Saturday, December 17, 2011

eMusic December

Here's my latest batch of downloads from eMusic:

* Poultry in Motion by Hasil Adkins. This concept album by the Wild Man of West Virginia has been on my eMusic "Saved" list for a couple of years now. I was inspired to finally download it after hearing The Chicken Album by O Lendário Chucrobillyman, a Brazilian one-man band who has to be influenced by Hasil..

Chucrobillyman's crazy record has several songs about chickens, but all 15 tracks from this Norton Records compilation are about the birds.

You have "Chicken Hop," "Chicken Flop," "Chicken Shake," "Chicken Walk" "Chicken Run" ... and of course, the "Chicken Hunch."

Many of the songs go back to the Haze's early days in the '50s and early '60s. Some are from earlier Norton albums Adkins recorded in the '80s and '90s and some were recorded especially for this album -- or at  least first emerged on this album.

What can you say? The man loved his chicken.

* Ersatz GB by The Fall I never thought that first (and only) time I saw The Fall in concert, back in the early ’80s, that 30 years later I would a) be reviewing a brand new Fall album and b) find that fact reassuring.

But here we are in 2011, and Smith is still leading a band called The Fall. The group’s new album, Ersatz GB, is a rocking joy — even though I can’t pretend to really understand it any more than I did that show at the old El Paseo Theater back in the summer of 1981. Like that El Paseo show, this album is somewhat confusing and, yes, a little threatening.

But that just makes me like it more.

For more of my deep thoughts on this album, check out my recent review in my Terrell's Tune-up column.


Gorilla Rose by Kid Congo & The Pink Monkey Birds. Brian Tristan, aka Kid Congo Powers. plays some of the most interesting sounds being produced today. It's a wild mix of  mutated '60s Chicano rock, surf, garage and spooky noirish  R&B.

This album (which is named for an L.A. performance-art character Powers met as a lonesome teenage punk) is a worthy followup to his previous work, Dracula Boots, which followed similar paths into bizarre dimensions.

It's full of instrumentals and weird tales that Powers recites. Did he work in a Hollywood record store and see Rick James lose his temper and start breaking copies of Gloryhallastoopid? Who cares, it's a great story.

Hey, I'm going to write more on this album in an upcoming Terrell's Tune-up. Stay tuned,

Plus ...


* The three bonus tracks from Bad as Me by Tom Waits. I actually talked about these in the column a few weeks ago.

* "Desperadoes Waiting for theTrain" by Jerry Jeff Walker. My favorite version of my favorite Guy Clark song. I actually downloaded this to play on my Santa Fe Opry tribute set for the late Kell Robertson a few weeks ago. Between guest host Mike Good and I, there was way more material than we could use that night, so the song didn't make it on that night. But I still think of that old desperado  Kell when I hear the tune.

* "The Way it Goes" by Gillian Welch.  This is the best song from Gillian's latest album. I heard Tom Adler play it when he substituted for The Santa Fe Opry recently and I knew I had to play  it myself. I'll probably get around to downloading the rest of The Harrow & The Harvest one of these days.

Friday, December 16, 2011

THE SANTA FE OPRY PLAYLIST

Friday, December 16, 2011 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Before All Hell Breaks Loose by Kinky Friedman & The Texas Jewboys
Red Brick Wall by The Waco Brothers
Life's A Pissing In The Wind by Zeno Tornado & The Boney Google Brothers
Good Gracious Gracie by The Light Crust Dough Boys
Yearnin' Burnin' Heart by DM Bob & The Deficits
Done Gone by Ray Condo & The Ricochets
Greasy Creek by Legendary Shack Shakers
Pappy by The Ugly Valley Boys
Driftwood 40-23 by The Hickoids
Santa's Big Parade by The Louvin Brothers

I Cried and Cried the Day that Doug Sahm Died by Rick Brousard & Two Hoots and a Holler
Who Were You Thinking Of  by The Texas Tornados
Guacamole by Freddy Fender with Augie Meyers
Seven Cups of Coffee, 14 Cigarettes by Cornell Hurd
One Day A Week by Johnny Paycheck
Huntsville by Merle Haggard
Swingin' from Your Crystal Chandeliers by The Austin Lounge Lizards
Hesitation Boogie by Hardrock Gunter
Pretty Paper by Roy Orbison

Here Comes Santa Claus/Up on the Rooftops by Jerry Jeff Walker
Rainy Day Woman by Waylon Jennings
Lead Me On by Conway Twitty & Loretta Lynn
Walk Through This World With Me by George Jones
A Man Like Me by Roger Miller
This Old House by Willie Nelson
Apple Core Baltimore by Billy Kaundart
My Baby Makes Me Gravy by Dale Watson & The Texas Two
Homo Truck Drivin' Man by David Allen Coe
Lovely Christmas by Jason Ringenberg with Kristi Rose

Never Cold Again by The Imperial Rooster
Would You Die For Love by Stevie Tombstone
Hallelujah Anyway by Slim Cessna's Auto Club
Don't Forget Me When I Die by Rachel Brooke
Feel Like Goin' Home by Charlie Rich
CLOSING THEME: Comin' Down by The Meat Puppets

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Just Another Reason to HATE THE MUSIC INDUSTRY

Are you one of the filthy pirates who has violated copyright laws by using your favorite music in a wedding video?

Shame! Shame! Shame!

Well, the valiant patriots of the Music Industry will track you down and punish you.

I'm serious. They're cracking down on music in wedding videos!

Check out this report from ABC News a few days ago:


It may have started with the wedding of Tony Romo, the Dallas Cowboys' quarterback, to Candice Crawford in May. People magazine said the five-minute video they had made "hit the Internet looking more like a blockbuster movie trailer than nuptial footage" -- and soon it went viral on YouTube, complete with Coldplay's "Fix You" as theme music.
Now it's gone -- and so, apparently, are many wedding videos celebrating less-famous couples. The videographer who shot the Romo-Crawford video was threatened with a lawsuit for using music to which he had not bought the rights. He's settled, and agreed not to talk about it, and a chill has settled across the nice, warm world of weddings.
"Please don't use my name," said one wedding photographer who spoke to us. "We're just small fish. I don't want to be in the spotlight. They might just aim at me."
This photographer said he has now removed all the videos he previously posted on YouTube, Vimeo, or his own website with well-known music in the background. He said he can buy generic music for $50 for a three-minute track, but it cuts into his profits and his newlywed clients don't like it as much.
"We're just scared," he said. "We don't know what is going to happen to us."
Okay, here's the deal: Anyone who wants to use any song from Picnic Time for Potatoheads on a video at their next wedding, can do so for FREE. (And hell, it's better than Coldplay!)

TERRELL'S TUNEUP: Let's Spend Some Time Together

A version of this was published in The Santa Fe New Mexican
Dec. 16, 2011



Sunday, Oct. 25, 1964. It was just eight months after The Beatles had turned the U.S.A. on its head with their appearance on The Ed Sullivan Show. And now another musical act from overseas was on the very same stage before an audience of screaming teenagers, appearing to be headed for pop immortality.
The Fabulous Kim Sisters

The Kim Sisters! Two sisters from South Korea (Sue and Aija Kim) and their cousin Mia Kim, wearing sexy, sparkly black dresses, came out and sang the hell out of an American gospel song, “Joshua Fit the Battle of Jericho.”

Then they did a medley of bagpipe tunes, starting out, for reasons I’m still not sure of, with “This Old Man” and finishing with “The Marines’ Hymn.” By the end of the number, they were backed by a kilted piper band from Long Island.

It’s all on a new Sullivan Show DVD set. That night on Sullivan in 1964 was a star-studded occasion. In addition to The Kim Sisters, there were classical violinist Itzhak Perlman and a one-legged tap dancer named “Peg Leg” Bates. There were some major comics of the day —  Phyllis Diller, Jerry Stiller and Anne Meara, and London Lee. Laurence Harvey read “The Charge of the Light Brigade.” And, of course, there were some amazing acrobats: the fabulous Berosinis from Austria.

And, oh yeah, the band that performed right before The Kim Sisters — a group from England called The Rolling Stones.

Don’t get me wrong. I love The Stones as much as the next guy, especially the period documented in the new two-disc DVD set All 6 Ed Sullivan Shows: The Rolling Stones.

But even though technically, Mick Jagger and company are the stars of these discs, for me the real treat is watching entire the episodes of Sullivan’s “really big show” with all the Borscht Belt comedians, jugglers, Shakespearean thespians, puppets, brassy belters, Romanian folk dancers, opera singers, circus animals, and so on.

Just like the Sullivan DVD set starring The Beatles, which was released a few years ago, entire episodes are shown — with commercials.

