Thursday, April 28, 2016
THROWBACK THURSDAY: April Showers
Walking out to the parking lot after work today I looked up to the sky and saw the clouds. But, being from New Mexico, I realized it probably wasn't really going to rain.
And then this song popped into my head:
Though April showers may come your way, they bring the flowers that bloom in May ...
It's one of those songs folks my age and older have just known all our lives. I probably first heard it on a Bugs Bunny cartoon.
But the song, written by written by Louis Silvers and lyricist B. G. De Sylva, goes back to a 1921 Broadway musical called Bombo, starring a young Al Jolson.
"April Showers" became one of Jolson's signature songs -- though it wasn't identified with him nearly as much as "My Mammy" or "Swanee."
So let's start with the Jolson original.
I'm not exactly sure when Mel Torme shot this version with the Page Cavanaugh Trio. But it's pretty snazzy.
Santo & Johnny, best known for their spooky classic "Sleep Walk," turned "April Showers" into a rock 'n' roll instrumental.
But, about 14 years after Jolson first sang this tune, there was another song that had "April Showers" in its title, "March Winds and April Showers," written by Walter G. Samuels, Leonard Whitcup and Teddy Powell. Here's a 1935 recording by Abe Lyman & His California Orchestra, with vocals by crooner Louis Rapp.
And somehow, decades later, that song evolved into this, thanks to ProleteR, a French guy who loves remixing and modernizing old jazz, R&B and soul tunes. (He does a great "Melancholy Baby")
For more deep dives into songs, check out The Stephen W. Terrell Web Log Songbook
Wednesday, April 27, 2016
WACKY WEDNESDAY:Attack of the Singing Clowns
Feeling low? Nothing like a singing clown to wipe away your blues.
Unless, of course your sad mood is caused by coulrophobia ...
So without further ado, let's send in the singing clowns.
This first one was an actual TV ad in Argentina a few years ago:
I'm not sure where this video was shot. But I like the title: "Crazy, Hilarious, Funny, Singing Clowns Playing Banjo and Accordion"
These merry fellows are having fun backstage, apparently after a performance of Slava's Snow Show, a theatrical production created in the 90s by Slava Polunin, a Russian clown artist.
And here's Puddles Pity Party singing a Crazy, Hilarious, Funny Big Top favorite
(Puddles actually is better known for this hit )
So if you need more music to awaken your inner Bozo, check out this classic Big Enchlada episode;
Monday, April 25, 2016
Big Enchilada for Mutants
Welcome to the latest Big Enchilada Podcast now on Radio Mutation, formerly known as GaragePunk Pirate radio. In honor of the new name change, I'm dedicating this show to rock 'n' roll mutants every where. Let's mutate together!
SUBSCRIBE TO ALL RADIO MUTATION PODCASTS |
Here's the playlist:
(Background Music: Ave Genghis Khan by Os Mutantes)
Keep Movin' by Freddy "Boom Boom" Cannon & The Gears
Don't Be Afraid to Pogo by The Gears
I Dreamt of the Dead by The Bonnevilles
All I Want is More by Kathy Freeman & Auto Pilot Club
Tribo Canibal by Horror Deluxe
Hoochie Woman by Tony Joe White
(Background Music: 2 Nigs United for West Compton by Prince)
Come Over Tonight by Terminal Licks
Beeline by The Ugly Beats
If Mother Knew by The Oblivians with Mr. Quintron
I Know Your Name by Scratch Buffalo
Red Headed Strangler by Friends of Caesar Romero
Cone of Light by Almighty Defenders
(Background Music: Whipping Post by The Fontanas)
Get Your Kick on Route 666 by Monkeyshines
Boundless by The Blues Against Youth
Chicken Yodeling Woman by O Lendario Chucrobillyman
Hotdog by The No-Brainers
Feeling Very Difficult Today by The Outta Sorts
Yesterday is Here by Rattlin' Bone
Play it here:
(Background Music: Ave Genghis Khan by Os Mutantes)
Keep Movin' by Freddy "Boom Boom" Cannon & The Gears
Don't Be Afraid to Pogo by The Gears
I Dreamt of the Dead by The Bonnevilles
All I Want is More by Kathy Freeman & Auto Pilot Club
Tribo Canibal by Horror Deluxe
Hoochie Woman by Tony Joe White
(Background Music: 2 Nigs United for West Compton by Prince)
Come Over Tonight by Terminal Licks
Beeline by The Ugly Beats
If Mother Knew by The Oblivians with Mr. Quintron
I Know Your Name by Scratch Buffalo
Red Headed Strangler by Friends of Caesar Romero
Cone of Light by Almighty Defenders
(Background Music: Whipping Post by The Fontanas)
Get Your Kick on Route 666 by Monkeyshines
Boundless by The Blues Against Youth
Chicken Yodeling Woman by O Lendario Chucrobillyman
Hotdog by The No-Brainers
Feeling Very Difficult Today by The Outta Sorts
Yesterday is Here by Rattlin' Bone
Play it here:
Sunday, April 24, 2016
TERRELL'S SOUND WORLD PLAYLIST
UPDATED: Now you can listen to my L.A. punk rock set and interview with The Gears on the Mixcloud player below
Sunday, April 24, 2016
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org
Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Hombre Secreto by The Plugz
We're Desperate by X
Sunday, April 24, 2016
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell
Webcasting!
