Tuesday, October 16, 2012

The Greatest Jukebox on God's Green Internet


If you've never heard the mighty podcasts of The GaragePunk Pirate Radio Network, you're missing out on some dang fine music -- primitive rock 'n' roll, crazy R&B, riotous rockabilly and every now an then some country music as the good Lord intended it to sound.

Yes, there's some self promotion here because my own Big Enchilada is part of this sinister international cabal of misfits. But there are loads of shows here to fill your day with incredible music.

And if you like it, you can subscribe HERE and have this great stuff delivered right to your computer.

Monday, October 15, 2012

Black Joe Lewis in Santa Fe Tonight

Black Joe Lewis & The Honeybears are playing Sol Santa Fe tonight (Monday Oct. 15). Doors open at 7:30 pm. HERE are the details.

I've said it before, but last years Black Joe show was the best Santa Fe's concert I saw all year.

Enjoy a song I found on Soundcloud, as well as couple of tacky iPhone videos I shot last year.


Sunday, October 14, 2012

TERRELL'S SOUND WORLD PLAYLIST


Terrell's Sound World Facebook BannerSunday, Oct. 14 , 2012 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

 OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres (R.I.P. B.B. Cunningham)
Psycho by Nick Curran
Flyin' Blind by Nick Curran with Phil Alvin
Dangerous Madness by Wayne Kramer
Bag of Bones by The Jon Spencer Blues Explosion
'The Desperate Man by The Black Keys
Negative and Hostile by The Grannies
Stuck in the Middle by Andre Williams

The Stranger in Our Town by The Gun Club
Girl Hunting by Found Dead in Trunk
Add in Unison by Mission of Burma
Pierce the Morning Rain by Dinosaur Jr
If I Can't Change Your Mind by Sugar
Mojo Hannah by Tami Lynn
Sometimes Sometimes by April march & The Makers
House of Smoke and Mirrors by The Nevermores
Gunpowder by Black Joe Lewis & The Honeybears (playing Santa Fe Sol on Monday!)
Old Black Joe by Jerry Lee Lewis

LET'S SWING!
San Francisco Fan by Joe Jackson
Beyond the Sea by Royal Crown Revue
Rockin' at the Dog House by The Love Dogs
Savage Night by The Blue Hawaiians
This Cat's on a Hot Tin Roof by The Brian Setzer Orchestra
No Mercy for Swine by The Cherry Poppin' Daddies
Slim and Sally by Alien Fashion Show
Reefer Man by Big Bad Voodoo Daddy

Stevie's Spanking by Frank Zappa
Cycle Annie by Gregg Turner
What's the Matter Now by The Oblivians
Til the Following Night by Screaming Lord Sutch
The Gravedigger's Blues by Mark Lannegan
Let it Out (Let it All Hang Out) by The Hombres
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Get in the Holiday Spirit with the Big Enchilada Spooktacular


THE BIG ENCHILADA



Boo! It's that most wonderful time of the year. Join me in the joyous spirit of this holiday.


Here's the playlist:
(Background Music: The Spook by The Tomkos)
Satan's Bride by Gregg Turner
Blood Train by The Bloody Jug Band
Rattlin' Bones by Fire Bad! *
Love is a Dog From Hell by Help Me Devil
Haunted Heart by Micragirls
Devil's Run by Angry Johnny & The Killbillies

(Background Music: Ghost Train by Agent Twang *)
Night of The Queerwolf by The Spook Lights
Barbara by THEM!
Ichibod by Legendary Shack Shakers
Busy Ghost by Zentralheizung of Death
The Devil's Tale by Jim Nazzstix & The Hard Rocknbillys

(Background Music: The Wild Ride of Ichabod Crane by The Blue Giant Zeta Puppies *)
Mojo Hannah by Tami Lynn
The Black Cat by The Tombstones
A Bloody Life by Rev. Tom Frost *
I Created a Monster by Glenn Barber
Voodoo Love Song by Northside Garage *


Play it Here:





Songs marked with a * indicates they are from the new compilation Garage Monsters: The Best of the GaragePunk Hideout Vol. 9.

Want More Spooky Tunes?

Check out my previous Halloween podcasts:
Big Enchilada Spooktacular 2011: CLICK HERE
Big Enchilada Spooktacular 2010: CLICK HERE
Big Enchilada Spooktacular 2009: CLICK HERE
Big Enchilada Spooktacular 2008:  CLICK HERE

Saturday, October 13, 2012

eMusic October

Play Nine Songs with Mr. Quintron by The Oblivians. Here's a band that's on the verge of a comeback. These garage-punk icons from Memphis broke up back in 1997. Though they've regrouped since then -- they toured with The Gories a few years back -- the trio hasn't had an album of new material since the old days. Until later this year. They've recorded a new one on In the Red Records, allegedly titled "Desperation" and reportedly ready to pounce before the end of the year.

Mr. Quintron was the Oblivian's last studio album before they broke up. It's an unusual effort in that they actually do play with Mr. Quintron, an German-born organist/one-man band based in New Orleans. his own music is an upbeat swampy mix of techno and R&B. The session with The Oblivians brought ought the blues, R&B, soul and gospel influence of both acts.