(Consumer alert! There is a slightly cheaper DVD set called 4 Ed Sullivan Shows: The Rolling Stones, released just a few weeks before All 6 Ed Sullivan Shows, which, for reasons only known to some marketing genius, leaves out the first and last shows. Avoid it.)

Sullivan, a former boxer who later became a sportswriter and entertainment columnist for a few New York papers, ran his show like a slightly upscale vaudeville venue. Though the Sullivan Show was the best of its time, it was the norm for variety shows of the ’50s and ’60s to actually feature variety. Before the demographic goons took over prime-time network television, Sullivan and other shows like his actually attempted to have something for everyone in the family.

As seen on The Rolling Stones discs, many popular-music giants appeared on Sullivan’s show: Ella Fitzgerald was on the same evening as The Stones in 1969.

A few years before, they were on the same program as Louis Armstrong. I always wondered if Satchmo talked with Jagger, Keith Richards, or maybe jazz fiend Charlie Watts backstage.

(Of course, I wondered the same thing about the group of 44 Benedictine nuns from Pennsylvania who sang “Kumbaya” on the same 1967 show in which The Rolling Stones sang “Ruby Tuesday” and something called “Let’s Spend Some Time Together.” Did the Stones try to spend some time with the singing nuns?)

There were early appearances by Jim Henson and some pre-Piggy Muppets. When he appeared on a 1966 show, Sullivan introduced him with these words: “Jim Newsom and his puppets.”

And in 1969, Rodney Dangerfield got some respect on the same show in which The Stones sang “Gimme Shelter” and “Honky Tonk Women.”

"Now about those lyrics, Mr. Jagger..."
Jamming with Edward (Sullivan): My favorite Stones performances on these DVDs are the earliest ones, that 1964 show and the one from May 2, 1965 (which also included appearances by soulful Brits Dusty Springfield and Tom Jones). Both of these programs captured in living black-and-white The Stones’ gritty blues, soul, and early rock sounds.

Among the tunes they performed on these shows were Chuck Berry’s “Around and Around” (though I prefer The Animals’ version from the same period), Irma Thomas’ “Time Is on My Side” (the first Stones song I ever heard), and a hearty version of Howlin’ Wolf’s “Little Red Rooster” with Brian Jones playing slide.

In the later shows, some of The Stones’ performances were pre-recorded, and I strongly suspect some of the music was too. For instance, when they did “Gimme Shelter” on that 1969 show, you hear Merry Clayton, or some similar background singer doing Clayton’s part. But you don’t see her. And on “Ruby Tuesday,” you can clearly hear an acoustic guitar, but nobody is playing guitar on stage. Jones is playing a recorder, Richards appears to be playing harpsichord, and bassist Bill Wyman is on cello.

The Jan. 15, 1967, show is the infamous performance in which some squeamish producer or nitwit network suit demanded the group change the lyrics of “Let’s Spend the Night Together” to “Let’s Spend Some Time Together.”

The Stones complied. Jagger sarcastically rolled his eyes when he sang the bowdlerized lyrics, and The Stones ripped into the song like jackals making a kill. Despite the clean lyrics, the version performed that night on TV was far more intense than the recorded version.

And after that, there was a Geritol commercial.

The Stones didn’t do the Sullivan Show for nearly three years after that. When they returned in Nov. 1969, Brian Jones was dead, replaced by guitarist Mick Taylor.

It’s great that these shows are available after more than 40 years. But consider this: The Kim Sisters appeared on Sullivan 20 times. I’m waiting for that DVD set.

Blog Bonus:
How I love ya, how I love ya!

 

Sunday, December 11, 2011

TERRELL'S SOUND WORLD PLAYLIST

Sunday, December , 2011 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Mind Eraser by The Black Keys
Laptop Dog by The Fall
Knock Me Off My Feet by The King Khan Experience
Hills of Pills by Kid Congo & The Pink Monkey Birds
Linda Lou by Augie Rios
Corn Foo Fighting by The Hickoids
Hit Me by The Fleshtones
Poison by Hundred Year Flood
Willie the Pimp by The Jim & Jack Show

T-Model Boogie by Rosco Gordon
Raised Right Men by Tom Waits
Georgia Slop by Barrence Whitfield & The Savages
Boob Scotch by Bob Log III
Drinkin' by Freddie Coaster With Standels
Rockin' Renegades Roll by The Frontier Circus
Can't Stay Here by Howlin' Wolf
Everything I Do Is Wrong by The Reigning Sound
Black Beard by The Universals
When I'm Grown Up by The Monsters


