam Cooke than B.B. There were funny tunes like “How Come My Bulldog Don’t Bark” and “Look at Granny Run Run." And there were powerful soul-on-fire pleas like “I Learned It All the Hard Way” and the title song. The primary songwriter, as well as producer, was Jerry Ragovoy, whose songwriting credits include the classic tunes “Time Is on My Side” and “Piece of My Heart” as well as “Get It While You Can.” (Ragovoy died earlier this year.)

Around the same time I discovered Tate in the cut-out bin, Tate had said goodbye to the music industry and was about to embark on a decades-long descent into the shadows.

Here's what I wrote about that in my review of his 2003 comeback album Rediscovered:

Frustrated with his lack of success, Tate turned to selling insurance for a living about that time. For years none of his old friends in the music industry knew what had happened to him. Ragovoy tried to locate Tate in the early ’80s because European promoters wanted to book him.

As recently as 1995, a CD reissue of Get It While You Can put it this way: “Sometime in the 1970s, he disappeared into legend.”

Disappeared into hell is more like it. Tragedy struck the Tate family in 1976. There was a fire at his home, and his 13-year-old daughter was killed.

A few years later he was divorced and, in his own words, “started hanging out with the wrong crowd.” Years of drugs, drink and destitution followed.

Those hellish years continued until 1994, when Tate found religion. Eventually he started his own ministry in Philadelphia, The Gift of the Cross Church.

It wasn’t until 2001 that Howard Tate was rediscovered. Ron Kennedy, one of Harold Melvin’s Blue Notes, saw Tate at a supermarket in New Jersey. Seems that a local DJ, Phil Casden, inspired by the CD release of Get It While You Can, had periodically been asking listeners to help find Tate. This fortunate encounter led to the new album. Tate hooked up with Casden and reunited with Ragovoy, and the Internet helped spread the good news.
So Howard got his comeback. He never became a household word like Otis Redding or Wilson Pickett, he  made some fine records in his final years. I'll play some of those on a tribute Sunday on Terrell's Sound World.

Here's a nice piece in the great Funky 16 Corners blog.

And enjoy the videos below.

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TERRELL'S SOUND WORLD PLAYLIST

Sunday, April 28, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrel...