Wednesday, October 15, 2008

BUT HE TOLD ME HE WAS "COMPLETELY INNOCENT"


Manny Aragon, former state Senate president pro-tem and Majority Leader, pleaded guilty this morning to three federal felony counts of conspiracy and mail fraud in the Metropolitan Courthouse scandal.

According to his plea agreement, he'll serve 5 and a half years in federal prison.

Read an Associated Press account HERE.

According to one AP account Aragon told reporters outside the federal courthouse today “It wasn’t a very happy day for me,” and said he was eager “to put this behind us and move forward.”

But just a year ago, I covered his arraignment, after which he told reporters, "Those of you who were in the courtroom know that I have pleaded not guilty. I have only one further statement. I am completely innocent."

I wonder if this means the National Hispanic Culture Center will change the name of this tower?

THE MANNY ARAGON TORREON

YOUR PUBLIC CAMPAIGN FINANCE DOLLAR AT WORK

Public Regulation Commission candidate Jerome Block, Jr.'s latest campaign finance report has lots of interesting stuff. Read Doug Mattson's story HERE .
One expense that caught my eye was a minor one -- a $35.91 payment for a lunch at Twin Peaks, an Albuquerque restaurant that has nothing to do with the greatest TV show of the late 80s and early 90s.

There doesn't seem top be a Web site for the Albuquerque location, but here's one for the Twin Peaks in Austin. Be sure to click the "scenic views" tab.

Here's a review of the eatery published a year ago in The Weekly Alibi. The paper says Twin Peaks is "a fairly new twist on the old Hooters formula of meat + beer + boobs = happy guys ..."

My favorite part of the review:

Our server, Gina, was clad in the regulation uniform of a tiny red-and-black checkered flannel tie-top with an open front, the shortest shorts imaginable and cutsie faux-wilderness-whacking boots. As expected, you can really see more meat on these ladies than on the chicken wings they’re hawking, and the wings are pretty meaty.
Block's report doesn't specify what he ordered.

Block, remember is using public campaign financing.

CORRECTION: The Albuquerque Twin Peaks doesn't have a fancy Web site, but they do have a MySpace. Under "About Me" it says "All female wait staff. NO SIDEWORK ..."

SLATE IN THE STATE

Slate online magazine this week published a story about New Mexico as a swing state. Reporter Jacob Leibenluft toured the state from Las Cruces to Raton. He was in Santa Fe for the Caroline Kennedy visit where he interviews state Auditor Hector Balderas.

One thing that stuck me is Leibenluft's contention while noting the small turnout for Caroline, that "many of the press reports about her visit erroneously said the event wasn't open to the public." That's certainly not true in any of this reporter's press reports -- and I don't remember seeing that in other papers either. I do recall that Caroline's appearance at PC's wasn't announced until the day before (I confirmed it the night before it was announced) and that until then all of her New Mexico events were closed fundraisers. That had been reported by myself and others.

Anywho, check out the Slate story: CLICK HERE.

UPDATE: I forgot to mention the story published yesterday in The Guardian. Nice photo too.

Monday, October 13, 2008

IN FOCUS

I appeared Friday on KNME's IN FOCUS as a part of the panel for The Line.

COUNTRY MUSIC POLITICAL SHOWDOWN

Hank Williams, Jr. campaigned with John McCain and Sarah Palin today. He sang a little song.



But for those of you who prefer Ralph Stanley, here's what the doctor says:

Sunday, October 12, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 12, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Where's Your Boyfriend At by The Yahoos
A. on Horseback by Charlie Pickett & The Eggs
Generation by The Jelly Bean Bandits
Lost Avenue by Johnny Dowd
Red Eyes and Tears by Black Rebel Motorcycle Club
Inside Out Over You by Mudhoney
English Civil War by The Clash
Big Brother by Mose Allison

Monster Rock by Screaming Lord Sutch
I Think of Demons by Roky Erikson
(Check out my Spooktacular podcast HERE)
Attack of the Zorch Men by The Meteors
They Have Us Surrounded by The Dirtbombs
Draygo's Guilt by The Fall
Action by Los Peyotes
It's Lame by Figures of Light
Thee Olde Trip to Jerusalem by The Mekons
Cheap Thrills by Ruben & The Jets

Highway Man by Howlin' Wolf
Wolfman's Romp by The Juke Joint Pimps
Work Me Baby by Junior Kimbrough
Stalking My Woman by Howard Tate
Ain't No Sunshine by Freddie King
Washerteria Woman by Little Freddie King

Tonya's Twirls by Loudon Wainwright III
So Long Marianne by Leonard Cohen
East Easy Rider by Julian Cope
Rickity Tickity Tin by Barbara Manning
Spiral by Giant Sand
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

eMUSIC OCTOBER

Here's my 90 e-Music downloads for this month:

* Sun Recordings by Howlin' Wolf. Before he moved to Chicago and became a giant on Chess Records, Wolf recorded for pre-Elvis Sun records in Memphis.

This collections shows Wolf doing what he does best -- raw, minimalist blues. Nobody can deny there is power here. "Chocolate Drop" is just good stomping fun. "Drinkin' CV Wine," with Wolf singing in a higher key than usual, makes it sound cool to be a wino, and "In the Groove" is a Memphis blues refiguring of Glen Miller's "In the Mood."

While this material is not quite the quality of the classic tunes that would mark his tenure at Chess. Not that the material is bad here -- it's just that there's nothing on par with "Smokestack Lightning," "Goin' Down Slow" "Back Door Man" or "Killing Floor."

Still, it's a joy hearing Wolf develop his talent, showing hints of what was in store.

Junior Kimbrough*All Night Long by Junior Kimbrough. It was the Charlie Feathers reissues I recently reviewed that made me crave a little more Junior Kimbrough in my life. (The Feathers retrspectives included a couple of duets by Charlie and Junior)

This was Kimbrough's first album, and indeed one of the albums that helped launch Fat Possum back in 1992. Kimbrough, along with fellow Mississippi Hill Country bluesman R.L Burnside, were the embodiment of the back-to-basics Fat Possum blues asthetic of that era.

Some of Kimbrough's best-known songs are here -- "You'd Better Run," "Do the Romp," "Stay All Night," "Done Got Old." (And some of the tunes I already had from Fat Possum Compilations.)

Kimbrough's high-pitched moan and the rough-cut minimalist guitar/bass/drum musical backdrop create a hypnotic sound. You feel like you've isolated the basic DNA of American music right here.

I shall make the Earth my home and I shall never ever leave it * Teenagers From Outer Space by The Meteors. This is classic psychobilly from England by one of the first bands to embrace the term.

They have the punked-up rockabilly sound down like perfect masters. And one thing I like about them from the start is that they don't try to sound like they're from Tennessee. Their British accents are loud and proud. Jon Langford could jam with The Metoers and not sound out of place.

Much of their songs on this album are horror. "My Daddy is a Vampire" and "Graveyard Stomp" make me think Screaming Lord Sutch was an influence. There's even a song called "Voodoo Rhythm." Could this be where my favorite Swiss record company got its name?

The Metors do science fiction too -- "Dog Eat Robot" and "Jupiter Stroll" for instance. In fact the album title comes from one of the tackiest '50s sci-fi B movies I've ever seen.

And they do a fine version of The Electric Prunes' "Get Me to the World on Time."

I'm weak and I'm afraid *Make It Stop! The Most of Ross Johnson. This Memphis maniac's been a sideman for Alex Chilton and Tav Falco and used to write for Cream magazine. But that doesn't matter. He's a complete nut, at least on stage. "What part of I have a personality disorder don't you get?" he chides an audience on one tune here. And yet he's actually pretty lovable. In real life he works as a librarian.

Backed by his bands including The Young Seniors, Our Favorite Band and American Musical Fantasy, that offer up ragged-but-right versions of songs like "Theme From a Summer Place," "Mr. Blue," "Last Date,"and "Don't Let the Sun Catch You Crying." Ross rants, raves and tells shaggy dog epics kind of like a cross between The Legendary Stardust Cowboy and Roy D. Mercer.

Sand gets in your eyes
*Provisions by Giant Sand. I'm still absorbing this one. This is Giant Sand's first album in four years or so -- though Sandman in chief Howe Gelb has released solo efforts in between. I'm not the first writer who's expressed confusion at what constitutes a Giant Sand album vs. a Howe Gelb album.

Gelb already named a previous album "Glum" (which still is one of my favorites), but that title would have fit this record as well. There's a somber tone throughout. Gelb's raspy voice seems almost a whisper on many tunes.

The piano-bar apocalyptic lament "Spiral" -- in which Isobel Campbell adds background vocals -- might be Gelb's "Everybody Hurts." It don't get much glummer than this.

Provisions rarely breaks out and rocks, (though it gets close with some crazy guitar on the instrumental "World's End State Park" and a few chaotic moments on "Muck Machine" and "Belly Full of Fire") but the noirish tremolo guitar and the late-night truckdriver radio melodies that grace several of the cuts make this album an intriguing listen.