Howard Tate Tribute
Ain't Nobody Home
Jemima Surrender
Don't Need No Monkey on My Back
Little Volcano
Stalking My Woman
Look at Granny Run, Run
She May Be White But She Be Funky
She's a Burglar
Get It While You Can

Cardiac Party by Jack Mack & The Heart Attack
One Reason to Stay by The Revelations Featuring Tre Williams
How'd Ya Like to Be King by The Civil Tones
Hell of a Woman by The Impalas
For Your Precious Love by Jerry Butler
Tight Spot by Paul & The Four Most
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis
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Friday, December 09, 2011

THE SANTA FE OPRY PLAYLIST

Friday, December, 2011 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Why Baby Why by Willie Nelson
Wild Hog Hop by Bennie Hess
Drinkin' With My Friends by Honky Tonk Hustlas
Moonshine by Montie Jones
Gothenberg Train by Dale Watson
Shadow My Baby by Ray Condo & The Ricochets
Roll Me a Song by Artie Hill
Your Friends Think I'm the Devil by The Imperial Rooster
Over My Head in Blue by Rick Brousard & Two Hoots and a Holler
I'm Buggin' Out Little Baby by Donny Lee Moore

Shotgun by Anthony Leon & The Chain
Freight Train Boogie by Doc & Merle Watson
Cut Across Shorty by Eddie Cochran
Red Velvet by The Kirby Sisters
Go Away Don't Bother Me by The Collins Kids
A Girl Don't Have to Drink to Have Fun by Jane Baxter Miller & Kent Kessler
If You Play With My Mind by Cornell Hurd
Dollar Dress by The Waco Brothers
More Time With My Family by Jim Terr

Nashville Casualty and Life by Kinky Friedman & His Texas Jewboys
Before All Hell Breaks Loose by Asleep at the Wheel
Broken Engagement by Webb Pierce
Bright Lights & Blonde Haired Women by Ray Price
Memories of You Sweetheart by Scott H. Biram
I Wish I Could Shimmy Like My Sister Kate by The Hoosier Hot Shots
Beedle Um Bum by The Jim Kweskin Jug Band
The Laughing Song by Dan Hicks & The Hot Licks
I Told a Secret by Delaney Davidson

Alotta Guns by Ugly Valley Boys
Does My Ring Burn Your Finger by Solomon Burke
I'm Not Drunk Enough by Rex Hobart & The Misery Boys
We Three (My Echo, My Shadow And Me) by Wayne Hancock
Luxury Liner by Jeff Lescher & Janet Beveridge Bean
Moonglow, Lamp Low by Eleni Mandell
Kiss At The End Of The Rainbow by Mitch & Mickey
CLOSING THEME: Comin' Down by The Meat Puppets

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TERRELL'S TUNEUP: HONKY TONK TALES

A version of this was published in The Santa Fe New Mexican 
Dec. 10, 2011


By the time The Pistol, the Bottle, and Shaded Pastures was released earlier this year, fans of Anthony Leon & The Chain were familiar with most, if not all, of the songs on the group’s first CD. But that’s OK. It’s great to have these tunes available to play any time you want.

Leon, a native of Virginia, has only been in New Mexico a few years. But it didn’t take him long to become a local favorite. For this album, not only did Leon have a batch of great songs under his arm, he gives an intense live performance, greatly aided by his crack rhythm section — Carlos Rodriguez on bass and drummer Daniel Jaramillo.

Sometimes the Chain gang is joined by other superb local musicians who add new dimensions to the sound. But that trio of Leon, Rodriguez, and Jaramillo provides an unbeatable foundation.

Santa Fe has lots of good bands playing country and country-flavored music, but what sets Leon & The Chain apart is the huge rockabilly influence that permeates much of the group’s material. No fake Happy Days nostalgia here, just a tough strain of American music that informs the band’s sound. As the first song on the album says, he’s a brand new model honky-tonk man.

Anthony Leon & The Chain
At Frogfest 2010
When I first got my hands on this CD, I skipped to “Shotgun,” the fifth track. Leon has several tunes that hang around in my head, but this one’s my favorite. It’s a rocker about a jealous man warning some funky dude messing with his woman. It’s got a memorable refrain: “I’ve got a shotgun; tell you what I’m going to do/I’m gonna stick this 3-inch mag right up your wazoo.”