101.1 FM
email me during the show! terrell(at)ksfr.org
Here's the playlist
OPENING THEME: Let It Out (Let it All Hang Out) by The Hombres
Hombre Secreto by The Plugz
We're Desperate by X
Egyptomania by Angry Samoans
Forming by The Germs
Forming by The Germs
Don't Push Me Around by The Zeros
A Life of Crime by The Weirdos
Elk's Lodge Blues by The Gears
Hanky Panky by Horror Deluxe
In Hell by The Monsters
Opening of the Box by Tony Joe White
Back When Dogs Could Talk by Wayne Kramer
Back When Dogs Could Talk by Wayne Kramer
Love Taco by PiƱata Protest
I Just Want Some Skank by The Circle Jerks
PRINCE TRRIBUTE (all songs by Prince except where noted)
Darling Nikki
Can't Stop the Feeling I've Got
Superfunkycalifragisexy
Darling Nikki
Can't Stop the Feeling I've Got
Superfunkycalifragisexy
Never Take the Place of Your Man by The Goo Goo Dolls (with Lance Diamond)
U Got the Look by Prince & Sheena Easton
The Future
A Case of You
Raspberry Beret by Hindu Love Gods
Musicology
One of Us
Space
Kiss by Tom Jones & The Art of Noise
Substitute CLOSING THEME: I Would Die 4U by Prince
Like the Terrell's Sound World Facebook page
Subscribe to The Big Enchilada Podcast! CLICK HERE
Like the Terrell's Sound World Facebook page
Subscribe to The Big Enchilada Podcast! CLICK HERE
Friday, April 22, 2016
THE SANTA FE OPRY PLAYLIST
Friday, April , 2016
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell 101.1 FM
Email me during the show! terrel(at)ksfr.org
Here's my playlist :
OPENING THEME: Buckaroo by Buck Owens
Little Red Corvette by The Gear Daddies
Man on a Mission by The Supersuckers
Dope Smokin' Song by Jesse Dayton
Shotgun Blues by Jason & The Scorchers
Don't Feed Me by Black Eyed Vermillion
MisAmerica by Legendary Shack Shakers
Love You 'cause You're Perfect by Al Scorch
Call Me If Your Ever Change Your Mind by Dave Insley
Call Me If Your Ever Change Your Mind by Dave Insley
Men's Room L.A. By Kinky Friedman
Satellite of Love by DM Bob & The Deficits
Rowboat by Johnny Cash
Aunt Peg's New Old Man by Robbie Fulks
Crawdad Hole by Doc Watson
Some Velvet Morning by Frontier Circus
No Law in Lurgan by The Bonnevilles
It's Moving Day by Charlie Poole
Lovesick Blues Emmett Miller
Move it On Over by Freddy Cannon & The Gears
Liquored Up by Southern Culture on The Skids
Trainsfusion Blues by Paul Burch & The Waco Brothers
Everything It Takes by Loretta Lynn with Elvis Costello
Holding Things Together by Merle Haggard
I'm a Fool to Fool Around with You by Hank Thompson
Catahoula by Jimbo Mathis
Up in the Holler by Stella Parton
All Around You by Sturgill Simpson
Mockingbird Yodel by Carolina Cotton
Hank Williams by Brent Hoodenpyle & The Loners
Honky Tonkin' by Tom Hiddleston & The Saddle Spring Boys
Wedding Day by Alejandro Escovedo
Apartment #9 by Tammy Wynette
Falls of Sleep by Freakwater
Louise by Jerry Jeff Walker
CLOSING THEME: Comin' Down by The Meat Puppets
Like the Santa Fe Opry Facebook page
Subscribe to The Big Enchilada Podcast! CLICK HERE
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
Like the Santa Fe Opry Facebook page
Subscribe to The Big Enchilada Podcast! CLICK HERE
Steve Terrell is proud to report to the monthly Freeform American Roots Radio list
Thursday, April 21, 2016
TERRELL'S TUNE-UP: Are You Afraid to Pogo?