* The rest of Introducing Los Peyotes . I'd snatched the first few tracks last month (plus one of the songs, "El Humo Te Hace Mal" when it was released as a "single" several months ago.)

The Argentines are one exciting little band. Offering original Farfisa-fueled garage rock they play mainly original Spanish songs. But they also do a fine take on The Seeds' "I Can't Seem to Make You Mine."

PLUS

* "CIA Man" by The Fugs. Here's the other side of "Secret Agent Man." No kissing of persuasive lips here. I heard this during the credits of Burn After Reading and had to have it. This is the 1986 version of The Fugs. The music is a little more focused, a little less chaotic than their '60s incarnation.

Saturday, October 11, 2008

AN OLD HOUSE AD



My daughter apparently found this old New Mexican house ad from 1995. It's me with my lovely children 13 years ago.

You can actually read the copy if you check out the LARGE version.

CLICK HERE

JEROME'S RESPONSE

The Secretary of State's office this morning released Jerome Block Jr.'s official response to questions about his $2,500 campaign expenditure, of which he has admitted lying.

Here's the Public Regulation Commission candidate's explanation:


In April of 200 I entered into an agree with Mr. Paul Maez of the Wyld Country Band to play at a campaign event scheduled for May in La's Vegas, N.M. Our campaign was to pay $2,500 for this performance. In accordance with the New Mexico campaign reporting Act ... the payment for this performance was reported on Form C of the Report of Expenditures & Contributions as campaign expenditure for “Rally Entertainment.” This form was filed with your office on July 3rd, 2008.

Due to a scheduling conflict Mr. Maez’s band was unable to play on that date. In light of this, we agreed that the band would play at another event before the June primary. Subsequent to making those arrangements, Mr. Maez informed me that his band would be unable to play an event by June 3rd. Based on our agreement, I decided to set aside those funds for the sole purpose of paying him for a later performance. Inasmuch, I reported the $2,500 as an expenditure on Form C as “Rally Entertainment” for the purpose of paying a band for its performance in the future.

At some point I erroneously stated to Mr. David Giuliani of the Las Vegas Optic that the Wyld Country Band had in fact played at an event. I negligently made this statement. My negligence was due to the pressure and details of the campaign. My intent was not to mislead, confuse or disguise any expenditure on the part of my campaign.

On Sept. 24th, 2008 I explained to Mr. Giuliani via e-mail that the band had not played, but was planning to at a later event. Because of the attention given to this discrepancy, and to avoid the appearance of impropriety, I canceled a campaign rally scheduled for September 27th, 2008 in Las Vegas at which the band was scheduled to play. Upon canceling this event, Mr. Maez returned the $2,500 to my campaign. Because this money was unspent and unencumbered by any future debts it was returned to the Public Election Fund on September 26th in accordance with the New Mexico Election Code ...

This response will raise more questions about Block. It's not clear from this exactly when or why Block cancelled his Sept. 27 rally.

In a Sept. 18 interview with The New Mexican's Doug Mattson -- which took place when Block was sticking with his story that Wyld Country had played the May rally which he claimed attracted 75 to 100 people -- Block said he was cancelling the Sept. 27 shindig because of the possible perception of "impropriety" because Maez also serves as San Miguel County clerk. His response to the Secretary of State appears to say he cancelled it because of the attention given to the "discrepancy" of the May rally never actually taking place.

UDATE: My story posted on The New Mexican's site is HERE

A pdf of Block's response is HERE

Block's opponent Rick Lass of The Green Party responded to Block's response. He said:

First, it is clearly illegal to use primary funds for the general election under the campaign financing law. For Jerome to make a payment to the band using primary funds for a gig to be played in September is against the law, and he acknowledges in yesterday's letter that that is what he did.

His campaign finance report of July 3 shows he made the payment June 9, after the primary election was held.

He says that he lied to Giuliani because of the pressure of media calls. If he can't handle the pressure of accounting for his actions to his constituents, how will he stand up to the pressure of industry lobbyists and the media spotlight if he is a PRC Commissioner?

I worked hard along with other activists to enact public campaign financing, and one of the objections we heard was that candidates would use public funds improperly. We said that that would not happen because there would be strong enforcements written into the law. I call on the Secretary of State and Attorney General to act swiftly and decisively in this matter to uphold the integrity of the public financing system.

Jerome's most recent letter merely adds to his history of missteps and misstatements, and proves that he is unfit to hold the critical job of representing New Mexicans on the Public Regulation Commission.

Friday, October 10, 2008

THE SANTA FE OPRY PLAYLIST

Friday, October 10, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell

email me during the show! terrell@ksfr.org

Now Simulcasting 90.7 FM, and our new, stronger signal, 101.1 FM

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Maverick by Laurie Lewis & Kathy Kallick
Burn Your Fun by Holly Golightly & The Brokeoffs
Pride Covered Ears by Johnny Paycheck
I Ain't Got Nobody by Merle Haggard
Jasperoux by Buckwheat Zydeco
Boney White Moon by Zeno Tornado & The Boney Google Brothers
Johnny Cash by Ry Cooder
Joe Bean by Johnny Cash
Mississippi by Bob Dylan

Cheap Living by Eric Hisaw
I Say a Little Prayer for You by Mary & Mars
Bring 'em All In by Mike Scott
Hopes Up High by The Flatlanders
Shoot for the Moon by Bovine
I'm Wasting Good Paper by Eugene Chadbourne

Loudon Wainwright III Set
All songs by LW3 except where noted
Black Uncle Remus
School Days (by LW3, Kate & Anna McGarrigle, Rufus & Martha Wainwright)
The Swimming Song
Me and My Friend the Cat
A Fine Celtic Name
How Old Are You?
New Paint
Prince Hal's Dirge
A Father and a Son
Needless to Say

Jacob's Ladder by Greg Brown
16 Tons by Joe Cocker
The Ghost of May West by Trailer Bride
Pretty Girl by Miss Leslie
Will You Visit Me on Sunday by Marty Stuart & Loretta Lynn
Last Drop by Chris Mars
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

THE LATEST ON JEROME

Public Regulation Commission candidate Jerome Block, Jr. today delivered a response to the Secretary of State as to why he lied on a campaign finance report about public money he spent.
But the Secretary of State’s office refused to let reporters see Block’s response.

The embattled Block delivered his written response shortly before 5 p.m. However spokesmen for Secretary of State Mary Herrera said the document wouldn’t be released until Monday at the earliest because Herrera and a deputy hadn’t had the chance to review the response.

Asked why it was important for the office to review the letter before letting reporters see it, spokesman James Flores said, “We don’t want to get inundated with calls about something we haven’t seen.”

Attempts to get a copy of the response from Block were unsuccessful.

The Secretary of State's Office on Monday of this week sent the letter to Block, asking him to "clarify" why he lied about a $2,500 expenditure in public campaign funds. The office also wanted to know Block’s explanation for a Sept. 24 e-mail exchange with a Las Vegas Optic reporter, in which Block admitted lying.

Block at first said he gave the $2,500 in public funds to San Miguel County Clerk Paul Maez's band, Wyld Country, to perform at a May rally. But he changed his story last month after two band members said there was no such performance.

At stake could be the seat Block hopes to win in November. Under the state Voter Action Act, violation of the statutes mentioned in the secretary of state's letter constitute a fourth-degree felony, and -- should matter go to trial and result in a conviction -- could strip Block of his right to vote.

The law also says a candidate who violates the Voter Action Act could face a civil penalty of $10,000 per violation and could be required to pay back all campaign funds. Between the primary and general-election races, Block has received $101,000 in state money.

Read more in Saturday's New Mexican. (Will update with link)

UPDATE: 7:49 p.m. James Flores called to tell me the document will be released on Saturday.

Thursday, October 09, 2008

TERRELL'S TUNEUP: GORDONDON'S GOLD

A version of this was published in The Santa Fe New Mexican
October 10, 2008


It’s hardly a new phenomenon for musicians to go back and re-record their old songs for new albums. Mostly these are business ploys. A record company persuades an old pro to redo his songs and purposely make them sound as close to the original hits as possible. This way the company can market a “Greatest Hits” package without having to license the original recording from the old record company. Virgin Records did this with Roy Orbison in the 1980s.

Likewise, sometimes musicians who don’t have the rights to their own early recordings will re-record and repackage those songs themselves. John Prine did this with Souvenirs, released on his own Oh Boy label in 2000.

Gordondon!
But occasionally an aging artist will revisit his old songs as a purely artistic exercise. That seems to be the case with Recovery, the latest album by Loudon Wainwright III, which features songs from his first four albums, going back to the early 1970s.

Most of the 13 songs here were originally recorded with just Wainwright’s piercing voice and his acoustic guitar. They’ve been rearranged for this album with the help of producer (and longtime Wainwright fan) Joe Henry, who brought in the same basic band he used for Wainwright’s previous album, Strange Weirdos.