Best tunes here are gospel-fired tunes like "Ride That Train" and "What's the Matter Now" (featuring Greg Oblivian shouting "The Holy Ghost is in me!"). But I also like the slow, spookhouse/lounge sound on "Final Stretch."

* 8-Eyed Spy by Lydia Lunch. No-Wave boho rocker/poet/noise demon Lydia Lunch made Joan Jet look like Joannie Cunningham. 8-Eyed Spy was her band after she left Teenage Jesus & The Jerks. Though they didn't last very long (they broke up after their drummer George Scott died) Lunch and 8 Eyed Spy combined the no-future detachment of  No Wave with a rootsy funk sensibility.

The album contains several covers. There's a version of "Diddy Wah Diddey" which is closer to Captain Beefheart's cover than the Bo Diddley original. There's a live version of The Strangeloves'  "I Want Candy" but the tape is so lo-fi it makes you wish for a studio version.

Even before The Gun Club covered Creedence Clearwater Revival's swampy nightmare "Run Through the Jungle," Lydia ran through that jungle with the devil on the loose. I haven't decided which did the scariest version.

I mentioned Nancy Sinatra's "Lightning's Girl" in last month's eMusic report. That song always reminded me of  "My Boyfriend's Back" by The Angels -- though Nancy's Lightning seemed more dangerous than The Angels' boyfriend. The boyfriend might beat you up. Lightning would skin you alive. Lunch's Lightning might just saute your brian too.

Most of the originals are wothwhile too. "Motor Oil Shanty" goes deep into the swamp, while "Looking for Someone," with Pat Irwin's greasy sax" sounds like a punk take on crime jazz. And is that a subtle disco influence I hear on "Lazy in Love" ?


Trubble Trubble and Bloody Mary by King Salami. The old fashioned 45 seems to be the preferred medium of this British soul/punk/funk/garage band out of England. Except for one album on the German Soundflat Records a couple of years ago (14 Blazin' Bangers -- I reviewed it HERE -- scroll down), most  music of his available seem to be two-song sets like these. (Mojo Workout has a generous four songs).

The four songs on these recent downloads show that Salami and crew continuing their basic good-time soul shakedown. Salami has long been an admirer of Barrence Whitfield & The Savages, so it's fitting that he tackles "Bloody Mary," (written by original Savage bassist Phil Lenker) with such abandon.

The rest of the songs also are energetic, frantic ass-shakers for which King Salami should be much better known.


Unsound  by Mission of Burma This will be the third or fourth time I've publicly raved about the fact that this Boston "post-punk" (is that what they called it) band after taking a near two-decade breakcame back from the dead and not only made a great comeback album (ONoffON, 2004) but continued to make great records ever since -- arguably just as powerful as their early '80swork.

They came back. And they stayed.

Sound familiar? Perhaps you read this only yesterday in Terrell's Tuneup. Read my full review HERE.


Friday, October 12, 2012

THE SANTA FE OPRY PLAYLIST


Santa Fe Opry Facebook BannerFriday, Oct. 12, 2012 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
 OPENING THEME: Buckaroo by Buck Owens & The Buckaroos

If My Harley Was Running by Waylon Jennings
Cowboy Boots by The Backsliders
See Willie Fly By by The Waco Brothers
Truck Drivin' Man by The Twang Bangers
Smokin' Dope and Snortin' Coke by Todd Andrews
Christine's Tune by The Flying Burrito Brothers
Qualudes Again by Bobby Bare
Thrown Out of the Bar by Hank 3
Lillybelle by The Calamity Cubes

I Wish You Would Kiss Me by James Hand
Honky Tonkin' by Merle Haggard
Diggin' in the Dirt by Tom Irwin
Mother Blues by Ray Wylie Hubbard
Another Round by Ol' Red Shed
Oak Tree Hangin' by Gary Gorence
Brand New Cadillac by Wayne Hancock

I've Done Everything I Could Do Wrong by Reckless Kelly
Family Tradition by Cracker
Between  the Ditches by The Reverend Peyton's Big Damn Band
It'll Be Me by Janis Martin
Boy Named Lucy by The Bloody Jug Band
Long Legged Guitar Pickin' Man by Johnny Cash & June Carter
Reprimand by Santa Fe All Stars
Okie Boogie by Jack Guthrie & His Oklahomans

Julia Belle Swain by John Hartford
No Man's Mama by The Carolina Chocolate Drops
You're the Reason God Made Oklahoma by David Frizzel & Shelly West
Take Me Back by The World Famous Headliners
Sweet William by Holy Modal Rounders
When the Last Curtain Falls by George Jones
CLOSING THEME: Comin' Down by The Meat Puppets

See the Santa Fe Opry Facebook page 

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Steve Terrell is proud to report to the monthly Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

Thursday, October 11, 2012

TERRELL'S TUNEUP: Second Acts in America

A version of this was published in The Santa Fe New Mexican 
Oct. 12, 2012

“The separation didn’t work out.” That’s what John Lennon said when he got back with Yoko Ono following the couple’s widely publicized mid-’70s split. It could also apply to a couple of bands that have recently released new material.