A version of this was published in The Santa Fe New Mexican
April 22, 2016
Let's Go to the Beach
Freddy Cannon teams up with The Gears for a crazed take on "Tallahassee Lassie."
April 22, 2016
Andy Warhol was half-right: In the future, everyone will be famous for 15 minutes. But he left out one important part. In the future, everyone will star in their own documentary. Seems like every time you turn around these days, there’s a new movie about some band — some famous, some less so.
The northeast Los Angeles “punk surfabilly” band called The Gears got theirs with a fun new rock doc called Don’t Be Afraid to Pogo, which is playing next week at the Jean Cocteau Cinema.
I’ve never pretended to be an expert on the L.A. punk scene, though I’m a longtime fan of bands like X, The Germs, and Angry Samoans (even before founding member Gregg Turner moved to Santa Fe). I loved the movie The Decline of Western Civilization (1981) as well as Repo Man (1984), which had a soundtrack featuring Black Flag, The Circle Jerks, and The Plugz.
But I have to confess, until I recently saw Don’t Be Afraid to Pogo, I’d never heard of The Gears. But now I’m a fan.
Like any decent band documentary, this one, directed by Gears manager Chris Ashford, is crammed full of interviews with band members past and present, others from the L.A. punk world, live footage both ancient and recent, photos, and all sorts of Gear lore. Which Gear got kicked out of the band for breaking a beer bottle across a roadie’s face? Why is singer Axxel G. Reese obsessed with pirates? What was The Gears’ connection with early-’60s rocker Freddy “Boom Boom” Cannon, Chicano artist Richard Duardo, and Santa Fe photographer Ronn Spencer? You not only get to know the band, but the whole milieu from which the group sprang.
The origin of The Gears goes back to when Reese and drummer Dave Drive (real names Terry Davis and Dave Fernandez) went to elementary school together in the largely Hispanic Glassell Park neighborhood. They knocked around in various bands for years, finally coming back together as The Gears in the late ’70s.
Current Gears bassist Mike Manifold (real name Mike Villalobos), was just a kid when The Gears started out. But living near Dave Drive’s house, he was familiar with the group. He’d watch the musicians load and unload their equipment and often smell marijuana smoke wafting out of the house as he walked home from school. His grandmother, he said, warned him to “stay away from those kids.”
Apparently a secret nexus of L.A. punk rock was the Budget Rent-a-Car office in Glendale. That’s where Kidd Spike (Jeff Austin) and Brian “Redz” Anderson met before they joined The Gears. Marc Moreland of Wall of Voodoo and Johnny Stingray of The Controllers worked there, too. Spike originally played with The Controllers, but The Gears managed to steal him. Spike, who learned to play guitar from listening to a Ramones record, is credited for bringing the rockabilly influence to the band.
Miss Mercy of the infamous GTOs — a collective of groupies that Frank Zappa fashioned into an a cappella singing group — took The Gears under her wing, becoming known as their “fashion consultant.” She’d find seersucker suits, leopard-skin jackets, and cowboy boots for the band and do their hair, which in those days involved exaggerated rockabilly greaser styles. “They always smelled like Tres Flores [hair pomade],” the singer from Mad Society, another early L.A. punk group, says.
The documentary tells the stories behind some of The Gears’ songs. Their first single was “Let’s Go to the Beach.” Reese explains that living in northeast Los Angeles, the beach was “a trek for us. We weren’t really beach kids by any stretch of the imagination.” “Hard Rock” was written by original guitarist “Crazy Ruben” Urbina, inspired, he says, by the death of Elvis Presley. “Trudie Trudie” was an ode to a scenester and early Gears fan from South Bay. The real Trudie appears in the documentary.