While this CD isn’t just an exercise in nostalgia for baby boomers, the songs will bring back memories for old-time Wainwright fans. Listening to it last week, I immediately recalled the first time I heard Wainwright screeching “Me and My Friend the Cat” on KUNM late one night in 1972.

The song selection is nearly impeccable. If I were compiling a “Best of Loudon: The Early Years” retrospective, just about all of these songs would be there — though I would have included “Me and My Friend the Cat” and the terrifying “Hospital Lady.”

Most of these tunes are like old friends to me — including the song “Old Friend,” which is about a man realizing that he no longer has anything in common with a buddy but the past. Fortunately that’s not the case with the songs here. Unlike some friendships, nearly all of the tunes have held up extremely well over the past four decades.

One of the most fascinating realizations in listening to these songs is how Wainwright, even though he was in his 20s when he wrote these songs, often wrote from the perspective of an old man looking back on his youth. “In Delaware when I was younger” are the first words on “School Days,” the first track on his first album (Loudon Wainwright III, 1970) and one of the songs included here.

In “New Paint,” a song about a man’s awkwardness on a date with a woman, the singer sadly declares, “If I were 16 again, I’d give my eye tooth/I’m tired and I’m hungry and I’m lookin’ for my youth.”

And of course there’s “Old Friend,” where Wainwright sings, “The good old days are good and gone now/That’s why they’re good, because they’re gone.” When he first sang this, those “good old days” couldn’t have been long gone, unless he was singing about some kid he hadn’t seen since kindergarten

While the original versions of these songs were powerful, now — sung by a 60-plus Wainwright — they are infused not only with a tangible wistfulness but also with an earned wisdom. “New Paint” in particular takes on a new sadness. Nobody really believed Wainwright in 1973 when he sang, “Sometimes I feel ugly and old” and that he was a “used-up 20th-century boy.” But now, aided by Greg Leisz’s heartache steel and Patrick Warren’s pensive piano, those lines are jolting.

“Motel Blues,” a tune about luring a girl to his room (“Chronologically I know you’re young/But when you kissed me in the club you bit my tongue”), takes on new implications. Singing it back in the ’70s, Wainwright sounded desperate when he cried, “Come up to my motel room — save my life!” But now that line sounds literal, though Wainwright sings it as if he’s resigned to the fact that the girl probably won’t succumb to his pleas.

Perhaps the most powerful track on Recovery is “Saw Your Name in the Paper.” This song was inspired by the death of Janis Jo though she’s never mentioned by name. For years I’ve suspected that it might also have been partly directed at Wainwright’s childhood friend Liza Minnelli. Maybe that’s because of the line “Your mother must be happy — they said you stole the show.”

But whether it’s about Janis, Liza, or the next American Idol winner, the song is a meditation on the dark side of fame and the fickleness of the celeb-loving public.

“Maybe you’ll get famous. Maybe you’ll get rich/It’s all right.
Don’t be afraid. Lots of us got that itch/Lots of us, we need it. We need it really bad/Lots of us are desperate. Lots of us are sad.”

And yes, as is the case with most of his tunes, the song turns out to be about Wainwright himself. It was written about the time he was being touted as a potential “new Dylan” (one of about 863 “new Dylans” of that era). Wainwright’s only partially successful quest for fame has been a frequent topic in his songs. There was “AM World,” “Two-Song Set,” “The Grammy Song, “Harry’s Wall” and of course, the title song of his 1983 album, “Fame and Wealth,” just to name a few.

The one low point on the album is the last song. I won’t call “The Man Who Couldn’t Cry” a clunker, but this is the one early Wainwright song I wouldn’t have included. I never understood its appeal, even when Johnny Cash covered it. It’s the biggest production number on Recovery — with a string quartet — but this weird little parable doesn’t hold a candle to the rest of the tunes.

But for the most part, Recovery reminds me why I first became a Wainwright cultist all those years ago and why he continues to be such a worthy artist.

Baby, it’s a public radio world: You knew I couldn’t resist doing a Loudon Wainwright III tribute on the radio. Tune in to Terrell’s Sound World, 10 p.m. Sunday on KSFR-FM 101.1 for some old, new, and in-between Loudon. The Wainwright segment starts at the 11th hour. (And don’t forget The Santa Fe Opry, 10 p.m. Friday, on KSFR.)

FOOTBALL BUDDIES NO MORE?

Gov. Bill Richardson, in an interview on NPR this morning, said he and Bill Clinton might never kiss and make up over Richardson's choice to endorse Barack Obama instead of Hillary Clinton.

Have I heard from President Clinton? No. It could be pretty
much a permanent fissure. But, that's politics. That's okay," Richardson said.

"I'm still very fond of the Clintons," he said.

"I've reconciled with her, but with him — he wants to keep a grudge, that's fine with me,"

Richardson said, "I move on."

Listen yourself. The link is HERE.

ROUNDHOUSE ROUND-UP: LOSING THE SWING

A version of this was published in The Santa Fe New Mexican
Octobber 1, 2008


Does it still mean a thing if New Mexico loses its swing?

In recent years, political activists, political reporters and political junkies in this enchanted land have shared a certain pride that New Mexico in recent presidential elections, despite our modest stake of five electoral votes, has been a major swing state.

Could this be changing?

It’s true, we’ve seen candidate visits: John McCain in Albuquerque on Monday, Barack Obama in Española a few weeks ago.

But according to statistics from The Wisconsin Advertising Project, a creature of the University of Wisconsin Political Science Department, neither campaign seems to be spending that much money in the battle for New Mexico airwaves, at least compared with other battleground states.

According to a WAP news release Wednesday, Obama spent $185,000 on television advertising directed at New Mexico between Sept. 28 and Saturday, while, during the same period, McCain spent $144,000. In the 15 states in which both candidates are advertising, Obama spent more in 13 states than he did in New Mexico. McCain spent more in 14 states during this period.
"My Friends ..."
Granted, you’re going to pay more for television ads in bigger states with larger populations and more TV markets than New Mexico. But states similar in size to New Mexico, such as Nevada and New Hampshire, are seeing more political ads than our state.

In 2004, WAP showed Albuquerque stations in late September and early October sold more political ad time to presidential candidates than any other market except Miami.

But this year, the Albuquerque television market, according to WAP, isn’t in the top 10 markets for either McCain or Obama. McCain’s top 10 list does include El Paso, whose television stations are watched by Southern New Mexico households. There, the Republican aired ads 474 times last week, making El Paso No. 8 in McCain’s top 10.
OBAMA IN ESPANOLA
According to the study, Albuquerque ranked 20th for total political ads last week. The campaigns, the two political parties and outside groups attacking one candidate or the other bought a total of 960 airings on Albuquerque stations.

It’s not as if they’re not paying attention to the West. The top market for political ads was Las Vegas, Nev., (a total of 2,020 spots) while No. 2 was Denver (with 2,007 spots.)

Why aren’t the campaigns spending that much for New Mexico television ads?

When asked that question in a telephone interview Wednesday, Sarah Niebler, deputy director of The Wisconsin Advertising Project, said, “I can’t speak to the strategies of the campaigns.”

But she pointed to polling figures compiled by Pollster.com. Obama is leading McCain by 6 percentage points in New Mexico, according to Pollster, which averages several polls. In Nevada, Pollster shows Obama leading by less than 2 percentage points. In both Pollster and RealClearPolitics.com, another site that averages poll numbers, New Mexico for a few weeks has been listed as “leaning Obama” while Nevada continues to be a “tossup.”

So if McCain’s numbers start improving in New Mexico, expect to see more ads from both camps.

Beware of Tony: Santa Fe County Clerk Valerie Espinoza told me this week that somebody out there is calling voters, falsely claiming to be from her office and trying to get Social Security numbers.

According to Espinoza, the calls are being made by a man who identifies himself as “Tony,” telling voters their voter registrations have been denied and asking them to dial a certain telephone number to clear it up. Those who call are asked for personal information such as Social Security numbers.

First of all, Espinoza says, that number is not associated with her office. She also said her office wouldn’t ask for such information over the phone.

Finally, she said, there’s nobody named Tony who works for her. “I even checked the temporary workers we hired, and there’s no Tony, she said.

Espinoza had some good advice that law enforcement officials frequently give: Don’t give strangers personal information over the phone. That’s a good way to get your identity stolen.

E-mailing the debate: I watched Tuesday’s presidential debate at a Santa Fe Community College watch party. Luckily, I wasn’t trying to keep up with my work e-mail. During the debate, and for a few minutes after it ended, I received 38 e-mails from the Obama campaign, most of them with the subject line “Debate Reality Check.”

Before the night was done, both sides sent out e-mail news releases declaring their candidate the winner.

For some reason, the McCain camp didn’t e-mail me its version of reality checks. I suspect I’m just not on that list.

But don’t worry, guys. I think my delete finger needs medical attention.

Tuesday, October 07, 2008

McCAIN'S ALBUQUERQUE SPEECH

JOHN & CINDY McCAIN

My story on the Albuquerque event can be found HERE.

