Wednesday, November 14, 2012

eMUSIC November

* Gumbo Stew by various artists. Yes, it was the cover art that first attracted me to this collection. The cover features a colorized photo of Prince La La in full Afro/Mardi Gras regalia with a couple of his "subjects" in even more colorful clothes.

Prince La La (born Lawrence Nelson) is only one of the New Orleans icons on Gumbo Stew. There's Eddie Bo, Cornell Dupree, a young Dr. John and several others who are even lesser known outside of the world of Crescent City music fanatics.

The album is a compilation of material of the small but influential New Orleans label AFO, started by musicians' musician Harold Battiste. AFO was short for "All For One," the guiding principal of the company, which Battiste started to give local musicians a fairer deal that the national labels. ("All For One" also is the name of a soulful song done here by singer Willie Tee.)

You won't find many big hits here. Apparently another version of the collection contained "I Know (You Don't Love Me No More)" by Barbara George, a song I remember from my youth. For some reason it's not on the album I downloaded from eMusic. But that's just a small mistake. There's plenty to make up for that.

Gumbo Stew kicks off with a breezy, funky jazz instrumental called "Olde Wine" credited tot he AFO Executives. Then the hoodoo starts with "Mojo Hannah" by Tami Lynn, a song covered earlier this year by Andre Williams, who co-wrote it in the early '60s. It's also been covered by Esther Phillips, Aaron Neville and Marvin Gaye, who according to Dan Phillips at the Home of the Groove blog, was the first to record it.

Prince La La's contribution here is "Things Have Changed," an upbeat tune driven by exotic-sounding percussion, piano and flute. Eddie Bo's "Tee Na Na Na Na Nay" takes you right to the Mardi Gras, while Dr. John with keyboardist Ronnie Baron play "My Key Don't Fit," an easy-going number with hints of Dixieland. Meanwhile, gruff-voiced Wallace Johnson name-checks early TV detectives like Peter Gunn and Richard Diamond on "Private Eye."

Some songs sound like they were recorded in the late '60s. These include Alvin Robinson's "Tuned In, Turned On" (co-written by that crafty old Night Tripper, Dr. John) and the funky instrumental "Ignant" by Cornell Dupree.

Definitely the most twisted song on Gumbo Stew is "I Found Out" by Willie Tee. It's a song about a poor guy who meets the love of his life. But when she takes him home to meet her family, he finds his aunt and uncle. "I found out you are my cousin/And now there'll be no more lovin' ..." Willie sings.

There's two other Gumbo Stew albums available on eMusic, More Gumbo Stew and Still Spicy Gumbo Stew. If you're a casual fan New Orleans R&B, these should deepen your appreciation.

* I Bet on Sky by Dinosaur Jr.  The 21st century version of  Dinosaur Jr is more melodic than it was back in its young days. But the intensity remains.

As has been the case since the band’s early days, J. Mascis is still the indisputable frontman. He wrote and sings most of the songs on Sky — his high-pitched whine still provides the emotional center for Dinosaur Jr., while his trademark stormy guitar solos dominate the proceedings. And yes, Uncle Neil is still a huge influence.

Sound familiar? I reviewed this in Terrell's Tuneup a few weeks ago, along with the latest Mission of Burma album. See that HERE

* Meat and Bone by The Jon Spencer Blues Explosion. Eight years after The Blues Explosion's previous album, this comeback effort is a dandy, stuffed full of the maniacal, irreverent, rompin’-stompin’ sounds that shook the free world back in the ’90s.

All the old intensity is evident on “Black Mold,” the riff-driven first song of the new album. The tune was inspired by Spencer’s discovery of a box of records that had gotten damp and moldy in his basement.

This sound familiar also? I review this in yet another Terrell's Tuneup column. See that one HERE.
 PLUS

*  "Sweet Jenny Lee" and "St. Louis Blues" by Cab Calloway. I've been nibbling at the Cab Calloway collection The Early Years 1930-1934 for years now. I had a couple of tracks left over at the end of the month, so I nabbed these. I especially like "Sweet Jenny Lee," a song that's also been covered by western-swing giants like Bob Wills and Milton Brown. Willie Nelson did a great version also on his collaboration with Asleep at the Wheel a couple of years ago.