What can I say? I’m a sucker for poetry.

Almost as good is “White Dress,” another fast-paced song about a jealous lover. His ire is directed at his philandering sweetie, who’s got “10 other boys just like me cursing your sins.”

Another standout is “Uncle Sam,” a rockabilly choogler about a kindly dope peddler. I love when the beat slows down to a gospel-like bridge in which Leon and guest singer Felecia Ford sing, “Oh doctor, won’t you please ... his prescription for me,” over a heavy organ (played by Gary Miller).

My only complaint is that one of my favorite Leon and Chain songs (I forget the title, but it has to do with the devil and a saloon called Red’s), wasn’t included. The only consolation is that the band’s version of “Rudolf, the Red-Nosed Reindeer,” which the group performed live last week on KSFR’s The Twisted Groove, also wasn’t included. Sorry, guys!

Leon — without The Chain — opens for Kinky Friedman at Santa Fe Sol Stage & Grill (37 Fire Place on Saturday.

More noises from the country:
*  Double Down by Ugly Valley Boys. The debut album by this Salt Lake City duo (singer/ guitarist/drummer Ryan Eastlyn and standup bassist Braxton Brandenburg) is a doozy.

The first song, “Pappy,” is a celebration of a moonshiner. It sounds like Eastlyn, who has a low, gruff voice, has been drinking his pappy’s product since he was a baby. “Sure did his best to keep the town from going dry,” he sings. “Cops said, ‘Hell, that’s the fastest man alive.’” It’s not quite in the same league as Robert Mitchum’s “The Ballad of Thunder Road,” but it’s one of the better moonshiner songs in recent decades and a good way to set the tone for the rest of the album.

There are several songs overflowing with Johnny Cash chunka-chunka and outlaw attitude. One of my favorites is “Clickity Clack,” an upbeat minor-key tune about a guy who has upset his girlfriend and perhaps everyone around him: “If you won’t get out of the way, I won’t step aside/If you got something to say, well get in line.”

“Ugly” might be in the group’s name, but these guys write some really pretty melodies. “Alota Guns” is about a man who brags that he has, well, a lot of guns — at least symbolically. The refrain (“Oh-oh, I gotta lotta guns and each one’s loaded with a different memory”) is an irresistible hook that will stick in your mind.

And even better is the melody of “Power Lines,” a lonesome-road tune with a happy if world-weary melody.

I don’t think Eastlyn and Brandenburg have fired all their guns yet. I’m looking forward to more. And, hey guys, New Mexico’s not that far from Utah. Come on down!

Honky Tonk Hustlas
*  South of Nashville by Honky Tonk Hustlas. When I first saw this band’s name I feared it might be some crappy alt-country/hip-hop fusion group. But then I heard one of Honky Tonk Hustlas’ songs on Outlaw Radio Chicago and realized these guys, who come from Montgomery, Alabama, sound a lot more like Wayne “The Train” Hancock than they do Cowboy Troy.

And actually, they sound a bit like the Ugly Valley Boys. too. Like the UVB, the Hustlas is a two-man band — except when others join in. The permanent members are singer and guitarist T. Junior and Stemp on standup bass. The sound is acoustic-based traditional country with lots of fiddle, mandolin, and dobro.

Even if country radio still played good country music (and it doesn’t), it would never play the Hustlas. That’s not just because of the band’s occasional use of profanity, or because the song “Corporate Man” might hurt the feelings of the soulless suits who run commercial radio. It’s because the lyrics to some of the songs are so dark and stark. “My Worst Enemy,” “Pray I Won’t Wake Up,” and even the upbeat “Never Gonna Quit” deal frankly with self-destructive urges. And the chilling “Death’s Cold Sting” reminds me a lot of Hank Williams’ “Alone and Forsaken” — which wasn’t exactly a big radio hit for Williams.

Not all the Hustlas’ songs are grim. The title song is a fiddle-driven toe-tapper, while “Drinkin’ With My Friends” is just a good honky-tonk tune.

However, in the context of some of the other songs, you might worry that after a night of drinking with his friends, the narrator could end up sitting on the edge of his bed in a lonely room with a gun in one hand and a whiskey bottle in the other singing “Death’s Cold Sting.”

THROWBACK THURSDAY: Come for the Shame, Stay for the Scandal

  Earlier this week I saw Mississippi bluesman Cedrick Burnside play at the Tumbleroot here in Santa Fe. As I suspected, Burnsi...