“Elks Lodge Riot” is about the notorious “St. Patrick’s Day Massacre,” which occurred on March 17, 1979, at a big punk show (with an all-star bill including X, The Go-Gos, The Plugz and others) in an actual Elks Lodge near MacArthur Park. That night, Los Angeles police in riot gear raided the joint right in the middle of The Plugz’s set. A bunch of kids got beat up, and the reason is still pretty hazy.
And naturally they talk about the song that became the title for this movie, “Don’t Be Afraid to Pogo.” Crazy Ruben explains that he was self-conscious about diving head-on into punk culture, so the song was basically written as a message to himself.
Of course, as a dance craze, the pogo was much tamer than the crazy moshing at punk shows that soon followed. And as the ’80s progressed, the L.A. punk scene grew a lot more aggressive. The violence and fury of the hardcore scene was off-putting to members of The Gears. “There was a transition in L.A. punk that I didn’t like,” Spike says. By that point, he was getting pretty burned out anyway, he says.
So after Spike split, The Gears broke up in the mid-’80s and hived off into various other groups. But they’ve regrouped at least a couple of times through the years. And judging from their more recent album, When Things Get Ugly (2014), as well as the live footage from the movie, they’re still in fine form.
So check out this flick, and if the spirit moves you, don’t be afraid to pogo.
Don’t Be Afraid to Pogo is showing on one night only, at 9 p.m. on Thursday, April 28. Director Chris Ashford and some members of the band will be on hand for the showing.
I’ll be doing a live interview with Axxel and Spike from The Gears this week on my radio show, Terrell’s Sound World. The show starts at 10 p.m. on KSFR, 101.1 FM.
Here's the promo for the doc
Here's the promo for the doc
Let's Go to the Beach
Freddy Cannon teams up with The Gears for a crazed take on "Tallahassee Lassie."
THROWBACK THURSDAY: Fare Thee Well, Old Hickory
No, the new $20 bill will NOT be a Bozo Buck |
It looks like Andy Jackson is moving to the back of the buck.
U.S. Treasury Secretary Jacob Lew announced Wednesday a redesign of the nation's $5, $10 and $20 bills. On the $20, President Andrew Jackson is being moved to the backside of the bill while Harriet Tubman will replace him on the front.
For those who don't their history, Tubman was born a slave in 1822. But she escaped to her freedom and went on to become an abolitionist, a spy for the Union during the Civil War and a major player in the Underground Railroad, helping slaves escape to non-slave states.
Most the folks I talked to Wednesday were glad to see Jackson go. After all, he was a slaveholder and dedicated advocate of removing Indians from their homelands in the southeastern U.S. The Trail of Tears? That was his. He signed the Indian Removal Act which forced many Southern tribes to Indian Territory (now known as Oklahoma.)
And I agree, Tubman's a better choice. But still, somewhere inside me I hear the voice of Johnny Horton and feel some bittersweet nostalgia for Old Hickoy.
Here's what I'm talking about:
I've known this song since I was a little kid. But I didn't realize until recently that it's a descendant of a song, written in 1821 by one Samuel Woodworth.
It's called "The Hunters of Kentucky," though it's also known as "The Battle of New Orleans" "Jackson and Kentucky" and "Half Horse or Half Alligator." Jackson himself used the song as his campaign theme both times he ran for president (1824 and 1828.)
Here's a version by a singer named Tom Roush.
While searching for Andrew Jackson songs last night (somehow I thought there would be more) I found a group from Arizona called the Andrew Jackson Jihad. They're pretty cool, but they're demoting Andrew Jackson too. A couple of months ago they shortened their name to simply AJJ. "Interesting historical figure as he was, he was an odious person and our fascination with him has grown stale," the band said.
Old Hickory can't get a break these days.
Subscribe to:
Posts (Atom)
THROWBACK THURSDAY: Come for the Shame, Stay for the Scandal
Earlier this week I saw Mississippi bluesman Cedrick Burnside play at the Tumbleroot here in Santa Fe. As I suspected, Burnsi...
-
A version of this was published in The Santa Fe New Mexican January 14, 2011 Junior Kimbrough is dead. R.L. Burnside is dead. Paul “Wi...
-
Remember these guys? I'm not sure how I missed this when it first was unleashed a few weeks ago, but Adult Swim — the irrevere...
-
Sunday, May 15, 2022 KSFR, Santa Fe, NM Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell 101.1 FM Em...