Sunday, November 11, 2012

TERRELL'S SOUND WORLD PLAYLIST


Terrell's Sound World Facebook BannerSunday, Nov. 11, 2012 
KSFR, Santa Fe, N.M. 
10 p.m. to midnight Sundays Mountain Time 
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org

 OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
!0 o'Clock by The Malarians
Don't Look Down by LoveStruck
Bow Down and Die by The Allmighty Defenders
Thrift Baby by J.J. & The Real Jerks
Call the Zoo by The A-Bones
Bad Boy by The Headcat
High Class by The Buzzards
Out of Control by Demented Are Go
Wilder Wilder Faster Faster by The Cramps

Bel Air Blues by Drywall
My Baby is a Pole Dancer by The Barbarellatones
Secret Code by The Dirtbombs
Lilly's 11th by The Nevermores
I Wish You Would by The Fleshtones
I'll Follow Her Blues by The Gibson Bros.
Cantina by Pinata Protest
Wine-O Boogie by Don Tosti's Pachuco Boogie Boys

ZAPPA SET 
All songs by Frank Zappa unless otherwise noted
Ian Undewood Whips It Out
Titties and Beer
I'm Not Satisfied by The Fall
Harder Than Your Husband (FZ with Jimmy Carl Black)
Brown Moses (with Johnny "Guitar" Watson)
You Are What You Is by The Persuassions
Whipping Post

Nothing Can Bring Me Down by Mondo Topless
The Purple People Eats The Witch Doctor by The Big Bopper
You're Not as Pretty by The Reigning Sound
When The Drugs Kick in by The Del Lords
Yesterday is Here by Bettye LaVette
Muriel by Eleni Mandell
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

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Friday, November 09, 2012

THE SANTA FE OPRY PLAYLIST


Santa Fe Opry Facebook BannerFriday, Nov. 9, 2012 
KSFR, Santa Fe, NM 
Webcasting! 
10 p.m. to midnight Fridays Mountain Time 
Host: Steve Terrell 
101.1 FM
email me during the show! terrel(at)ksfr.org
 OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Jimmy's Mule by Jimmy Martin
Eggs of Your Chicken by The Flatlanders
Party Dolls and Wine by Eddie Spaghetti
Goddamn Holy Roll by Holly Golightly & The Brokeoffs
Road Movie by Zeno Tornado & The Boney Google Brothers
Ants on the Melon by The Gourds
Almost to Tulsa by Junior Brown
Highway Cafe by Kinky Friedman & His Texas Jewboys
The Women Make a Fool Out of Me by Ernest Tubb

Copperhead Road by Steve Earle
Bathwater by The Calamity Cubes
I Just Can't Let You Say Goodbye by Willie Nelson
You Only Kiss Me When You Say Goodbye by Cornell Hurd
My Witness by James Hand
Lazarus by Ray Wylie Hubbard
Mud by The Reverend Peyton's Big Damn Band
Tearin' Up the Town by The Stumbleweeds
Geeshie by The Mekons

Ain't No Diesel Trucks in Heaven by Bob Wayne
Thy Will be Done by Slim Cessna's Auto Club
I Wish I Were a Single Girl Again by The Maddox Brothers and Rose
The Pill by Loretta Lynn
Guilty Conscience by Carl Smith
Whiskey Trip by Gary Stewart
Jack and Jill Boogie by Wayne Raney
Get the `L' on Down the Road by Bill Johnson's Louisiana Jug Band
Third Rate Romance by Amazing Rhythm Aces

Your Hearty Laugh by The Defibulators
Always Lift Him Up/ Kanaka Wai Wai by Ry Cooder
California Stars by Wanda Jackson
My Eyes by Tony Gilkyson
I Do Believe by Waylon Jennings
I Feel Like Going Home by Charlie Rich
CLOSING THEME: Comin' Down by The Meat Puppets

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TERRELL'S TUNEUP: The Present Day Zappa Catalogue Refuses to Die

A version of this was published in The Santa Fe New Mexican 
Nov. 9 2012

Here’s some good news for all you Frank-o-philes: After being off the shelves for several years, some 60 albums by the Father of Freakout are being rereleased.

Following an ugly legal struggle with Rykodisc, the company that rereleased Frank Zappa’s stuff in the ’90s (have I told you lately how much I hate the music industry?), the Zappa Family Trust has won back the rights to Daddy Frank’s wondrous catalog. And now, Universal Music is rereleasing all this crazy music to a world that doesn’t deserve it.

Don’t go looking for bonus tracks — rarities, demos, unreleased live material, or whatever. Basically, these are straight-up reissues. Most devotees probably already have the bulk of Zappa’s albums. But he was so prolific — nobody but zealots and completists have all of his stuff. Sometimes he would release several albums a year.

I’ve been a Zappa fan since the late ’60s, but there are lots of Zappa albums that somehow passed me by through the years. So this is a good time to catch up.

* Baby Snakes. Originally released in 1983, most the songs were recorded live in New York in 1977 (the one exception is “Baby Snakes,” which had appeared on Sheik Yerbouti).

This record is a soundtrack album for a concert video of the same name. From what we can hear on Baby Snakes, it was a good, if not great, show with a classic lineup that included guitarist Adrian Belew, drummer Terry Bozzio, and keyboardist Tommy Mars.

The inclusion of “Disco Boy,” in which Zappa rips into the disco scene with the same glee he once ripped into hippies, dates the music, but it’s a fun little artifact.