I’m talking about Mission of Burma and Dinosaur Jr. Both groups broke up years ago and got back together after prolonged absences — not as desperate casino-touring nostalgia acts but as vital creative forces that picked up where they left off and resumed making the same kind of sounds for which we loved them in the first place.

The bands are several years and several albums into their respective comebacks, and neither has worn out its welcome-back.

Here’s a look at the groups’ latest albums:

* Unsound by Mission of Burma. Mission broke up in the early ’80s because singer/guitarist Roger Miller (no, not that Roger Miller) began suffering ear damage from playing deafening rock ’n’ roll night after night.

But thanks to advances in noise-cancelling ear-plug technology, Mission came back. And it stayed.

This will be the third or fourth time I’ve publicly raved about the fact that this Boston “post-punk” (is that what they called it?) band came back from the dead and not only made a great album (ONoffON, 2004) but has continued to make great records ever since — The Obliterati in 2006 and The Sound, the Speed, the Light in 2009. Most of the material is arguably just as or almost as powerful as the group’s early-’80s work, and none of it sounds dated.

It’s probably beginning to sound patronizing by now, and I’m sure that the members of Mission probably are getting sick of hearing that line of praise from critics. But the praise is sincere. When a bunch of grizzled war dogs come out rocking this strong, reprobate rock geezers like me can’t help but feel somewhat vindicated.

It’s obvious from the bouncy, muscular opening song,“Dust Devil,” sung by bassist Clint Conley, that Unsound doesn’t stray far from the ferocious guitar-driven sound Mission of Burma has been known for since Reagan’s first term. But Miller and crew have added some jiffy touches here and there to keep the sound fresh.

 Bob Weston’s trumpet is a nice touch on “Add in Unison” and “What They Tell Me,” while the faux Beach Boy harmonies sound pretty cool on “7’s.” The android hip-hop arrangement of “This Is Hi-Fi” is pretty wild, but Peter Prescott’s crazed caveman drumming is what really carries the song.

Mission was one of the first rock bands to include a mad-scientist tape-loop mixer/manipulator in both the studio and on stage. Martin Swope was the original manipulator, and Weston took his place after the band reformed.

I’m not the first to note that Mission of Burma has released more albums since its reunion than it did during its original incarnation. I think that the musicians had as good a time making this album as their fans have listening to it.

* I Bet on Sky by Dinosaur Jr. There are lots of similarities between this band and Mission of Burma. Both hail from Massachusetts. Both released their first records in the 1980s. Both are guitar-centric groups that ride the feedback like rodeo stars — with Dinosaur Jr. being a proud devotee of Neil Young’s electric side.

But unlike Mission of Burma’s breakup, the split between Dinosaur Jr.’s J. Mascis and Lou Barlow in the late ’80s was hardly amicable. Nobody had a hearing problem, Mascis and Barlow were just sick of hearing each other.

Mascis soldiered on fronting a new Dinosaur Jr. lineup (usually with longtime DJ drummer Murph as part of the lineup) and later, J. Mascis & The Fog. Meanwhile Barlow enjoyed some success with his band Sebadoh and, later, with the less notable Folk Implosion.

Mascis and Barlow came together again around 2005 to do a short tour when Merge Records rereleased some of their early material. They must have overcome those past differences, because a year later they did another tour and announced they’d be recording a new Dinosaur Jr. album. Beyond was the product of that reunion, and it is a fine record.

DINOSAUR Jr.
Dinosaur Jr. at Pitchfork Festival, Chicago 2008
The followup, Farm was just as amazing, if not better, and now we have I Bet on Sky, which is no letdown. The band is more melodic than it was back in its young days. But the intensity remains.

As has been the case since the band’s early days, Mascis is still the indisputable frontman. He wrote and sings most of the songs on Sky — his high-pitched whine still provides the emotional center for Dinosaur Jr., while his trademark stormy guitar solos dominate the proceedings. And yes, Uncle Neil is still a huge influence on Mascis.

Trying to listen to the guitar intro of “See It on Your Side” without thinking of Young is as hard as listening to the William Tell Overture without envisioning the Lone Ranger.

But, as always, Barlow contributes some wonderful moments here as well. His “Rude” is a country-influenced stomp, while the melody of “Recognition” is outright catchy.

One standout on this album is the rhythmic “I Know It Oh So Well,” on which Mascis sounds like a kid who just got his first wah-wah pedal for his birthday. Then there’s the opening song, “Don’t Pretend You Didn’t Know,” in which the guitar sounds closer to Archie Bell & the Drells than anything Dinosaur Jr. has ever attempted before.

This album grows on you with each listen. I hope this dinosaur never goes extinct.

Blog Bonus: Enjoy some video!



WACKY WEDNESDAY: Albums Named for Unappetizing Food

O.K., I'll admit this is a pretty dumb idea.  It came to me yesterday after I ran into my friend Dan during my afternoon walk along the ...