Being in the SUB Ballroom at UNM today brought back memories of past events I've seen there.

The first one was a Bo Diddley concert in August 1971 -- The King Kong Memorial Tribal Stomp. (I think that was the second annual KKMTS and perhaps the last one.) I also saw The Mahavishnu Orchestra there circa 1972. I got in trouble for opening an outside door and letting a bunch of hippies in for free. However, I didn't get kicked out of the show. They just made me sit away from the door.

The last presidential candidate I saw there also was a Republican -- Rep. Pete McCloskey, a Republican peace candidate (!) who challenged Richard Nixon in 1972. (His only delegate at the GOP convention that year was from New Mexico -- my old creating writing teacher Tom Mayer.)

Sunday, October 05, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, October 5, 2008
KSFR, Santa Fe, N.M.
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

Webcasting!
101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Dumb All Over by Frank Zappa
Waves of Fear by Lou Reed
Tapiocra Tundra by The Monkees
Surfin' Dead by The Cramps
Punk Slime by The Black Lips
Tales of Terror by Mudhoney
Hard Workin' Man by Captain Beefheart
Justine by The Righteous Brothers

Welfare Bread by King Khan & The Shrines
What Have You Done For Me Lately by Sharon Jones & The Dap Kings
Gator Tail by Lee Dorsey
I'm Insane by T-Model Ford
Down In the Valley by Solomon Burke
Mamma Get the Hammer by Barrence Whitfield
Nasty by The Diplomats of Solid Soul

The Chase by Chaino
Strong Man Holler by Taj Mahal
For God's Sake Give Power to the People by The Chi-Lites
Satisfied Fool by Nathaniel Meyer
My Back Scratcher by Frank Frost
Jon E. Edwards Mood by Jon E. Edwards
All in the Mood by Howlin' Wolf
Pettin' and Pokin' by Louis Jordon

Today's Lesson by Nick Cave & The Bad Seeds
Saw Your Name in the Paper by Loudon Wainwright III
The Dolphins by Richie Havens
Muck Machine by Giant Sand
The Donor by Judee Sill
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

McCAIN IN ALBUQUERQUE MONDAY

John McCain
This just in:

Republican presidential candidate John McCain will be in Albuquerque Monday for a rally at the UNM Student Union Building.

This will be the first candidate visit to the state since Barack Obama appeared in Espanola a couple of weeks ago.

The doors open at 11:30 p.m. and the rally starts at 1:30 pm.

I don't have any information about what to do if you want to attend, but I'll update this post when or if I find out.

UPDATE: According to a NM MCCain spokeswoman, it's first-come/ first-serve. People can get tickets at McCain's Albuquerque headquarters at 5643 Jefferson N.E. The office will close at 9 pm today. For more information, call 505-715-4330

Saturday, October 04, 2008

MY FIRST PODCAST

I'm experimenting with the wonderful world of podcasting.
The Steve Terrell Spooktacular
This first attempt was created from the 2006 Steve Terrell Spooktacular, broadcast on Terrell's Sound World on KSFR on Oct. 29, 2006.

CLICK HERE to download the podcast. (To save it, rightclick on the link and select "Save Target As.")

CLICK HERE to subscribe to my podcasts (there will be more in the future) and HERE to subscribe on iTunes.

You can play it on the little feedplayer below:



Here's the playlist:

Halloween Hootenanny by Zacherlee
Halloween (She Got So Mean) by Rob Zombie & The Ghastly Ones
(It's a) Monster's Holiday by Buck Owens
Bloodletting by Concrete Blonde
Monster by Fred Schneider
Monsters of the Id by Mose Allison
Feast of the Mau Mau by Screamin' Jay Hawkins
The Raven by Lou Reed

Murder in the Graveyard by Screaming Lord Sutch
Satanic Beatles by The Rev. Mike Mills
Don't Shake Me Lucifer by Roky Erikson
King Henry by Steeleye Span
Marie Laveau by Bobby Bare
The Witchdoctor's Curse by The Frantic Flattops
Heeby Jeebies by Little Richard

Friday, October 03, 2008

THE SANTA FE OPRY PLAYLIST

Friday, October 3, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

SUPPORT THE KSFR FALL FUNDRAISER!Call me during the show 505-428-1382 or PLEDGE ONLINE

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Pigsville by The Waco Brothers
Shotgun Willie by Willie Nelson
Little White Pills by The Meat Purveyors
Burn Your Fun by Holly Golightly & The Brokeoffs
Horny by Zeno Tornado & The Boney Google Brothers
Ghost Train by Mike Neal
Take Me Back by Billy Kaundart
I Long, Then I'm Gone by Boris & The Saltlicks with Taj Mahal

I Saw Them Together by Jim Stringer & The AM Band
I Guess I Had It Coming by Johnny Paycheck
Old Flames Can't Hold a Candle to You by Sally Timms
Get Right With God by Lucinda Williams
Howling Moon by Los Cenzontles with David Hidalgo
What's a Simple Man to Do by Steve Earle
I Just Left Myself by Terry Allen
Kissing You Goodbye by Waylon Jennings
Gonna Raise a Ruckus Tonight by Gus Cannon
Sixteen Tons by Homer & Jethro

ROCKABILLY RIOT
Wild Side of Life by Charlie Feathers
Cracker Jack by Janis Martin
Nothin' Shakin' by Linda Gail Lewis
Rockabilly Monkey Face Girl by Our Favorite Band
Mercy Mercy, Percy by Joe Penny
Living Hell by Thunder Road
Tear Me Up by Rosie Flores
I'll See You in My Dreams by Jerry Lee Lewis
One Good Gal by Charlie Feathers
Hot Dog! That Made Him Mad by Wanda Jackson
Radioactive Kid by The Meteors
Flyin' Saucer by Yuichi & The Hilltone Boys

Knoxville Girl by Charlie Feathers
Killer Came From Space by The Dragtones
Ubangi Stomp by Carl Mann
I'm Through by Sleepy LaBeef
Jello Sal by The Breakers
Mound of Clay by Charlie Feathers
Let Go Of Louie by Ray Campi
Fish Out O Water by Ronnie Dawson
Private Detective by Gene Vincent
I Lose My Mind by Charlie Feathers
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: HEAVY AS A FEATHER

A version of this was published in The Santa Fe New Mexican
October 3, 2008


Mississippi-born Charlie Feathers — country crooner, rockabilly yelper, and hillbilly-blues shouter — never quite made it big during the pioneer days of rock ’n’ roll — or any time afterward, for that matter. But, like Carl Perkins sang in a latter-day rockabilly tune, he was there when it happened.
Charlie Feathers
Feathers worked as a session cat at Sun Studio before splitting off from the label. He even wrote an early Elvis tune, “I Forgot to Remember to Forget.” And though Feathers never came close to the fame and financial success of Elvis, he did have an all-female fan club revolving around a Memphis house occupied by several fanatical telephone operators — 30 of them (!) living in one house, Feathers claimed in a recorded interview. That’s a fantasy come true that would make most guys jealous.

Feathers, who died in 1998, is the subject of a new three-volume collection of outtakes, demos, and obscurities from the mighty Norton Records label. The albums are Wild Side of Life: Rare and Unissued Recordings, Volume One; Honky Tonk Kind: Rare and Unissued Recordings, Volume Two; and Long Time Ago: Rare and Unissued Recordings, Volume Three.

The albums offer a hodgepodge of Feathers’ music, including a big chunk of lo-fi tracks and studio jamming. According to the liner notes, these albums “cherry pick a full spectrum of one-off singles, LP cuts, home demos, and live recordings from previously unreleased late ’50s Sun demos clear through the criminally underrated singles he waxed for his own Feathers imprint in the early ’80s.” There doesn’t seem to be any particular order to the material here; it’s certainly not chronological. You just have to sit back and enjoy the glorious jumble.

Feathers, who started off as a country singer, was never afraid to show the ’billy side of rockabilly, so there are plenty of country classics on these collections — “Folsom Prison Blues” (there are versions of this on all three volumes); Hank Williams’ “Cold Cold Heart” and “Lonesome Whistle”; and other Nashville hits like “Release Me,” “Send Me the Pillow You Dream On,” “Am I That Easy to Forget?” and, of course, “Wild Side of Life.”
Wild Side of Life
Feathers puts his own crazy stamp on these songs, and some are barely recognizable. In fact, “Release Me” on Wild Side is a duet with Mississippi hill-country blues great Junior Kimbrough, who joins Feathers on “Feel Good Again” on Honky Tonk Kind (the song was available on a Fat Possum Records compilation a few years ago). According to the liner notes on Wild Side, Feathers once described Kimbrough as “the beginning and end of all music.”

Feathers could write decent country songs himself. One of my favorites is “Two to Choose,” on Honky Tonk Kind, which he recorded as a duet with his daughter Wanda Feathers in 1973. Also notable is “I Lose My Mind,” found on Honky Tonk Kind (a fast version that sounds like a home recording) and on Long Time Ago (a slower, more haunting version with a stand-up bass).