About two thirds of this album consists of three lengthy examples of Zappa’s scatological comedy-rock. There’s a rather rote “Dinah Moe Humm,” in which Zappa zips through the lyrics as if he’s sick of reciting them; “Titties and Beer,” which features a so-stupid-it’s-funny dialogue between Zappa as a biker and Bozzio portraying Satan; and the 11-minute “Punky’s Whips,” which deals with Bozzio’s supposed homoerotic attraction to a now forgotten singer named Punky Meadows (from a now-forgotten band called Angel).

* Thing-Fish. The Allmusic Guide describes this 1984 double album as Zappa’s “most controversial, misunderstood, overlooked album.” And when you’re talking about Zappa, that really is saying something. The songs are from a musical — which never made it to Broadway, for which it was intended — about a bizarre Tuskegee-like experiment by the government that goes awry and ends up turning black people into strange creatures with potato heads, duck bills, and enormous hands.

Ike Willis, who was part of Zappa’s Mothers during this era, performs the spoken-word narration for most of the songs. In the character of “Thing-Fish,” Willis basically does it in the dialect employed by “Kingfish” from Amos ‘n’ Andy.

There’s also a yuppie couple: Harry, who comes out as gay, and Rhonda, a briefcase fetishist. The couple is played by Terry Bozzio and his wife Dale Bozzio, who at the time was fronting the popular Los Angeles New Wave group Missing Persons.

Like the Joe’s Garage saga, the narration often gets in the way of the music — and you’ll probably enjoy Thing-Fish more if you just get lost in the music and don’t try to follow the plot.

It’s an interesting if not crucial latter-day Zappa work. Every now and then a familiar Zappa song pops up. You’ll hear rerecorded songs like “The Torture Never Stops” (here called “The ‘Torchum’ Never Stops”), “You Are What You Is,” “Mudd Club,” “The Meek Shall Inherit Nothing,” and “Ms. Pinky” from Zoot Allures, reimagined here as “Artificial Rhonda.” One redeeming treat is “Brown Moses,” which features vocals by blues/funk great Johnny “Guitar” Watson.

* Uncle Meat: For some reason I never broke down and bought this album when it came out in 1969.

Maybe I spent all my Zappa budget on We’re Only in It for the Money and Cruising With Ruben & The Jets — and before I knew it, there were new Zappa albums like Hot Rats, Burnt Weeny Sandwich, and Weasels Ripped My Flesh to distract a youthful consumer.

Whatever the case, Uncle Meat is a masterpiece. It’s essential Zappa listening.

For 40-plus years I’ve considered We’re Only in It for the Money as the definitive Zappa record, and I’d still be predisposed to choose that one if you put a weasel to my head.

But with Money you have to be careful which version you get (beware of the controversial 1986 version, remixed by Zappa himself, with a new rhythm section and stuck on a CD with the entire Lumpy Gravy album tacked on).

And listening again to Uncle Meat, I realize that this album ranks up there too.

This sprawling work started out a a double LP — supposedly it’s a soundtrack to a very obscure Zappa movie that didn’t get finished until a decade later and exists now on VHS tape. (I don’t think it was ever released in theaters, at least not in this dimension.)

JIMMY CARL BLACK NOW AND THEN
The late great Jimmy Carl Black,
Albuquerque, 2007
There’s just about everything a Zappa fan could want: snatches of freeform jazz, including “Ian Underwood Whips It Out” and several versions of “King Kong”; contemporary classical interludes; greasy, sleazy Munchkin doo-wop like “Electric Aunt Jemima” and “The Air”; unclassifiable instrumentals like the strangely beautiful “Nine Types of Industrial Pollution”; bizarre spoken dialogue including a short message from the infamous Suzy Creamcheese and an argument between Zappa and drummer Jimmy Carl Black (a former New Mexico resident) complaining about not making enough money; and throwaway renditions of “God Bless America” and “Louie Louie.”

Some of Zappa’s classic tunes are here — the dirgelike “Mr. Green Genes,” in which advice to “eat your greens” somehow evolves into “eat your shoes.” And there’s “Dog Breath in the Year of Plague,” a pachuco love song to a girl who helps the narrator steal hubcaps and stay wasted all the time.

One deadly misstep here: on disc two there’s a 37-minute chunk of dialogue from the movie that messes with the otherwise flawless flow.

(Check out the official Frank Zappa Website. HERE

Hey! I just learned that Frank's son Dweezil will be bringing his "Zappa Plays Zappa" tour to Albuquerque next month. Should be fun.


THROWBACK THURSDAY: Come for the Shame, Stay for the Scandal

  Earlier this week I saw Mississippi bluesman Cedrick Burnside play at the Tumbleroot here in Santa Fe. As I suspected, Burnsi...