Then there’s “Dinky John” on Honky Tonk Kind, which probably was an answer to Jimmy Dean’s “Big Bad John.” I won’t give away the ending, but let’s just say that anti-gun activists who advocate for mandatory trigger locks to protect children might want to give this a listen.

One of the coolest tunes here (on the Long Time Ago album) is the venerated murder ballad “Knoxville Girl,” a song that has roots going back to the hoary mists of British folk music but is best known by The Louvin Brothers’ version on their album Tragic Songs of Life. Feathers turned the song into a swampy snarler in his version recorded in 1979. You’re tempted to take him literally when he spits, “There stood the devil lookin’ straight at me.”

Even stranger is a big, bad voodoo rocker called “Jungle Fever.” No, this Feathers original (co-written with his buddy Ramon Maupin) has nothing to do with Spike Lee’s movie of the same name, and if it deals with a mixed-race relationship, it’s not apparent in the lyrics. “Darkness creeping through the green/Jungle fever got a hold on me/Won’t somebody tell me where can my baby be?” There are two versions on Long Time Ago, one from 1958 and one from 1980 that features a weird funk-guitar break in the middle.

My only complaint with this collection is that the liner notes, as interesting as they are, don’t include recording details for all the tracks.

Then again, you have to ask: Did you come to read or come to hear great American music?

Check out this discography of Charlie Feathers: CLICK HERE

Also recommended:
YUICHI
* Yuichi & The Hilltone Boys. This is a new album from a Japanese rockabilly unit — released on a label from Spain, no less. Rockabilly started 50 years ago, but it’s still conquering the world.

Yuichi’s voice reminds me some of Big Sandy’s — except I don’t think Sandy could sing in Japanese like Yuichi does on the sweet ballad “Sayonara.”

These guys go raw country with the Hank-like weeper “She Isn’t Around Anymore,” complete with steel and fiddles. And they get greasier than greasy on the ’50s-style slow-dancer “Hurt.”

And yes, they can tear it up. “Flyin’ Saucer” could almost be considered a love song for Billy Lee Riley. “Countin’ the Years” and “Thunder” are broken-English rockabilly nightmares that are nothing short of irresistible. (Aside for longtime KUNM-FM fans: Does anyone remember the promo spots for Malachi Mudgong that used a fake Japanese version of the Patsy Cline hit “Crazy”? If you liked that, you’ll love “Countin’ the Years.”)

Yuichi does a credible version of Roy Orbison’s “Oobie Doobie,” while “Bluest Boy in Town” is Elvis’ “That’s All Right, Mama” in disguise.

Rockabilly madness: this week on The Santa Fe Opry, 10 p.m. Friday on KSFR-FM 101.1. And don’t forget Terrell’s Sound World, free-form weirdo radio, same time, same station, on Sunday.

Thursday, October 02, 2008

POLL TIME

A couple of new ones:

According to Rasmussen, Obama continues to lead McCain in New Mexico. In this n=month's poll the margin is 49 to 44 percent. A month ago, McCain was ahead of Obama in the Rasmussen poll 49 to 47 percent.

Also on Thursday SurveyUSA showed that Obama is winning New Mexico 52 percent to McCain's 44 percent. Those numbers are unchanged from a SurveyUSA poll two weeks ago.

In the U.S. Senate race Thursday Rasmussen showed Democrat Tom Udall beating Republican Steve Pearce 55 percent to 41 percent. Udall has widened his lead over Pearce in the past month. On Sept. 8 Rasmussen showed Udall leading by just seven percentage points.

In the Senate race, SurveyUSA shows Udall over Pearce 58 percent to 39 percent.

RUIDOSO DUST-UP

Looks like today's Roundhouse Roundup column about John McCain's in-laws' history in Ruidoso is getting lots of comments over on The New Mexican site.

Most of the comments are from McCain supporters -- mostly from out-of-town, I notice -- who claim the story proves The New Mexican's liberal bias, etc.

One even suggests I explore Obama's "ties to muslum religion." That's cut and pasted exactly as it appears over there. They're out there, folks!

Funny, sometimes when I write stories critical of the governor or the Demcoratic-controlled Legislature I'm accused of being a right-wing corporate lackey or whatever.

At this time only one comment posted has it right. Someone called "KarlaD" wrote, "Grow up. This is a story about history, not a criticism of Senator McCain. It certainly has nothing to do with Senator Obama either who is being slandered by the posters."

Rest assured, if Barack Obama's in-laws owned a scandal-ridden racetrack in New Mexico or were involved in some controversy in this state, even 50 or 60 years ago, I'd be at the microfilm machine tracking it down.

But I did chuckle to see the post from my old friend Babe Rainbow: "Midgets for McCain!" Don't think he's kidding.

ROUNDHOUSE ROUNDUP: THE RUIDOSO CONNECTION

A version of this was published in The Santa Fe New Mexican
October 2, 2008


A recent article in The New York Times alluded to a little-known John McCain tie to New Mexico. His father-in-law, Jim Hensley, whose Arizona beer distributorship helped bankroll the Republican presidential candidate’s first congressional race, once owned Ruidoso Downs with his brother Gene Hensley.

A quick trip to the microfilm room of the state library reveals the racetrack under the Hensleys more than 50 years ago was the source of scandal involving allegations of arson, death threats, political corruption and organized crime. Not the type of family history you find in campaign literature.

Jim Hensley Jim and Gene Hensley purchased the track in Ruidoso in late 1952. This followed some trouble in Arizona. There, in March 1948, a federal court jury convicted the brothers of “making false entries to the government on distilled liquor sales,” according to an Associated Press account. Jim Hensley got a six-month suspended sentence. But his older brother Gene was sentenced to a year and served nine months in a federal prison camp.

But the convictions didn’t stop the New Mexico Racing Commission from granting the Hensleys a license to run the track. No state law at the time barred convicted felons from operating racetracks.

Jim Hensley, Cindy McCain’s father, sold his share of Ruidoso Downs in 1955 and returned to Phoenix, where he started working for a beer wholesaler. Later, he bought the company.

He left New Mexico just before things got interesting in Ruidoso.

The summer of ’55: The state had ordered an audit of the track in June 1955. During that time, a lawsuit was filed by a Phoenix man named Clarence “Teak” Baldwin, described as a “nightclub owner and gambler,” who claimed he owned a third interest in the racetrack. Baldwin, who ran a food concession at the track, had a police record in Arizona. According to a 1977 story in the Albuquerque Journal, Baldwin was accused by some of his customers of “doctoring the drinks and then fleecing (the customers) in gambling games.”

The Hensley brothers had denied Baldwin’s involvement in Ruidoso Downs at a Racing Commission hearing in 1953.

By the end of July, things started getting ugly in Ruidoso. In a period of just a few days, according to stories in The New Mexican by reporters Bill Bailey and Neil Addington, a state police officer was assigned to protect a Racing Commission secretary performing the audit after threats to the secretary’s life; a stables fire, suspected as arson, killed 22 horses; and two days after the fire, someone poisoned two race horses.

In August 1955, Racing Commissioner Oliver “Hop” Lee resigned after The New Mexican revealed his financial entanglements with Ruidoso Downs. He owned stock in the company and had loaned it $60,000. Lee had received at least two checks from the company — $4,000 for interest on the loan and $8,000 for “personal services.” Lee was part of a partnership that had sold the track to the Hensleys.

The paper also showed that the mother-in-law of Racing Commission Chairman B.M. “Red” Keohane owned stock in Ruidoso Downs. Both Lee and Keohane had accepted gifts from the company, including hats valued at more than $100 (and that’s in 1955 money). Keohane told The New Mexican he saw nothing wrong with accepting gifts from organizations he’s supposed to regulate.

His spirit still lives in the Roundhouse every time the Legislature defeats ethics bills.

The Hensley situation sparked a political hissing match between then-Gov. John Simms, a Democrat, and his predecessor, Republican Gov. Ed Mechem.

Simms blasted Mechem for allowing the Hensleys to get the license in the first place. However, someone identified only as “an authentic and unimpeachable source” told Albuquerque Journal columnist Ed Minterm in 1955 that Mechem had warned Simms about Ruidoso.

“The current operators, the Hensleys, now under fire, were under constant surveillance” during Mechem’s watch. “No action was taken against the Hensleys because the investigation showed that as tracks go, all the laws were being observed. But Mechem prodded the Racing Commission to be alert because he was worried about it.”

A Phoenix businessman: According to the Aug. 4, 1955, New Mexican, Keohane, asked why he approved the Ruidoso racing license in the first place, said “he considered the Hensleys a good risk because of their association with a Phoenix businessman.”
Kemper Marley, businessman
However, the paper pointed out that a state police report given to the commission in 1953 “shows this ‘businessman’ has a long police record in falsification of records with the (Hensley) brothers.” He also owned a racetrack wire service in Phoenix that was connected to the bookie operation of famed Chicago gangster Al Capone.

The businessman in question was Kemper Marley, a millionaire rancher and liquor distributor who had employed Jim and Gene Hensley in the 1940s when they were convicted in federal court. His racing wire service at one point was managed by Baldwin.

Marley, who died in 1990, was a suspect in the 1976 car bombing death of Arizona Republican investigative reporter Don Bolles. John Harvey Adamson, the only person convicted in the killing, said in court documents that he’d been hired by an Arizona contractor to kill Bolles for writing articles damaging to Marley.

Marley was never charged in the case. He sued Investigate Reporters and Editors Inc. and won $15,000 in damages for emotional stress over an article the group published about the Bolles case. But that jury, according to Marley’s obituary in The New York Times, found IRE did not libel Marley or invade his privacy.

The state took over Ruidoso Downs in August 1955, but that didn’t last long. Gene Hensley hung on to the track until 1969. Three years earlier, he was convicted of tax evasion and was imprisoned in La Tuna, Texas.

According to The New York Times, Gene Hensley and his former wife sold their shares in Ruidoso Downs to a company connected with Marley. The track currently is owned by R.D. Hubbard, who bought it in 1988.

The Phoenix New Times in 2000 published a lengthy article about McCain and James Hensley. (CLICK HERE.) The Hensley era at Ruidoso Downs is discussed on pages 3 and 4.

Wednesday, October 01, 2008

MITT IN SANTA FE


If either Mitt Romney or Steve Pearce ever called themselves "tireless" campaigners, that wasn't the case yesterday. Romney stumped for Pearce's U.S. Senate campaign Tuesday at Garcia's Tires on Airport Road.

Lupe Garcia, who built the store in the late '80s, is a past chairman of the Santa Fe County GOP.

Neither Romney nor Pearce used the setting to mock Barack Obama's (correct) assertation that properly inflated tires gets better gas mileage.

My story on the event is HERE

Sunday, September 28, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, September 28, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
Sweet Young Thing Ain't Sweet No More by Mudhoney
On Broadway by Neil Young
Red Sun by Half Japanese
Boomerang by The Black Lips
No Puedo Hacerte Mia by Los Peyotes
Buena by Joe "King" Carrasco & The Crowns
The Day I Got My Spine Back by Deadbolt
Fattening Frogs for Snakes by Sonny Boy Williamson & The Animals
Dog Eat Robot by The Meteors

Jackie Chan Does Kung Foo by Thee Headcoatees
Haisai Oijsan (Hey, Man!) by Shoukichi Kina
Wrestling Rock 'n' Roll by Lightning Beat Man
Teenage Depression by Eddie & The Hotrods
Theme From a Summer Place by Ross Johnson
Electrocuted Blues by The Mooney Suzuki
I Got Spies Watching You by Figures of Light
Lonesome and Loathsome by Hipbone Slim & The Knee Tremblers
D'Accord Tony D'accord by Tony Truant with The Fleshtones
Wine-O Boogie by Don Tosti's Pachuco Boogie Boys

Mumbles by Jack Ross
Bikini by The Bikinis
The Strip by The Upsetters
Kaput by Sam & The Saxtones
Dragon Walk by The Noblemen
Aw Shucks by J.J. Jones
The Grunt by The 50 Milers
Chicken Papa by The Preachers
Ooba Gooba by The Charts
(Hot Pastrami with) Mashed Potatoes by Joe Dee & The Starlighters
The Jungle by The Nite Cats

Get These Blues Off of Me by B.B. King
T.V. Mama by Taj Mahal with Los Lobos
Soul Meeting by The Soul Clan (Solomon Burke, Arthur Conley, Don Covay, Ben E. King & Joe Tex)
The Night Time Is the Right Time by Bettye LaVette, Andre Williams & Nathaniel Meyer
Wolf's at the Door by Howlin' Wolf
You'll Find Your Mistake by Junior Kimbrough
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Friday, September 26, 2008

THE SANTA FE OPRY PLAYLIST

Friday, September 26, 2008
KSFR, Santa Fe, NM
Webcasting!
10 p.m. to midnight Fridays Mountain Time
Host: Steve Terrell


101.1 FM
email me during the show! terrell@ksfr.org

SUPPORT THE KSFR FALL FUNDRAISER!Call me during the show 505-428-1382 or PLEDGE ONLINE

OPENING THEME: Buckaroo by Buck Owens & The Buckaroos
Spayed Kooley/Filipino Dance Hall Girl by Ry Cooder
I'll Fix Your Flat Tire, Merle by Pure Prairie League
Happy Hour in Hell by Cornell Hurd
Absolutely Sweet Marie by C.J. Chenier
Should Have Lied About That by Nancy Apple
NANCY IN THE FIRELIGHT
NANCY APPLE LIVE SET
I'll Be Fine When I Get Home to You
If Money's the Root of All Evil
428-1382 (KSFR Pledge Song)
Chariot Wheels
Bears in Them Woods

Riding in My Car by Gann Brewer
Cora by Holly Golightly & The Brokeoffs
Gorgeous George by Ronny Elliott

Border Radio by Dave Alvin
Jungle Fever by Charlie Feathers
Trucker from Tennessee by Link Davis
Devil's Bop by Bovine
Tobacco Road by Tav Falco
Race With the Devil by Gene Vincent
Sweet Love on My Mind by Johnny Burnett & The Rock 'n' Roll Trio
Monkey Beat City by Ronnie Dawson
High Priced Chick by Yuichi & The Hilltone Boys
Somebody's Gonna Get Their Head Kicked In Tonight by Jet Girls
I'm a Hobo by Danny Reeves
Whirlwind by Charlie Rich

Blood by Zeno Tornado & The Boney Google Brothers
The Gift Horse of Mercy by Butch Hancock
Shanty by The Mekons
There's a Rugged Road by Shawn Colvin
Last Date by David Bromberg
Laura by Rolf Cahn
Everybody's Talkin' by Bobby Bare
CLOSING THEME: Comin' Down by The Meat Puppets

Steve Terrell is proud to report to the monthly Freeform American Roots Radio list

TERRELL'S TUNE-UP: HOW BLUE CAN YOU GET?

A version of this was published in The Santa Fe New Mexican
September 26, 2008



Listening to B.B. King’s new album, One Kind Favor, makes me remember the exact moment I became a B.B. King fan for life.

It was my freshman semester in college, back in 1971. I was just getting into the blues and had bought two cassette tapes — Endless Boogie by John Lee Hooker and King’s Live in Cook County Jail.

Hooker’s album was OK. It was one of those guest-star-laden affairs featuring endless riffage from various young, white rock guys. Not bad but not a classic.

King’s jailhouse romp is another story. From its very first moments, when various jail officials are introduced and roundly booed by the inmates, you realize it’s going to be an authentic experience. Both King and his band are in top form and captivate — oops, that might not be the right word — from start to finish.

But the moment that clinched it for me was the bridge in “How Blue Can You Get”: “I gave you a brand new Ford, but you said ‘I want a Cadillac’/I bought you a $10 dinner, you said ‘Thanks for the snack.’/I let you live in my penthouse, you said it was just a shack.”

And then B.B. pours his guts into the kicker that still makes me grin, 37 years later: “I gave you seven children, and now you want to give ’em back.”

I doubt there’s anything on One Kind Favor that would give any college freshman today a lifelong memory. But it’s still an impressive effort (especially considering that the guy is 11 years older than John McCain) and an enjoyable listen. The record is a sweet reminder of everything a B.B. King fan loves about the old pro.

Produced by T-Bone Burnett, the T. Boone Pickens of roots-music producers, One Kind Favor is mainly a collection of blues standards. But the production is so sparse and understated and King’s voice is so soulful throughout that it sounds fresh. The basic band includes Dr. John on piano, Jim Keltner on drums, Nathan East on stand-up bass, and, of course, King on guitar. With a horn section on many tracks, the band sounds as if it has been backing B.B. forever.

The opening song, from which the title is taken, is one of my favorite songs in blues history — “See That My Grave Is Kept Clean.” Blind Lemon Jefferson wrote it. Canned Heat rocked it up under the title “One Kind Favor,” and Mavis Staples covered it a few years ago, calling it “A Dying Man’s Plea.” (Though Canned Heat’s version is still my favorite version, folkie Geoff Muldaur laudably used the song in a two-part epic song, “Find Blind Lemon,” about searching for Jefferson’s grave. “He only asked one favor, to see that his grave is kept clean.”)

There are two songs by the Mississippi Sheiks (a string band from the ’30s) — “The World Is Gone Wrong” and the chestnut “Sitting on Top of the World” — and one by Hooker (“Blues Before Sunrise”). Two of my favorite songs here were composed by old-time bluesman Lonnie Johnson. “Backwater Blues” is a flood song performed almost like a dirge. But even better is Johnson’s “Tomorrow Night.” Elvis Presley did a heart-stopping version of this back in his Sun Records days, and Bob Dylan has also covered it. It’s a perfect blues ballad for King and a perfect closer for this record.

Some musicians say their albums are like children. If so, this is one you won’t want to give back.

Also recommended:

*Maestro by Taj Mahal. It took me a few songs to warm up to this new record by Taj Mahal. Scheduled for release on Tuesday, Sept. 30, it’s a “celebration” of his 40 years in show biz. As often is the case with such celebrations, the record is overrun with guest stars. In this case, the results are decidedly mixed.

The record kicks off with a thud: a surprisingly flat cover of Slim Harpo’s “Scratch My Back.” There’s also a boring Caribbean-flavored ballad featuring Taj’s daughter Deva Mahal and Los Lobos and a duet with Jack Johnson, a champion prizefighter who’s been dead since 1946. (Wait ... that’s a different Jack Johnson. Sorry. )

Though the Ben Harper duet, “Dust Me Down,” isn’t bad, I was about to yank the CD out of my changer at the end of “Black Man, Brown” an old Taj song sung here with Ziggy Marley. But I let it play through the pretty but ultimately inconsequential “Zanzibar,” a collaboration with African musicians Angélique Kidjo and kora player Toumani Diabaté.

And then, once Taj gets the world-beat weenie stuff out of his system, he lowers the boom. Los Lobos is back, and it sounds like the band woke up — with a vengeance. “TV Mama” is a hard-edged rocker, with Taj playing a mean harmonica and David Hidalgo showing that slide guitar is yet another of his many talents.

Even better is the next track, “I Can Make You Happy,” backed by The New Orleans Social Club, which includes Henry Butler on piano and Ivan Neville on organ. Taj uses his Howlin’ Wolf voice on this dusky stomper. If the entire album were as strong as these two numbers, Maestro would probably be blues album of the year.

Nothing else matches this middle section of tunes, though the rest of the album is much stronger than the first half. I especially like the Dixieland-flavored “Slow Drag” and the back-alley snarler “Strong Man Holler.”

Thursday, September 25, 2008

FERNANDO C de BACA RESIGNS

The dance of death is over for the Bernalillo County Republican chairman.

Peter St. Cyr has a complete interview on his audio blog.

The state GOP -- which has been calling for C de Baca to step down just issued this response:

"I have been informed Fernando C de Baca has submitted his resignation as county chairman. Mr. C de Baca has worked hard on behalf of the party, and his contributions should be appropriately recognized. We are glad this matter has been resolved and wish him well," said (state GOP Chairman) Allen Weh .

"Fernando C de Baca has served as Bernalillo County Republican Chairman since 2005. Prior to retiring from federal service, he held a variety of positions in both state and federal governments. He also served our country with distinction during the Vietnam War as a member of the US Army."

Scroll down a couple of posts to read my column about the situation (or CLICK HERE)

CAROLINE AT AIRPORT ROAD EVENT


Caroline Kennedy, daughter of the late President Kennedy, will appear Friday at PC's Restaurant & Lounge for a campaign function for Democratic presidential hopeful Barack Obama.

The event is being billed as a "debate watch party," Alfred Johnson, Obama's campaign director for Northern New Mexico, told me late Wednesday — although she's scheduled to appear at the Airport Road eatery at 4 p.m., while the debate starts at 7 p.m.

Kennedy, who co-chaired Obama's vice-presidential selection team, also has scheduled a debate-watching fundraising event and reception at the home of Debbie Fleischaker. The cost: $1,000 per person. Later that evening, Kennedy is scheduled to attend a dinner at the Santa Fe home of Paul Bardacke and Lisa Enfield. Cost for that event is $10,000 per person.

More details about the PC's event should be available today, Johnson said. PC's is located at 4220 Airport Road.

UPDATE: (Thursday afternoon) The Obama campaign now is saying the event is at 4:30 p.m. It's being billed as a "debate watch party and volunteer training." Kennedy is scheduled to be there until 5:45 pm.

Wednesday, September 24, 2008

ROUNDHOUSE ROUND-UP: PEARCE SAYS C de BACA SHOULD GO

A version of this was published in The Santa Fe New Mexican
September 1, 2008


U.S. Rep. Steve Pearce on Wednesday became the latest major Republican in New Mexico to call for the resignation of Bernalillo County GOP chairman Fernando C de Baca over remarks concerning Hispanic attitudes toward black people.

“Fernando is a friend and a good friend,” Pearce told me in a telephone interview. “He’s done a lot of good for the Republican Party in Bernalillo County. But the comments were very unfortunate. I feel like it’s affecting the party. I called him and told him there’s no way he should continue as county chairman.”

Pearce joins U.S. Sen. Pete Domenici, state GOP chairman Allen Weh and others who have called for C de Baca to step down.

The controversy started when C de Baca told a British Broadcasting Corp. reporter in an interview last week that Democratic presidential candidate Barack Obama won’t attract Hispanic support. “The truth is that Hispanics came here as conquerors. African Americans came here as slaves. Hispanics consider themselves above blacks. They won’t vote for a black president.”
THE CONQUISTADOR
In a taped interview with the BBC (courtesy KSFR) , C de Baca said older Hispanics won’t support Obama “primarily because there is a strong feeling that African Americans during the civil-rights movement took advantage, full advantage, of all the benefits and programs that the government offered, that were supposed to be offered to all minorities. But we were left behind. We were left sucking air. And we resented that ever since the ’60s, and I don’t see how a black president is going to change that.”

C de Baca has since claimed his comments were taken out of context. He said he was referring to views held by older Hispanics.

Pearce said Wednesday that he met Saturday morning with C de Baca about the controversy. “My understanding then is that he would be stepping down.” Since then, however, the Bernalillo County Republican Party executive board gave C de Baca a vote of confidence.

Republicans aren’t the only ones to offer opinions on C de Baca’s interview. Pearce’s Democratic Senate opponent, Rep. Tom Udall, released a statement Wednesday calling the chairman’s statements “insulting and disgraceful.”

“We boast New Mexico’s long-standing minority-majority status because of our immense pride in our vibrant diversity. Chairman C de Baca’s comments are not only demeaning to the people and pride of New Mexico, they perpetuate and validate racism. These words are unacceptable for any official who represents our great state.”

Although C de Baca probably is the first to bring up the conquistador/slave argument, others have talked about the reluctance of some Hispanics, especially older people, to support Obama. In an interview at the Democratic National Convention in Denver last month, state labor leader Christine Trujillo — an Obama supporter — told me the candidate needs to do more to reach out to Hispanics. She said while younger members of her family enthusiastically favor Obama, older family members are having a difficult time accepting him.

However, recent polls show Obama doing better with Hispanics in New Mexico than John Kerry did in 2004. The North Carolina-based Public Policy Polling did a poll of 1,037 likely voters in New Mexico late last week that showed Obama winning 59 percent of the Hispanic vote compared with John McCain’s 35 percent (margin of error 3 percent). A SurveyUSA poll taken a couple of days before shows Obama winning the Hispanic vote by a margin of 69 percent to 28 percent (671 adults interviewed, margin of error 3.9 percent).

Where the heck is the guv? Gov. Bill Richardson might have the “best job in the world” as governor of New Mexico, but he sure hasn’t been here very much during the political season.
BILL RICHARDSON in DENVER Aug. 2008
What’s frustrating for reporters is that often we don’t find out about Richardson’s out-of-state trips until we see items in Google News alerts. The governor’s press office has basically stopped releasing weekly public schedules for Richardson. Generally, there is no advance warning of political trips, despite our requests.

The attitude of the office seems to be that it’s nobody’s business when the governor is in the state or not.

Anyway, here’s the latest of Richardson’s treks:

After campaigning for Obama in Colorado this weekend, he appeared Monday in Reading and Bethlehem, Pa. In Bethlehem, he spoke to the Council of Spanish Speaking Organizations.

And, speaking of Fernando C de Baca, one Obama volunteer there told Richardson that some Democrats are reluctant to vote for Obama because of his race, according to an article in The Morning Call, an Allentown, Pa., paper. “In conversations with some of these people, it seems undecided is just an excuse for what their real hesitation is for voting for Sen. Obama,” Melba Tolliver told Richardson.

Richardson, according to The Morning Call, said, “Is there going to be a certain percent who is not going to support Obama because of his race? Yes, probably. But you know I think this has become a very tolerant nation.”

The next day, Richardson was in New Hampshire, where in January he saw his own presidential candidacy die when he finished a distant fourth in the Democratic primary. He had speaking engagements in Manchester, Nashua and Laconia, according to news accounts.

At least we know, from an account in PolitickerNH.com, that Richardson is scheduled to be in Mississippi on Friday for the presidential debate.

“My role is going to be what’s called a spinner. I will declare, don’t write this down, John, Obama the victor before the debate starts,” Richardson said. “John” is political reporter John DiStaso of the New Hampshire Union Leader in Manchester, who was covering the speech.

Richardson was in New Mexico on Wednesday. He had a news conference at Isleta Pueblo to announce the recipients of $2.8 million in capital outlay funding to help restore and improve the health of rivers in the state.

Sunday, September 21, 2008

TERRELL'S SOUND WORLD PLAYLIST

Sunday, September 21, 2008
KSFR, Santa Fe, N.M.
Webcasting!
10 p.m. to midnight Sundays Mountain Time
Host: Steve Terrell

101.1 FM
email me during the show! terrell@ksfr.org

SUPPORT THE KSFR FALL FUNDRAISER!
Call me during the show 505-428-1382 or PLEDGE ONLINE

OPENING THEME: Let it Out (Let it All Hang Out) by The Hombres
It's Money That I Love by Randy Newman
Money Money by The A-Bones
Money (That's What I Love) by Jerry Lee Lewis
I Need Some Money, I Want Some Money by Swamp Dogg
Money Won't Change You by James Brown
Before the Money Came by Bettye Lavette

Maniac Rockers From Hell by The Meteors
Chocolate Drop by Howlin' Wolf
(I'm Not Your) Scratchin' Post by The Dirtbombs
Cab it Up by The Fall
Vampiro by Los Peyotes
Seething Psychosexual Conflict Blues by Figures of Light
Only to Other People by The Detroit Cobras
Addictos Al Ye Ye by The Hollywood Sinners
Dos Hojas Sin Rumbos by Al Hurricane

BRIAN WILSON SET
All songs by Brian Wilson except where noted
That Lucky Old Sun/Morning Beat
Heroes & Villains by The Beach Boys
My Jeanine by Brian Wilson & Van Dyke Parks
Rio Grande
Cabin Essence
Add Some Music to Your Day
Still I Dream of It
Surf's Up by The Beach Boys
Going Home

Meth of a Rockette's Kick by Mercury Rev
Always by Leonard Cohen
CLOSING THEME: Over the Rainbow by Jerry Lee Lewis

Saturday, September 20, 2008

NOW HERE'S A REAL POLITICAL AD.

I did laugh yesterday at the punchline of Tom Udall's new Senate campaign ad with the parrot. ad.

But that's not my favorite political ad I've seen lately. That would be a 2006 ad by Republican Paul Nelson who ran unsuccessfully against Democratic Congressman Ron Kind in Wisconsin.

Now this is an ad! (Thanks to Mark Wolf of Rocky Talk Live.)



UPDATE: (Sunday) I just found this 2006 story from the Milwaukee Journal Sentinel that sheds some light on this ad. Turns out that it's based on a near identical version that popped up in a North Carolina race. Could New Mexico be next?

I SHOULDA POSTED THIS EARLIER ...

There's no Santa Fe Opry playlist tonight because the show was pre-empted by the live broadcast of Globalquerque.

I'll be back on the air Sunday nigth with Sound World and back witrh the Opry next Friday.

Friday, September 19, 2008

OBAMA IN ESPANOLA

OBAMA IN ESPANOLA

You can find my story in today's New Mexican HERE.

I took a few snapshots. You can find those HERE.

BUTTONS

Thursday, September 18, 2008

TERRELL'S TUNE-UP: LIFE OF BRIAN

A version of this was published in The Santa Fe New Mexican
September 19, 2008



If Brian Wilson's new album, That Lucky Old Sun, truly were the follow-up to Smile, I could see why it would be considered something of a sophomore slump.

That Lucky Old Sun is Wilson’s first album since Smile. (not counting his 2005 Christmas album). But let’s be real. Smile is a bizarre masterpiece that Wilson first began working on more than 40 years ago with The Beach Boys. It was rescued and revived four years ago by Wilson, with the loving, patient, and determined assistance of members of his band Wondermints. (Wilson fans should, if they haven’t already, immediately get their hands on the DVD Brian Wilson Presents Smile. I came away respecting his young band mates nearly as much as I respect Wilson himself.) Smile is in a class by itself, but you shouldn’t hold that against this new album.

It could be argued that, on the surface, That Lucky Old Sun sounds like a follow-up to Smile. Both albums are song cycles featuring recurring musical themes, tunes ranging from the whimsical to the melancholy, and obvious references to longtime Wilson sources like Phil Spector and The Four Freshmen. You hear strains of doo-wop, barbershop, California pop, quasi-chamber music, and lounge sleaze. The lyrics are frequently clunky — but that’s been true ever since Wilson, now in his mid-60s, was a little-bitty Beach Boy.

The tune for which the album is named, which appears as a brief introduction and reappears in short snatches elsewhere in the album, is indeed that old Frankie Laine hit. My initial encounter with the song was Ray Charles’ version in the 1960s. I was just a kid, and this big-orchestrated production was one of the first times a song actually made me sad. I could feel the depths of sorrow and frustration as Charles sang, “I fuss with my woman and toil with my kids/Sweat ’til I’m wrinkled and gray/I know that lucky old sun has nothin’ to do/But roll around heaven all day.”

But Wilson’s version of the song doesn’t evoke the same level of sadness or world-weariness. There’s no fussing or toiling here. Wilson’s take is fortified by a strange optimism, as if he’s saying, “If you’re lucky, you can be like the sun and roll around heaven all day.”

The first half or so of the record is an update of one of Wilson’s longest-running themes — his love for Southern California. It’s a celebration of Los Angeles, from the beach to the barrios to Hollywood Boulevard. “The sun burns a hole through the 6 a.m. haze/Turns up the volume and shows off its rays/Another Dodger-blue sky is crowning L.A.,” Wilson sings in the peppy “Morning Beat.” You almost expect him to intertwine pieces of Randy Newman’s “I Love L.A.”

But in the second half, Wilson gets more interesting as he begins to confront himself about his infamous “lost years” of mental illness. “At 25 I turned out the light/Couldn’t handle the glare in my tired eyes,” he sings in “Going Home.”

In “Oxygen to the Brain,” he moans, “How could I have got so low/I’m embarrassed to tell you so/I laid around this old place/I hardly ever washed my face.”

Then there’s “Midnight’s Another Day,” in which he sings, “Swept away in a brainstorm/Chapters missing, pages torn.”

Alas, there are aspects of this album that prevent it from being a classic. For instance, the silly doggerel “narratives” that pop up between some songs are corny and annoying. Surprisingly, they are written by Smile lyricist Van Dyke Parks. Sadly, they are Parks’ only contributions to the record.

“Mexican Girl,” about some lovely señorita in East Los Angeles, is downright embarrassing — at least the lyrics are. “Hey bonita muchacha/Don’t-cha know that I want-cha. ... You have my sacred heart/We’ll finish at the start.”

And while the music of “Forever She’ll Be My Surfer Girl” isn’t bad, the self-referential sentimentality is a little much for these jaded ears.

So no, That Lucky Old Sun is not in the same league as Smile. But consider this: even though Beethoven’s Sixth is no Beethoven’s Fifth, it’s still Beethoven.

Bonus:

Steve Terrell’s Brian Wilson List
* Best Brian Wilson Song of All Time: “Surf’s Up,” co-written by Van Parks. My favorite version of this song, originally written for Smile, is the one that appeared as the title song of the Beach Boys’ 1971 album.
* Best Brian Wilson Song of All Time Runner-Up: “Heroes and Villains.” My favorite version is from the original Smile sessions; it appears on the Beach Boys’ 1993 box set, Good Vibrations.
* Best Cover of “Surf’s Up”: David Thomas & Two Pale Boys.
* Worst Cover of “Surf’s Up”: Vince Gill, Jimmy Webb, and David Crosby on the DVD An All-Star Tribute to Brian Wilson.
* Weirdest Brian Wilson Song: “Rio Grande,” from his self-titled 1988 album. It sounds like the soundtrack for an imaginary theme-park ride based on a Western starring Pee-wee Herman.
* Saddest Brian Wilson Song: “Still I Dream of It.” My favorite version is the lo-fi demo track on I Just Wasn’t Made for These Times.
* Best Brian Wilson Celebrity Ode: “Johnny Carson,” from The Beach Boys Love You.
* Best Ode to Brian Wilson: “Brian Wilson” by Barenaked Ladies
* Best Brian Wilson Song I Don't Care If I Never Hear Again in My Whole Life: “Good Vibrations.” It’s a great song, but Sunkist ruined it for me years ago.
* Best Brian Wilson Song That’s Not Really a Brian Wilson Song: “Meth of a Rockette’s Kick” by Mercury Rev.
* Best Brian Wilson Radio Tribute: This Sunday at 11 p.m. on Terrell’s Sound World, KSFR-FM 101.1.

Bonehead correction: This is embarrassing, but I got the title of the Zeno Tornado album reviewed in last week’s Tune-Up wrong. (I corrected it in my blog) The correct title is Rambling Man, which appears in near illegible letters on the cover. I called the album Lover of Your Dreams, which is the name of the first song. And this is what confused me: It’s also the name of a previous Tornado album

TERRELL'S SOUND WORLD PLAYLIST

  Sunday, May 19, 2024 KSFR, Santa Fe, NM, 101.1 FM  Webcasting! 10 p.m. to midnight Sundays Mountain Time Host: Steve Terrell Ema...